I do not know if it was on this identical road between Ferrybridge and

Pontefract that Edward IV. and Warwick rode out to the field of Towton;

it was in any case on a very different surface. The town of Pontefract

itself is strangely unimposing for a place of such great renown; the

houses are unpicturesque, the surrounding country dull. Yet Camden says

it is sweetly situated, and is remarkable for producing liquorice.

There are other things for which Pontefract has been remarkable in its

day; but as we mount the slope into the long, straggling town there is

little to show that it has ever been concerned with affairs of more

vital importance than liquorice. There is, it is true, a fine church

greatly ruined on our right, which has the air of having lived through

a good deal. It was battered to pieces in the course of three sieges,

and the transept only has been rebuilt. The strange Perpendicular

tower, of which the lower part is square and the upper octagonal, seems

oddly enough to have suffered less than the body of the building,

for it has been very little restored. This church of All Saints was

connected with a religious house whose brethren served the castle

chapel; but it was not the abbey that Camden "industriously omits" from

his description of Pontefract, because even in his day there was hardly

a sign of it left. In his day the walls of this forlorn nave were still

unbroken, and rising high above it on the hill were all the towers of

the castle, a splendid cluster, with the great Norman wall encircling

them, and the Round Tower of Ilbert de Lacy tallest of all. Of this

"high and stately, famous and princely impregnable castle and citadel,"

as it was called only a few years before the Civil War, there is

deplorably little for us to see. Hardly one stone was left upon another

by General Lambert. The _débris_ were heaped over the foundations, soil

was spread over all, and the sinister fortress whose walls had echoed

the sighs of royal prisoners and the last groan of a king, the "guilty

closure" that was drenched with blood and tears, was devoted to the

rearing of silkworms and other such innocent uses. During the last

century, however, a good deal was excavated, and we may without great

difficulty find out the scene of much that has happened here.

[Illustration: NORMAN DOORWAY IN PONTEFRACT CASTLE.]

"Oh, Pomfret! Pomfret! O thou bloody prison,

Fatal and ominous to noble peers!"

The names of those to whom it has been fatal make a long list. The most

illustrious name on that list is Richard Plantagenet.

That Richard was by some means done to death in this castle is, I

believe, certain; but how he died and where is unknown. The old tale

that tells how Sir Piers Exton and his eight men rushed into the room

where the imprisoned king was dining, and how Richard "right valiantly

defended himself," but was finally struck on the head with a poleaxe

by Sir Piers, who "withal ridded him of his life in an instant," was

discredited when Richard's grave at Westminster was opened, and the

skull, which was perfectly preserved, showed no mark of a blow. Another

theory is the one believed by Northumberland and Harry Hotspur, who

accused Henry IV. of having traitorously caused their sovereign lord

and his "with hunger, cold, and thirst to perish, to be murdered." If

we skirt the lawn-tennis court and turn down a little path to the left

we shall find, behind the raised bowling-alley, a fragment of vaulted

ceiling and a wall with three little recesses in it. This is reputed

to be Richard's prison. I do not know if there be any real evidence

that it was so. There is certainly not the evidence of a continuous

tradition; for until the siege destroyed it a room in the round tower

was shown to visitors as the scene of Piers Exton's fabulous exploit

with the poleaxe--a room in which there was a post all hacked and cut

by the blows aimed at the King! When the post disappeared the scene of

Richard's death moved to this Gascoign Tower where we see the vaulted

ceiling. It is curious how often the only fragment left of a building

happens to be the scene of the event in the building's history that is

most likely to appeal to popular sentiment. One grows suspicious of

local traditions!

Richard II. was not the only prince to be imprisoned in Pontefract

Castle. James I. of Scotland was here, and with him were the Dukes

of Orléans and Bourbon and other prisoners taken on the field of

Agincourt. Henry V. was a little anxious at one time lest he should

lose "the remnant of his prisoners of France," for a plot was on foot

to rescue them. "I will," wrote the King, "that the Duke of Orléans

be kept still within the Castle of Pomfret, without going to Robert's

Place or to any other disport; for it is better he lack his disport

than we were deceived of all the remnant."

Of all those who actually met their death here Thomas Earl of

Lancaster--he whom Gaveston called the Actor--had the hardest fate. The

place belonged to him, and he had done much for it. Among other things

he built or repaired the tower called Swillington, the tower that was

destined to be his own prison, whose fragments we may see down there

guarding the moat on the north side. His hatred of Gaveston and the

Despencers, Edward II.'s favourites, brought him to this plight; to

this dark tower whose walls he had made so thick, whose entrance was a

trap-door in the roof; to his mock trial by his enemies in the great

hall that stood here on the north side of the lawn; to his condemnation

and ignominious death. It was here within this court, somewhere near

the northern boundary wall, that he stood facing the Despencers as

they venomously sent him to the block; it was here that he uttered his

last despairing words: "Shall I die without answer?" Then they muffled

his head in an old hood and set him, the King's uncle, on "a lean mare

without a bridle," and so led him out among the mocking soldiers to

his death. We can see, from the castle ramparts, the hill where he was

beheaded. It is called St. Thomas's Hill to this day, for later on he

was canonised and his grave in St. John's Priory became a shrine. The

site of the priory--the monastery that Camden industriously omitted--is

between the hill and the castle.

Pontefract was fatal to many of Edward IV.'s followers and kin. Before

his final triumph at Tewkesbury some of his supporters were imprisoned

here. "John Pylkyngton, Mr. W. att Cliff, and Fowler ar taken," we read

in the Paston Letters, "and in the Castyll of Pomfrett, and ar lyck to

dye hastyly, withowte they be dead." Very hastily, too, and without

trial, Edward's brother-in-law Lord Rivers, and stepson Sir Richard

Grey died here by order of Richard III.

It really seems as though there had been something sinister in the

atmosphere of this place. Even its one gay memory--the visit of Henry

VIII. and his fifth bride--is overshadowed by the scaffold; for it was

here that Katherine Howard put a weapon into her husband's hand by

making Francis Derham her private secretary.

Indeed Pontefract has no cheerful annals: they are all of battle,

murder, and sudden death. There was very little bloodshed, I believe,

when the leader of the Pilgrimage of Grace took the castle; but who can

guess how many died during the three sieges of the Civil War? The place

was Crown property, but after two sieges it surrendered to the army of

the Parliament. It is rather difficult to ascertain by what particular

form of treachery it was recovered by the Royalists. The deed was

done, in any case, by one Colonel Marris, whom Clarendon describes

as "a stout and bold undertaker in attempts of the greatest danger."

Stout and bold he certainly was, but not very attractive; for he began

by deserting the royal cause, and then, when he wished to turn his

coat again, was enabled to carry out his plot by his close friendship

with the governor. Being always welcome he made friends with some of

the guard. The garrison, as it happened, needed new beds, so when

Marris and some others appeared at the gates laden with beds they were

admitted at once. They carried the beds into that solid-looking house

that was on our right as we entered the castle, the house that bears

the arms of Lancaster over the door. It was the Main Guardhouse. There

they flung the beds upon the floor and overpowered the friendly guard.

So Pontefract came back to the Crown, the Parliamentary garrison were

imprisoned in the magazine, and the third siege began. The magazine in

which Colonel Cotterell and his men lived for eleven weeks is under the

lawn-tennis court. If you borrow a taper from the custodian you can go

down into it, and read, on the wall of the staircase, the names that

some of these soldiers cut in the stone.

When the time came for discussing terms of surrender General Lambert

said that Marris and five others must be given up to him. The governor

asked and was granted six days in which the six men might do their

best to escape. On the fifth day they had all disappeared and the

garrison surrendered. Two of the six, however, were still within the

castle, in a secret place beneath the Pipe Tower, which stood over

there beyond the Norman Keep. They were walled up "with great store of

waste stones," and had food for a month beside them. The situation was

a critical one. They heard their garrison march away, some to Newark,

some to the enemy's camp, some to their homes, the officers with their

horses and arms, even the men with Portmantles and Snapsacks; heard the

rumbling of the three waggons that carried the wounded; heard, during

ten awful days, the incessant clamour and crash of the first hurried

dismantling of the castle, the clamour that might be their death at any

moment; heard at last the withdrawal of the Parliamentary troops. Then

they took down their wall of waste stones, and stole away.

These men who imprisoned themselves were the last prisoners of

Pontefract Castle, for after this the historic ground was sown with

liquorice; but the Main Guardhouse was spared, as we see, and for

another century or two kept up the gloomy traditions of the place as a

prison.

The country that lies between Pontefract and Beverley is by no means

beautiful. It is so aggressively dull that it may almost be called

ugly. It is not for the sake of the scenery, truly, that we cover so

many miles of Southern Yorkshire, but chiefly for the sake of Beverley

Minster; and there are many, no doubt, who will prefer to make York or

Pontefract the last stopping-place of their tour. Those who do not care

for historical memories unless there be something beautiful connected

with them I advise to drive across from York to Beverley by the most

direct road.

Half-way between Pontefract and Knottingley we have once more a

flashing glimpse of the Great North Road and the immense signposts

that mark its dignity, and are in themselves a lesson in geography; at

Chapel Haddlesey we cross a toll-bridge. These are the only incidents

on this singularly uneventful route until we reach Selby; but as all

good motorists very well know, the road without incidents is often as

happy as the country without history, and the particular road that lies

through these melancholy fields and unattractive villages is very fine.

Those who depend on horses or trains cannot vary their speed according

to the beauty of the country, but to us is given the special joy of

sauntering through lovely landscapes and hurrying on when there is

nothing to be seen.

In 1906 the name of Selby was brought into tragic prominence by the

fire that made its abbey roofless and "only not a wreck." But as there

are disastrous victories so there are beneficent calamities; and Selby

Abbey, it seems, whose restoration has already been a triumph of

energy, will soon be more complete than it has been since 1690, when

the tower fell and ruined the south transept.

This grand church is the work of many hands. It is a mixture of

every style of architecture, both within and without: Early Norman,

Transition, Early English, Decorated, Perpendicular. The west front,

for instance, has a splendid Norman doorway with five mouldings, and

above it an Early English window filled with Perpendicular tracery. No

part of this building was raised by the founder; and indeed it was not

to this exact spot, but nearer to the Ouse, that Benedict of Auxerre,

bringing with him "the glorious finger" of St. Germanus and the memory

of a heavenly vision, came to set up his hut. The first benefactor of

the foundation was the man who presented a tent to shelter the relic,

round which a cluster of wooden buildings grew, and formed the first

monastery of Selby. William the Conqueror gave land, and a charter, and

many privileges; and Abbot Benedict won from the Pope the much-coveted

honour of the mitre. William's charter was dated the year after the

birth of Prince Henry, and its great generosity, it is said, was

prompted by the fact that Selby was the birthplace of this favourite

son of the king, Henry the fine scholar, Henry the lion of justice. To

him, says an old chronicler, "Almighty God gave three gifts--wisdom,

victory, and riches." Yet his wisdom failed him, alas, in the matter of

lampreys!

[Illustration: WEST DOORWAY OF SELBY ABBEY.]

It was Abbot Hugh, a member of that great house of de Lacy which gave

so many fine buildings to England, who raised the abbey on the spot

where it still stands. That massive pillar at the east end of the nave,

the pillar with the spiral mouldings, was part of his work. It is even

possible that some of its stones were actually laid in their places by

his strenuous hands, for he worked with the builders. It is a fine

picture--the beautiful pillar rising course by course towards the open

sky, as Hugh de Lacy, abbot and noble, with infinite care and reverence

fixed each stone in its place with a hymn of praise.

The later abbots, the three who in the fourteenth century raised the

choir that has been called peerless, were men of another fashion--not

especially humble--members of Parliament, entertainers of kings, men

of the world. Yet to them, too, we owe much gratitude for all this

splendour of ornament, these capitals and bosses, this great east

window, this flowing parapet that is so often repeated. And, as a

nation, we owe gratitude to all those whose work or money has helped in

the recent restoration.[7]

There is nothing but the abbey itself to keep us in Selby. There is

no sign by which we may know the spot where Sir Thomas Fairfax, by

defeating the Royalists and capturing their colonel, first made his

name honoured. We do know, however, that he and his troops marched

to Selby on that occasion by this wondrously level road upon which

we drive away. For the first mile or so, until we turn away from the

Ouse, we are on the road that used to be, in the old coaching days,

called the lower road to York. It diverges from the Great North Road

at Barnet, and though not the main highway, was the more direct route,

and therefore the one chosen by those who were in a hurry. It is for

a very short time that we are on it; but surely, for a moment, above

the humming of the engine, above the rushing of the wind, we hear the

ringing of Black Bess's hoofs.

Five level miles bring us to the door of Hemingborough Church, which

is large and renowned, but of a dreariness so gaunt and bare that it

altogether fails to charm. Its walls, unsoftened by creepers, rise

from the treeless landscape in uncompromising severity; and inside the

building the colourless effect is equally depressing, in spite of some

fine woodwork. The tall and slender spire is really beautiful, however,

and may be seen for miles across the plain.

To visit Wressle Castle we must leave the direct road to Howden,

turning to the left immediately after crossing the Derwent. Here again

the sad landscape seems to have infected the building. Theoretically it

has all the elements of romance, and to read of it without seeing it

is to conjure up a picture of decaying splendour, of venerable walls

eloquent of revelry and war, a picture worthy of the great names of

Percy and Lacy and Seymour. A castle founded by that Earl of Worcester

whose headless body lies in Shrewsbury Abbey because he fought for

Richard II.'s lost cause, a castle that has seen all the might of

the Northumberlands and all the tragedy of civil war, must surely

have "the grand air." So one thinks till one has seen Wressle. In the

background is a building, shabby but not ruined; in the foreground is a

cabbage-patch.

Yet once this place was all magnificence, made "al of very fair and

greate squarid stone both withyn and withoute." Leland tells us of

its halls and great chambers, and its five towers, and its brewhouse

without the wall, and its "botery, pantery, pastery, lardery, and

kechyn." All these things were exceedingly fair, he says, and so were

the gardens within the moat and the orchards without. It was here where

the cabbages are that those fair gardens grew. And in the orchards were

mounds, "writhen about with degrees like turninges of cokilshilles,

to cum to the top without payn." Most fondly of all he describes the

"study caullid Paradise," with the ingenious device of ledged desks

for holding books. There, looking down upon us from the upper part of

the tower nearest to the road, are the empty windows of that Paradise

whose inhabitants were driven out of it for ever by the flaming sword

of Civil War.

This is only a fragment of the original castle. The Northumberlands

needed a considerable amount of house-room, for they had, it appears,

two hundred and twenty-nine servants. There were gentlemen to wait

before noon and gentlemen to wait after noon, and gentlemen to wait

after supper; there were yeoman officers, and groom officers, and

grooms of the chambers; there was a groom for brushing clothes, a

groom of the stirrup, a groom to dress the hobbies and nags, a groom

to keep the hounds, a groom to keep the gates, and an endless list of

others. The day came when the servants in this house were called upon

by the Parliament to demolish it themselves, and were given a month

to do it in. This one side of the quadrangle was all they left. It is

possible, I believe, to climb one of the towers to see the view--but I

cannot think it desirable. The view from the bottom of the tower is not

so attractive as to make one wish for more.

A very great relief to the eye is Howden, about three miles further on.

The town itself is not without a certain degree of picturesqueness,

though it was scarcely a happy thought to surmount the ancient steps

of the cross in the market-place by a modern street lamp. However,

from that same market-place we see, behind the red houses, the ruined

gable-end of the church that is Howden's pride, whose lovely tower is

one of the landmarks of the plain. The peculiarly slender and graceful

effect of this tower is partly owing, I think, to the unusual height

of the lower stage compared with the upper. Those tall lancets were the

work of Walter Skirlaw, Bishop of Durham, whose palace stood over there

to the east of the church, where the pretty gardens are. If we venture

a little way on foot along that lane at the corner of the square, we

may see, without trespassing, the beautiful old ivy-covered wall and

the blocked gatehouse with the shield upon it, within which the bishops

of Durham were wont to seek rest and change. Camden's tale, to the

effect that Bishop Skirlaw built "the huge tall steeple" as a refuge

for the inhabitants in times of flood, need not be believed; it was

probably the invention, as a certain quaint old book suggests, of "some

doating scribe, desirous of assimilating the steeple of Howden Church

to the tower of Babel."

In the thirteenth century the Archbishop of York, seeing that this

church was "very wide and large," and rich enough to support "many

spiritual men," made it collegiate. Hence arose the need for the

chapter-house that Walter Skirlaw built on the south side of the

choir, and made so wonderfully beautiful that even now, robbed as it is

of its groined roof and much of its rich ornament, it dwells in one's

mind as a thing apart. The Decorated choir, which was first the work

and afterwards the shrine of the thirteenth-century poet, John Hoveden,

is itself a ruin; for when the church lost its prebends and its riches

in the reign of Edward VI. there was neither need nor means left for

keeping this part of the building in repair. The nave is still the

parish church.

[Illustration: CHAPTER HOUSE, HOWDEN.]

After leaving Howden we have to pass, with what speed we may, over

ten more miles of absolutely level, absolutely uninspiring country.

Then we go through North Cave, where George Washington's ancestors

used to live; and at last the road begins to rise over Kettlethorpe

Hill. The flat land is laid out like a map below us; far away upon the

horizon--which is level as the sea--rises "the huge tall steeple" of

Howden; and between the plain of Yorkshire and the rising-ground of

Lincolnshire are the sullen waters of that great river that has brought

England so much of her prosperity. Not always, however, has the Humber

brought prosperity. More than a thousand years ago the fleet of the

avenging Danes, Hinguar and Hubba, swept up between these low banks,

to lay this rich country waste. Right into the heart of the land they

sailed, and ceased not to destroy till all the country of the fens was

desolate. Now this calamity and much more besides--the destruction of

Lindisfarne and Whitby, of Croyland and Ely and Peterborough, and the

death of St. Edmund the King--was brought about by the jealousy of one

obscure individual. For Lothbroc the Dane, being a guest at Edmund's

Court, had showed so much skill in the trapping of birds and beasts

that the King's head-keeper, as one may call him, was "inflamed with

mortal envy." So he slew Lothbroc treacherously. Then the King sent

the murderer to sea in a little boat, without sail or oars, and the

boat drifted to the shores of Denmark. And the wicked keeper sought the

sons of Lothbroc, whose names were Hinguar and Hubba, and told them

that their father had been slain by order of King Edmund. So Hinguar

and Hubba swore by "their almighty gods that they would not leave that

murder unpunished"; and verily they fulfilled their oath.

Two hundred years later another Dane, Sweyn of the Forked Beard, "a

cruel man, and ready for the shedding of blood," sailed up to conquer

the north. Just beyond that island that lies close to the left bank,

where we see the Ouse suddenly widen into the Humber, Sweyn turned into

the river Trent. And "all England groaned like a bed of reeds shaken by

the west wind."

At the top of the hill we pass through a wonderful avenue of beeches

and sycamores; then run down a long and pleasant slope into Walkington;

and soon the blue towers of Beverley appear.

The brief run across the common above Beverley will probably be the

last of our memorable moments in Yorkshire: the last of those memories

which we motorists--while the days are long and the winds are soft and

the engine purrs contentedly hour after hour--hoard up to enjoy again

and again, not only through the winter but through the years. This

particular moment is a very short one; but it will be long, I think,

before we forget the beauty of the town of Beverley as it lies in the

blue dusk of a summer evening, with its matchless towers dominating it.

Yes, surely, they are matchless! See how the straight, clean lines of

their tall buttresses--those parallel lines that are repeated again

and again in the Perpendicular panels, and even in the deep shadows

cast by the masonry--give the impression of slenderness and height. Not

anywhere, not at Lincoln, not at York, are there towers of a design so

complete and finished, of a simplicity so exquisite. Nowhere else does

the accumulation of straight lines produce so rich a whole; nowhere

else are the very shadows used to enhance the effect. There is much

that is beautiful in Beverley Minster, but in the main it is these

twin towers that are going to be our compensation for all those miles

we have driven between flat fields, "enclosid," as Leland says, "with

hegges."

The monastery of Beverley was founded, or at all events much frequented

in the eighth century, by a certain Archbishop of York, who retired

hither "out of a pious aversion to this world," and has been known

ever since as St. John of Beverley. Bede's account of this saint is

well worth reading. He was a man of many miracles, of much kindliness,

of some sharpness of tongue. Never was there a saint of so much

commonsense, mingled with the compelling power that works miracles in

every age. There was a "dumb boy," for instance, who had also a sore

head. The archbishop divined the nervous nature of the dumbness, and

cured it so thoroughly that the youth talked incessantly for a day and

a night, as long as he could keep awake. Then the archbishop "ordered

the physician to take in hand the cure of his head." The shrewd saint

recognised his own limitations. On another occasion he was brought to

heal a dying nun. "What can I do to the girl," he asked tartly, "if she

is like to die?"

[Illustration: BEVERLEY.]

Such was St. John of Beverley, of whom we may see a picture, though

not, I fear, a portrait, in the south transept of this minster.

It represents him receiving from King Athelstane a charter with a

portentous seal and the following legend:--

"Als fre make I the

as hert may thynke

or egh may see."

Motor tours in Yorkshire · 第 8 / 9 段