CHAPTER IV.

SCHOOL DAYS--THE MUSICAL SIDE--THE SCHOOLMASTER.

§ 24. We will approach this side of the question by quoting the famous

description of Greek education in Plato’s “Protagoras,”[18] which will

recall to the reader the general problem, so apt to be lost or obscured

amid details. “Education and admonition commence in the very first

years of childhood, and last to the very end of life. Mother and nurse

and father and tutor (παιδαγωγός) are quarrelling about the improvement

of the child as soon as ever he is able to understand them. He cannot

say or do anything without their setting forth to him that this is

just and that is unjust; that this is honorable, that is dishonorable;

this is holy, that is unholy; do this, and abstain from that. And if

he obeys, well and good; if not, he is straightened by threats and

blows, like a piece of warped wood. At a later stage they send him to

teachers, and enjoin them to see to his manners even more than to his

reading and music; and the teachers do as they are desired. And when

the boy has learned his letters, and is beginning to understand what

is written, as before he understood only what was spoken, they put

into his hands the works of great poets, which he reads at school; in

these are contained many admonitions, and many tales and praises, and

encomia of ancient famous men, which he is required to learn by heart,

in order that he may imitate or emulate them, and desire to become like

them. Then, again, the teachers of the lyre take similar care that

their young disciple is steady and gets into no mischief; and when they

have taught him the use of the lyre, they introduce him to the works

of other excellent poets, who are the lyric poets; and these they set

to music, and make their harmonies and rhythms quite familiar to the

children, in order that they may learn to be more gentle and harmonious

and rhythmical, and so more fitted for speech and action; for the life

of man in every part has need of harmony and rhythm. Then they send

them to the master of gymnastics, in order that their bodies may better

minister to the virtuous mind, and that the weakness of their bodies

may not force them to play the coward in war or on any other occasion.

This is what is done by those who have the means, and those who have

the means are the rich; their children begin education soonest and

leave off latest. When they have done with masters, the State, again,

compels them to learn the laws, and live after the pattern which they

furnish, and not after their own fancies; and just as in learning to

write, the writing-master first draws lines with a stylus for the use

of the young beginner, and gives him the tablet, and makes him follow

the lines, so the city draws the laws, which were the invention of good

lawgivers which were of old time; these are given to the young man in

order to guide him in his conduct, whether as ruler or ruled; and he

who transgresses them is to be corrected or called to account, which is

a term used not only in your country, but in many others.”

This is the argument put by Plato into the mouth of Protagoras the

sophist, to show that virtue is a thing which can be taught, and not

a mere natural predisposition or a divine grace. The other _locus

classicus_, which may be referred to in close connection with it,

is the description of the traditional education given in Aristophanes’

“Clouds.”[19] The strict discipline of boys who were not allowed to

utter a whisper before their elders; who were sent in troops early

in the morning to school, in their single tunic, even in the deepest

winter snow; who were kept at work with the music-master studying old

traditional hymns, and in attitudes strictly controlled as regards

modesty and decency--all this is contrasted by the poet with what

he considers the corruption of the youth with florid and immoral

music, their meretricious desire to exhibit their bodily and mental

perfections, their luxury and sloth, their abandonment of sobriety and

diligence.

There are peculiarities of Greek taste so openly alluded to in this

passage that it will not bear literal translation into English, at

least into a book for ordinary readers; and therefore it need only be

remarked, in criticism of it, that too much stress has been laid by

theorists on Greek life, both on the picture of over-anxious morality

in the older time, and on the alleged immorality of the poet’s age.

It is from such passages that German historians draw their very

extravagant assertions of the rapid degeneracy of the Athenians under

what they call the _ochlocracy_, which followed upon the death of

Pericles. It is very easy to find in many other ages and times similar

assertions of the glory of the good old times, and the degeneracy of

the satirist’s own contemporaries. But there is generally no more truth

in it than in the assertion of Homer that his heroes took up and threw

easily great rocks which two, or five, or ten men, such as they now

are, could not lift. The same sort of thing was said in poetry of the

mediæval knights in comparison with modern Europe. One would imagine

them of greater size and might than we are, and yet their suits of

armor are seldom large enough for a man six feet high. The picture of

Aristophanes is doubtless a deliberate exaggeration, and would have

been readily acknowledged as such by the poet himself. But it, of

course, gives us the extremes possible in real life, as he knew it, and

is therefore of use in forming our ideas on the question, if we use

common sense and caution.

§ 25. With the exception of this feature, that Greek parents showed a

greater apprehension for the morals of their boys, and guarded them

as we should guard the morals of girls, it will be seen that the

principles of education are permanent, and applicable in all ages under

similar circumstances.

But what the ancients called _music_ in the wider sense must be held to

include a knowledge and recitation of good poetry, as well as proper

training in that figured dancing which was the most usual service

of the gods. Indeed, a good musical education in Greece, much in

contrast to ours, included every graceful æsthetical and intellectual

accomplishment. This wide use of the term, however, though co-ordinate

with the ordinary sense of playing instruments and singing, causes

little confusion. A distinction between “music and singing,” such as

we often see it (not satirically) set forth in the advertisements of

our professional teachers, was not admitted.

§ 26. I think we may be justified in asserting that the study of the

epic poets, especially of the “Iliad” and “Odyssey,” was the earliest

intellectual exercise of schoolboys, and, in the case of fairly

educated parents, even anticipated the learning of letters. For the

latter is never spoken of as part of a mother’s or of home education.

Reading was not so universal or so necessary as it now is; and as

it was in earlier days an accomplishment only gradually becoming an

essential, its acquisition seems always to have been intrusted to a

professional master, the γραμματιστής, or grammarian in the earlier use

of the word. Of course, careful parents, of the model above set forth

by Protagoras, must have inculcated early lessons from poetry before

that age. We may assume that books of Homer were read or recited to

growing boys, and that they were encouraged or required to learn them

off by heart.

This is quite certain to all who estimate justly the enormous influence

ascribed to Homer, and the principles assumed by the Greeks to have

underlain his work. He was universally considered to be a _moral

teacher_, whose characters were drawn with a moral intent, and for

the purpose of example or avoidance. In Plato’s “Ion” we distinctly

find something supernatural, some distinct inspiration by the muse,

asserted of Homer; and this inspiration was even passed on, like some

magnetic force, from bard to bard. These ancient poets were even

supposed to have uttered words deeper and holier than they themselves

knew, being driven by some divine _œstrus_ to compose what they could

not have said in their natural state. Accordingly, the “Iliad” and

“Odyssey” were supposed to contain all that was useful, not only for

godliness, but for life. All the arts and sciences were to be derived

(by interpretation) from these sacred texts.

Hence, when it occurs to a modern reader that the main superiority of

our education over the Greek is the early training in the Scriptures--a

training, alas! decaying in earnestness every day--an old Athenian or

Milesian or Cean would deny the fact, and say that they, too, had an

inspired volume, written for their learning, in which all the moral

virtues and all the necessaries of faith were contained. The charge of

objectionable passages in the old epic would doubtless be retorted by a

similar charge against the old Semitic books.

§ 27. It is well-nigh impossible that in the higher families throughout

Greece this moral training should not have begun at home; and there

must have been many Greek mothers able and anxious to help, though

history is silent about them, and does not even single out individual

cases, like the Roman Cornelia, where mothers influenced the moral

and intellectual training of their children.[20] Certain it is that

here and there we find evidences of a strong feeling of respect to the

house-mother which contrast curiously with the usual silence about

women. In the “Clouds,” the acme of villany in the young scapegrace

who has turned sophist under Socrates’ hands is to threaten violence

to his mother.[21] Here it is that Strepsiades exclaims in real horror

at the result of such teaching. We also find both Plato and (perhaps

in imitation of him) Cicero laying stress upon the purity of speech

preserved in the conversation of cultivated women, whose conservative

life and tastes rejected slang and novelty, and thus preserved the

language pure and undefiled. The very opposite complaint is made

concerning the pædagogues, whose often barbarous origin and rude

manners were of damage to the youth.

§ 28. On the question of punishments, both at home and at school, we

do not find the Greeks very different from ourselves. There are not in

Greek literature any such eloquent protests against corporal punishment

as we find in Seneca and Quintilian. They all acknowledge the use and

justice of it, and only caution against applying servile punishments

to free boys. Indeed, in many later writers, such as Lucian, the

severities of schoolmasters are noted; and we have among the Pompeian

pictures a scene of a master flogging a boy, who is hoisted on the

shoulders of another, with a third holding him up by the heels. These

evidences, together with those of the later Romans, on the sounds of

woe common in schools, must not be overestimated. They are probably

exceptional cases made prominent for satirical purposes, and not

implying any peculiar savagery in Greek above modern masters.

Most certainly the Greek schoolmaster was not harsher than the

lower-class masters in many primary schools, as, for example, the

Irish hedge schoolmasters described in Carleton’s “Tales of the Irish

Peasantry.”

Unfortunately, the Greek schoolmaster, at least of elementary schools,

was not generally in high repute, was evidently not highly paid, and

his calling was not such as to give him either dignity or self-respect.

He was accused of pedantry if he was really learned, and of bad temper

if he was zealous and impatient at idleness.[22]

Lucian, in a jocose description of the nether world, describes

kings and satraps as beggars or “primary” schoolmasters, and was

only carrying out into fiction the proverbial downfall of the tyrant

Dionysius of Syracuse, who spent his old-age teaching children at

Corinth. An unknown comic writer is quoted as saying, “The man is

either dead or teaching the alphabet.” We hear of philosophers accusing

each other--very absurdly--of having once followed this profession;

and every scholar will remember the famous passage in Demosthenes’ “De

Corona:” “But you, worthy man, who despise others compared with

yourself, now compare with mine your own lot, which consigned you to

grow up from boyhood in the greatest need, when you helped your father

to attend in the school, preparing the ink, cleaning the benches,

sweeping out the schoolroom, and so taking the rank of a slave, and not

of a free boy.” We even hear of Horace’s master, Orbilius, writing a

lamentable autobiography on account of his miseries, under the title of

_the man acquainted with grief_ (περιαλγής).

§ 29. The general question of the payment of teachers will be better

discussed when we come to the Sophists’ training of riper youth.

Indeed, on the whole value of the various attacks on the teaching order

in Greece, Grasberger concludes his elaborate summary of the above and

many other facts with the sensible remark:[23] “As regards the unpleasant

and objectionable features, which men seem to record with special

preference, the true state of the case may be the same as with the many

scandals which are reported from the life of the mediæval universities

in Europe. Evil did not predominate; but the chronicler, instead of

putting forward the modest virtues of diligence and of scientific

earnestness, preferred to note both the faults of the teachers and the

gross excesses of the students.”

We may be sure that in the Greek primary schools, though we hear of

one assistant sometimes, the master was required to teach all the

subjects. This was so not long ago in England, and still more in

Ireland, where the hedge schoolmasters, but lately supplanted by the

national school system (not without considerable loss), were required,

and were able, to teach classics, mathematics, and the old-fashioned

English. It is, indeed, clearly presupposed in all the many bequests of

pious benefactors, who leave forty or sixty pounds per annum for the

payment of a single master to keep a school in some remote part of the

country. And at Athens, as in the days of these bequests, there was no

official or state test of a master’s qualifications. Each man set up on

his private account; it depended on the reputation he made whether his

school was well attended. The worthy pedant in Goldsmith’s “Deserted

Village” gives us a fair specimen of the better class of such men.

FOOTNOTES:

[18] P. 325 C. Cf. also “Axiochus,” p. 366 E: ὁπόταν δὲ εἰς τὴν

ἑπταετίαν ἀφίκῃται [τὸ νήπιον] πολλοὺς πόνους διαντλῆσαν, παιδαγωγοὶ

καὶ γραμματισταὶ καὶ παιδοτρίβαι τυραννοῦντες, κ.τ.λ.

[19] 961 sq.:

λέξω τοίνυν τὴν ἀρχαίαν παιδείαν, ὡς διέκειτο,

ὅτ’ ἐγὼ τὰ δίκαια λέγων ἤνθουν καὶ σωφροσύνη νενόμιστο.

πρῶτον μὲν ἔδει παιδὸς φωνὴν γρύξαντος μηδέν’ ἀκοῦσαι·

εἶτα βαδίζειν ἐν ταῖσιν ὁδοῖς εὐτάκτως εἰς κιθαριστοῦ

τοὺς κωμήτας γυμνοὺς ἀθρόους, κεἰ κριμνώδη κατανίφοι.

εἶτ’ αὖ προμαθεῖν ᾆσμ’ ἐδίδασκεν, τὼ μηρὼ μὴ ξυνέχοντας,

ἢ Παλλάδα περσέπολιν δεινὰν, ἢ Τηλέπορόν τι βόαμα,

ἐντειναμένους τὴν ἁρμονίαν, ἣν οἱ πατέρες παρέδωκαν.

εἰ δέ τις αὐτῶν βωμολοχεύσαιτ’ ἢ κάμψειέν τινα καμπὴν,

οἵας οἱ νῦν τὰς κατὰ Φρῦνιν ταύτας τὰς δυσκολοκάμπτους,

ἀπετρίβετο τυπτόμενος πολλὰς ὡς τὰς Μούσας ἀφανίζων.

ἐν παιδοτρίβου δὲ καθίζοντας τὸν μηρὸν ἔδει προβαλέσθαι

τοὺς παῖδας, ὅπως τοῖς ἔξωθεν μηδὲν δείξειαν ἀπηνές·

εἶτ’ αὖ πάλιν αὖθις ἀνιστάμενον συμψῆσαι, καὶ προνοεῖσθαι

εἴδωλον τοῖσιν ἐρασταῖσιν τῆς ἥβης μὴ καταλείπειν.

ἠλείψατο δ’ ἂν τοὐμφαλοῦ οὐδεὶς παῖς ὑπένερθεν τότ’ ἂν, ὥστε

τοῖς αἰδοίοισι δρόσος καὶ χνοῦς ὥσπερ μήλοισιν ἐπήνθει·

οὐδ’ ἂν μαλακὴν φυρασάμενος τὴν φωνὴν πρὸς τὸν ἐραστὴν

αὐτὸς ἑαυτὸν προαγωγεύων τοῖς ὀφθαλμοῖς ἐβάδιζεν,

οὐδ’ ἂν ἑλέσθαι δειπνοῦντ’ ἐξῆν κεφάλαιον τῆς ῥαφανῖδος,

οὐδ’ ἄννηθον τῶν πρεσβυτέρων ἁρπάζειν οὐδὲ σέλινον,

οὐδ’ ὀψοφαγεῖν, οὐδὲ κιχλίζειν, οὐδ’ ἴσχειν τὼ πόδ’ ἐναλλάξ. κ.τ.λ.

[20] Two or three stories of Spartan mothers in Plutarch form tardy and

unimportant exceptions.

[21] v. 1444 sq.

[22] Cf. the amusing notes in Cicero’s letters on a private tutor he

got for his son and nephew, vi. 1, 9: “I am in love with Dionysius.

The boys say he flies into furious passions. But no man could be more

learned or conscientious (_sanctior_) or more devoted to you and me.”

Presently Cicero’s tone alters, viii. 4: “Dionysius gave me impudence:

you would say I had procured another Dicæarchus or Aristoxenus, and not

a man that talks us all down, and is no good for teaching. But he has a

good memory.”

[23] ii. p. 189.

Old Greek Education · 第 4 / 11 章