CHAPTER IV

THE IDOL OF PARIS

A new age began for Paris and for learning, when Peter Abélard

accepted the chair of the episcopal school. It would be a difficult

task to measure the influence he had in hastening the foundation of

the university—as difficult as to estimate the enduring effect of his

teaching on Catholic theology. There were other streams flowing into

the life of the period, and they would have expanded and deepened

it, independently of the activity of the one brilliant teacher.

The work of a group of less gifted, though highly gifted, teachers

had started a current of mental life which would have continued

and broadened without the aid of Abélard. Life was entering upon a

swifter course in all its reaches. Moreover, the slender rill of

Greek thought, which formed the inspiration of the eleventh century,

was beginning to increase. Through Alexandria, through Arabia,

through Spain, the broad stream of the wisdom of the Greeks had been

slowly travelling with the centuries. In the twelfth century it was

crossing the Pyrenees, and stealing into the jealous schools of

Europe. The homeless Jew was bringing the strong, swift, noble spirit

of the ‘infidel Moor’ into a hideous world, that was blind with

self-complacency. The higher works of Aristotle (the early Middle

Ages had only his logic), the words of Plato, and so many others,

were drifting into France. Christian scholars were even beginning to

think of going to see with their own eyes this boasted civilisation

of the infidel.

Yet it is clear that Abélard stands for a mighty force in the story

of development. At the end of the eleventh century Paris was an

island; at the end of the twelfth century it was a city of two

hundred thousand souls, walled, paved, with several fine buildings

and a fair organisation. At the end of the eleventh century the

schools of Paris, scattered here and there, counted a few hundred

pupils, chiefly French; at the end of the twelfth century the

University of Paris must have numbered not far short of ten thousand

scholars. Let us see how much of this was effected by Abélard.

The pupil who had left Paris when both William and Abélard

disappeared in 1113 would find a marvellous change on returning to it

about 1116 or 1117. He would find the lecture hall and the cloister

and the quadrangle, under the shadow of the great cathedral, filled

with as motley a crowd of youths and men as any scene in France

could show. Little groups of French and Norman and Breton nobles

chattered together in their bright silks and fur-tipped mantles,

and with slender swords dangling from embroidered belts; ‘shaven

in front like thieves, and growing luxuriant, curly tresses at the

back like harlots,’ growls Jacques de Vitry, who saw them, vying

with each other in the length and crookedness of their turned-up

shoes.[14] Anglo-Saxons looked on, in long fur-lined cloaks, tight

breeches, and leathern hose swathed with bands of many coloured

cloth. Stern-faced northerners, Poles, and Germans, in fur caps and

coloured girdles and clumsy shoes, or with feet roughly tied up in

the bark of trees, waited impatiently for the announcement of ‘Li

Mestre.’ Pale-faced southerners had braved the Alps and the Pyrenees

under the fascination of ‘the wizard.’ Shaven and sandalled monks,

black-habited clerics, black canons, secular and regular, black in

face too, some of them, heresy-hunters from the neighbouring abbey of

St. Victor, mingled with the crowd of young and old, grave and gay,

beggars and nobles, sleek citizens and bronzed peasants.

[14] The Count of Anjou had just invented them to hide the

enormity of his bunions. Flattering courtiers found them

excellent. The English king’s jester had exaggerated the

turned-up points, and the nobles were driving the practice to

death, as is the aristocratic wont.

Crevier and other writers say that Abélard had attracted five

thousand students to Paris. Sceptics smile, and talk of Chinese

genealogies. Mr. Rashdall, however, has made a careful study of the

point, and he concludes that there were certainly five thousand, and

possibly seven thousand, students at Paris in the early scholastic

age, before the multiplication of important centres. He points

out that the fabulous figures which are sometimes given—Wycliffe

says that at one time there were sixty thousand students at

Oxford, Juvenal de Ursinis gives twenty thousand at Paris in the

fifteenth century, Italian historians speak of fifteen thousand at

Bologna—always refer to a date beyond the writer’s experience, and

frequently betray a touch of the _laudator temporis acti_. It is,

at all events, safe to affirm that Abélard’s students were counted

by thousands, if they had not ‘come to surpass the number of the

laity’ [ordinary citizens], as an old writer declares. Philippe

Auguste had to direct a huge expansion of the city before the close

of the century. There is nothing in the commercial or political

development of Paris to explain the magnitude of this expansion. It

was a consequence of a vast influx of students from all quarters of

the globe, and the fame of Master Abélard had determined the course

of the stream.

One condition reacted on another. A notable gathering of students

attracted Jews and merchants in greater numbers. They, in turn,

created innumerable ‘wants’ amongst the ‘undisciplined horde.’ The

luxuries and entertainments of youth began to multiply. The schools

of Paris began to look fair in the eyes of a second world—a world of

youths and men who had not felt disposed to walk hundreds of miles

and endure a rude life out of academic affection. The ‘dancers of

Orleans,’ the ‘tennis-players of Poitiers,’ the ‘lovers of Turin,’

came to fraternise with the ‘dirty fellows of Paris.’ Over mountains

and over seas the mingled reputation of the city and the school was

carried, and a remarkable stream set in from Germany, Switzerland,

Italy (even from proud Rome), Spain, and England; even ‘distant

Brittany sent you its animals to be instructed,’ wrote Prior Fulques

to Abélard (a Breton) a year or two afterwards.

At five or six o’clock each morning the great cathedral bell would

ring out the summons to work. From the neighbouring houses of the

canons, from the cottages of the townsfolk, from the taverns, and

hospices, and boarding-houses, the stream of the industrious would

pour into the enclosure beside the cathedral. The master’s beadle,

who levied a precarious tax on the mob, would strew the floor of the

lecture-hall with hay or straw, according to the season, bring the

Master’s text-book, with the notes of the lecture between lines or on

the margin, to the solitary desk, and then retire to secure silence

in the adjoining street. Sitting on their haunches in the hay, the

right knee raised to serve as a desk for the waxed tablets, the

scholars would take notes during the long hours of lecture (about six

or seven), then hurry home—if they were industrious—to commit them to

parchment while the light lasted.

The lectures over, the stream would flow back over the Little

Bridge, filling the taverns and hospices, and pouring out over

the great playing meadow, that stretched from the island to the

present Champ de Mars. All the games of Europe were exhibited

on that international playground: running, jumping, wrestling,

hurling, fishing and swimming in the Seine, tossing and thumping

the inflated ball—a game on which some minor poet of the day has

left us an enthusiastic lyric—and especially the great game of war,

in its earlier and less civilised form. The nations were not yet

systematically grouped, and long and frequent were the dangerous

conflicts. The undergraduate mind, though degrees had not yet

been invented, had drawn up an estimate, pithy, pointed, and not

flattering, of each nationality. The English were, it is sad to

find, ‘cowardly and drunken,’—to the ‘Anglophobes’; the French were

‘proud and effeminate’; the Normans ‘charlatans and boasters,’

the Burgundians ‘brutal and stupid’; the Bretons ‘fickle and

extravagant’; the Flemings ‘blood-thirsty, thievish, and incendiary’;

the Germans ‘choleric, gluttonous, and dirty’; the Lombards

‘covetous, malicious, and no fighters’; the Romans ‘seditious,

violent, and slanderous.’ Once those war-cries were raised, peaceable

folk hied them to their homes and hovels, and the governor summoned

his guards and archers.

The centre of this huge and novel concourse was the master of the

cathedral school. After long years of conventual life Heloise draws a

remarkable picture of the attitude of Paris towards its idol. Women

ran to their doors and windows to gaze at him, as he passed from

his house on St. Genevieve to the school. ‘Who was there that did

not hasten to observe when you went abroad, and did not follow you

with strained neck and staring eyes as you passed along? What wife,

what virgin, did not burn? What queen or noble dame did not envy my

fortune?’ And we shall presently read of a wonderful outburst of

grief when the news of the outrage done to Abélard flies through the

city. ‘No man was ever more loved—and more hated,’ says the sober

Hausrath.

It is not difficult to understand the charm of Abélard’s teaching.

Three qualities are assigned to it by the writers of the period, some

of whom studied at his feet: clearness, richness in imagery, and

lightness of touch are said to have been the chief characteristics

of his teaching. Clearness is, indeed, a quality of his written

works, though they do not, naturally, convey an impression of his

oral power. His splendid gifts and versatility, supported by a

rich voice, a charming personality, a ready and sympathetic use of

human literature, and a freedom from excessive piety, gave him an

immeasurable advantage over all the teachers of the day. Beside most

of them, he was as a butterfly to an elephant. A most industrious

study of the few works of Aristotle and of the Roman classics that

were available, a retentive memory, an ease in manipulating his

knowledge, a clear, penetrating mind, with a corresponding clearness

of expression, a ready and productive fancy, a great knowledge of

men, a warmer interest in things human than in things divine, a

laughing contempt for authority, a handsome presence, and a musical

delivery—these were his gifts. His only defects were defects of

character, and the circumstances of his life had not yet revealed

them even to himself.

Even the monkish writers of the _Life of St. Goswin_, whose attitude

towards his person is clear, grant him ‘a sublime eloquence.’ The

epitaphs that men raised over him, the judgments of episcopal Otto

von Freising and John of Salisbury, the diplomatic letter of Prior

Fulques, the references of all the chroniclers of the time, I

refrain from quoting. We learn his power best from his open enemies.

‘Wizard,’ ‘rhinoceros,’ ‘smiter,’ ‘friend of the devil,’ ‘giant,’

‘Titan,’ ‘Prometheus,’ and ‘Proteus,’ are a few of their compliments

to his ability: the mellifluous St. Bernard alone would provide a

rich vocabulary of flattering encomiums of that character: ‘Goliath,’

‘Herod,’ ‘Leviathan,’ ‘bee,’ ‘serpent,’ ‘dragon,’ ‘hydra,’ ‘Absalom,’

are some of his epithets. When, later, we find St. Bernard, the first

orator and firmest power in France, shrink nervously from an oral

encounter with him, and resort to measures which would be branded as

dishonourable in any other man, we shall more faithfully conceive the

charm of Abélard’s person and the fascination of his lectures.

Yet no careful student of his genius will accept the mediæval

estimate which made him the ‘Socrates of Gaul,’ the peer of Plato

and of Aristotle. He had wonderful penetration and a rare felicity

of oral expression, but he was far removed from the altitude of

Socrates and Plato and the breadth of Aristotle. He had no ‘system’

of thought, philosophical or theological; and into the physical and

social world he never entered. His ideas—and some of them were

leagues beyond his intellectual surroundings—came to him piecemeal.

Yet we shall see that in some of those which were most abhorrent to

Bernard—who was the Church for the time being—he did but anticipate

the judgment of mature humanity on certain ethical and intellectual

features of traditional lore. The thesis cannot be satisfactorily

established until a later stage.

When we proceed to examine the erudition which gave occasion to the

epitaph, ‘to him alone was made clear all that is knowable,’ we must

bear in mind the limitations of his world. When Aristotle lent his

mind to the construction of a world system, he had the speculations

of two centuries of Greek thinkers before him; when Thomas of Aquin

began to write, he had read the thoughts of three generations

of schoolmen after Abélard, and all the Arabic translations and

incorporations of Greek thought. At the beginning of the twelfth

century there was little to read beside the fathers. If we take

‘all that was knowable’ in this concrete and relative sense, the

high-sounding epitaph is not far above the truth.

His Latin is much better than that of the great majority of

his contemporaries. Judged by a perfect classical standard it

is defective; it admits some of the erroneous forms that are

characteristic of the age. But it is not without elegance, and it

excels in clearness and elasticity. It could not well be otherwise,

seeing his wide and familiar acquaintance with Latin literature. He

frequently quotes Lucan, Ovid, Horace, Vergil, and Cicero; students

of his writings usually add an acquaintance with Juvenal, Persius,

Statius, Suetonius, Valerius Maximus, Quintilian, and Priscian. It

was a frequent charge in the mouths of his enemies that he quoted

the lewdest books of Ovid in the course of his interpretation of

Scripture. The constant glance aside at the literature of human

passion and the happy flash of wit were not small elements in his

success. Those who came to him from other schools had heard little

but the wearisome iteration of Boetius, Cassiodorus, and Martianus

Capella. They found the new atmosphere refreshing and stimulating.

His command of Greek and Hebrew is a subject of endless dispute.

His pupil Heloise certainly had a knowledge of the two tongues, as

we shall see presently. She must have received her instruction from

Abélard. But it is clear that Abélard likes to approach a controversy

which turns on the interpretation of the original text of Scripture

through a third person, such as St. Jerome. He rarely approaches even

the easy Greek text of the New Testament directly, and he has no

immediate acquaintance with any Greek author. Aristotle he has read

in the Latin translation of Boetius, through whose mediation he has

also read Porphyry’s _Isagoge_. He was certainly familiar with the

_De Interpretatione_ and the _Categories_; Cousin grants him also

an acquaintance with the _Prior Analytics_; and Brucker and others

would add the _Sophistici Elenchi_ and the _Topics_. The physical

and metaphysical works of Aristotle were proscribed at Paris long

after the Jewish and Arabian translations had found a way into other

schools of France. The golden thoughts of Plato came to him through

the writings of the fathers; though there is said to have been a

translation of the _Timæus_ in France early in the twelfth century.

His knowledge of Hebrew must have been equally, or even more,

elementary. Only once does he clearly approach the Hebrew text

without patristic guidance; it is when, in answering one (the

thirty-sixth) of the famous ‘Problems of Heloise,’ he adduces the

authority of ‘a certain Hebrew,’ whom he ‘heard discussing the

point.’ In this we have a clear clue to the source of his Hebrew.

The Jews were very numerous in Paris in the twelfth century. When

Innocent the Second visited Paris in 1131, the Jews met him at St.

Denis, and offered him a valuable roll of the law. By the time of

Philippe Auguste they are said to have owned two-thirds of the

city: perceiving which, Philippe recollected, or was reminded,

that they were the murderers of Christ, and so he banished them

and retained their goods. Abélard indicates that they took part

in the intellectual life of Paris in his day; in Spain they were

distinguished in every branch of higher thought; and thus the

opportunity of learning Hebrew lay close at hand. One does not see

why Rémusat and others should deny him any acquaintance with it. His

knowledge, however, must have been elementary. He does not make an

impressive, though a novel, use of it in deriving the name of Heloise

(Helwide, or Helwise, or Louise) from Elohim, which he does, years

afterwards, in the sober solitude of his abbey and the coldness of

his mutilation.

Add an extensive acquaintance with Scripture and the fathers, and the

inventory is complete. Not difficult to be erudite in those days,

most people will reflect. Well, a phonogram may be erudite. The gifts

of Abélard were of a higher order than industry and memory, though

he possessed both. He takes his place in history, apart from the

ever-interesting drama and the deep pathos of his life, in virtue

of two distinctions. They are, firstly, an extraordinary ability in

imparting such knowledge as the poverty of the age afforded—the facts

of his career reveal it; and secondly, a mind of such marvellous

penetration that it conceived great truths which it has taken

humanity seven or eight centuries to see—this will appear as we

proceed. It was the former of these gifts that made him, in literal

truth, the centre of learned and learning Christendom, the idol of

several thousand eager scholars. Nor, finally, were these thousands

the ‘horde of barbarians’ that jealous Master Roscelin called them.

It has been estimated that a pope, nineteen cardinals, and more than

fifty bishops and archbishops, were at one time among his pupils.

We are now at, or near, the year 1118. In the thirty-ninth year of

his age, the twenty-third year of his scholastic activity, Abélard

has reached the highest academic position in Christendom. He who

loved so well, and so naturally, to be admired, found himself the

centre of a life that had not been seen since Greek sages poured out

wisdom in the painted colonnade, and the marble baths, and the shady

groves of Athens. His self-esteem was flattered; his love of rule and

of eminence was gratified. Poor as many of his pupils were, their

number brought him great wealth. His refinement had ample means of

solacing its desires. The petty vexations of the struggle were nobly

compensated. Before him lay a world of fairest promise into which

he, seemingly, had but to enter. Then there arose one of the forces

that shattered his life, beginning its embodiment in an idyll, ending

quickly in a lurid tragedy. It is the most difficult stage in the

story of Abélard. I approach it only in the spirit of the artist,

purposing neither to excuse nor to accuse, but only to trace, if I

may, the development of a soul.

Abélard’s life had until now been purely spiritual, almost wholly

intellectual. His defects were spiritual—conceit and ambition;

if, as men assure us, it is a defect to recognise that you have a

supra-normal talent, and to strive for the pre-eminence it entitles

you to. The idealist spirit in which he had turned away from the

comfort and quiet of the château had remained thus far the one fire

that consumed his energy. In the pretty theory of Plato, his highest

soul had silenced the lower, and reduced the lowest to the barest

requisite play of vegetative life. There are men who go through

life thus. The scientist would crudely—it is the fashion to say

‘crudely’—explain that the supra-normal activity of the upper part of

the nervous system made the action of the lower part infra-normal;

but let us keep on the spiritual plane. There are men whose soul is

so absorbed in study or in contemplation that love never reaches

their consciousness; or if it does, its appeal is faint, and quickly

rejected. The condition of such a life, highly prized as it is by

many, is constant intellectual strain.

Abélard had now arrived at a point when the mental strain began

instinctively to relax. Wealth would inevitably bring more sensuous

pleasure into his life. He was not one of the ‘purely intellectual’;

he had a warm imagination and artistic power. No immediate purpose

called for mental concentration. Sensuous enjoyment crept over the

area of his conscious life. During a large proportion of his time,

too, he was following with sympathy the quickening life of the

passionate creations of Ovid and Vergil and Lucan. The inner judge,

the sterner I, is indisposed to analyse, unless education, or faith,

or circumstance, has laid a duty of severer watchfulness upon it.

Blending with other and not alarming sensuous feelings, veiling

itself, and gently, subtly passing its sweet fire into the veins,

the coming of love is unperceived until it is already strong to

exert a numbing influence on the mind. Abélard awoke one day to a

consciousness that a large part of the new sweetness that pervaded

his life was due to the birth of a new power in his soul—a power as

elusive to recognition as it is imperious in its demands. Then is the

trial of the soul.

Before quoting Abélard’s confession, with respect to this

transformation of his character, it is necessary, out of justice to

him, to anticipate a little, in indicating the circumstances of the

making of the confession. The long letter which Abélard entitled the

‘Story of my Calamities’ was written twelve or thirteen years after

these events. By that time he had not only endured a succession of

cruel persecutions, but his outlook on life and on self had been

entirely changed. Not only had the memory of the events faded

somewhat, but he had become colour-blind in an important sense.

A frightful mutilation had distorted his physical and psychic

nature. Partly from this cause, and partly under the stress of

other circumstances, he had become a Puritan of the Puritans, an

ascetical hermit. As is the wont of such, he manifests a tendency to

exaggerate the shadows cast by actions of his which he can no longer

understand; for nature has withdrawn her inspiration. On the point we

are considering he does not evince the smallest desire of concealment

or palliation, but rather the reverse. And, finally, the letter,

though written ostensibly for the solace of a friend in distress,

was clearly written for circulation, and for the conciliation of the

gentler of the Puritans, who knew his life well.

After speaking of the wealth and fame he had attained, he says:

‘But since prosperity ever puffs up the fool, and worldly ease

dissolves the vigour of the mind, and quickly enervates it by carnal

allurements; now that I thought myself to be the only philosopher

in the world, and feared no further menace to my position, whereas

I had hitherto lived most continently, I began to loose the rein

to passion. And the further I had advanced in philosophy and in

reading Holy Writ, so much the wider did I depart from philosophers

and divines by the uncleanness of my life. It is well known to thee

that philosophers and divines have ever been distinguished for this

virtue of continence. But, whilst I was thus wholly taken up with

pride and lust, the grace of God brought me a remedy, unwilling as I

was, for both maladies; for lust first, and then for pride. For lust,

by depriving me of its instrument; for pride—the pride which was

chiefly born of my knowledge of letters, according to the word of the

Apostle, ‘knowledge puffeth up’—by humbling me in the burning of the

book by which I set such store. And now I would have thee learn the

truth of both these stories, from the events themselves rather than

from rumour, in the order in which they befell. Since then I had ever

abhorred the uncleanness of harlots, and I had been withheld from the

company and intercourse of noble dames by the exactions of study, nor

had I more than a slight acquaintance with other women, evil fortune,

smiling on me, found an easier way to cast me down from the summit of

my prosperity; proud, as I was, and unmindful of divine favour, the

goodness of God humbled me, and won me to itself.’ And the penitent

passes on immediately to give the story of his relation to Heloise.

It is quite clear that all the vehement language with which he

scourges himself before humanity refers exclusively to his liaison

with Heloise. Searching about, as he does, for charges to heap upon

his dead self, he yet denies that he had intercourse with women of

any description before he knew the one woman whom he loved sincerely

throughout life. In a later letter to Heloise, not intended to

circulate abroad, he repeats the statement; recalling their embraces,

he says they were the more treasured ‘since we had never known the

like (_ista gaudia_) before.’ Moreover, he says a little later in

the ‘Story’ that up to the time of his liaison with Heloise he had

a ‘repute for chastity’ in the city; the events we have to follow

prove this to have been the case. Finally, let us carefully remember

that there would be no advantage in concealing any earlier disorder,

and that there is clear indication, even in the short passage I have

quoted, of a disposition rather to magnify faults than to attenuate.

I labour the point, because a writer who has introduced Abélard to

many of the present generation, and for whom and whose thoughts I

have otherwise a high regard, has somehow been led to lay here a very

damning indictment of Abélard. Mr. Cotter Morison was a follower of

the religion that worships the departed great, and should have a

special care to set in light the character of those whom the Church

has bruised in life, and slandered after death, under a false view

of the interest of humanity. Yet, in his _Life of St. Bernard_, he

has grossly added to the charge against Abélard, with the slenderest

of historical bases. It were almost an injustice to Kingsley to

say that Cotter Morison’s Abélard recalls the great novelist’s

pitiful Hypatia. The Positivist writer thus interprets this stage

in Abélard’s career. After saying that his passion broke out like

a volcano, and that he felt ‘a fierce, fiery thirst for pleasure,

sensual and animal,’ he goes on in this remarkable strain: ‘He drank

deeply, wildly. He then grew fastidious and particular. He required

some delicacy of romance, some flavour of emotion, to remove the

crudity of his lust. He seduced Heloise.’

Was ever a graver perversion in the historical construction of

character by an impartial writer? Stranger still, Mr. Cotter Morison

has already warned his readers that the ‘Story of my Calamities’

must be shorn of some penitential _exaggeration_, if we are to give

it historical credence. But Mr. Morison has witnesses. Prior Fulques,

in a letter to Abélard, reminded him that he squandered a fortune on

harlots. The assertion of this monk of Deuil, based, professedly,

on the reports of Abélard’s bitter enemies, the monks of St. Denis,

and made in a letter which is wholly politic, is held by Mr. Morison

to ‘more than counterbalance’ the solemn public affirmation of a

morbidly humble, self-accusing penitent. And this, after warning us

not to take Abélard’s self-accusation too literally! I shall examine

this letter of Prior Fulques’ more closely later. Not only does the

letter itself belong to, but the charge refers to, a later period,

and will be weighed then. There is nothing at this stage to oppose

to the quiet and indirect claim of Abélard, allowed by the action

of Fulbert, that his character was unsullied up to the date of his

liaison with Heloise.

Let us return to the accredited historical facts. Somewhere about the

year 1118 Abélard first felt the claims of love. He was wealthy and

prosperous, and living in comparative luxury. He had those gifts of

imagination which usually reveal an ardent temperament. Whether it

was Heloise who unwittingly kindled the preparing passion, or whether

Abélard yielded first to a vague, imperious craving, and sought one

whom he might love, we do not know. But we have his trustworthy

declaration that he detested the rampant harlotry, and knew no woman

until he felt the sweet caress of Heloise.

I have now to set out with care the story of that immortal love. But

nine readers out of ten are minded to pass judgment on the acts and

lives of those we recall from the dead. My function is to reconstruct

the story as faithfully as the recorded facts allow. Yet I would make

one more digression before doing so.

What standard of conduct shall be used in judging Abélard? There are

a thousand moral codes—that of the Hindu and that of the Christian,

that of the twelfth century and that of the _twentieth_. In the

twelfth century even the St. Bernards thought it just that a man

who could not see the truth of the Church’s claims should be burned

alive, and his soul tortured for all eternity; that a Being was

just and adorable who tortured a twelfth century babe for Adam’s

sin; that twelfth century Jews might be robbed because their remote

ancestors had put Christ to death; that the sanctity of justice

demanded, literally, an eye for an eye; and so forth. One may, of

course, choose whatever standard of conduct one likes to measure

Abélard’s, or anybody else’s, actions: Cardinal Newman, and such

writers, have a fancy for judging him by the perfected code of the

nineteenth. We cannot quarrel with them; though it is well to point

out that they are not measuring Abélard’s subjective guilt, nor

portraying his character, in so doing. And if any do elect to judge

Abélard by the moral code of the twelfth century, it must be noted

that this varied much, even on the point of sexual morality. St.

Bernard and his like saw an inherent moral evil in sexual union; they

thought the sanctity of the priestly character was incompatible with

it, and that virginity was, in itself, and by the mere abstinence

from sexual commerce, something holier than marriage. Apart from

this, no doubt—if it can be set apart in the question—good men were

agreed. But, as will appear presently, there were large bodies of

men, even clerks, who not only differed from them in practice, but

also in their deliberate moral judgment. We must approach closer

still. When we have to determine an individual conception of the law,

for the purpose of measuring real and personal guilt, we must have

a regard to the surrounding influences, the current thoughts and

prevailing habits, which may have impaired or obscured the feeling of

its validity in any respect. It is well, then, first to glance at the

morals of the time when one feels eager to measure Abélard’s guilt.

It was a period when the dark triumph of what is called materialism,

or animalism, was as yet relieved only by a sporadic gleam of

idealism. There was purity in places, but over the broad face of the

land passion knew little law. If the unlettered Greek had immoral

gods to encourage him, the mediæval had immoral pastors. The Church

was just endeavouring to enforce its unfortunate law of celibacy on

them. With a stroke of the pen it had converted thousands of honest

wives into concubines. The result was utter and sad demoralisation.

In thus converting the moral into the deeply immoral, the Church

could appeal to no element in the consciences of its servants; nor

even to its basic Scriptures. Writers of the time use hyperbolic

language in speaking of the prevalent vice, and the facts given in

the chronicles, and embodied in the modern collections of ancient

documents, fully sustain it. Speaking of the close of the eleventh

century, Dubois, in his _Historia Ecclesiæ Parisiensis_, says: ‘The

condition of the Church [in general] at that time was unhappy and

wretched ... nearly all the clergy were infected with the vice of

simony ... lust and shameful pleasure were openly rampant.’ It is

true that he excepts his ‘Church of Paris,’ but his own facts show

that it is only a piece of foolish loyalty. Cardinal Jacques de

Vitry, who studied at Paris towards the close of the century (it must

have been worse in Abélard’s time), gives a clearly overdrawn, yet

instructive, picture of its life in his _Historia Occidentalis_. ‘The

clergy,’ he says, probably meaning the scholars in general, of whom

the majority were clerics, ‘saw no sin in simple fornication. Common

harlots were to be seen dragging off clerics as they passed along

to their brothels. If they refused to go, opprobrious names were

called after them. School and brothel were under the same roof—the

school above, the brothel below.... And the more freely they spent

their money in vice, the more were they commended, and regarded

by almost everybody as fine, liberal fellows.’ The vice that has

ever haunted educational centres and institutes was flagrant and

general. It is a fact that the authorities had at length to prohibit

the canons to lodge students in their houses on the island. In the

country and in the other towns the same conditions were found. In

Father Denifle’s _Chartularium_ there is a document (No. V.) which

throws a curious light on the habits of the clergy. A priest of

Rheims was dancing in a tavern one Sunday, when some of the scholars

laughed at him. He pursued them to their school, took the place by

storm, half-murdered, and then (presumably recalling his sacerdotal

character) excommunicated them. At another time, Cardinal Jacques

tells us, the lady of a certain manor warned the priest of the

village to dismiss his concubine. He refused; whereupon the noble

dame had the woman brought to her, and ordained her ‘priestess,’

turning her out before the admiring villagers with a gaudy crown.

Another poor priest told his bishop, with many tears, that, if it

were a question of choosing between his church and his concubine, he

should have to abandon the church; the story runs that, finding his

income gone, the lady also departed. There is an equally dark lament

in Ordericus Vitalis, the Norman, who lived in Abélard’s day. The

letters and sermons of Abélard—Abélard the monk, of St. Bernard, and

of so many others, confirm the darkest features of the picture. Only

a few years previously the king had lived with the wife of one of his

nobles, in defiance of them all; and when a council, composed of one

hundred and twenty prelates, including two cardinals and a number of

bishops, met at Poitiers to censure him, the Duke of Aquitaine broke

in with his soldiers, and scattered them with the flat of his sword.

Indeed, an ancient writer, Hugo Flaviniacensis, declares there was a

feeling that Pope Paschal did not, for financial reasons, approve the

censure passed by his legates.

Considering the enormous prevalence of simony, one could hardly

expect to find the Church in a better condition. The writers of

the time make it clear that there was an appalling traffic in

bishoprics, abbeys, prebends, and all kinds of ecclesiastical goods

and dignities. We have already seen one tragic illustration of

the evil, and we shall meet many more. A few years previously the

king had nominated one of his favourites, Étienne de Garlande, for

the vacant bishopric of Beauvais; and this youth, ‘of no letters

and of unchaste life,’ at once took even major orders, and talked

of going to Rome ‘to buy the curia.’ But, as with regard to the

previous point, it is useless to give instances. Corruption was very

prevalent; and one cannot wonder at it in view of the reputation

which the papacy itself had, in spite of its occasional quashing of a

corrupt election. This point will be treated more fully in the sixth

chapter.

The question of the deep and widespread corruption of the regular

clergy must also be deferred. In his fourth letter to Heloise,

Abélard complains that ‘almost all the monasteries of our day’ are

corrupt; Jacques de Vitry affirms that no nunneries, save those of

the Cistercians, were fit abodes for an honest woman in his day.[15]

It is not a little instructive to find Abbot Abélard, in his latest

and most ascetic period, telling his son (a monk), in the course

of a number of admirable moral maxims, that: ‘A humble harlot is

better than she who is chaste and proud,’ and that ‘Far worse is the

shrewd-tongued woman than a harlot.’

[15] The condition of monasteries will be found treated more

fully on p. 125; that of nunneries on p. 209.

Finally, mention must be made of the extreme violence of the

age. Several illustrations have been given in the course of the

narrative, and it will bring many more before the reader. They were

still the days of the _lex talionis_, the judicial duel, the ordeal,

and the truce of God. Murder was common in town and country. We

have seen the brutal murder of the Bishop of Laon in 1112; we find

the Bishop of Paris threatened by the relatives of his archdeacon,

and the Prior of St. Victor’s murdered by them, in 1133. But the

story will contain violence enough. As for ‘the undisciplined

student-hordes of the Middle Ages,’ see the appalling picture of

their life in Rashdall’s _Universities of Europe_. Our period is

pre-university—and worse: with the founding of the university came

some degree of control. Yet even then the documentary evidence

discloses a fearful condition of violence and lawlessness. In the

year 1197 we find the Bishop of Paris abolishing the ‘Feast of

Fools.’ On January 1st (and also on the feast of St. Stephen), it

seems, a carnival was held, during which the masquers had free run of

the cathedral and the churches, making them echo with ribald songs,

and profaning them with bloodshed and all kinds of excess. In 1218,

says Crevier, we find the ecclesiastical judges of Paris complaining

that the students break into the houses of the citizens, and carry

off their womenfolk. In 1200 we find a pitched battle between the

students of Paris and the governor and his guards, in which several

are killed; and the king condemns the unfortunate governor to be

tried by ordeal; to be hanged forthwith if it proves his guilt, and

to be imprisoned for life (in case Providence has made a mistake) if

it absolves him. After another of these battles, when the governor

has hanged several students, the king forces him and his council to

go in their shirts to the scaffold and kiss the bodies. In another

case, in 1228, the king sides with the governor, and the masters

close the university in disgust until the students are avenged.

But of story-telling there would be no end. And, indeed, there is

the danger of giving a false impression of scantiness of evidence

when one follows up a large assertion with a few incidents. It is,

however, clear from the quoted words of accredited historians, and

will be made clearer in the progress of the narrative, that simony,

unchastity, violence, cruelty, and usury were real and broad features

of the age of Abélard. The reader will not forget them, when he is

seeking to enter into the conscience of the famous master.

Peter Abélard · 第 4 / 15 章