CHAPTER XXIV

"Now be reasonable Tims. You can be if you choose."

Mildred was perched on a high stool in Tims's Chambers, breathing spring

from a bunch of fresh Neapolitan violets, grown by an elderly admirer of

hers, and wearing her black, winter toque and dress with that invincible

air of smartness which she contrived to impart to the oldest clothes,

provided they were of her own choosing. Tims, who from her face and

attitude might have been taken for a victim of some extreme and secret

torture, crouched, balancing herself on the top rail of her fender. She

replied only by a horrible groan.

"Who do you suppose is the happier when Milly comes back?" continued

Mildred.

"Well--the brat."

"Tony? He doesn't even know when she's there; but by the time she's done

with him he's unnaturally good. He can't like that, can he?"

"Then there's Ian, good old boy!"

"That's humbug. You know it is."

"But it's Milly herself I really care about," cried Tims. "You've been a

pig to her, Mil. She says you're a devil, and if I weren't a scientific

woman I swear I should begin to believe there was something in it."

"No, Tims, dear," returned Mildred with earnestness. "I'm neither a pig

nor a devil." She paused. "Sometimes I think I've lived before, some

quite different life from this. But I suppose you'll say that's all

nonsense."

"Of course it is--rot," commented Tims, sternly. "You're a physiological

freak, that's what you are. You're nothing but Milly all the time, and

you ought to be decent to her."

"I don't want to hurt her anyhow," apologized Mildred; "but you see when

I'm only half there--well, I am only half there. I'm awfully rudimentary

and I can't grasp anything except that I'm being choked, squeezed out of

existence, and that I must make a fight for my life. Any woman becomes

rudimentary who is fighting for her life against another woman; only

I've more excuse for it, because as a scientist you must see that I can

only be in very partial possession of my brain."

Tims had pulled her wig down over her eyes and glared at space. "That's

all very well for you," she said; "but why should I help you to kill

poor old M.?"

"Do try and understand! Every time she comes back she's more and more

miserable; and that's not cheerful for Ian either, is it? Now, through

that underhand trick of rudimentary Me--you see I don't try to hide my

horrid ways--she knows Ian adores me and, comparatively speaking,

doesn't care two straws about her. That will make her more miserable

than she has ever been before. She'll only want to live so that I

mayn't."

"I don't see how Ian's going to get on without her. _You_ don't do much

for him, my girl, except spend his money."

"Of course, that's quite true. I'm not in the least suited to Ian or his

life or his income; but that's not my fault. How perverse men are!

Always in love with the wrong women, aren't they?"

Tims's countenance relaxed and she replied with a slight air of

importance:

"My opinion of men has been screwed up a peg lately. Every now and then

you do find one who's got too much sense for any rot of that kind."

Mildred continued.

"Ian's perfectly wretched at what happened; can't understand it, of

course. He doesn't say much, but I can see he dreads explanations with

Milly. He's good at reserve, but no good at lies, poor old dear, and

just think of all the straight questions she'll ask him! It'll be

torture to both of them. Poor Milly! I've no patience with her. Why

should she want to live? Life's no pleasure to her. She's known a long

time that Tony's really jollier and better with me, and now she knows

Ian doesn't want her. How can you pretend to think Milly happy, Tims?

Hasn't she said things to you?"

"Yes," groaned Tims. "Poor old M.! She's pretty well down on her luck,

you bet."

"And I enjoy every minute of my life, although I could find plenty to

grumble at if I liked. Listen to me, Tims. How would it be to strike a

bargain? Let me go on without any upsets from Milly until I'm forty. I'm

sure I sha'n't care what happens to me at forty. Then Milly may have

everything her own way. What would it matter to her? She likes to take

time by the forelock and behaves already as though she were forty. I

feel sure you could help me to keep her quiet if only you chose."

"If I chose to meddle at all, I should be much more likely to help her

to come back," returned Tims, getting snappish.

"Alas! I fear you would, Tims, dear, in spite of knowing it would only

make her miserable. That shows, doesn't it, how unreasonable even a

distinguished scientific woman can be?"

This aspersion on Tims's reasoning powers had to be resented and the

resentment to be soothed. And the soothing was so effectually done that

Tims owned to herself afterwards there was some excuse for Ian's

infatuation.

But Tims had no desire to meddle, and the months passed by without any

symptoms of the change appearing. It seemed as if Mildred's hold upon

life had never been so firm, the power of her personality never so fully

developed. She belonged to a large family which in all its branches had

a trick of throwing up successful men and brilliant women. But in

reaction against Scottish clannishness, it held little together, and in

the two houses whence Mildred was launched on her London career, she

had no nursery reputation of Milly's with which to contend.

One of these houses was that of her cousin, Sir Cyril Meres, a

fashionable painter with a considerable gift for art, and more for

success--success social and financial. His beautiful house, stored with

wonderful collections, had a reputation, and was frequented by every one

of distinction in the artistic or intellectual world--by those of the

world of wealth and rank who were interested in such matters, and the

yet larger number who affected to be interested in them. For those

Anglo-Saxon deities, Mammon and Snobbery, who have since conquered the

whole civilized globe, had temporarily fallen back for a fresh spring,

and in the eighties and early nineties Culture was reckoned very nearly

as _chic_ as motoring in the first years of the new century.

Several painters of various degrees of talent attempted to fix on canvas

the extraordinary charm of Mrs. Stewart's appearance. Not one of them

succeeded; but the peculiar shade of her hair, the low forehead and

delicate line of the dark eyebrows, the outline of the mask, sometimes

admired, sometimes criticised, made her portrait always recognized,

whether simpering as a chocolate-box classicality, smiling sadly from

the flowery circle of the Purgatorio, or breaking out of some rough mass

of paint with the provocative leer of a _cocotte_ of the Quartier Latin.

The magnetism of her personality defied analysis, as her essential

beauty defied the painter's art. It was a magnetism which surrounded her

with an atmosphere of adorations, admirations, enmities--all equally

violent and irrational. Her wit had little to do with the making of her

enemies, because it was never used in offence against friends or even

harmless acquaintances; only against her foes she employed it with the

efficiency and mercilessness of a red Indian wielding the tomahawk.

The other family where she found her niche awaiting her was of a

different order. It was that of the retired Indian judge, Sir John

Ireton, whose wife had chaperoned her through a Commemoration the summer

she had taken her First in Greats. Ireton was not only in Parliament,

but his house was a meeting-place where politicians cemented personal

ties and plotted party moves. Milly in her brief appearances, had been

of use to Lady Ireton, but Mildred proved socially invaluable. There

were serious persons who suspected Mrs. Stewart of approaching politics

in a flippant spirit; but on certain days she had revealed a grave and

ardent belief in the dogmas of the party and a piety of attitude towards

the person of its great apostle, which had convinced them that she was

not really cynical or frivolous.

Lady Augusta Goring was the most important conquest of the kind Milly

had made. She was the only child of the Marquis of Ipswich, and one of

those rather stupid people whose energy of mind and character is often

mistaken by themselves and others for cleverness. Lady Augusta was

handsome in a dull, massive way, and so conscientious that she had

seldom time to smile. Her friends said she would smile oftener if her

husband caused her less anxiety; but considering who George Goring was

and how he had been brought up, he might have been much worse. Where

women were concerned, scandal had never accused him of anything more

flagrant than dubious flirtations. It was his political intrigues,

constantly threatening unholy _liaisons_ in the most unthinkable

directions; his sudden fits of obstinate idleness, often occurring at

the very moment when some clever and promising political scheme of his

own was ripe for execution, which so unendurably harassed the staid

Marquis and the earnest Lady Augusta. They were highly irritating, too,

to Sir John Ireton, who had believed himself at one time able to tame

and tutor the tricksy young politician.

The late Lord Ipswich had been a "sport" in the Barthop family; a black

sheep, but clever, and a well known collector. Accidental circumstances

had greatly enriched him, and as he detested his brother and successor,

he had left his pictures to the nation and all of his fortune which he

could dispose of--which happened to be the bulk--to his natural son,

George Goring. But his will had not been found for some weeks after his

death, and while the present Marquis had believed himself the inheritor

of the whole property, he had treated the nameless and penniless child

of his brother with perfect delicacy and generosity. When George Goring

found himself made rich at the expense of his uncle, he proposed to his

cousin Lady Augusta and was accepted.

Mildred was partly amused and partly bored to discover herself on so

friendly a footing with Lady Augusta. Putting herself into that passive

frame of mind in which revelations of Milly's past actions were most

often vouchsafed to her, she saw herself type-writing in a small,

high-ceilinged room looking out on a foggy London park, and Lady Augusta

seated at a neighboring table, surrounded by papers. Type-writing was

not then so common as it is now, and Milly had learned the art in order

to give assistance to Ian. Mildred was annoyed to find herself in danger

of having to waste her time in a mechanical occupation which she

detested, or else of offending a woman whom her uncle valued as a friend

and political ally.

It was a slight compensation to receive an invitation to accompany the

Iretons to a great ball at Ipswich House. There was no question of Ian

accompanying her. He was usually too tired to care for going out in the

evening and went only to official dinners and to the houses of old

friends, or of people with whom he had educational connections. It did

not occur to him that it might be wise to put a strain upon himself

sometimes, to lay by his spectacles, straighten his back, have his beard

trimmed and appear at Mildred's side in the drawing-rooms where she

shone, looking what he was--a husband of whom she had reason to be

proud. More and more engrossed by his own work and responsibilities, he

let her drift into a life quite apart from his, content to see her world

from his own fireside, in the sparkling mirror of her talk.

Ipswich House was a great house, if of little architectural merit, and

the ball had all the traditional spectacular splendor common to such

festivities. The pillared hall and double staircase, the suites of

spacious rooms, were filled with a glittering kaleidoscopic crowd of

fair and magnificently bejewelled women and presumably brave, certainly

well-groomed and handsome men. The excellence of the music, the masses

of flowers, the number of great names and well-advertised society

beauties present, would subsequently provide material for long and

eulogistic paragraphs in the half-penny press and the Ladies' Weeklies.

Mildred enjoyed it as a spectacle rather than as a ball, for she knew

few people there, and the young political men whom she had met at her

uncle's parties were too much engaged with ladies of more importance, to

whom they were related or to whom they owed social attention, to write

their names more than once on her programme. One of these, however,

asked her if she had noticed how harassed both Lord Ipswich and Lady

Augusta looked. Goring's speech, he said, at the Fothering by-election

was reported and commented upon in all the papers, and had given

tremendous offence to the leaders of his party; while the fact that he

had not turned up in time for the ball must be an additional cross to

his wife, who made such a firm stand against the social separation of

married couples.

When Mildred returned to her uncle she found him the centre of a group

of eminent politicians, all denouncing in more or less subdued tones the

outrageous utterances and conduct of Goring, and most declaring that

only consideration for Lord Ipswich and Lady Augusta prevented them from

publicly excommunicating the hardened offender. Others, however, while

admitting the outrage, urged that he was too brilliant a young man to be

lightly thrown away, and advised patience, combined with the

disciplinary rod. Sir John was of the excommunicatory party. Later in

the evening he disappeared into some remote smoking or card-room, not so

much forgetting his niece as taking it for granted that she was, as

usual, surrounded by friends and admirers of both sexes. But a detached

personality, however brilliant, is apt to be submerged in such a crowd

of social eminences, bound together by ties of blood, of interests, and

of habit, as filled the salons of Ipswich House. Mildred walked around

the show contentedly enough for a time, receiving a smile here and a

pleasant word there from such of her acquaintances as she chanced upon,

but practically alone. And being alone, she found herself yielding to a

vulgar envy of richer women's clothes and jewels. Her dress, with which

she had been pleased, looked ordinary beside the creations of great

Parisian _ateliers_, and the few old paste ornaments which were the only

jewels she possessed, charming as they were, seemed dim and scant among

the crowns and constellations of diamonds that surrounded her. Her pride

rebelled against this envy, but could not conquer it.

More gnawing pangs, however, assailed her presently, the pangs of

hunger; and no one offered to take her in to supper. The idea of taking

herself in was revolting; she preferred starvation. But where could

Uncle John have hidden himself? She sought the elderly truant with all

the suppressed annoyance of a chaperon seeking an inconsiderate flirt of

a girl. And it happened that a spirit in her feet led her to the door of

a small room in which Milly and Lady Augusta had been wont to transact

their business. A curious feeling of familiarity, of physical habit,

caused her to open the big mahogany door. There was no air of public

festivity about the room, which was furnished with a substantial, almost

shabby masculine comfort. But oh, tantalizing spectacle! Under the

illumination of a tall, crimson-shaded, standard lamp, stood a little,

white-covered table, reminding her irresistibly of a little table in a

fairy story, which the due incantation causes to rise out of the ground.

A small silver-gilt tureen of soup smoked upon it and a little pile of

delicate rolls lay beside the plate set for one. But alas! she might

not, like the favored girl in the fairy story, proceed without ceremony

to satisfy her hunger at the mysterious little table.

A door immediately opposite that of the small sitting-room opened

noiselessly, and a young man entered with a light, quick step. He saw

Mildred, but for a second or so she did not see him. He was at her side

when she looked around and their eyes met. They had never seen each

other before, but at that meeting of the eyes a curious feeling, such as

two Europeans might experience, meeting in the heart of some dark

continent, affected them both.

There was something picturesque about the young man's appearance, in

spite of the impeccable cut and finish of his dress-suit and the waxed

ends of his small blond mustache. His hair was of a ruddy nut-brown

color, and had a wave in it; his bright hazel eyes seemed exactly to

match it. His face had a fine warm pallor, and his under lip, which with

his chin was somewhat thrust forward, was redder than the lip of a

child. It was perhaps this noticeable coloring and something in his port

which made him, in spite of the correct modernity of his dress, suggest

some seventeenth-century portrait.

"Forgive my passing you," he said, at length; "but I'm starving."

"So am I," she returned, hardly aware of what she was saying. Some

strange, almost hypnotic attraction seemed to rivet her whole attention

on the mere phenomenon of this man.

"By Jove! Aren't they feeding the multitude down there?" he asked,

nodding in the direction of the supper-room.

"Of course," she answered, with the simple gravity of a child, her blue

eyes still fixed upon him. "But I can't ask for supper for myself, can

I?"

Her need was distinctly material; yet the young man confronting her

white grace, the strange look in her blue eyes, had a dreamlike feeling,

almost as though he had met a dryad or an Undine between two of the

prosaic, substantial doors of Ipswich House. And as in a dream the most

extraordinary things seem familiar and expected, so the apparition of

the Undine and her confidence in him seemed familiar, in fact just what

he had been expecting during those hours of fog off the Goodwins, when

the sirens, wild voices gathering up from all the seas of the world, had

been screaming to each other across the hidden waters. That same inner

concentration upon the mere phenomenon of a presence, an existence,

which had given the childlike note to Mildred's speech, froze a

compliment upon his lips; and they stood silent, eying each other

gravely. A junior footman appeared, carrying a bottle of champagne in a

bucket, and the young man addressed him in a vague, distracted tone,

very unlike his usual manner.

"Look here, Arthur, here's a lady who can't get any supper."

The footman went quite pink at this personal reproach. He happened to

have heard some one surmise, on seeing Mildred roaming about alone, that

she was a newspaper woman.

"Please sir," he replied, "I don't know how it's happened, for her

Ladyship told Mr. Mackintosh to be sure and see as the newspaper ladies

and gentlemen were well looked after, and he thought as they'd all had

supper."

It seemed incredible that Mildred should not have heard this reply,

uttered so close to her; but though it fell upon her ears it did not

penetrate to her mind.

"Bring up supper for two, Arthur," said Goring, in his usual decisive

tone. "That'll do, won't it?" he added, and turned to Mildred, ushering

her into the room. "You'll have supper with me, I hope? My name's

Goring; I'm Lord Ipswich's son-in-law and I live in his house; so you

see it's all right."

The corollary was not evident; but the mention of the name brought

Mildred back to the ordinary world. So this was George Goring, the

plague of his political party, the fly in the ointment of a respectable

Marquis and his distinguished daughter. She had not fancied him like

this. For one thing, she did not know him to be younger than his wife,

and between the careworn solidity of Lady Augusta and this vivid

restless personality, the five actual years of difference seemed

stretched to ten.

"I'm convinced it's all right, Mr. Goring," she replied, throwing

herself into a chair and smiling at him sparklingly. "It must be all

right. I want my supper so much I should have to accept your invitation

even if you were a burglar."

Goring, whose habit it was to keep moving, laughed as he walked about,

one hand in his trousers pocket.

"Why shouldn't I be a burglar? A burglar, with an assistant disguised as

a footman, sacking the bedrooms of Lord Ipswich's house while the ball

proceeds? There's copy for you! Shall I do it? 'Mr. George Goring's

Celebrated Black Pearls Stolen,' would make a capital head-line. Perhaps

you've heard I'd do anything to keep my name in the newspapers."

"It certainly gets there pretty often," returned Mildred, politely; "and

whenever it's mentioned it has an enlivening effect."

The footman had reappeared and they were unfolding their dinner-napkins,

sitting opposite each other at the little table.

"As how, enlivening?"

"Like a bit of bread dropped into a glass of flat champagne."

"You think my party's like champagne? Why, it couldn't exist for a

moment if it sparkled."

"I was talking of newspapers, not of your party; though there's no doubt

you do enliven that."

"Do I? Like what? No odiously inoffensive comparisons, if you please."

"Well, I have heard people say like--like a blister on the back of the

neck."

Goring laughed. "Thanks. That's better."

"The patient's using language, but he won't really tear it off, because

he knows that would hurt him more, and the blister will do him good in

the end, if he bears with it."

"But there's the blister's side to it, too. It's infernally tiring for a

blister to be sticking on to such a fellow everlastingly. It'll fly off

of itself before long, if he doesn't look out. Hullo! What am I saying?

I suppose you'll have all this out in some confounded paper--'The Rebel

Member Returns. A Chat with Mr. Goring'--Don't do that; but I'll give

you some other copy if you like."

"You're very kind in giving me all this copy. What shall I do with it?

Shall I keep it as a memento?"

"No, no. You can sell it; honor bright you can."

"Can I? Shall I get much for it? Enough money to buy me a tiara, do you

think?"

"Do you really want to wear the usual fender? Now, why? I suppose

because you aren't sufficiently aware how--" he paused on the edge of a

compliment which seemed suddenly too full-flavored and ordinary to be

addressed to this strangely lovely being, with her smile at once so

sparkling and so mysterious. He substituted: "How much more

distinguished it is to look like an Undine than like a peeress."

Mildred seemed slightly taken aback.

"Why do you say 'Undine?'" she asked, almost sharply. "Do I--do I look

as if I came out of a Trafalgar Square fountain with fell designs on

Lord Ipswich?"

"Of course not. But--I can't exactly define even to myself what I mean,

only you do suggest an Undine to me. To some one else you might be

simply Miss--Forgive me, I don't know your name."

He had not even troubled to glance at her left hand, and when the "Mrs."

was uttered it affected him oddly. It was one of the peculiar

differences between her two personalities that, casually encountered,

Mildred was as seldom taken for a married woman as Milly for an

unmarried one.

"Do I look as if I'd got no soul?" she persisted, leaning a little

towards him, an intensity that might almost have been called anxiety in

her gaze.

He could even have fancied she had grown paler. He, too, became serious.

His eyes brightened, meeting hers, and a slight color came into his

cheeks.

"Quite the contrary," he answered. "I should say you had a great

deal--in fact, I shall begin to believe in detachable souls again. Fancy

most people as just souls, without trimmings. It makes one laugh. But

your body looks like an emanation from the spirit; as though it might

flow away in a white waterfall or go up in a white fire; and as though,

if it did, your soul could certainly precipitate another body, which

must certainly be like this one, because it would be as this is, the

material expression of a spirit."

She listened as he spoke, seriously, her eyes on his. But when he had

done, she dropped her chin on her hand and laughed delightedly.

"You think I should be able to grow a fresh body, like a lobster growing

a fresh claw? What fun!"

There was a sound without, not of the footman struggling with dishes and

plates and the door-handle, but of middle-aged voices.

Instinctively Goring and Mildred straightened themselves and looked

polite. Lord Ipswich and Sir John Ireton, deep in political converse,

came slowly in and then stopped short in surprise. Mildred lost not a

moment in carrying the war into their country. She turned about and

addressed her uncle in a playful tone, which yet smacked of reproof.

"Here you are at last, Uncle John! I thought you'd forgotten all about

me. I've been walking miles in mad pursuit of you, till I was so tired

and hungry I think I should have dropped if Mr. Goring hadn't taken

pity upon me and made me eat his supper."

Sir John defended himself, and Lord Ipswich was shocked to think that a

lady had been in such distress in his house; although the apparition of

Goring prevented him from feeling it as acutely as he would otherwise

have done. His pleasant pink face took on an expression of severity as

he responded to his son-in-law's somewhat too cheerful greeting.

"Sorry to be so late, but we were held up by a fog at the mouth of the

Thames."

"It must have been very important business to take you all the way to

Brussels so suddenly."

"It certainly wouldn't wait. I heard there was a whole set of Beauvais

tapestries to be had for a mere song. I couldn't buy them without seeing

them you know, and the big London and Paris dealers were bound to chip

in if I didn't settle the matter pretty quick. I'm precious glad I did,

for they're the finest pieces I ever saw and would have fetched five

times what I gave for them at Christie's."

"Ah--really!" was all Lord Ipswich's response, coldly uttered and

accompanied by a smile more sarcastic than often visited his neat and

kindly lips. Sir John Ireton and Mildred, aware of the delicate

situation, partly domestic and partly political, upon which they were

intruding, took themselves away and were presently rolling through the

empty streets in the gray light of early morning.

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