CHAPTER XXI

So the summer went by; a hot summer, passed brightly enough to all

appearance in the spacious rooms and gardens of Clewes and in

expeditions among the neighboring fells. But to Ian it seemed rather an

anxious pause in life. His work was at a stand-still, yet whatever the

optimistic Aunt Beatrice might affirm, he could not feel that the shadow

was lifting from his wife's mind. To others she appeared cheerful in the

quiet, serious way that had always been hers, but he saw that her whole

attitude towards life, especially in her wistful, yearning tenderness

towards himself and Tony, was that of a woman who feels the stamp of

death to be set upon her. At night, lying upon his breast, she would

sometimes cling to him in an agony of desperate love, adjuring him to

tell her the truth as to that Other: whether he did not see that she was

different from his own Milly, whether it were possible that he could

love that mysterious being as he loved her, his true, loving wife. Ian,

who had been wont to hold stern doctrines as to the paramount obligation

of truthfulness, perjured himself again and again, and hoped the

Recording Angel dropped the customary tear. But, however deep the

perjury, before long he was sure to find himself obliged to renew it.

To a man of his sensitive and punctilious nature the situation was

almost intolerable. The pity of this tender, innocent life, his care,

which seemed like some little inland bird, torn by the tempest from its

native fields and tossed out to be the plaything of an immense and

terrible ocean whose deeps no man has sounded! The pity of that other

life, so winged for shining flight, so armed for triumphant battle, yet

held down helpless in those cold ocean depths, and for pity's sake not

to be helped by so much as a thought! Yet from the thorns of his hidden

life he plucked one flower of comfort which to him, the philosopher, the

man of Abstract Thought, was as refreshing as a pious reflection would

be to a man of Religion. He had once been somewhat shaken by the dicta

of the modern philosophers who relegate human love to the plane of an

illness or an appetite. But where was the physical difference between

the woman he so passionately loved and the one for whom he had never

felt more than affection and pity? If from the strange adventure of his

marriage he had lost some certainties concerning the human soul, he had

gained the certainty that Love at least appertains to it.

One hot afternoon Milly was writing her Australian letter under a

spreading ilex-tree on the lawn. Lady Thomson and Ian were sitting there

also; he reading the latest French novel, she making notes for a speech

she had to deliver shortly at the opening of a Girls' High School.

It is sometimes difficult to find the right news for people who have

been for some years out of England, and Milly, in the languor of her

melancholy, had relaxed the excellent habit formed under Aunt Beatrice

of always keeping her mind to the subject in hand. She sat at the table

with one hand propping her chin, gazing dreamily at the bright

flower-beds on the lawn and the big, square, homely house, brightened by

its striped awnings. At length Aunt Beatrice looked up from her notes.

"Mooning, Milly!" she exclaimed, in her full, agreeable voice. "Now I

suppose you'll be telling your father you havn't time to write him a

long letter."

"Milly's not mooning; she's making notes, like you," Ian replied, for

his wife.

Milly looked around at him in surprise, and then at her right hand. It

held a stylograph and had been resting on some scattered sheets of

foolscap that Ian had left there in the morning. She had certainly been

scrawling on it a little, but she was not aware of having written

anything. Yet the scrawl, partly on one sheet and partly on another, was

writing, very bad and broken, but still with a resemblance to her own

handwriting. She pored over it; then looked Ian in the eyes, her own

eyes large with a bewilderment touched with fear.

"I--I don't know what it means," she said, in a low, anxious tone.

"What's that?" queried Aunt Beatrice. "Can't read what you've written?

You remind me of our old writing-master at school, who used to say

tragically that he couldn't understand how it was that when that

happened to a man he didn't just take a gun and shoot himself. I

recommend you the pond, Mildred. It's more feminine."

"Please don't talk to Milly like that," retorted Ian, not quite lightly.

"She always follows your advice, you know. It--it's only scrabbles."

He had left his chair and was leaning over the table, completely

puzzled, first by Milly's terrified expression, then by what she had

written, illegibly enough, across the two sheets of foolscap. He made

out: "You are only miserab ..."--the words were interspersed with really

illegible scrawls--"... Go ... go ... Let me ... I want to live, I want

to ... Mild ..."

Milly now wrote in her usual clear hand: "Who wrote that?"

He scribbled with his pencil: "You."

She replied in writing: "No. I know nothing about it."

Lady Thomson had taken up the newspaper, a thing she never did except at

odd minutes, although she contrived to read everything in it that was

really worth reading. Folding it up and looking at her watch, she

exclaimed:

"A quarter of an hour before the carriage is round! Now don't go

dawdling there, young people, and keep it standing in the sun."

Milly stood up and gathered her writing-materials together. Aunt

Beatrice's tall figure, its stalwart handsomeness disguised in uncouth

garments, passed with its usual vigorous gait across the burning

sunlight on the lawn and broad gravel walk, to disappear under the

awning of a French window. Milly, very pale, had closed her eyes and her

hands were clasped. She trembled, but her voice and expression were calm

and even resolute.

"The evil spirit is trying to get possession of me in another way now,"

she said. "But with God's help I shall be able to resist it."

Ian too was pale and disturbed. It was to him as though he had suddenly

heard a beloved voice calling faintly for help.

"It's only automatic writing, dear," he replied. "You may not have been

aware you were writing, but it probably reflects something in your

thoughts."

"It does not," returned she, firmly. "However miserable I may sometimes

be, I could never wish to give up a moment of my life with you, my own

husband, or to leave you and our child to the influence of this--this

being."

She stretched out her arms to him.

"Please hold me, Ian, and will as I do, that I may resist this horrible

invasion. I have a feeling that you can help me."

He hesitated. "I, darling? But I don't believe--"

She approached him, and took hold of him urgently, looking him in the

eyes.

"Won't you do it, husband dear? Please, for my sake, even if you don't

believe, promise you'll will to keep me here. Will it, with all your

might!"

What madness it was, this fantastic scene upon the well-kept lawn, under

the square windows of the sober, opulent North Country house! And the

maddest part of it all was the horrible reluctance he felt to comply

with his wife's wish. He seemed to himself to pause noticeably before

answering her with a meaningless half-laugh:

"Of course I'll promise anything you like, dear."

He put his arms around her and rested his face upon her golden head.

"Will!" she whispered, and the voice was one of command rather than of

appeal. "Will! You have promised."

He willed as she commanded him.

The triple madness of it! He did not believe--and yet it seemed to him

that the being he loved best in all the world was struggling up from

below, calling to him for help from her tomb; and he was helping her

enemy to hold down the sepulchral stone above her. He put his hand to

his brow, and the sweat stood upon it.

Aunt Beatrice's masculine foot crunched the gravel. She stood there

dressed and ready for the drive, beckoning them with her parasol. They

came across the lawn holding each other by the hand, and Milly's face

was calm, even happy. Aunt Beatrice smiled at them broadly with her

large, handsome mouth and bright brown eyes.

"What, not had enough of spooning yet, you foolish young people! The

carriage will be round in one minute, and Milly won't be ready."

The Invader: A Novel · 第 21 / 32 章