VII.

In Mr. Chesnutt's novel the psychologism is of that universal

implication which will distinguish itself to the observer from the

psychologism of that more personal sort--the words are not as apt as I

should like--evident in some of the interesting books under notice

here. I have tried to say that it is none the less a work of art for

that reason, and I can praise the art of another novel, in which the

same sort of psychologism prevails, though I must confess it a fiction

of the rankest tendenciousness. "Lay Down Your Arms" is the name of

the English version of the Baroness von Suttner's story, "Die Waffen

Nieder," which has become a watchword with the peacemakers on the

continent of Europe. Its success there has been very great, and I wish

its success on the continent of America could be so great that it might

replace in the hands of our millions the baleful books which have

lately been glorifying bloodshed in the private and public wars of the

past, if not present. The wars which "Lay Down Your Arms" deals with

are not quite immediate, and yet they are not so far off historically,

either. They are the Franco-Austrian war of 1859, the Austro-Prussian

war of 1866, and the Franco-German war of 1870; and the heroine whose

personal relation makes them live so cruelly again is a young Austrian

lady of high birth. She is the daughter and the sister of soldiers,

and when the handsome young officer, of equal rank with her own, whom

she first marries, makes love to her just before the outbreak of the

war first named, she is as much in love with his soldiership as with

himself. But when the call to arms comes, it strikes to her heart such

a sense of war as she has never known before. He is killed in one of

the battles of Italy, and after a time she marries another soldier, not

such a beau sabreur as the first, but a mature and thoughtful man, who

fights through that second war from a sense of duty rather than from

love of fighting, and comes out of it with such abhorrence that he

quits the army and goes with his family to live in Paris. There the

third war overtakes him, and in the siege, this Austrian, who has

fought the Prussians to the death, is arrested by the communards as a

Prussian spy and shot.

The bare outline of the story gives, of course, no just notion of the

intense passion of grief which fills it. Neither does it convey a due

impression of the character in the different persons which, amidst the

heartbreak, is ascertained with some such truth and impartiality as

pervade the effects of "War and Peace." I do not rank it with that

work, but in its sincerity and veracity it easily ranks above any other

novel treating of war which I know, and it ought to do for the German

peoples what the novels of Erckmann-Chatrian did for the French, in at

least one generation. Will it do anything for the Anglo-Saxon peoples?

Probably not till we have pacified the Philippines and South Africa.

We Americans are still apparently in love with fighting, though the

English are apparently not so much so; and as it is always well to face

the facts, I will transfer to my page some facts of fighting from this

graphic book, which the read may apply to the actualities in the

Philippines, with a little imagination. They are taken from a letter

written to the heroine by her second husband after one of the Austrian

defeats. "The people poured boiling water and oil on the Prussians

from the windows of the houses at ----.... The village is ours--no, it

is the enemy's, now ours again--and yet once more the enemy's; but it

is no longer a village, but a smoking mass of ruins of houses....One

family has remained behind...an old married couple and their daughter,

the latter in childbed. The husband is serving in our regiment....

Poor devil! he got there just in time to see the mother and child die;

a shell had exploded under their bed.... I saw a breastwork there

which was formed of corpses. The defenders had heaped all the slain

who were lying near, in order, from that rampart, to fire over at their

assailants. I shall surely never forget that wall in my life. A man

who formed one of its bricks was still alive, and was waving his

arm.... What is happening there? The execution party is drawn out.

Has a spy been caught? Seventeen this time. There they come, in four

ranks, each one of four men, surrounded by a square of soldiers. The

condemned men step out, with their heads down. Behind comes a cart

with a corpse in it, and bound to the corpse the dead man's son, a boy

of twelve, also condemned.... Steep, rocky heights; Jaegers, nimble as

cats, climbing up them.... Some of them, who are hit by the enemy's

shot, suddenly stretch out both their arms, let their muskets fall,

and, with their heads falling backwards, drop off the height, step by

step, from one rocky point to another, smashing their limbs to pieces.

I saw a horseman at some distance, obliquely behind me, at whose side a

shell burst. His horse swerved aside and came against the tail of

mind, then shot past me. The man sat still in the saddle, but a

fragment of the shell had ripped his belly open and torn out all the

intestines. The upper part of his body was held to the lower only by

the spine. From the ribs to the thighs nothing but one great, bleeding

cavity. A short distance farther he fell to the ground, one foot still

clinging in the stirrup, and the galloping horse dragging him on over

the stony soil.... Another street fight in the little town of Saar....

In the middle of the square stands a high pillar of the Virgin. The

mother of God holds her child in one arm, and stretches the other out

in blessing.... Here the fight was prolonged, man to man. They were

hacking at me, I laying about me on all sides.... A Prussian dragoon,

strong as Goliath, tore one of our officers (a pretty, dandified

lieutenant--how many girls are, perhaps, mad after him?) out of his

saddle and split his skull at the feet of the Virgin's pillar. The

gentle saint looked on unmoved. Another of the enemy's dragoons--a

Goliath, too--seized, just before me almost, my right-hand man, and

bent him backwards in his saddle so powerfully that he broke his

back--I myself heard it crack. To this the Madonna gave her blessing

also."

A Psychological Counter-Current in Recent Fiction · 第 9 / 11 题