THE VAPO

Since Paulo had left her, and she found herself alone, Natalie felt sad,

solitary, in the paradise that surrounded her. No longer did she sing in

emulation of the birds, no longer did she hop with youthful delight and

the impetuosity of a young roe through the charming alleys. Sadly,

and with downcast eyes, sat she under the myrtle bush by the murmuring

fountains, and frequent heavy sighs heaved her laboring breast.

“All is changed, all!” she often thoughtfully said to herself. “A great

and terrible secret has been unveiled within me--the secret of my utter

abandonment! I have no one on earth to whom I belong! Once I never

thought of that. Paulo was all to me, my friend, my father, my brother;

but Paulo has abandoned me, I belong not to him, and hence I could not

go with him. And who is left to me? Carlo!” she answered herself in a

low tone, and with a melancholy smile. “But Carlo has not filled the

void that Paulo’s absence has left in my heart. At first I thought he

could, but that was only a short deception. Carlo is good and kind,

always devoted, always ready to serve me. He always conforms himself

to my will, is all subjection, all obedience. But that is terrible,

unbearable!” exclaimed the almost weeping young maiden. “Who, then,

shall I obey, before whom shall I tremble, when all obey me and tremble

before me? And yet Carlo is a man. No,” said she, quite low; “were he so

I should then obey him, and not he me; then would he give me commands,

and not I him! No, Carlo is no man--Paulo was so! Where art thou, my

friend, my father?”

And the young maiden yearningly spread her arms in the air, calling

upon her distant friend with tender, low-whispered words and heartfelt

longings.

But the days slowly passed, and still no news came from him. Natalie

dreamily and sadly sank deeper into herself; her cheeks paled, her step

became less light and elastic. In vain did her true friends, Marianne

and Carlo, exhaust themselves in projects and propositions for her

distraction and amusement.

“You should go into the world and amuse yourself in society, princess,”

said Carlo.

“I hate the world and society,” said Natalie. “People are all bad, and I

abominate them. What had I done to these people, how had I offended them

even in thought, and yet they would have murdered me the very first time

I appeared among them? No, no, leave me here in my solitude, where I at

least have not to tremble for my life, where I have Carlo to guard and

protect me.”

The singer pressed the proffered hand to his lips.

“Then let us at least make some excursions in the environs of Rome,”

said he.

“No,” said she, “I should everywhere long to be back in my garden.

Nowhere is it so beautiful as here. Leave me my paradise--why would you

drive me from it?”

“Alas!” despairingly exclaimed Carlo, “you call yourself happy and

satisfied; why, then, are you so sad?”

“Am I sad?” she asked, with surprise. “No, Carlo, I am not sad! I

sometimes dream, nothing more! Let me yet dream!”

“You will die,” thought Carlo, and with an effort he forced back the cry

of despair that pressed to his lips; but his cheeks paled, and his whole

form trembled.

Seeing it, Natalie shook off her apathy, and with a lively sympathy and

tender friendship she inquired the cause of his disquiet. She was so

near him that her breath fanned his cheek, and her locks touched his

brow.

“Ah, you would kill me, you would craze me!” murmured he, sorrowfully,

sinking down, powerless, at her feet.

She looked wonderingly at him. “Why are you angry with me?” she

innocently said, “and what have I done, that you so wrongfully accuse

me?”

“What have you done?” cried he, beside himself,--the moment had overcome

him, this moment had burst the bands with which he had bound his heart,

and in unfettered freedom, in glowing passion, his long-concealed secret

forced its way to his lips. He must at length for once speak of his

sorrows, even if death should follow; he must give expression to his

torment and his love, even should Natalie banish him forever from her

presence!

“What have you done?” repeated he. “Ah, she does not even know that she

is slowly murdering me, she does not even know that I love her!”

“Am I not to know?” she reproachfully asked. “Would you, indeed, have

saved my life had you not loved me? Carlo I am indebted to you for my

life, and you say I murder you!”

“Yes,” he frowardly exclaimed, “you murder me! Slowly, day by day,

hour by hour, am I consumed by this frightful internal fire that is

destroying me. Ah, you know not that you are killing me. And have you

not destroyed my youthful strength, and from a man converted me into an

old, trembling, and complaining woman? Is it not for your sake that I

have fled the world, leaving behind me all it offered of fame and wealth

and honor? Is it not your fault that I have ceased to be a free man, to

have a will of my own, and have become a slave crawling at your feet?

Ah, woe is me, that I ever came to know you! You are an enchantress,

you have made me your hound, and, whining, I lie in the dust before you,

satisfied when you touch me with your foot.”

At first, Natalie had listened to him with terror and astonishment; then

an expression of noble pride was to be read upon her features, a glowing

flush flitted over her delicate cheeks, and with flashing eyes and a

heaving bosom she sprang up from her seat. Proud as a queen she rose

erect, the blood of her ancestors awoke in her; she at this moment felt

herself free as an empress, as proud, as secure--and, stretching her

arm toward the outlet of the garden, she said in a determined tone:

“Go, Signor Carlo! Leave me, I tell you! We have no longer any thing in

common with each other!”

Carlo seemed as if awakened from a delirium. Breathless, with

widely-opened eyes, trembling and anxious, he stared at the angry

maiden. He knew nothing of what he had said; he comprehended not

her anger, only his infinite suffering; he was conscious only of his

long-suppressed, long-concealed secret love. And, grasping Natalie’s

hands with an imploring expression, he constrained the young maiden,

almost against her will, to remain and reseat herself upon the grassy

bank before which he knelt.

As he looked up to her with those glowing, passionate glances, a maiden

fear and trembling for the first time came over her, an anxiety and

timidity inexplicable to herself! Her delicate, transparent cheeks

paled, tears filled her eyes, and, folding her hands with a childishly

supplicating expression, she said in a low, tremulous tone: “My God,

my God! Have mercy upon me! I am a wholly abandoned, solitary orphan!

Rescue me yet from this trouble and distress, from this terrible

loneliness!”

“Fear nothing, my charming angel,” whispered Carlo, “I will be gentle as

a lamb, and patient, very patient in my sorrow; I have sworn it and will

keep my oath! But you must hear me! You must, only this one time, allow

me to express in words my love and my sorrow, my misery and my ecstasy.

Will you allow me this, my lily, my beautiful swan?”

He would have again grasped her hand, but she withdrew it with a proud,

angry glance.

“Speak on,” said she, wearily leaning her hand against the myrtle-bush.

“Speak on, I will listen to you!”

And he spoke to her of his love; he informed her of his former life, his

poverty, his want, his connection with Corilla, whom he had quitted in

order to devote himself wholly to her, to obey, serve, and worship

her all his life, and, if necessary, to die for her! “But you,” he

despairingly said, “you know not love! Your heart is cold for earthly

love; like the angels in heaven, you love only the good and the sublime,

you love mankind collectively, but not the individual. Ah, Natalie, you

have the heart of an angel, but not the heart of a woman!”

The young maiden had half dreamingly listened to him, her hand leaned

back and her glance directed toward the heavens. She now smiled, and,

with an inimitable grace, laying her hand upon her bosom, said in a very

low tone: “And yet I feel that a woman’s heart is beating there. But it

sleeps! Who will one day come to awaken it?”

Carlo did not understand these low whispered words; he understood only

his own passion, his own consuming glow. And anew he commenced his

love-plainings, described to her the torments and fierce joys of

an unreturned love, which is yet too strong and overpowering to be

suppressed. And Natalie listened to him with a dreamy thoughtfulness.

His words sounded in her ears like a wonderful song from a strange,

distant world which she knew not, but the description of which filled

her heart with a sweet longing, and she could have wept, without knowing

whether it was for sorrow or joy.

“Thus, Natalie,” at length said Carlo, entirely exhausted and pale with

emotion--“thus I love you. You must sometime have learned it, and

have known that even angels cannot mingle with mortals unloved and

unpunished. I should finally have been compelled to tell you that you

might torture no longer, in cruel ignorance; that you, learning to

understand your own heart, might tell me whether I have to hope, or only

to fear!”

“Poor Carlo!” murmured Natalie. “You love me, but I do not love you!

This has even now become clear to me; and while you have so glowingly

described the passion, I have for the first time comprehended that I yet

know nothing of that love, and that I can never learn it of you! This is

a misfortune, Carlo, but as we cannot change, we must submit to it.”

Carlo drooped his head and sighed. He had no answer to make, and only

murmuringly repeated her words: “Yes, we must submit to it!”

“And why can we not?” she almost cheerfully asked, with that childlike

innocence which never once comprehended the sorrow she was preparing

for Carlo--“why can we not joyfully submit? We both love, only in a

different manner. Let each preserve and persevere in his own manner, and

then all may yet be well!”

“And it shall be well!” exclaimed Carlo, with animation. “You cannot

love me as I love you, but I can devote my whole life to you, and

that will I do! At home, in my charming Naples, a beautiful custom is

prevalent. When one loves, he is adopted as a _vapo_, a protector, who

follows the steps of the one he loves, who watches before her door when

she sleeps, who secretly lurks at a distance behind her when she leaves

her house, who observes every passer-by in order to preserve her from

every murderous or other inimical attack, or in case of need to hasten

to her assistance. Such a _vapo_ protects her against the jealousy of

her husband or the vengeance of a dismissed lover. Natalie, as I cannot

be your lover, I will be your _vapo_. Will you accept my services?”

Giving him her hand, she smilingly said, “I will.”

Carlo pressed that hand to his lips, and bedewed it with a warm tear.

“Well, then, I swear myself your _vapo_,” said he, with deep emotion.

“Wherever you may be, I shall be near you, I shall always follow to warn

and to protect you; should you be in danger, call me and you will find

me at your side, whether by night or by day; I shall always watch over

you and sleep at the threshold of your door, and should a dream alarm

you, I shall be there to tranquillize you. So long as I live, Natalie,

so long as your _vapo_ has a dagger and a sure hand, so long shall

misfortune fail to penetrate into your dwelling. You cannot be mine, or

return my love, but I can care for you and watch over you. In accepting

me for your _vapo_, you have given me the right to die for you if

necessary, and that of itself is a happiness!”

Thus speaking Carlo rose, and, no longer able to conceal his deep

emotion and suppress his tears, he left Natalie, and hastened into the

obscurest alleys of the garden.

The young maiden watched his retreat with a sad smile.

“Poor Carlo!” murmured she, “and ah! yet much poorer Natalie! He loves

at least. But I, am I not much more to be pitied? I have no one whom I

love. I am entirely isolated, and of what use is a solitary paradise?”

The Daughter of an Empress · 第 44 / 54 题