SHAKSPEARE'S GRIEF AND FRENZY.

I have looked into many an edition of Shakspeare, but I have not found

one that traced the connexion that I fancy exists between the lines--

_Cassius._ "I did not think you could have been so angry."

_Brutus._ "O Cassius! I am sick of many griefs."

or between

_Brutus._ "No man bears sorrow better.--Portia is dead."

_Cassius._ "How 'scaped I killing when I crossed you so!"

_Julius Cæsar_, Act iv. Sc. 3.

which will perhaps better suit the object that I have in view. The

editors whose notes I have examined probably thought the connexion so

self-evident or insignificant as not to require either notice or

explanation. If so, I differ from them, and I therefore offer the

following remarks for the _amusement_ rather than for the _instruction_

of those who, like myself, are not at all ashamed to confess that they

cannot read Shakspeare's music "_at sight_." I believe that both

_Replies_ contain an allusion to the fact that _Anger, grafted on

sorrow, almost invariably assumes the form of frenzy; that it is in

every sense of the word "Madness," when the mind is unhinged, and

reason, as it were, totters from the effects of grief_.

Cassius had but just mildly rebuked Brutus for making no better use of

his philosophy, and now--startled by the sudden sight of his bleeding,

mangled heart--"Portia is--Dead!" pays involuntary homage to the very

philosophy he had so rashly underrated by the exclamation--

"How 'scaped I _killing_ when I crossed you so!"

I wish, if possible, to support this view of the case by the following

passages:--

I. Romeo's address to Balthasar.

"But if thou ... roaring sea."

II. His address to Paris.

"I beseech thee youth ... away!"

_Romeo and Juliet_, Act v. Sc. 3.

III. "The poor father was ready to fall down dead; but he

grasped the broken oar which was before him, jumped up, and

called in a faltering voice,--'Arrigozzo! Arrigozzo!' This was

but for a moment. Receiving no answer, he ran to the top of the

rock; looked at all around, ran his eye over all who were safe,

one by one, but could not find his son among them. Then seeing

the count, who had so lately been finding fault {276} with his

son's name, he roared out,--'Dog, are you here?' And,

brandishing the broken oar, he rushed forward to strike him on

the head. Bice uttered a cry, Ottorino was quick in warding off

the blow; in a minute, Lupo, the falconer, and the boatmen,

disarmed the frantic man; who, striking his forehead with both

hands, gave a spring, and threw himself into the lake.

"He was seen fighting with the angry waves, overcoming them with

a strength and a courage which desperation alone can

give."--_Marco Viconti_, vol. i. chap. 5.

IV. A passage that has probably already occurred to the mind of the

reader, Mucklebackit mending the cable in which his son had been lost:

"'There is a curse either on me or on this auld black bitch of a

boat, that I have hauled up high and dry, and pitched and

clouted sae mony years, that she might drown my poor Steenie at

the end of them, an' be d----d to her!' And he flung his hammer

against the boat, as if she had been the intentional cause of

his misfortune"--_Antiquary_, vol. ii. chap. 13. Cadell, 1829.

V. "Giton præcipuè, _ex dolore in rabiem efferatus_, tollit

clamorem, me, utrâque manu impulsum, præcipitat super

lectum."--Petron. _Arb. Sat._ cap. 94.

The classical reader will at once recognise the force of the words

"rabiem," "efferatus," "præcipitat," in this passage. The expression

"utrâque manu" may not at first sight arrest his attention. It seems

always used to express the most intense eagerness; see

"Ijecit utramque laciniæ manum."--Pet. _Arb. Sat._ 14.

"Utrâque manu Deorum beneficia tractat."--Ib. 140.

"Upon which Menedemus, incensed at his insolence,

answered,--'Nothing is more necessary than the preservation of

Lucullus;' and thrust him back _with both hands_."--Plutarch,

_Life of Lucullus_.

"Women have a sort of natural tendency to cross their husbands:

they lay hold _with both hands_ [à deux mains] on all occasions

to contradict and oppose them, and the first excuse serves for a

plenary justification."--Montaigne, _Essays_, book 2. chap. 8.

"Marmout, deceived by the seemingly careless winter attitude of

the allies, left Ciudad Rodrigo unprotected within their reach

and Wellington jumped _with both feet_ upon the devoted fortress

of Napier," _Pen. War_, vol. iv. p. 374.

Any apology for the unwarrantable length of this discursive despatch,

would, of course, only make matters worse.

Notes and Queries, Number 48, September 28, 1850 · 第 8 / 86 题