CHAPTER XV

A VIGIL

Upon Mrs. Hastings and Mr. Augustus Frothingham, drowsing over the

pocket chess-board, the sound of footsteps and men's voices in the

corridor acted with electrical effect. Then the door was opened and

behind Olivia and Antoinette appeared the two visitors who seemed to

have fallen from the neighbouring heavens. The two chess-pretenders

looked up aghast. If there were a place in the world where

chaperonage might be relaxed the uninformed observer would say that

it would be the top of Mount Khalak.

"Mercy around us!" cried Mrs. Medora Hastings, "if it isn't that

newspaper man! He's probably come over here to cable it all over the

front page of every paper in New York. Well," she added

complacently, as if she had brought it all about, "it seems good to

see some of your own race. How _did_ you get here? Some trick, I

suppose?"

"My dear fellows," burst out Mr. Augustus Frothingham fervently,

"thank God! I'm not, ordinarily, unequal to my situations, but I

confess to you, as I would not to a client, that I don't object to

sharing this one. How did you come?"

"It's a house-party!" said Antoinette ecstatically.

Amory looked at her in her blue gown in the light of the white room,

and his spirits soared heavenward. Why should St. George have an

idea that he controlled the hour?

From a tumult of questioning, none of which was fully answered

before Mrs. Hastings put another query, the lawyer at length

elicited the substance of what had occurred.

"You came up the side of the mountain, carried by four of those

frightful natives?" shrilled Mrs. Hastings. "Olivia, think. It's a

wonder they didn't murder you first and throw you over afterward,

isn't it, Olivia? Oh, and my poor dear brother. To think of his

lying somewhere all mangled and bl--"

Emotion overcame Mrs. Hastings. Her tortoise-shell glasses fell to

her lap and both her side-combs tinkled melodiously to the tiled

floor.

"This reminds me," said Mr. Frothingham, settling back and finding a

pencil with which to emphasize his story, "this reminds me very much

of a case that I had on the June calendar--"

In half an hour St. George and Amory saw that all serious

consideration of their situation must be accomplished alone with

Olivia; for in that time Mr. Frothingham had been reminded of two

more cases and Mrs. Hastings had twice been reduced to tears by the

picture of the possible fate of her brother. Moreover, there

presently appeared supper--a tray of the most savoury delicacies, to

produce which Olivia had slipped away and, St. George had no doubt,

said over some spell in the kitchens. Supper in the white marble

room of the king's palace was almost as wonderful as muffins and tea

at the Boris.

There were Olivia in her gown of roses on one side of the table and

Antoinette on the other and between them the hungry and happy

adventurers. Across the room under a tall silver vase that might

have been the one proposed by Achilles at the funeral games for

Patroclus ("that was the work of the 'skilful Sidonians'" St. George

recalled with a thrill), Mrs. Hastings and Mr. Frothingham were

conscientiously finishing their chess, since the lawyer believed in

completing whatever he undertook, if for nothing more than a warning

never to undertake it again. Manifestly the little ivory kings and

queens and castles were in league with all the other magic of the

night, for the game prolonged itself unconscionably, and the supper

party found it far from difficult to do the same. St. George looked

at Olivia in her gown of roses, and his eyes swept the high white

walls of the room with its frescoes and inscriptions, its broken

statues and defaced chests of stone and ancient armour, and so back

to Olivia in her gown of roses, with her little ringless hands

touching and lifting among the alien dishes as she ministered to

him. What a dear little gown of roses and what beautiful hands, St.

George thought; and as for the broken statues and the inscriptions

and the contents of the stone chests, nobody had paid any attention

to them for so long that they could hardly have missed his regard.

Nor Amory's. For Amory was in the midst of a reminiscent reference

to the Chiswicks, in the Adirondacks, and to Antionette Frothingham

in a launch.

At last they all were aware that the chess-board was being closed

and Mrs. Hastings had risen.

"I suppose," she was saying, "that they have an idea here, the poor

deluded creatures, that it is very late. But I tell Olivia that we

are so much farther east it _can't_ be very late in New York at this

minute, and I intend to go to bed by my watch as I always do, and

that is New York time. If I were in New York I wouldn't be sleepy

now, and I'm no different here, am I? I don't think people are half

independent enough."

Mrs. Hastings stepped round a stone god, almost faceless, that stood

in a little circular depression in the floor.

"Olivia, where," she inquired, patting the bobbing, ticking jet on

her gown, "where do you think that frightful, mad, old man is?"

"I heard him cross the corridor a little while ago," Olivia

answered. "I think he went to his room."

"I must say, Olivia," said Mrs. Hastings with a damp sigh, "that you

are very selfish where I am concerned--in _this_ matter."

"Ah," said Olivia, "please, Aunt Dora. He is far too feeble to harm

any one. And he's away there on the second floor."

"I'm sure he's a murderer," protested Mrs. Hastings. "He has the

murderer's eye. Mr. Hastings would have said he has. We all sleep on

the ground floor here," she continued plaintively, "because we are

so high up anyway that I think the air must be just as pure as it

would be up stairs. I always leave my window up the width of my

handkerchief-box."

As they went out to the great corridor Olivia spoke softly to St.

George.

"Look up," she said.

He looked, and saw that the vast circular chamber was of

incalculable height, extending up to the very dome of the palace,

and shaping itself to the lines of the topmost of the three huge

cones. It was a great well of light, playing over strange frescoes

of gods and daemons, of constellations and of beasts, and exquisite

with all the secret colours of some other way of vision. As high as

the eye could see, the precious metals upon the skeleton of the open

roof shone in the bright light that was set there--the light on the

summit of the king's palace.

St. George turned from the glory of it and looked into her eyes.

"'A new Heaven and a new earth,'" he said; but he did not mean the

dome of light nor yet the splendour of the palace.

* * * * *

Manifestly, there is no use in being asleep when one can dream

rather better awake. St. George wandered aimlessly between his room

and Amory's and took the time to reflect that when a man looks the

way Amory did he might as well have Cupids painted on his coat.

"St. George," Amory said soberly, "is this the way you've been

feeling all the way here? Is this what you came for? Then, on my

soul, I forgive you everything. I would have climbed ten mountains

to meet Antoinette Frothingham."

"I've been watching you, you son of Dixie," said St. George darkly;

"don't you lose your head just when you need it most."

"I have a notion yours is gone," defended Amory critically, "and

mine is only going."

"That's twice as dangerous," St. George wisely opined;

"besides--mine is different."

"So is mine," said Amory, "so is everybody's."

St. George stepped through the long window to the terrace. Amory

didn't care whether anybody listened; he simply longed to talk, and

St. George had things to think about. He crossed the terrace to the

south, and went back to the very spot where he and Olivia had stood;

and there, because the night would have it no other way, he

stretched along the broad wall among the vines, and lit his pipe,

and lay looking out at sea. Here he was, liberated from the business

of "buzzing in a corner, trifling with monosyllables," set upon a

field pleasant with hazard and without paths, to move in the primal

experiences where words themselves are born. Better and more

intimate names for everything seemed now almost within his ken.

He had longed unspeakably to go pilgriming, and he had forthwith

been permitted to leave the world behind with its thickets and

thresholds, its hesitations and confusions, its marching armies,

breakfasts, friendships and the like, and to live on the edge of

what will be. He thought of his mother, in her black gowns and Roman

mosaic pins with a touch of yellow lace at her throat, listening to

the bishop as he examined the dicta of still cloisters, and he told

himself that he knew a heresy or two that were like belief. His

mother and the bishop at Tübingen and on the Baltic! Curiously

enough, they did not seem very remote. He adored his mother and the

bishop, and so the thought of them was a part of this fairy tale.

All pleasant thoughts whether of adventure or impression boast

kinship, perhaps have identity. And the name of that identity was

Olivia. So he "drove the night along" on the leafy parapet.

He was not far from asleep, nor perhaps from the dream of the Roman

emperor who believed the sea to have come to his bedside and spoken

with him, when something--he was not sure whether it was a voice or

a touch--startled him awake. He rose on his elbow and looked

drowsily out at the glorified blackness--as if black were no longer

absence cf colour but, the veil of negative definitions having been

pierced, were found to be a mystic union of colour and more

inclusive than white. The very dark seemed delicately vocal and to

"fill the waste with sound" no less than the wash of the waves. St.

George awoke deliciously confused by a returning sense of the sweet

and the joy of the night.

"'This was the loneliest beach between two seas,'" there flitted

through his mind, "'and strange things had been done there in the

ancient ages.'" He turned among the vines, half listening. "And in

there is the king's daughter," he told himself, "and this is

certainly 'the strangest thing that ever befell between two seas.'

And I have a great mind to look up the old woman of that tale who

must certainly be hereabout, dancing 'widdershins.'"

Then, like a bright blade unsheathed in a quiet chamber, a cry of

great and unmistakable fear rang out from the palace--a woman's

cry, uttered but once, and giving place to a silence that was even

more terrifying. In an instant St. George was on his feet, running

with all his might.

"Coming!" he called, "where are you--where are you?" And his heart

pounded against his side with the certainty that the voice had been

Olivia's.

It was unmistakably Olivia's voice that replied to him.

"Here!" she cried clearly, and St. George followed the sound and

dashed through the long open window of the room next that in which

he had first seen her that night.

"Here," she repeated, "but be careful. Some one is in this room."

"Don't be afraid," he cried cheerily into the dark. "It's all

right," which is exactly what he would have said if there had been

about dragons and real shades from Sidon.

The room was now in darkness, and in the dim light cast by the high

moon he could at first discern nothing. He heard a silken rustling

and the tap of slippered feet. The next instant the apartment was

quick with light, and in the curtained entrance to an inner room,

Olivia, in a brown dressing-gown, her hair vaguely bright about her

flushed face, stood confronting him.

Between them, his thin hand thrown up, palm outward, to protect his

eyes from the sudden light, was the old man whom St. George had last

seen by the shrine on the terrace.

St. George was prepared for a mere procession of palace ghosts, but

at this strange visitor he stared for an uncomprehending moment.

"What are you doing here?" he said wonderingly to him; "what in the

world are you doing here?"

The old man looked uncertainly about him, one hand spread against

the pillar behind him, the other fumbling at his throat.

"I think," he answered almost indistinguishably, "I think that I

meant to sit here--to sit in the room beyond, where the mock stars

shine."

Olivia uttered an exclamation.

"How could he possibly know that?" she said.

"But what does he mean?" asked St. George.

She crossed swiftly to a portiere hanging by slender rings from the

full height of the lofty room, and at her bidding St. George

followed her. She pushed aside the curtain, revealing a huge cave of

the dark, a room whose walls were sunk in shadow. But overhead the

ceiling was constellated in stars, so that it seemed to St. George

as if he were looking into a nearer heaven, homing the far lights

that he knew. The Pleiades, Orion, and the Southern Cross, blazing

down with inconceivable brilliance, were caught and held captive in

the cup of this nearer sky.

"It is like this at night," Olivia said, "but we see nothing in the

daytime, save the vague outlines of here and there a star. But how

could he have known? There is no other door save this."

The old man had followed them and stood, his eyes fixed on the

shining points.

"It is done well," he said softly, "it makes one feel the

firmament."

St. George, thrilling with the strangeness of what he saw, and the

strangeness of being there with Olivia and this weird old man of the

mountain, turned toward him almost fearfully. How did he know,

indeed?

"Ah well," he said, striving to reassure her, "I've no doubt he has

wandered in here some evening, while you were at dinner. No doubt--"

He stopped abruptly, his eyes fixed on the old man's hand. For as he

lifted it St. George had thought that something glittered. Without

hesitation he caught the old man's arm about the wrist, and turned

his hand in his own palm. In the thin fingers he found a small

sealed tube, filled with something that looked like particles of

nickel.

"Do you mind telling me what that is?" asked St. George.

Old Malakh's eyes, liquid and brown and very peaceful, met his own

without rebuke.

"Do you mean the gem?" he asked gently. "It is a very beautiful

ruby."

Then St. George saw upon the hand that held the sealed tube a ring

of matchless workmanship, set with a great ruby that smouldered in

the shadow where they stood. Olivia looked at St. George with

startled eyes.

"He was not wearing this when we first saw him," she said. "I

haven't seen him wearing it at all."

St. George confronted the old man then and spoke with some

determination.

"Will you please tell us," he said, "what there is in this tube, and

how you came by this ring?"

Old Malakh looked down reflectively at his hand, and back to St.

George's face. It was wonderful, the air of courtliness and urbanity

and delicate breeding which persisted through age and infirmity and

the fallow mind.

"I wish that I might tell you," he said humbly, "but I have only

little lights in my head, instead of words. And when I say them,

they do not mean--what they _shine_. Do you not see? That is why

every one laughs. But I know what the lights say."

St. George looked at Olivia helplessly.

"Will you tell me where his room is?" he said, "and I'll go back

with him. I don't know what to make of this, quite, but don't be

frightened. It's all right. Didn't you say he is on the second

floor?"

"Yes, but don't go alone with him," begged Olivia suddenly, "let me

call some of the servants. We don't know what he may do."

St. George shook his head, smiling a little in sheer boyish delight

at that "we." "We" is a very wonderful word, when it is not put to

unimportant uses by kings, editors and the like.

"I'd rather not, thank you," he said. "I'll have a talk with him, I

think."

"His room is at the top of the stair, on the left," said Olivia

reluctantly, "but I wish--"

"We shall get on all right," St. George assured her, "and don't let

this worry you, will you? I was smoking on the terrace. I'll be

there for a while yet. Good night," he said from the doorway.

"Good night," said Olivia. "Good night--and, oh, I thank you."

St. George's expectation of having a talk with the old man was,

however, unfounded. Old Malakh led the way to his room--a great

place of carven seats and a frowning bed-canopy and high windows,

and doors set deep in stone; and he begged St. George to sit down

and permitted him to examine the sealed tube filled with little

particles that looked like nickel, and spoke with gentle irrelevance

the while. At the last St. George left him, feeling as if he were

committing not so much an indignity as a social solecism when he

locked the door upon the lonely creature, using for the purpose a

key-like implement chained to the lock without and having a ring

about the size of the iron crown of the Lombards.

"Good night," old Malakh told him courteously, "good night. But yet

all nights are good--save the night of the heart."

St. George went back to the terrace. For hours he paced the paths of

that little upper garden or lay upon the wall among the pungent

vines. But now he forgot the iridescent dark and the companion-sea

and the high moon and the king's palace, for it was not these that

made the necromancy of the night. It was permitted him to watch

before the threshold while Olivia slept, as lovers had watched in

the youth of the world. Whatever the morrow held, to-night had been

added to yesternight. Not until the dawn of that morrow whitened the

sky and drew from the vapourous plain the first far towers of Med,

the King's City, did St. George say good night to her glimmering

windows.

Romance Island · 第 15 / 21 章