"The old Arab said something to the young one, who stooped down ... and

took out a large deal-box, drew off the cover, thrust in his hand and

pulled out a large long _Naia haje_ (the Egyptian species of Cobra).

After handling it and playing with it a little while, he set it down on

the floor, half squatted close to it, and fixed his eyes on the snake.

The serpent instantly raised itself, expanded its hood, and turned

slowly on its own axis, following the eye of the young Arab, turning as

his head, or eye, or body turned. Sometimes it would dart at him, as if

to bite. He exercised the most perfect command over the animal. All this

time the old Arab stood still, pensively regarding the operation; but

presently he also squatted down, muttering some words, opposite to the

snake. He evidently affected the reptile more strongly than his more

mercurial relative, though he remained motionless, doing nothing that I

could see but fixing his eyes upon the snake, with his face upon a level

with the raised head of the serpent, which now turned all its attention

to him, and seemed to be in a paroxysm of rage. Suddenly it darted

open-mouthed at his face, furiously dashing its expanded whitish-edged

jaws into the dark hollow cheek of the charmer, who still imperturbably

kept his position, only smiling bitterly at his excited antagonist. I

was very close, and watched very narrowly; but though the snake dashed

at the old Arab's face and into it more than twice or thrice with its

mouth wide open, I could not see the projection of any fang.

"Then the old Arab, who, it was said, had had the gift of charming

serpents in his family for a long series of years, opened another box,

and took out four or five great lizards, and provoked the Naia with

them, holding them by the tails in a sort of four-in-hand style. Then

the youth brought out a Cerastes, which I observed seemed overpowered,

as if, as the country people say, something had come over it. He placed

it on the floor; but this serpent did not raise itself like the Naia,

but, as the charmer stooped to it, moved in a very odd, agitated manner,

on its belly, regarding him askant. I thought the serpent was going to

fly at the lad, but it did not. He took it up, played with it, blew or

spit at it, and then set it down apparently sick, subdued, and limp. He

then took it again, played with it a second time, gathered it up in his

hand, put it in his bosom, went to another box, drew the lid, and

brought out more snakes, one of which was another Naia, and the others

of a most venomous kind.

"Now there were two Naias, with heads and bodies erect, obeying,

apparently, the volition of the charmers. One of the snakes bit the

youth on the naked hand, and brought blood; but he only spat on the

wound and scratched it with his nail which made the blood flow more

freely. Then he brought out more lizards of a most revolting aspect. By

this time the floor of the reptile house, that formed the stage of the

charmers, began to put one in mind of the incantation-scene in _Der

Freischutz_, only that the principal performers looked more like the

Black Huntsman and one of his familiars than Max and Caspar, and the

enchanters' circle was surrounded with fair ladies and their

well-dressed lords, instead of the appalling shapes which thronged round

the affrighted huntsman at the casting of the charmed bullets.

"The Arabs, holding the snakes by the tails, let their bodies touch the

floor, when they came twisting and wriggling on towards the spectators,

who now backed a little upon the toes of those who pressed them from

behind. Sometimes the charmers would loose their hold, when the

serpents, as if eager to escape from their tormentors, rapidly advanced

upon the retreating ring; but they always caught them by the tails in

time, and then made them repeat the same advances. I kept my position in

front throughout, and had no fear, feeling certain that Mr Mitchell,

and those under whose superintendence this highly amusing and

instructive establishment is so well conducted, would not have permitted

the exhibition to take place, if there had been the least danger.

Besides this, I observed that the charmers only used their own serpents,

which they had, I presume, brought with them; and I confess that the

impression upon my mind was, that they had been rendered innoxious by

mechanical means."[200]

This last assumption the narrator subsequently found to be indubitably

true. What is said of the _Cerastes_, however, looks more like the

effect of something detrimental to the snake in the lad's odour, or in

his spittle. Of course no confidence can be placed in their statements,

but it is noteworthy that they both claimed to belong to a race over

whom snakes have no morbific power,--Psylli, in fact, of many

generations.

Dr Davy asserts that in India, however, the poison fangs are _not_

extracted. He tells us that he has himself examined the snakes exhibited

(which are always Cobras) and have found the fangs uninjured. He

attributes the power of the charmers to their agility and courage,

founded on an intimate acquaintance with the habits and disposition of

the reptiles. The learned Doctor acting on this persuasion, says that he

has himself repeatedly irritated these serpents with impunity. They can

be readily appeased when irritated, by the voice and by gentle movements

of the hand in a circle, and by stroking them on the body.

A very curious subject, closely connected with serpent-charming, is the

power of extracting venom from a wound inflicted by reptiles, attributed

to the "snake-stone," which the Hindoos and Cingalese usually carry with

them. Captain Napier thus describes it:--

"These people generally have for sale numbers of _snake-stones_, which

are said to be equally an antidote against the bite of the serpent and

the sting of the scorpion. For the former I have never seen it tried:

and to prove its efficacy with the latter, the samp-wallah generally

carries about in small earthen vessels a number of these animals, one of

which he allows to wound him with his sting. The snake-stone, which is a

dark, shining, smooth pebble, about the size and shape of a French bean,

on being applied to the wound, instantly adheres to it, and by a power

of suction appears to draw out the poison, which is supposed to be

contained in the small bubbles which, on the immersion of the stone into

a glass of water are seen in great numbers to rise to the surface.

"My first idea on beholding the samp-wallah allow himself to be stung by

the scorpion was that the latter had by some means been rendered

harmless. However, not wishing voluntarily to put this to the test by

personal experience, I purchased some of the stones, resolved on the

very first opportunity to try their efficacy. Shortly after this,

happening to be marching up the country with a detachment, we pitched

our camp on some very stony ground, in clearing which one of the English

soldiers happened to be bit [stung] in the hand by a large scorpion. As

soon as I heard of this circumstance, I sent for the sufferer, who

appeared to be in great pain, which he described as a burning sensation

running all the way up his arm to the very shoulder.

"I applied one of the snake-stones to the puncture; it adhered

immediately, and during about eight minutes that it remained on the

patient, he by degrees became easier; the pain diminished, gradually

coming down from the shoulder, until it appeared entirely confined to

the immediate vicinity of the wound. I now removed the stone; on putting

it into a cup of water, numbers of small air-bubbles rose to the

surface, and in a short time the man ceased to suffer any inconvenience

from the accident."[201]

It is scarcely needful to say that the emission of bubbles is a most

ordinary phenomenon, and could have not the slightest connexion with the

alexipharmic power of the stone, whether real or imaginary. Any one may

see exactly the same thing on dropping a bit of new flower-pot, or a

very dry brick into water, or any other substance heavier than the

fluid, which is at the same time dry and porous. It results from the air

which is contained in the pores of the material, which on immersion is

displaced by the heavier water, and rises in oozing bubbles to the

surface.

Sir Emerson Tennent has some observations of much value on these

"stones," as well as on cognate matters, which my readers may like to

see, and with which I close this subject:--

"On one occasion, in March 1854, a friend of mine was riding, with some

other civil officers of the government, along a jungle-path in the

vicinity of Bintenne, when they saw one of two Tamils, who were

approaching them, suddenly dart into the forest and return, holding in

both hands a _cobra di capello_ which he had seized by the head and

tail. He called to his companion for assistance to place it in their

covered basket, but in doing this, he handled it so inexpertly that it

seized him by the finger, and retained its hold for a few seconds, as if

unable to retract its fangs. The blood flowed, and intense pain appeared

to follow almost immediately; but, with all expedition, the friend of

the sufferer undid his waistcloth, and took from it two snake-stones,

each of the size of a small almond, intensely black and highly polished,

though of an extremely light substance. These he applied one to each

wound inflicted by the teeth of the serpent, to which the stones

attached themselves closely, the blood that oozed from the bites being

rapidly imbibed by the porous texture of the article applied. The stones

adhered tenaciously for three or four minutes, the wounded man's

companion in the meanwhile rubbing his arm downwards from the shoulder

towards the fingers. At length the snake-stones dropped off of their own

accord; the suffering appeared to have subsided; he twisted his fingers

till the joints cracked, and went on his way without concern. Whilst

this had been going on, another Indian of the party who had come up

took from his bag a small piece of white wood, which resembled a root,

and passed it gently near the head of the cobra, which the latter

immediately inclined close to the ground; he then lifted the snake

without hesitation, and coiled it into a circle at the bottom of his

basket. The root, by which he professed to be enabled to perform this

operation with safety, he called the _Naya-thalee Kalinga_ (the root of

the snake-plant,) protected by which he professed his ability to

approach any reptile with impunity. In another instance, in 1853, Mr

Lavalliere, the District Judge of Kandy, informed me that he saw a

snake-charmer in the jungle, close by the town, search for a _cobra di

capello_, and, after disturbing it in its retreat, the man tried to

secure it, but, in the attempt, he was bitten in the thigh till blood

trickled from the wound. He instantly applied the _Pamboo-Kaloo_ (or

snake-stone), which adhered closely for about ten minutes, during which

time he passed the root which he held in his hand backwards and forwards

above the stone, till the latter dropped to the ground. He assured Mr

Lavalliere that all danger was then past. That gentleman obtained from

him the snake-stone he had relied on, and saw him repeatedly afterwards

in perfect health. The substances which were used on both these

occasions are now in my possession. The roots employed by the several

parties are not identical. One appears to be a bit of the stem of an

_Aristolochia_; the other is so dry as to render it difficult to

identify it, but it resembles the quadrangular stem of a jungle vine.

Some species of _Aristolochia_, such as the _A. serpentaria_ of North

America, are supposed to act as a specific in the cure of snake-bites;

and the _A. Indica_ is the plant to which the ichneumon is popularly

believed to resort as an antidote when bitten; but it is probable that

the use of any particular plant by the snake-charmers is a pretence, or

rather a delusion, the reptile being overpowered by the resolute action

of the operator, and not by the influence of any secondary appliance,

the confidence inspired by the supposed talisman enabling its possessor

to address himself fearlessly to his task, and thus to effect by

determination and will, what is popularly believed to be the result of

charms and stupefaction."

The writer then alludes to the facts mentioned by Bruce, which I have

before adduced; and proceeds:--

"As to the snake-stone itself, I submitted one, the application of which

I have been describing, to Mr Faraday, and he has communicated to me, as

the result of his analysis, his belief that it is 'a piece of charred

bone which has been filled with blood perhaps several times, and then

carefully charred again. Evidence of this is afforded, as well by the

apertures of cells or tubes on its surface as by the fact that it yields

and breaks under pressure, and exhibits an organic structure within.

When heated slightly, water rises from it, and also a little ammonia;

and, if heated still more highly in the air, the carbon burns away, and

a bulky white ash is left, retaining the shape and size of the 'stone.'

This ash, as is evident from inspection, cannot have belonged to any

vegetable substance, for it is almost entirely composed of phosphate of

lime. Mr Faraday adds that 'if the piece of matter has ever been

employed as a spongy absorbent, it seems hardly fit for that purpose in

its present state; but who can say to what treatment it has been

subjected since it was fit for use, or to what treatment the natives may

submit it when expecting to have occasion to use it?'"

Sir E. Tennent supposes that the animal charcoal may be sufficiently

absorbent to extract the venom from the recent wound together with a

portion of the blood, before it has had time to be carried into the

system. If this be so the process is analogous to that of sucking a

poisoned wound, already referred to.[202]

What the author means by a jungle vine I do not exactly know, but

conjecture that it may be one of the _Bignoniaceae_, the woody climbing

species of which have in general their stem divided into lobes arranged

in a quadrangular manner. I am not aware that any species of this order

is an antidote to animal poisons, but many have powerful medicinal

properties, and abound in bitter juices. The whitewood of Jamaica

(_Bignonia leucoxylon_) enjoys a reputation as a remedy for the poison

of the Manchineel (_Hippomane mancinella_) which is so virulent that

persons are reported to have been killed by its volatile emanations,

when accidentally sleeping under its shade, and a drop of its juice

falling on the skin burns it like fire, and produces an ulcer difficult

to heal. The value of the _Aristolochia_ has been already referred to;

and on the whole I am disposed to attach more importance to the use of

vegetable specifics by the Ceylonese operators than the learned author

whom I have just quoted. The subject is a highly curious one, and well

worthy of minute investigation by able and unprejudiced men of science,

willing to receive unscientific information and suggestions, in various

parts of the world, particularly in the intertropical regions of both

hemispheres.

[183] Psalm lviii. 4, 5.

[184] Jer. viii. 17.

[185] This is the Tuberose, a liliaceous plant, so commonly cultivated

in our conservatories. It is generally stated to be a native of the East

Indies, but the one spoken of by Tschudi, with a Peruvian name, must

certainly be an indigenous plant of the country.

[186] The genus _Mikania_ of Willdenow is one of the tubuliflorous

_Asteraceae_. _M. guaco_ Humboldt mentions, under the name of Vijuco del

Guaco, as being highly esteemed in South America as a valuable antidote

against the bite of serpents. "Guaco" and "huaco" are the same word, the

intensity of the aspirate varying among different peoples. The power of

this _Mikania_ is denied in the most positive terms by Hancock, who

suspects that the real Guaco antidote is some kind of _Aristolochia_.

The word "Vijuco" or "Bejuco," in Tropical America, signifies any

climbing plant, and is equivalent to our florist word "creeper."

_Eupatorium ayapana_, belonging to the same order as _Mikania_, is a

valuable repellent of the poison of venomous snakes. For this purpose it

is used in Brazil. A quantity of the bruised leaves, which are to be

frequently changed, is laid on the scarified wound, and some spoonfuls

of the expressed juice are from time to time administered to the

patient, till he is found to be free from the symptoms, especially the

dreadful anxiety which follows the wounds of venomous reptiles. _E.

perfoliatum_ has a very similar action, and _Mikania opifera_ is

employed in the same way.--(_Lindley's Veg. Kingd._, p. 707.) These

facts tend to confirm the accuracy of Tschudi and Humboldt against

Hancock.

[187] _Campaigns and Cruises in Venezuela_, vol. i., p. 43.

[188] _Dahomey and the Dahomans._

[189] Several of the _Aristolochieae_--plants generally having a very

bitter taste, and a strong, pungent, disagreeable smell--are valuable

alexipharmics. There is a plant very common in Jamaica, where it is

called snake-withe, trailing over the stone fences, which I suspect to

be an _Aristolochia_, and perhaps _A. trilobata_; it is employed as a

sudden and potent sudorific, and as an antidote to serpent-bites in

other countries, for in Jamaica there is no venomous reptile. The _A.

anguicida_ of Carthagena is described by Jacquin as fatal to serpents.

He says that the juice of the root chewed and introduced into the mouth

of a serpent so stupefies it that it may be for a long time handled with

impunity: if the reptile is compelled to swallow a few drops, it

perishes in convulsions. The root is also reputed to be an antidote to

serpent-bites. "It is not a little remarkable," observes Dr Lindley,

"that the power of stupefying snakes, ascribed in Carthagena to

_Aristolochia anguicida_, should be also attributed to _A. pallida_,

_longa_, _b{oe}tica_, _sempervirens_ and _rotunda_; which are said to be

the plants with which the Egyptian jugglers stupefy the snakes they play

with."

[190] _Ceylon_, i., 147.

[191] "On the Habits of the Viper in Silesia:" _Zoologist_, p. 829.

[192] _Trav. to the Sources of the Nile, passim._

[193] _Travels in the Levant, passim._

[194] _Discov. in Africa_, ii., p. 292.

[195] _Lucan's Pharsalia._

[196] _Ind. Field Sports._

[197] _Mod. Egyptians._

[198] _Zool._, 6400.

[199] _Beauties of Christianity._

[200] _Note-book of a Naturalist_, 202.

[201] Napier's _Scenes and Sports_, vol. ii., p. 227.

[202] Tennent's _Ceylon_.

X.

BEAUTY.

Very much of the delight with which we pursue natural history is surely

due to the almost constant recognition of the beautiful. I do not know

that I could say with the poet,--

"A thing of beauty is a joy _for ever_;"

but certainly it is a joy as long as it endures; and the naturalist

finds an endless recurrence of things of beauty. Birds, insects, shells,

zoophytes, flowers, sea-weeds, are all redundant of beauty; and all the

classes of natural objects, though not in an equal degree, nor

manifestly in every individual object, yet possess it as a prominent

element. Indeed, from the profusion with which loveliness is sown

broadcast over the works of God, I have often thought, though it is not

directly revealed, that a sense of the beautiful and a complacency in

it, altogether independent of fitness for certain ends, or the uses

which may be subserved, is an attribute of the Holy One Himself, and

that our perception of it is the reflection of His--a part of that image

of God in which man was created, and which sin has not wholly

obliterated. I know that God may have clothed His works with beauty for

other admiring eyes than man's; and that it is probable that the holy

angels may be far more conversant with creation than we are with all our

researches,--that the ten thousand times ten thousand flowers which are

"born to blush unseen" by _man_, may be seen and admired by "ten

thousand times ten thousand" angels,[203] and thus the tribute of praise

for their perfection may be ever ascending before Him whose hands made

them for His glory. We may allow this; and yet with reverence presume

that His own pure eyes look upon the lilies' array with a delight in

their mere loveliness, infinitely greater than that which men, or even

angels, take in it, seeing it is written,--"for thy pleasure they are,

and were created."

I remember being struck, and somewhat awed, too, with a thought of this

kind, once, when, pushing my way through a very dense and tangled

thicket in a lone and lofty mountain region of Jamaica, sufficiently

remote from the dwellings of man to render it probable that no civilized

human foot had penetrated thither before. I suddenly came upon a most

magnificent terrestrial orchid in full blossom. It was _Phajus

Tankervilliae_,--a noble plant, which from the midst of broad leaves

growing out of a mass of green bulbs, had thrown up its stout

blossom-stems to the height of a yard or more, crowned with the

pyramidal spike of lily-like flowers, whose expanding petals of pure

white on one side and golden brown on the other, and trumpet-lip of

gorgeous purple seemed, to my ravished gaze, the very perfection of

beauty. For ages, I thought, that beauteous flower had been growing in

that wild and unvisited spot, every season "filling the air around with

beauty," and had in all probability never met a single human gaze

before. Had, then, all that divinely-formed loveliness been mere waste

for those generations? I asked myself; and I immediately replied, No:

the eye of God himself hath rested on it with satisfaction, and the Lord

hath taken pleasure in this work of His hands.

I shall not make this chapter an essay on the sublime and beautiful, nor

seek to analyse the sense of beauty. It is enough that it is an appetite

of our being, and that most abundantly in nature, on every side, there

is the material of its gratification. So abundantly, indeed, that it

were easy to expand the few pages which I propose to devote to the

subject into a volume, or a dozen volumes, and yet leave untouched vast

treasures of the beautiful in natural history. I must content myself and

my readers with the selection of a few of the more prominent objects in

which this sense is gratified, and with a discrimination of two or three

distinct phases or conditions of existence which contribute, each in its

measure, to give delight to the eyes.

[Illustration: ANTELOPES.]

Among Quadrupeds, there is perhaps less of beauty, strictly considered,

than in most other classes of animals. Elegance of form, however, which

is one phase of it, is seen in the lithe and active squirrel, the pretty

petaurist, and many other of the smaller beasties, and is found in

perfection in the deer and antelopes. Who that has seen a pet fawn

coming to be caressed by a fair girl, but must have had his sense of the

beautiful gratified? Mark the freedom and grace of every motion! See

how it stretches out its pretty meek face and taper neck towards the

hand; its extreme timidity causing its whole body and every limb to

start on the slightest stir from the beholders, while on the least

approach it bounds away in the exuberant playfulness of its little

heart, then stops, and turns, and gazes, and stretches out its neck

again! See when it trots or walks, how high it lifts its little slender

feet, bending its agile limbs as if motion itself were a pleasure! See,

as it stands, with one fore-foot bent up, the hoof nearly touching the

belly; the long graceful ears moving this way and that, now thrown

forwards, now backwards, now erected, to catch the slightest

sound,--what a picture of fairy grace it is! There is beauty, too, in

the soft, full liquid eye of these animals,--the "bright, black eye" of

the "dear gazelle," which in the East is the very ideal of female

loveliness. Its melting gaze seems full of tenderness, so that we cannot

look without loving it.

The romance of natural history, second series · 第 19 / 25 段