CHAPTER XXIX

_AGRIPPINA AT BAY_

‘Caritas quæ est inter natos et parentes dirimi nisi

detestabili scelere non potest.’--CIC. _Læl._ viii. § 28.

There were some who thought it an unparalleled tragedy that

Britannicus should not only have died so young, but also at a

banquet, and so suddenly, and by the hand of a bitter enemy, and

under his very eyes. There were few in the Pagan world who realised

the truth that he who needed their shuddering pity was not the boy

who perished, but the youth who murdered him.

At first Nero was alarmed by what he had done. He thought that he

would be haunted by the manes of the wronged Britannicus. He shunned

Octavia, and if he met her was forced to avert his glance. He faced

his mother with shy moroseness. He never dared to sleep alone. The

sound of a shaken leaf terrified him. A thunderstorm, which happened

a few days later, drove him into a paroxysm of terror, during which,

like Gaius before him, he hid himself under a bed, and sent for the

skin of a seal as a fancied protection against the flame of heaven.

But it was not thus that he was to feel the wrath of God. The doom

was past, but the punishment deferred. The most terrible part of his

retribution was that he was let alone to fill to the brim the cup

of his iniquity. Sin was to be to him the punishment of sin, and the

avenging scourge was put into the hand of his own vices. The first

fearful crime which he had committed ought to have lit up his dark

conscience with its fierce, unnatural, revealing glare. It did so for

a moment, but only to leave him in deeper darkness. His moral sense

was hardened to a still deadlier callosity, until he developed into

the execration of mankind.

What helped him to this rapid obduracy was the vileness and hypocrisy

of the world around him.

The death of Britannicus had to be announced to the Senate. The eyes

of Nero had to weep crocodile tears, and the pen of Seneca to be

employed in venal falsities. No one could doubt the hand of Seneca in

the elegant pathos of the sentence which told the Conscript Fathers

that deaths so immature as that of Britannicus were subjects of such

bitter grief that his funeral had been hurried over in accordance

with the ancestral custom which forbade the protraction of anguish

by public oration or funeral obsequies.

‘I have lost the aid of my brother,’ continued the specious oration

which Nero learnt by heart; ‘no hopes are left to me save in the

commonwealth. A prince like myself, who is now the sole survivor of

a family born to the supremest dignity, needs all the love and all

the help of the Senate and the people.’

Even the semblance of sorrow was abandoned almost before the cypress

had been moved from the doors of the Palatine. Nero was anxious to

implicate others as far as possible in the frightful responsibility

which he had himself incurred. Britannicus had left a considerable

heritage in houses, villas, and personal possessions, which

had come to him from his father and mother. Nero, who as yet

had not squandered a treasure which might well have been deemed

inexhaustible, had no need of these things, and was eager to get

rid of them. He therefore distributed them among leading senators,

giving a pleasant villa to Seneca and a town house to Burrus. He

thought that gifts would serve as a sort of hush-money, and both

statesmen felt with inward anguish that they were the price of blood.

Seneca was specially humiliated. He knew what men thought and said

of him in secret, and his own conscience could not accept the facile

excuse that it would have been fatal to refuse a largesse which was

meant to bind his destiny irrevocably with that of the guilty Emperor.

He thanked Nero for his munificence, and acted as if nothing had

happened. Yet the inward voice spoke to him with unmistakable

clearness. He called himself a Stoic: he wrote grand eulogies of

virtue and simplicity. Ought he to have entered the magic circle of

a court steeped in licentiousness and blood? Ought he to have yielded

to the avarice which made his usury so notorious? Would Pætus Thrasea

have accepted gifts intended to screen complicity with murder? Would

such gifts have been offered to the modest poverty of Cornutus or

Musonius? or, if so, would they not have faced exile or death rather

than accept them? Conscience worked so painfully that he could not

induce himself to visit the villa which had been presented to him on

the death of Britannicus. ‘Alas!’ he moaned sadly to himself in the

watches of the night, ‘it is a _viscosum beneficium_,--a kindness

smeared with birdlime.’

But the great mass of the Roman world, lying as it did in wickedness,

was pleased rather than otherwise to hear of the death--which

they all knew to have been the murder--of the son of Claudius. The

horrors of the civil wars were still vivid in many recollections, and

knowing that rival princes rarely lived in concord, they hailed with

satisfaction the bold iniquity which had succeeded in ridding them

of a nightmare of the future. The story of the murder of a young and

innocent prince, the only son of their late deified Emperor, sounded

rather ugly, no doubt; but did not nine-tenths of them expose their

own superfluous children? Had not Claudius himself exposed the infant

of his wife Petina? And what was death? Was it not a dreamless sleep,

which anyone might be glad to exchange for the present state of

things, and which many of them would probably seek by suicide?

And why should Nero trouble himself any more about a death which

scarcely caused so much as a ripple on the bitter and stagnant pool

of Roman society? On the contrary he and all Rome felt a glow of

conscious virtue when, a few days later, an order was given to

execute a knight, named Antonius, as a poisoner, and publicly to burn

his poisons. When Locusta heard that fact she smiled grimly. But what

had she to fear?

There was one breast in which the earthquake of excitement, caused

by the murder of Britannicus, did not soon subside. Octavia, in

the depth of her anguish, had known where to find something of

consolation. Not so Agrippina. To her also Nero had offered presents,

which she refused with disdainful sullenness. Her soul was full of

madness. Was she to be totally defeated by the slight, contemptible

son on whom she had built all her hopes?

Not without a struggle would she abandon the power which it had been

the object of her life to attain, and the fabric of which she had

with her own hand shattered to the dust.

Suddenly as the Nemesis had come upon her, she would not yet admit

herself to be defeated. She was rich; she would be yet richer. She

had friends, and she held many a secret interview with them. Octavia

might still become in her hands an engine for political purposes,

and Agrippina constantly embraced and consoled her. Every tribune

and centurion who attended her levées was received with extreme

graciousness. She paid her court to all the nobles of high birth and

promising ability. She thought that even now it was not too late to

create a conspiracy, and put a fitting leader at the head of it.

But all her efforts were broken like foam on the rock of the

Emperor’s deified autocracy and the unscrupulous wickedness of the

favourites by whom he was surrounded. At the suggestion of Otho and

Tigellinus, Nero dealt blow after blow at the dignity of his mother.

One day she no longer saw the two lictors who attended her litter,

and was told that they had been discharged by the Emperor. Soon

afterwards she missed the accustomed escort of soldiers who guarded

her chambers, and heard with sinking heart that they had been

removed. Worst of all, she was suddenly deprived of the body-guard

of tall, blue-eyed, fair-haired Germans, to whom she had grown

attached, and who were the most splendid outward sign of her imperial

station. And, as though all this were not enough, at last the final

thunderbolt was launched. She received a message from her son that he

had assigned to her, as her residence, the house of his grandmother

Antonia. She was dismissed from the Palace in which so many of her

years had been spent in order that the courtiers who thronged the

audience-hall of the Emperor might have no excuse for paying their

respects at the same time to her.

Her feelings, as she left the chambers of the Palatine for a private

residence, must be imagined rather than described. Her heart was too

dry for tears. She felt humiliated to the very dust, and tasted the

bitterness of a thousand deaths. All hope of re-establishing her

empire over the heart of her son was gone. Thenceforth he scarcely

saw her. If he came to visit her, he came, as though to evidence his

distrust, amid a throng of soldiers and centurions, did not speak

to her in private, and departed after a cold, hurried, and formal

interview.

She felt how poisonous was the fruit of ambition by which she had

been allured. Her power had never been more than the pale reflection

of the imperial despotism, and after her breach with Nero it crumbled

to ashes.

From that moment she felt that the coloured bubble of her life had

burst. Never had she been so wretched. Her exile at Pandataria had

been but brief, and she was then young, and she had many schemes

on hand, and might hope for immeasurable success. But now her last

arrow had sped from the string, and had fallen useless to the ground.

The cold shadow of her son’s displeasure blighted her whole being.

She--in whose honour coins had been struck; in whose name decrees

had run; under whose auspices colonies had been founded; to whom

kings and governors had once made their appeal, and for whose

ambition kingdoms had been too small--suddenly found she was nothing

and nobody. Even such a creature as Calvia Crispinilla had more

influence, and was more sought after than she. The house of Antonia,

in which she lived, was shunned like a lazar-house by all who wished

to stand well with Nero. No one visited her, no one consoled her, no

one helped to dissipate her weariness. The only exceptions were a few

ladies whom she knew too well to trust. They did not come to see her

out of affection, but because they hated her, and liked to annoy her

with the cold curiosity of an insulting pity. Among these was Junia

Silana. In old days she had been a bosom-friend of the Augusta, but

the ostensible friendship gave ample opportunity for feline amenities

on both sides. Junia had been the wife of the handsome Silius, who

had fallen a victim to the love of Messalina. In her early widowhood

she had been sought in marriage by Sextius Africanus, but Agrippina,

not wishing to see him made too powerful by the ample wealth of the

childless Silana, had confidentially dissuaded him from the marriage,

by telling him that Silana was a woman of dissolute character, and

was now getting on in years. The secret had reached the ears of

Silana, and while openly she continued to speak of her ‘sweetest and

dearest Agrippina,’ she vowed an exemplary revenge.

And now that the time seemed ripe, she matured her plans.

It would be useless to trump up the old charges that Agrippina

mourned the murder of Britannicus, or spread abroad the wrongs of

Octavia. She determined to devise something entirely new, and to

charge Agrippina with the design of marrying and forming a conspiracy

with Rubellius Plautus, who, like Nero, was, on the mother’s side, a

great-great-grandson of the deified Augustus. Silana sent two of her

freedmen, Iturius and Calvisius, with this intelligence to Atimetus,

a freedman of Domitia, Nero’s aunt. Atimetus had once been a

fellow-slave with Paris. He went to his old friend, and urged him

to go at once to Nero, and to denounce the supposed plot with all

his consummate vehemence and skill.

The actor was not naturally a villain, but he had been trained in an

abominable school, and had erased the words ‘ought’ and ‘ought not’

from his vocabulary as completely as most of his contemporaries.

That night, at a late hour, he hurried to the Emperor, not in the

glittering dress which usually set off his perfect beauty, but in

dark and disordered array. His familiarity with Nero procured him

at all times a ready entrance into the Palace. He found the Emperor

still carousing amid his favourites, and he was received with a burst

of welcome by the flushed and full-fed guests.

‘Now this is good of you, Paris,’ said Nero. ‘You alone were wanting

to our mirth. Come, brim this crystal vase with our best Falernian,

and then let us see a spectacle which would thrill the Muses and the

Graces even if Apollo were with them. But--can this be Paris?--our

bright, gay, lovely Paris? Why, what is the matter?’

‘Matter enough,’ said Paris, in such accents of woe, and with such

a flood of tears, that the guests could not help weeping with him.

‘Dare I speak, Cæsar?’

‘Tell us all,’ said Nero, raising himself on his elbow in agitation.

‘What has happened? Have the legions revolted? Is the prætorium in an

uproar?’

‘Not yet,’ said Paris; ‘but--Agrippina--’

‘Ha!’ said Nero. ‘Go on’--for the actor’s voice seemed to be

speechless with emotion.

‘Agrippina--and--Rubellius Plautus--’

Nero was listening with painful interest; and, pretending to recover

himself with a great effort, Paris told them the fictitious plot,

and succeeded in rousing the Emperor to such a pitch of terror that

he started from his couch and tore his hair.

‘Agrippina shall die!’ he exclaimed; ‘and Rubellius Plautus shall

die. Here, give me my tablets. Despatch instant orders for their

arrest and execution. And send for Burrus--no! he is the creature of

my mother; she made him Prætorian Præfect. My foster-brother Cæcina

Tuscus shall command the Prætorians, and Burrus shall die. Quick,

quick, send for Seneca; not a moment is to be lost!’

Late as was the hour, one of the centurions on guard was despatched

to the Palace of Seneca. He was reading the ‘Republic’ of Plato to

his wife, Paulina, and his friend Fabius Rusticus, after a frugal

supper in a modestly furnished room. When the slave announced that

he was summoned by soldiers from the Palace, Paulina and Rusticus

grew deadly pale; and Seneca, though he strove to conceal his emotion,

trembled in every limb. He ordered the centurion to be admitted, and,

striving to conceal the agitation of his voice, asked if he knew why

the Emperor desired his presence at so late an hour. The centurion

did not know, but said that the Emperor seemed to be alarmed about

something, and needed the advice of his minister. Seneca demanded

his toga, and hastened to the Palace. Nero told him what Paris had

disclosed. He did not believe in the reality of the plot, but in

those days anything was possible. He, however, pledged his own life

on the fidelity of Burrus, and urged the Emperor to summon him into

his presence. Burrus came, and listened gravely.

‘It is a serious matter,’ he said, ‘to order the execution of anyone

without allowing an opportunity for defence. It would be still more

serious to execute without a trial an Augusta, and your own mother.’

‘Think again,’ said Nero. ‘Rubellius Plautus has the blood of the

Cæsars in his veins, and my mother is capable of anything to get

power.’

‘I need not think again,’ answered Burrus, bluntly. ‘When once I have

made up my mind, I do not alter it.’

Nero frowned, but Burrus only added: ‘There are no accusers. You are

relying on the sole voice of Paris, a freedman of a hostile family,

and you have only heard his story late at night during a drinking

bout. Surely the life of even a common citizen ought not to be sworn

away so cheaply, much less the life of an Empress.’

Nero, sobered by the gravity of these considerations, still kept a

sullen silence; but Burrus would not yield.

‘Cæsar, we will examine her at earliest dawn. If we find her guilty

she shall die.’

By this time the Emperor’s terror had exhausted itself, and he was

weary. Agrippina’s residence was surrounded with a guard, and at

daylight Seneca and Burrus went together to question her. They were

accompanied by a number of Nero’s most trusted freedmen, who were to

report the trial, and to act as spies both on the ministers and the

Augusta.

To be summoned from her sleep into such a presence--to see her house

surrounded with soldiers--to be aware that some unknown crisis of

the utmost gravity was at hand, might well have shaken the strongest

nerves. But, in spite of the horror of this unknown mystery, the

indomitable woman swept into the presence of the two statesmen with a

demeanour not only undaunted, but conspicuously haughty. The soldier

and the philosopher rose at her entrance, and the freedmen bowed low.

The freedmen she did not deign to notice, but slightly inclined her

head as she motioned the two ministers to be seated, and herself sat

down on a stately chair covered with purple cushions.

‘And now,’ she said, ‘as this seems to be a solemn audience, I

am informed that the Emperor has sent you two, and these other--

persons’--glancing at the freedmen--‘to speak with me. What may be

my son’s pleasure?’

‘Augusta,’ said Burrus in his sternest tones, ‘this is, as you have

said, a serious occasion; you are accused of nothing short of high

treason.’

The charge in days like those was awful enough to have forced back

the blood into her heart, and for one instant she felt as if the

solid earth were about to yawn beneath her feet. But in that instant

she rallied all the forces of her nature. She looked, indeed, pale as

a statue, but not the faintest tremor was perceptible in her accents

as she exclaimed in a tone of the most freezing irony,--

‘Indeed? _I_ am accused? and of high treason?’

‘You are accused,’ said Burrus, ‘of desiring to form a party among

the legionaries to raise Rubellius Plautus to the throne and then to

marry him.’

Agrippina’s only answer was a scornful laugh.

‘Poor Rubellius Plautus! the “golden sheep” of my brother Gaius!’

‘You will find it no matter for laughter. The Emperor is seriously

alarmed,’ said Burrus.

‘I have no other answer to an accusation so ridiculous.’

‘The Augusta has not been so careful as she might have been,’ said

Seneca, in his mildest manner. ‘Those frequent secret meetings with

her friends; that courting of senators of influence; those attentions

to military personages; those open complaints about the children of

Claudius, have aroused suspicion.’

Agrippina turned upon the speaker her flashing glance, and he quailed

beneath it. ‘Is this your philosophic gratitude?’ she said. ‘But for

me, you might have been dying of malaria in Corsica; and you, Burrus,

might have remained a tenth-rate tribune.’

‘We are but obeying the Emperor’s behests,’ said Burrus, in a less

threatening tone.

‘And, pray, who are my accusers?’

‘Late last night this charge was laid before the Emperor by Paris--’

‘By Paris!’ said Agrippina, in tones of crushing scorn. ‘Paris is

an actor, a buffoon, a pantomime, a thing of infamy whom I scarcely

brook to name. Pray, go on.’

‘He had been sent by Atimetus, the freedman of Domitia.’

‘Domitia--and her slave concubine!’ said Agrippina. ‘Of him I deign

no word; but she--what has she been doing all these years? While I

was arranging the adoption of Nero, his marriage with Octavia, his

promotion to the proconsular dignity, his nomination as a future

Consul, all that led to his imperial elevation--what was _she_ doing?

Improving her fishponds! And now she wants to rob me of my Nero,

and for that purpose gets up a pantomime with her paramour and her

dancer! Pray, is that all?’

‘The sources of the information were Iturius and Calvisius.’

‘Iturius and Calvisius!--ex-slaves, spendthrifts, debauchees, the

scum of the earth, who want to repair their squalid bankruptcies by

the gain of turning informers. They are nobodies; poor pieces on the

draughts-board. Who moved them?’

‘Junia Silana.’

‘Junia Silana! Ah! now I understand it all--the whole vile plot from

beginning to end! Silana--false wife, false friend, evil woman--what

does she know of the sacredness of motherhood? Children cannot be got

rid of by their mother so easily as lovers are by an adulteress. So!

I am to be branded with the fictitious infamy of parricide, and Nero

with its actual guilt, that two broken-down freedmen may repay their

debts to the old woman their mistress?

‘And you, sirs,’ she said, raising herself to the full height of her

stature, ‘ought you not to blush for the sorry part you have played?

Instead of repaying me the gratitude which you owe to one who

recalled you, Seneca, from your disgraceful exile, and raised

you, Burrus, from the dust--instead of making the Emperor ashamed

of attaching a feather’s-weight of importance to this paralytic

comedy of pantomimes, scoundrels, and rancorous old women--you have

encouraged him to try and humiliate me! I am ashamed of you,’ she

cried, with the imperious gesture which had often made bold men

tremble; ‘for as for these--gentlemen’--and she glanced at the

freedmen--‘they, of course, must do as they are bid. And so, _such_

are my accusers! Who will bear witness that I have ever tampered

with the city cohorts? who that I have intrigued in the provinces?

who that I have bribed one slave or one freedman? They charge me

with mourning for the death of Britannicus. Why, had Britannicus

become emperor, whose head would have fallen sooner than that of

his mother’s enemy and his own? And Rubellius Plautus--if he were

emperor--would he be able for a single month to protect me from

accusers who, alas! would be able to charge me, not with the

incautious freedom of a mother’s indignant utterance, but with deeds

from which I can be absolved by no one but that son for whose sake

they were committed.’

For one moment her nature broke down under the rush of her emotion,

and her glowing cheek was bathed in tears; but, recovering herself

before she could dash the tears aside, she repudiated the awkward

attempts at consolation offered by her judges, who themselves were

deeply moved.

‘Enough!’ she said. ‘Sirs, I have done with you. By the claims of

the innocent and the calumniated, if not by the rights of a mother, I

demand an interview with my son this very day--this very hour.’

While yet the two ministers, and even the freedmen--in spite of the

open scorn which she had manifested towards them--were under the

spell of her powerful ascendency, they declared to Nero her complete

innocence of the charges laid against her. Relieved from his alarm,

Nero came to her. Receiving him with calm dignity, she said not a

word about her innocence, which she chose to assume as a matter of

course; not a word about the gratitude which he owed to her, lest

she should seem to be casting it in his teeth. She only begged

for rewards for her friends, and the punishment of her defeated

adversaries. Nero was unable to resist her demands. Silana was

banished from Italy; Calvisius and Iturius were expelled from Rome;

Atimetus was executed. Paris alone was spared, because he was too

dear to the Emperor to permit of his being punished. The men for

whom Agrippina asked favours were men of honour. Fænius Rufus was

made commissioner of the corn market; Arruntius Stella was made

superintendent of the games which Nero was preparing to exhibit;

the learned Balbillus was made governor of Egypt. Nero was intensely

jealous of Rubellius Plautus, but his hour had not yet come.

It was the last flash of Agrippina’s dying power, and it encouraged a

few to visit her once more. One or two independent senators, pitying

her misfortunes, came to salute her, and some of the Roman matrons.

Yet among these women there was not one whom she could either respect

or trust. She had sinned so deeply in her days of power that women

like the younger Arria, wife of Pætus Thrasea, and Servilia, the

daughter of Barea Soranus, and Sextia, the mother of Antistius Vetus,

held aloof from her. Paulina, the wife of Seneca, cordially disliked

her, and the Vestal Virgins had never lent her the countenance of

their private friendship.

But one noble lady came to her, who had never paid her the least

court in the days of her splendour. It was Pomponia Græcina. She

came on the evening of that memorable trial, and found the Empress

prostrate with the reaction which followed the tumultuous passion

of the scenes through which she had passed. She lay on her couch

an object for even her enemies to pity. The strong, imperial,

ambitious princess was utterly broken down in her--only the weeping,

broken-hearted woman remained. In spite of her apparent victory, her

life, and all its aims, and all it held dear, lay in ruins around

her. Even hope was gone. What remained for her but remorse, and

anguish, and the cup of humiliation, and the agonising recollection

of a brilliant past which she had herself destroyed? There were no

loyal friends around her. No children’s faces smiled upon her. There

was no brother, or sister, or daughter to comfort her. Those to whom

she had been a benefactress either felt no gratitude, or did not dare

to show it, or deemed that she had forfeited it by crimes. Homeless,

desolate, unloved, left like a stranded wreck by the ebbing tide upon

a naked shore, she lay there weeping like a child. Oh! that she had

been innocent, like her own mother--like one or two whom she had

known;--but, alas! she could only look back upon a life of guilt,

flecked here and there with blood which nothing could wash out. And

now the Retribution which she had doubted and defied--the Retribution

which had been stealing with silent footstep behind her--had broken

upon her crowned with fire, and had smitten her into the dust with a

blow from which she never could uprise.

And while her head burned and throbbed, and her veins seemed to be

full of liquid flame, and ghosts of those who had perished by her

machinations glimmered upon her haunted imagination in the deepening

gloom, her lady in waiting, Acerronia, came to announce a visitor.

‘Did I not say that I would see no one else to-day?’ said Agrippina,

wearily. ‘I am worn out, and fain would sleep.’

‘It is Pomponia Græcina. She told the janitor that though you might

not see others who belong to the Court, perhaps you would see her.’

‘Yes; I will see _her_. She is not like the rest of them. She is

sincere, and her presence is like balm.’

Pomponia entered, and could scarcely believe that the lady who lay

there, with her dress disregarded, her face haggard and stricken, her

eyes dim, her cheeks stained with tears, her hair dishevelled, and,

as Pomponia thought, of a perceptibly greyer tinge than when she

had seen her last--was indeed the once magnificent and all-powerful

Augusta.

An impulse of pity overcame her, and she knelt down by the couch of

the unhappy Empress, who pressed her fevered lips to her cheeks, and

then wept uncontrollably with her head on Pomponia’s shoulder.

The two ladies presented a strange contrast, not only in their

dress, but in their entire aspect. Agrippina was still arrayed in

the magnificent robes in which she had received her son, and which,

irksome as they were, she had been too weary to lay aside. Pomponia

was in the dark mourning dress which she had worn for so many

years since the death of the friend of her childhood, Julia, the

grand-daughter of Tiberius and mother of Rubellius Plautus. The

tresses of Agrippina, though disarranged, showed the elaborate

care of the ornatrix. Pomponia wore her dark hair, now beginning to

silver, in the simplest bands, and without an ornament. But the chief

difference was in their faces. Pride and cruel determination, as well

as calamity, had left their marks on the noble lineaments of the

daughter of Germanicus; over the calm face of the wife of Plautius it

was evident that the shadows of many a sorrow had been cast, but the

sorrow was irradiated by hope and gladness, and in her eyes was the

sweet light of the Peace of God.

‘Augusta,’ she said, ‘I have come to congratulate you on the defeat

of a nefarious conspiracy. I thought I should find you happier after

many trials. Pardon me if I have thrust myself too presumptuously

upon your sorrow.’

‘Not so,’ said Agrippina. ‘You are always welcome; and more so now

than ever. You sought me not in my hour of prosperity. No one would

come to me in my hour of ruin who did not wish me well.’

‘It is not, I trust, an hour of ruin. The plot against you has been

ignominiously defeated. You may have many happy days in store.’

‘Nay, Pomponia; happiness can never be linked again with the name

of Agrippina. It is a dream. I did not find it in the days of my

splendour; it is little likely that I should find it when all desert

me and I am brought low. I know no one who is happy. We are the

slaves and playthings of a horrible destiny, which is blind and

pitiless and irresistible. Are you happy?’

‘Yes, Augusta, I am happy, though hardly, perhaps, in the sense you

mean. To me, as to all of us, life has brought bitter trials. These

dark robes tell of the loss of one whom I loved as my own soul, and

even at this moment I am threatened with terrible calamity--perhaps

with exile, perhaps with death. On all sides, there are terrors and

anxieties, and the state of society seems to portend catastrophe and

the vengeance of heaven, for wickedness can hardly go to any greater

lengths than now. Yet I am happy.’

‘Oh, that you would give me your secret!’ said the Empress. ‘I can

read character; I can detect the accents of sincerity. These words of

yours are no pompous and hollow Stoic paradox.’

Pomponia hesitated. The woman before her was, as she well knew,

steeped in crime from her childhood. Of what avail would it be,

without any of the evangelic preparation, to tell her of Jesus and

the Resurrection? Could there be the remotest possibility of exciting

in her mind anything but contempt by telling her at that moment of

the Cross which was to the Romans something between a horror and a

jest?

‘Agrippina,’ she answered, ‘the day may come when I may tell you more

of the strange secret. It is not mine only; it is meant for all the

world. But it cannot be attained, it cannot be approached, without

humility and repentance for wrong-doing, and the love of virtue, and

of something higher than virtue, and the lifting to heaven of holy

hands.’

‘Alas!’ said Agrippina; ‘you speak to me in a strange language. The

Greek tragedians are always telling us that when blood has fallen to

the ground it has fallen for ever. Can wrong be atoned for? Can guilt

be washed away?’

‘It can,’ said Pomponia, gently; and she longed to speak the words

which lingered in her memory from the letter of Peter of Bethsaida--

‘Redeemed ... with precious blood, as of a lamb without blemish and

without spot, even the blood of Christ.’ But to Agrippina they would

at that time have been simply meaningless.

‘I have heard of the mysteries,’ said the Empress, ‘and of the

taurobolies. Would it be of any avail if I too were to crouch in a

hollow, and let the blood of a bull which has been sacrificed to the

gods drop over me?’

‘It would not,’ said Pomponia. ‘God does not require of us things so

revolting, nor any mere external ceremonies and superstitions. What

that sacred and supreme Majesty requires of us is innocence alone.[64]

Can you not pray to Him, Augusta? You have read Homer, and you know

how the old poet sings about _Atè_, and the _Litai_, the Prayers

which follow in her path.’

‘Atè? Ah! I know that fearful deity,’ groaned Agrippina. ‘She is the

Fury Megæra. I have seen her petrifying face turned towards me. She

is the Harpy Celæno. I have often heard her in the banquet-halls of

the Palatine, and thought of Phineus and his polluted feasts. But

the Prayers--will you not repeat me the lines, Pomponia?’

Pomponia repeated the famous lines of the old bard of Chios:--

‘The gods (the only great and only wise)

Are mov’d by offerings, vows, and sacrifice;

Offending man their high commission wins,

And daily prayers atone for daily sins.

Prayers are Jove’s daughters of celestial race,

Lame are their feet, and wrinkled is their face;

With humble mien, and with dejected eyes

Constant they follow, where Injustice flies.

Who hears these daughters of almighty Jove,

For him they mediate to the throne above;

When man rejects the humble suit they make

The Sire revenges for the daughters’ sake.’[65]

‘Alas! they have been strangers to me, those Prayers,’ said

Agrippina; ‘and though you have spoken truth to me, I see that

you have not told me all.’

‘There are times for all things,’ said Pomponia, as she rose to

leave; ‘and perhaps, if you will think of what we have said, the day

may come when you will be able to bear more. Farewell, Augusta; you

need rest and quiet. Pardon me if I have wearied you.’

‘Farewell, Pomponia,’ said the Empress; ‘you are good and true. Your

words have been to me as soft and pure as the falling snow. I know

not whether the Litai of whom Homer speaks may plead for us through

another.’

‘They may.’

‘Then will you ask them to say something which may avert the fury

of Atè from one who, to you, is not ashamed to confess that she is

wretched above all women?’

‘May you find peace!’ murmured the noble lady, as the Empress once

more kissed her, and pressed her to her heart. ‘All may find it who

seek it rightly from the Heavenly Powers.’

Darkness and Dawn; Or, Scenes in the Days of Nero. An Historic Tale · 第 29 / 38 章