BEHIND THE DOOR

I

We never would have seen the place if the idea had not beguiled us, at

Trent, of driving through the Dolomites to Bassano. And I doubt whether

we would have been so extravagant about it if we had not just come

from Germany. Is any quiver quite like that with which the returning

victim of Italy greets his first cypress, his first olive tree, his

first campanile? We formed imperishable ties with our _irredentista_

driver, chiefly because he told us that the inhabitants of his dark

little mountain city had turned the back of their statue of Dante to

the North. Moreover it was May; and I should perhaps confess that we

were too recently married to be altogether responsible. So when we

discovered the castle that afternoon as we jingled down the widening

gorge of the Val Sugana, we agreed that a princess must be shut up

in the tower. Whereupon, as if in confirmation of our insight, an

invisible dragon suddenly made himself heard behind the walls.

Otherwise there was no sign of habitation about the place. The rusty

wrought-iron gate through which we stopped to look, the weed-checkered

flagging within, the ruinous little chapel half averted from us at

the right, the cracked and discoloured shafts outlining the court, the

gaunt old pile of dark stone with its machicolated tower, formed a

picture of abandonment which the dog’s barking made a trifle uncanny.

But severe and even formidable as the castle was, in spite of its

neglect, it had the nobility of perfect proportion. It was not so much

a castle, indeed, as a castellated villa. The great arched windows of

the façade were scarcely of a period when Ezzelino da Romano scoured

these valleys o’ nights. Neither were the quarterfoils piercing the

parapet of the roof. I remember how exquisite the spring sky looked

through them, and between the square merlons of the tower. That element

of contrast, taken with all the other circumstances, gave the structure

a curious intensity of expression. There was something tragic in the

way it lifted itself against the light.

It was part of the effect, and of the incredible richness of Italy,

that our friend the driver could tell us nothing about the place. It

was merely a _castello qualunque_! Yet how little was it a _castello

qualunque_ we began to learn not long after we had started on, skirting

the wall that hid the princess’s dragon until her castle suddenly

revealed itself to us, at a turn of the road, under a second and more

romantic aspect. And this in spite of the fact that nothing more

romantic than a few strands of barbed wire closed what must once have

been the state entrance. Of course we stopped again--to look at the

semicircular recess in the wall, with its lichened stone seats and

couchant lions. Between them opened an avenue, I don’t know how many

hundred yards long, of cypresses I don’t know how many hundred years

old, that marched and dipped and rose again with such an air to the

steps of a balustrated terrace in front of the castle! This fairy

arcade, jewel-green with moss as if no one had trodden it for a century

and cross-lighted by a westering sun, seemed to lead to some palace of

enchantment rather than to the melancholy place we just had passed. So

different a face did the villa turn to us now, with a loggia lightening

its upper story and the Alps spreading a veil of magic behind it,

that even the tower lost its grimness in the golden air. We therefore

changed our minds about the princess. We decided that she was lying

asleep there as a princess should, waiting for her prince.

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