II

They crossed the quay to a dark little alley that skirted the flank of

his palace, and Martin could scarcely realise how it was that his mood

had so completely changed.

“Be warned in time!” he said: “It is not too late to repent. I don’t

want to lure you away under false pretences. I’m just a common tripper

and I have a Baedeker in my pocket.”

“I knew it!” she rejoined: “That is why I am throwing my reputation to

the winds. And I hope you notice, in the meantime, that we are entering

the Way of Wisdom. See?” she pointed to the name of the street--_Via

della Sapienza_--cut in a high stone. “But I always wanted to know what

trippers did. Do tell me!” She put down her parasol as they entered

the cool of the shadow. Martin was glad, for it enabled him to see her

better.

“Must I be butchered to make a Pisan holiday?” he asked. “Know

then that I, who now tread the Way of Wisdom, started out on a

poetical pilgrimage. I have been walking--figuratively, and a trifle

anachronously--in the footsteps of Shelley. Rome knows me; also

Venice, Ravenna, and the Euganean Hills. I have been to Spezia. I

have pensively treadled bicycles up and down behind every villa at

San Terenzo, wondering which was the one. I have sailed boats on the

Seno di Lerici. I have gone swimming at Viareggio. I have haunted the

harbour of Leghorn. And early this morning I wheeled up here. I am

now prepared to make a brief but comprehensive survey of the city and

environs--particularly of the _pineta_ at Bocca d’Arno. There I shall

compose a sonnet, sitting with my back against a sea-viewing pine, and

then I shall go home. The anatomy of tripping is laid bare before you!”

The lady laughed.

“I wish I could boast as good a reason for being here! It is the

dentist that brings me.” Martin noticed that she did not say from

where. “But I am afraid I have thrown away my reputation for nothing.

You have not yet explained the hordes that pour through this country

with their red books in their hands, as regular as the birds in their

seasons. Why do they do it, do you suppose? They make no poetical

pilgrimages. Have they no lives of their own to live?”

“You are rather hard on us!” laughed Martin. They turned out of their

alley, a mere crack between the houses with a strip of blue hung high

above, into a cross street that led to a small square. “It is very

simple. No American woman is quite happy until she has a motor car and

has been to Europe. And then there is Culture, with a large C, which

is making terrific inroads among us. And there is--‘_Kennst Du das

Land_’--You know? Not many of us are so lucky as to stay, like you in

the different colonies.” He looked at her to see how his guess would

catch.

“I remember I had ideas about them once,” she said, in a tone that made

Martin wonder. “But I know them too well now.”

“What about them?”

“They have most of the characteristics of Botany Bay at its flourishing

period. There are a few workers and loafers; but most of us are

hiders, sitting more or less modestly under smaller or larger clouds!

Don’t ask me which I am!” she laughed, as Martin looked at her. “I

used to think that disreputable people would be more interesting than

reputable ones,” she went on, “because they had at least the courage

of their convictions. But I have discovered to my sorrow that they can

be just as dull as anybody. Of course there are glittering exceptions.

But I have even met people of the most unquestionable virtue who were

really worth knowing! I have come to the sad conclusion that existing

classifications do not classify.”

Martin laughed with her as they went up the wider street into which

their crossway had led them. But the interest which her very first word

had aroused grew stronger in him than amusement. This dainty white

person whom he had never seen before to-day--who was she? Where had she

been, what had she done, yesterday, all the other days that went before

their chance meeting by the Arno? There was something in the lightness

of her words, in the simplicity with which she had accompanied him,

that was not of common days.

The street opened out in front of them into a space of sun that widened

as they advanced, disclosing the famous _piazza_ with its group of

white buildings under the city wall.

“Isn’t it nice?” she asked. “They always remind me of a little convoy

of ships becalmed--these lonely white things with their broad shadows

in the sunlight. But don’t look at that tower. I detest it for having

tried in such a stupid way to be different from all the towers in the

world. Nothing is nice about it but the view from the top. Which it is

too hot to get at now. Let’s go over to the Campo Santo and look at the

shadows of the tracery on the pavement. It is always cool and quaint

there.”

She raised her parasol and led obliquely across the great square,

between the cathedral and the baptistery, to a canopied door in a low

wall. Martin stared curiously about him as they went. The burnt grass

between the hot flagstones gave a strange impression of the solitude of

the place, of its evident separation from the life of the city, which

contrasted singularly with the splendours setting it apart among the

shrines of the world. They rang at the canopied door and were admitted.

It was like stepping into another century--so calm, so cool, so of

itself was that burial place of another age. Of a different quality was

the very sunshine which gilded the green of the quadrangle and retraced

on the pavement of the cloister the outlines of the marble lace-work

between the pillars. Martin was without words as they slowly made

the round of the ambulatory, following and smiling together over the

delightful frescoes. It all seemed to him a piece of the magic of this

woman who had so unexpectedly released him from the intolerable mood of

the morning.

Suddenly, among the sarcophagi, fragments of sculpture, and

commemorative marbles which strew that painted cloister, a tablet

caught his eye. It was in old French, with a flavour of Italian, and

together they picked out the quaint lettering:

The Emperor of Elam, and other stories · 第 41 / 72 题