CHAPTER XIII.

The proposed riddle raised some scruples in Wilhelm’s mind; yet erelong

he began to feel a still attraction in the matter, an impulse of longing

to reach that appointed line, and follow its direction: as, indeed, we

are wont to seize with eagerness any specific object that excites our

imagination, our active faculties, and to wish that we might accomplish

it and partake of it.

A child that, in asking alms of us, puts into our hand a card with five

lottery numbers written on it, we do not lightly turn away unserved; and

it depends on the moment, especially if it be shortly before the

drawing, whether we shall not, with accidentally stimulated hope, quite

against our usual custom, stake heavy shares upon these very numbers.

The wanderer now tried on a large map the little fragment which had been

sent him, and stood surprised, amazed, affrighted, as he saw the needle

pointing straight to Mignon’s native place, to the houses where she had

lived. What his peculiar feelings were, we do not find declared; but

whoever can bring back to memory the end of the _Apprenticeship_, will

in his own heart and mind, without difficulty, call forth the like.

The chief cause, however, why we meet with scantier records of this

excursion than we could have wished, may probably be this: that Wilhelm

chanced to fall in with a young, lively companion of his journey, by

means of whom it became easy to retain for himself and his friends a

vivid and strong remembrance of this pious pilgrimage without any aid of

writing. Unexpectedly he finds himself beside a painter,--one of that

class of persons whom we often see wandering about the world, and still

oftener figuring in romances and dramas, but, in this case, an

individual who showed himself at once to be really a distinguished

artist. The two very soon got acquainted, mutually communicated their

desires, projects, purposes. And now it appears that this skilful

artist, who delights in painting aquatical landscapes, and can decorate

his pieces with rich, well-imagined, well-executed additions and

accompaniments, has been passionately attracted by Mignon’s form,

destiny, and being. He has often painted her already, and is now going

forth to copy from nature the scenes where she passed her early years;

amid these to represent the dear child in happy and unhappy

circumstances and moments, and thus to make her image, which lives in

all tender hearts, present also to the sense of the eye.

The friends soon reach the Lago Maggiore: Wilhelm endeavors by degrees

to find out the places indicated. Rural palaces, spacious monasteries,

ferries and bays, capes and landings, are visited; nor are the dwellings

of courageous and kind-hearted fishermen forgotten, or the cheerfully

built villages along the shore, or the gay mansions on the neighboring

heights. All this the artist can seize, to all of it communicate, by

light and coloring, the feeling suitable for each scene; so that Wilhelm

passes his days and his hours in heart-searching emotion.

In several of the leaves stood Mignon represented on the foreground, as

she had looked and lived: Wilhelm striving by correct description to

assist the happy imagination of his friend, and reduce these general

conceptions within the stricter limits of individuality.

And thus you might see the boy-girl set forth in various attitudes and

manifold expression. Beneath the lofty portal of the splendid

country-house she is standing, thoughtfully contemplating the marble

statues in the hall. Here she rocks herself, plashing to and fro among

the waters, in the fastened boat: there she climbs the mast, and shows

herself as a fearless sailor.

But distinguished beyond all the other pictures was one which the

artist, on his journey hither, and prior to his meeting with Wilhelm,

had combined and painted with all its characteristic features. In the

heart of the rude mountains shines the graceful seeming-boy, encircled

with toppling cliffs, besprayed with cataracts, in the middle of a

motley horde. Never, perhaps, was a grim, precipitous, primeval

mountain-pass more beautifully or expressively relieved with living

figures. The party-colored, gypsy-looking group, at once rude and

fantastic, strange and common, too loose to cause fear, too singular to

awaken confidence. Stout beasts of burden are bearing along, now over

paths made of trees, now down by steps hewn in the rock, a tawdry,

chaotic heap of luggage, round which all the instruments of a deafening

music hang dangling to and fro, to affright the ear from time to time

with rude tones. Amid all this the lovely child, self-collected without

defiance, indignant without resistance, led, but not dragged. Who would

not have looked with pleasure at this singular and impressive picture?

Given in strong characters, frowned the stern obstruction of these

rock-masses, riven asunder by gloomy chasms, towered up together,

threatening to hinder all outgate, had not a bold bridge betokened the

possibility of again coming into union with the rest of the world. Nor

had the artist, with his quick feeling of fictitious truth, forgot to

indicate the entrance of a cave, which you might equally regard as the

natural laboratory of huge crystals, or as the abode of a fabulously

frightful brood of dragons.

Not without a holy fear did our friends visit the marchese’s palace. The

old man was still absent on his travels; but, in this circle also, the

two wanderers, knowing well how to apply and conduct themselves, both

towards spiritual and temporal authorities, were kindly received and

entertained.

The absence of the owner also was to Wilhelm very pleasant; for although

he could have wished to see the worthy gentleman, and would have

heartily saluted him, he felt afraid of the marchese’s thankful

generosity, and of any forced recompense of that true, loving conduct

for which he had already obtained the fairest reward.

And thus our friends went floating in gay boats from shore to shore,

cruising the lake in every direction. It was the fairest season of the

year: and they missed neither sunrise nor sunset, nor any of the

thousand shadings which the heavenly light first bounteously dispenses

over its own firmament, and from thence over lake and land; not

appearing itself in its perfect glory till imaged back from the waters.

A luxuriant vegetable world, planted by Nature, watched over and

forwarded by Art, on every side surrounded them. The first chestnut

forests they had already greeted with welcome; and now they could not

restrain a mournful smile, as, lying under the shade of cypresses, they

saw the laurel mounting up, the pomegranates reddening, orange and

citron trees unfolding themselves in blossoms, and fruit at the same

time glowing forth from the dark foliage.

Through means of his vivid associate, Wilhelm had another enjoyment

prepared for him. Our old friend had not been favored by Nature with the

eye of a painter. Susceptible of visual beauty only in the human form,

he now felt, that by the presence of a companion, alike disposed, but

trained to quite different enjoyments and activities, the surrounding

world also was opened to his sight.

By viewing, under conversational direction, the changing glories of the

region, and still more by concentrated imitation, his eyes were opened,

and his mind freed from all its once obstinate doubts. Hitherto all

copies of Italian scenery had seemed to him suspicious: the sky, he

thought, was too blue; the violet tone of those charming distances was

lovely, but untrue; and the abundant, fresh green too bright and gay;

but now he united in his inmost perceptions with his new friend, and

learned, susceptible as he was, to look at the earth with that friend’s

eyes: and, while Nature unfolded the open secret of her beauty, he could

not but feel an irresistible attraction towards Art as towards her most

fit expositor.

But his pictorial friend quite unexpectedly anticipated his wishes in

another point. The artist had already many times started some gay song,

and thus, in hours of rest, delightfully enlivened and accompanied their

movement when out in long voyages over the water. But now it happened,

that, in one of the palaces they were visiting, he found a curious,

peculiar stringed instrument,--a lute of small size, strong, well toned,

convenient, and portable: he soon contrived to tune it, and then handled

the strings so pleasantly, and so well entertained those about him,

that, like a new Orpheus, he subdued by soft harmonies the usually

rigorous and dry castellan, and kindly constrained him to lend the

instrument for a time, under the condition, that, before departing, the

singer should faithfully return it, and, in the interim, should come

back some Sunday or holiday, and again gratify them by his music.

Quite another spirit now enlivened lake and shore: boat and skiff strove

which should be nearest our friends; even freight and market barges

lingered in their neighborhood; rows of people on the beach followed

their course; when landing they were encircled by a gay-minded throng;

when departing each blessed them with a heart contented, yet full of

longing.

And now, at last, to any third party who had watched our friends, it

must have been apparent enough that their mission was, in fact,

accomplished: all scenes and localities referring to Mignon had been,

not only sketched, but partly brought into light, shade, and color,

partly in warm, mid-day hours, finished with the utmost fidelity. In

effecting this they had shifted from place to place in a peculiar way,

as Wilhelm’s vow frequently impeded them: this, however, they had now

and then contrived to evade by explaining it as valid only on land, and

on water not applicable.

Indeed, Wilhelm himself now felt that their special purpose was

attained; yet he could not deny that the wish to see Hilaria and the

fair widow must also be satisfied if he wished to leave this country

with a free mind. His friend, to whom he had imparted their story, was

no less curious, and already prided himself in the thought, that, in one

of his paintings, there was a vacant space, which, as an artist, he

might decorate with the forms of these gentle persons.

Accordingly, they now cruised to and fro, watching the points where

strangers are wont first to enter this paradise. Their hope of meeting

friends here had already been made known to the boatmen; and the search

had not lasted long when there came in sight a splendid barge, which

they instantly made chase of, and forbore not passionately to grapple

with on reaching it. The dames, in some degree alarmed at this movement,

soon recovered their composure as Wilhelm produced his little piece of

chart; and the two, without hesitation, recognized the arrow which

themselves had drawn on it. The friends were then kindly invited to come

on board the ladies’ barge, which they did without an instant’s delay.

And now let us figure to ourselves these four, as they sit together in

the daintiest apartment, the most blissful world lying round them,

looking in each other’s faces, fanned by soft airs, rocked on glittering

waves. Imagine the female pair, as we lately saw them described; the

male, as they have together for weeks been leading a wayfaring life; and

after a little reflection we behold them all in the most delightful, but

also the most dangerous situation.

For the three who have before, willingly or unwillingly, ranked

themselves in the number of renunciants, we have not the worst to fear:

the fourth, however, may, probably enough, too soon see himself admitted

into that order, like the others.

After crossing the lake several times, and pointing out the most

interesting spots, both on the shore and the islands, our two wanderers

conducted their fair friends to the place they were to pass the night

in; where a dexterous guide, selected for this voyage, had taken care to

provide all possible conveniences. Wilhelm’s vow was now a harsh but

suitable master of the ceremonies; for he and his companion had already

passed three days in this very station, and exhausted all that was

remarkable in the environs. The artist, not restrained by any vow,

begged permission to attend the dames on shore: this, however, they

declined, and so the party separated at some distance from the harbor.

Scarcely had the singer stepped into his skiff, which hastily drew back

from the beach, when he seized his lute, and gracefully began raising

that strangely plaintive song which the Venetian gondoliers send forth

in clear melody from land to sea, and from sea to land. Expert enough in

this feat, which in the present instance proceeded with peculiar

tenderness and expression, he strengthened his voice in proportion to

the increasing distance; so that on the shore you would have thought you

heard him still singing in the same place. He at last laid his lute

aside, trusting to his voice alone, and had the satisfaction to observe

that the dames, instead of retiring into their house, were pleased to

linger on the shore. He felt so inspired that he could not cease, not

even when night and remoteness had withdrawn every thing from view; till

at last his calmer friend reminded him, that, if darkness did favor his

tones, the skiff had already long passed the limits within which these

could take effect.

According to promise, the two parties again met next day on the open

lake. Flying along, they formed acquaintance with the lovely series of

prospects, now standing forth in separate distinction, then gathering

into rows, and seen behind each other, and at last fading away, as the

higher eclipsed the lower; all which, repeating itself in the waters,

affords in such excursions the most varied entertainment. Nor, in the

course of these sights, did the copies of them, from our artist’s

portfolio, fail to awaken thoughts and anticipations of what, in the

present hour, was not imparted. For all such matters the still Hilaria

seemed to have a free and fair feeling.

But, towards noon, singularity again came into play: the ladies landed

alone; the men cruised before the harbor. And now the singer endeavored

to accommodate his music to a shorter distance, where not only the

general, soft, and quickly warbling tone of desire, but likewise a

certain gay, graceful importunity might be expected to tell. And here

now and then some one or other of the songs, for which we stand indebted

to our friends in the “Apprenticeship,” would come hovering over his

strings, over his lips; but out of well-meant regard to the feelings of

his hearers, as well as to his own, he restrained himself in this

particular, and roved at large in foreign images and emotions, whereby

his performance gained in effect, and reached the ear with so much the

more insinuating blandishment. The two friends, blockading the harbor in

this way, would not have recollected the trivial concern of eating and

drinking, had not the more provident fair ones sent them over a supply

of dainty bits, to which an accompanying draught of wine had the best

possible relish.

Every separation, every stipulation, that comes in the way of our

gathering passions, sharpens instead of stifling them; and in this case,

as in others, it may be presumed that the short absence had awakened

equal longing in both parties. At all events, the dames in their gay,

dazzling gondola were very soon to be seen coming back.

This word gondola, however, let us not take up in the melancholy

Venetian meaning: here it signifies a cheerful, commodious, social bark;

which, had our little company been twice as large, would still have been

spacious enough for them.

Some days were spent in this peculiar way, between meeting and parting,

between separation and social union; but, amid the enjoyment of the most

delightful intercourse, departure and bereavement still hovered before

the agitated soul. In presence of the new friends the old came back into

the mind: were these new ones absent, each could not but admit that

already they had taken deep root in his remembrance. None but a composed

and tried spirit, like our fair widow, could in such moments have

maintained herself in complete equilibrium.

Hilaria’s heart had been too deeply wounded to admit of any new entire

impression: but as the grace of a fair scene encircles us of itself with

soothing influences; so, when the mildness of tender-hearted friends

conspires with it, there comes over sense and soul a peculiar mood of

softness, that recalls to us, as in dreaming visions, the past and the

absent, and withdraws the present, as if it were but a show, into

spiritual remoteness. Thus, alternately rocked this way and that,

attracted and repelled, approximated and removed, they wavered and

wended for several days.

Without more narrowly investigating these circumstances, the shrewd,

experienced guide imagined he observed some alteration in the calm

demeanor of his heroines; and when at last the whimsical part of their

predicament became known to him, he contrived here also to devise the

most grateful expedient. For, as our two shipmen were again conducting

the ladies to their usual place of dinner, they were met by another gay

bark, which, falling alongside of theirs, exhibited a well-covered

table, with all the cheerful invitations of a festive repast: the

friends could now wait in company the lapse of several hours, and only

night decided the customary separation.

Happily the artist and Wilhelm had, in their former voyagings,

neglected, out of a certain natural caprice, to visit the most highly

ornamented of all the islands, and had even yet never thought of showing

to their fair friends the many artificial and somewhat dilapidated

curiosities of the place, before these glorious scenes of creation were

entirely gone through. At last, however, new light rose on their minds.

They took counsel with the guide: he contrived forthwith to expedite

their voyage, and all looked on it as the most blissful they had yet

undertaken. They could now hope and expect, after so many interrupted

joys, to spend three whole heavenly days assembled together in a

sequestered abode.

And here we cannot but bestow on this guide our high commendation: he

belonged to that nimble, active, dexterous class, who, in attendance on

successive parties, often travel the same roads; perfectly acquainted

with the conveniences and inconveniences on all of them, they understand

how to use the one and evade the other, and, without leaving their own

profit out of sight, still to conduct their patrons more cheaply and

pleasantly through the country than without such aid would have been

possible.

At this time, also, a sufficient female train, belonging to our dames,

for the first time stepped forth in decided activity; and the fair widow

could now make it one of her conditions, that the friends were to remain

with her as guests, and content themselves with what she called her

moderate entertainment. In this point, too, all prospered; for the

cunning functionary had, on this occasion as on others, contrived to

make so good a use of the letters and introductions which his heroines

had brought with them, that, the owner of the place they were now about

to visit being absent, both castle and garden, kitchen included, were

thrown open for the service of the strangers,--nay, some prospect was

held out, even of the cellar. All things co-operated so harmoniously,

that our wanderers from the very first moment felt themselves as if at

home, as if born lords of this paradise.

The whole luggage of the party was now carried to the island, an

arrangement producing much convenience to all; though the chief

advantage aimed at was, that the portfolios of our artist, now for the

first time all collected together, might afford him means to exhibit in

continuous sequence to his fair hostesses the route he had followed.

This task was undertaken by all parties with delight. Not that they

proceeded in the common style of amateur and artist, mutually

eulogizing: here was a gifted man, rewarded by the most sincere and

judicious praise. But that we fall not into the suspicion of attempting,

with general phrases, to palm on credulous readers what we could not

openly show them, let us here insert the judgment of a critic, who some

years afterwards viewed with studious admiration both the pieces here in

question, and the others of a like or similar sort by the same hand.

“He succeeds in representing the cheerful repose of

lake-prospects, where houses in friendly approximation, imaging

themselves in the clear wave, seem as if bathing in its depths;

shores encircled with green hills, behind which rise forest

mountains, and icy peaks of glaciers. The tone of coloring in

such scenes is gay, mirthfully clear; the distances, as if

overflowed with softening vapor, which, from watered hollows and

river valleys, mounts up grayer and mistier, and indicates their

windings. No less is the master’s art to be praised in views

from valleys lying nearer the high Alpine ranges, where

declivities slope down, luxuriantly overgrown, and fresh streams

roll hastily along by the foot of rocks.

“With exquisite skill, in the deep, shady trees of the

foreground, he gives the distinctive character of the several

species; satisfying us in the form of the whole, as in the

structure of the branches and the details of the leaves,--no

less so in the fresh green, with its manifold shadings, where

soft airs appear as if fanning us with benignant breath, and the

lights as if thereby put in motion.

“In the middle ground his lively green tone grows fainter by

degrees, and at last, on the more distant mountain tops, passing

into weak violet, weds itself with the blue of the sky. But our

artist is, above all, happy in his paintings of high Alpine

regions; in seizing the simple greatness and stillness of their

character; the wide pastures on the slopes, clothed with the

freshest green, where dark, solitary firs stand forth from the

grassy carpet; and from high cliffs foaming brooks rush down.

Whether he relieve his pasturages with grazing cattle, or the

narrow, winding, rocky path with mules and laden pack-horses, he

paints all with equal truth and richness: still introduced in

the proper place, and not in too great copiousness, they

decorate and enliven these scenes without interrupting, without

lessening, their peaceful solitude. The execution testifies a

master’s hand,--easy with a few sure strokes, and yet complete.

In his later pieces he employed glittering English, permanent

colors on paper: these pictures, accordingly, are of

pre-eminently blooming tone, cheerful, yet, at the same time,

strong and sated.

“His views of deep mountain chasms, where round and round

nothing fronts us but dead rock; where, in the abyss,

overspanned by its bold arch, the wild stream rages,--are,

indeed, of less attraction than the former; yet their truth

excites us: we admire the great effect of the whole, produced at

so little cost, by a few expressive strokes, and masses of local

colors.

“With no less accuracy of character can he represent the regions

of the topmost Alpine ranges, where neither tree nor shrub any

more appears; but only, amid the rocky teeth and snow summits, a

few sunny spots clothe themselves with a soft sward. Beautiful

and balmy and inviting as he colors these spots, he has here

wisely forborne to introduce grazing herds; for these regions

give food only to the chamois, and a perilous employment to the

wild-hay-men.

“We shall not deviate from our purpose of bringing the condition

of these waste scenes as close as possible to the conception of

our readers, if to this word, wild-hay-man, or _Wildheuer_, we

subjoin a short explanation. It is a name given to the poorer

inhabitants of the upland Alpine ranges, who occupy themselves

in making hay from such grassy spots as are inaccessible to

cattle. For this purpose they climb, with cramps on their feet,

the steepest and most dangerous cliffs; or from high crags let

themselves down by ropes when this is necessary, and so reach

these grassy patches. The grass once cut and dried to hay, they

throw it down from the heights into the deeper valleys; where,

being collected together, it is sold to cattle-owners, with

whom, on account of its superior quality, it finds a ready

market.”

These paintings, which must have gratified and attracted any eye, were

viewed by Hilaria, in particular, with great attention; and from her

observations it became clear, that, in this department, she herself was

no stranger. To the artist, least of all, did this continue secret: nor

could approval from any one have been more precious to him than from

this most graceful of all persons. Her companion, therefore, kept

silence no longer, but blamed Hilaria for not coming forward with her

own accomplishment, but lingering in this case as she always did,--now

where the question was not of being praised or blamed, but of being

instructed. A fairer opportunity, she said, might not easily occur.

And now it came to light, when she was thus forced to exhibit her

portfolios, what a talent was lying hid behind this still and most

lovely nature: the capacity had been derived from birth, and diligently

cultivated by practice. She possessed a true eye; a delicate hand, such

as women, accustomed to use it in their dressing and decorating

operations, find available in higher art. You might, doubtless, observe

unsureness in the strokes, and, in consequence, a too undecided

character in the objects: but you could not help admiring the most

faithful execution; though the whole was not seized in its happiest

effect, not grouped and adjusted with the skill of an artist. She is

afraid, you would say, of profaning her object, if she keep not

completely true to it: hence she becomes precise and stiff, and loses

herself in details.

But now, by the great, free talent, by the bold hand of the artist, she

feels rising, awakening within her, whatever genuine feeling and taste

had till now slumbered in her mind: she perceives that she has but to

take heart, and earnestly and punctually to follow some fundamental

maxims which the artist, with penetrating judgment and friendly

importunity, is repeating, and impressing on her. That sureness of

stroke comes of its own accord; she by degrees dwells less on the parts

than on the whole: and thus the fairest capability rises on a sudden to

fulfilment; as a rosebud, which in the evening we passed by unobservant,

breaks forth in the morning at sunrise before our face; and the living,

quivering movement of this lordly blossom, struggling out to the light,

seems almost visible before our eyes.

Nor did this intellectual culture remain without moral effects; for, on

a pure spirit, it produces a magic impression to be conscious of that

heartfelt thankfulness natural towards any one to whom it stands

indebted for decisive instruction. In this case it was the first glad

emotion which had risen in Hilaria’s soul for many a week. To see this

lordly world lying round her day after day, and now at once to feel the

instantly acquired, more perfect gift of representing it! What delight

in figures and tints, to be approaching nearer the Unspeakable! She felt

herself surprised as with a new youth, and could not refuse a peculiar

kindliness to the man who had procured for her such happiness.

Thus did the two sit together: you could scarcely have determined

whether he were readier in communicating secret advantages in art, or

she in seizing them and turning them to practice. The happiest rivalry,

such as too seldom rises between scholar and master, here took place.

Many a time you might observe the friend preparing with some decisive

stroke to influence her drawing; which she, on the other hand, would

gently decline, hastening to do the wished, the necessary, of her own

accord, and always to her master’s astonishment.

The fair widow, in the mean while, walked along the terraces with

Wilhelm, under cypresses and pines, now under vine, now under orange

groves, and at last could not but fulfil the faintly indicated wish of

her new friend, and disclose to him the strange entanglement by which

the two fair pilgrims, cut off from their former ties, and straitly

united to one another, had been sent forth to wander over the world.

Wilhelm, who wanted not the gift of accurately noting what he saw, took

down her narrative some time afterwards in writing: this, as he compiled

it and transmitted it by Hersilia to Natalia, we purpose by and by

communicating to our readers.

The last evening was now come; and a rising, most clear, full moon

concealed the transition from day to night. The party had assembled and

seated themselves on one of the highest terraces, to see distinct and

unimpeded, and glittering in the sheen of east and west, the peaceful

lake, hidden partly in its length, but visible over all its breadth.

Whatever in such circumstances might be talked of, it was natural once

more to repeat the hundred times repeated; to mention the beauties of

this sky, of this water, of this land, under the influences of a strong

sun and milder moon,--nay, exclusively and lyrically to recognize and

describe them.

But what none of them uttered, what each durst scarcely avow to himself,

was the deep, mournful feeling which, stronger or weaker, but with equal

truth and tenderness, was beating in every bosom. The presentiment of

parting diffused itself over present union: a gradual stagnation was

becoming almost painful.

Then at last the singer roused himself, summoned up his resolution; with

strong tones, preluding on his instrument; heedless of the former

well-meant reserve. Mignon’s figure, with the first soft song of the

gentle child, were hovering before him. Passionately hurried over the

limits, with longing touch awakening the sweetly sounding strings, he

began to raise,--

“Dost know the land where citrons, lemons, grow,

Gold oranges ’neath dusky foliage”....

Hersilia rose in deepest agitation, and hurried away, veiling her face:

our fair widow, with a motion of refusal, waved her hand towards the

singer; while she caught Wilhelm’s arm with the other. The perplexed and

half-unconscious youth followed Hilaria: Wilhelm, by his more

considerate guide, was led after them. And now, when they stood all four

under the high moonshine, the general emotion was no longer to be

concealed. The women threw themselves into each other’s arms; the men

embraced each other; and Luna was witness of the noblest, chastest

tears. Some recollection slowly returned: they forced themselves

asunder, silent, under strange feelings and wishes, from which hope was

already cut off. And now our artist, whom his friend dragged with him,

felt himself here under the void heaven, in the solemn, lovely hour of

night, initiated in the first stage of renunciation, which those friends

had already passed through, though they now saw themselves again in

danger of being sharply tried.

Not till late had the young men gone to rest; awakening in the early

morning, they took heart; thought themselves now strong enough for a

farewell to this paradise; devised many plans for still, without

violation of duty, at least lingering in the pleasant neighborhood.

While purposing to introduce their projects to this effect, they were

cut short by intelligence, that, with the earliest break of day, the

ladies had departed. A letter from the hand of our Queen of Hearts gave

them more precise information. You might have doubted whether sense

rather than goodness, love rather than friendship, acknowledgment of

merit rather than soft, bashful favor, was expressed in it. But, alas!

in the conclusion stood the hard request, that our two wanderers were

neither to follow their heroines, nor anywhere to seek them; nay, if

they chanced to see each other, they were faithfully to avoid meeting.

And now the paradise, as if by the touch of an enchanter’s rod, was

changed for our friends into an utter desert; and certainly they would

have smiled at themselves had they perceived at this moment how unjust

and unthankful they were on a sudden become to so fair and remarkable a

scene. No self-seeking hypochondriac could so sharply and spitefully

have rated and censured the decay of the buildings, the neglected

condition of the walls, the weathered aspect of the towers, the grassy

obstruction of the walks, the perishing of the trees, the mossiness and

mouldering of the artificial grottos, and whatever else of that sort was

to be observed, as our two travellers now did. By degrees, however, they

settled themselves as circumstances would admit: the artist carefully

packed up his work; they both set sail; Wilhelm accompanying him to the

upper quarter of the lake, where, by previous agreement, the former set

forth on his way to Natalia, to introduce her by his fair

landscape-papers into scenes which, perhaps, she might not soon have an

opportunity of viewing with her eyes. He was at the same time

commissioned to inform her confessionally of the late incident, which

had reduced him to a state such that he might be received with hearty

kindness by the confederates in the vow of renunciation, and with soft,

friendly treatment in the midst of them, be comforted if he could not be

healed.

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Wilhelm Meister's apprenticeship and travels, vol. 2 (of 2) · 第 13 / 20 章