Undoubtedly the swallow has seized upon our dwellings without ceremony;

she lodges under our windows, under our eaves, in our chimneys. She

does not hold us in the slightest fear.

It might have been said that she trusted to her unrivalled wing, had

she not placed her nest and her children within our reach. The true

reason why she has become the mistress of our house is, that she has

taken possession not only of our house, but of our heart.

In the rural mansion where my father-in-law educated his children,

he would hold his class during summer in a greenhouse in which the

swallows rested without disturbing themselves about the movements of

the family, quite unconstrained in their behaviour, wholly occupied

with their brood, passing out at the windows and returning through the

roof, chattering very loudly with one another, and still more loudly

when the master would make a pretence of saying, as St. Francis said,

"Sister swallows, can you not be silent?"

Theirs is the hearth. Where the mother has built her nest, the daughter

and the grand-daughter build. They return there every year; their

generations succeed to it more regularly than do our own. A family

dies out or is dispersed, the mansion passes into other hands; but the

swallow constantly returns to it, and maintains its right of occupation.

It is thus that our traveller has come to be accepted as a symbol of

the permanency of home. She clings to it with such fidelity, that

though the house may be repaired, or partially demolished, or long

disturbed by masons, it is still retaken possession of, re-occupied by

these faithful birds of persevering memory.

She is the _bird of return_. And if I bestow this title upon her,

it is not alone on account of her annual return, but on account of

her general conduct, and the direction of her flight, so varied, yet

nevertheless circular, and always returning upon itself.

She incessantly wheels and _veers_, indefatigably hovers about the same

area and the same locality, describing an infinity of graceful curves,

which, however varied, are never far distant from one another. Is it to

pursue her prey, the gnat which dances and floats in the air? Is it to

exercise her power, her unwearying wing, without going too far from her

nest? It matters not; this revolving flight, this incessantly returning

movement, has always attracted our eyes and heart, throwing us into a

reverie, into a world of thought.

We see her flight clearly, but never, or scarcely ever, her little

black face. Who, then, art thou, thou who always concealest thyself,

who never showest me aught but thy trenchant wings--scythes rapid as

that of Time? But Time goes forward without pause; thou, thou always

returnest. Thou drawest close to my side; it seems as if thou wouldst

graze me, wouldst touch me?--So nearly dost thou caress me, that I feel

in my face the wind, almost the whirr of thy wings. Is it a bird? Is it

a spirit? Ah, if thou art a soul, tell me so frankly, and reveal to me

the barrier which separates the living from the dead.

[Illustration]

But let us not anticipate, nor let loose the waters of bitterness.

Rather let us trace this bird in the people's thoughts, in the good old

popular wisdom, close akin, undoubtedly, to the wisdom of Nature.

The people have seen in her only the natural dial, the division of

the seasons, of the two great _hours of the year_. At Easter and at

Michaelmas, at the epochs of family gatherings, of fairs and markets,

of leases and rent-paying, the black and white swallow appears, and

tells us the time. She comes to separate and define the past and the

coming seasons. At these epochs families and friends meet together, but

not always to find the circle complete; in the last six months this

friend has disappeared, and that. The swallow returns, but not for all;

many have gone a very long journey, longer than _the tour of France_.

To Germany? No; further, further still.

Our _companions_, industrious travellers, followed the swallow's

life, except that on their return they frequently could no longer

find their nest. Of this the pendant bird warns them in an old German

saying, wherein the narrow popular wisdom would fain retain them

round the roof-tree of home. On this proverb, the great poet Rückert,

metamorphosing himself into a swallow, reproducing her rhythmical and

circular flight, her constant turns and returns, has founded a lyric at

which many will laugh, but more than one will weep:--

[Illustration]

"De la jeunesse, de la jeunesse,

Un chant me revient toujours--

Oh! que c'est loin! Oh! que c'est loin

Tout ce qui fut autrefois;

"Ce que chantait, ce que chantait

Celle qui ramène le printemps,

Rasant le village de l'aile, rasant le village de l'aile.

Est-ce bien ce qu'elle chante encore?

"'Quand je partis, quand je partis,

Etaient pleins l'armoire et le coffre.

Quand je revins, quand je revins,

Je ne trouvai plus que le vide.'

"O mon foyer de famille,

Laisse-moi seulement une fois

M'asseoir à la place sacrée

Et m'envoler dans les songes!

"Elle revient bien l'hirondelle,

Et l'armoire vidée se remplit.

Mais le vide du coeur reste, mais reste le vide du coeur,

Et rien ne le remplira.

"Elle rase pourtant le village,

Elle chante comme autrefois--

'Quand je partis, quand je partis,

Coffre, armoire, tout était plein.

Quand je revins, quand je revins

Je ne trouvai plus que le vide.'"

_Imitated_:--

From childhood gay, from childhood gay,

E'er breathes to me a strain,

How far the day, how far the day

Which ne'er may come again!

And is her song, and is her song--

She who brings back the spring,

The hamlet touching with her wing, the hamlet touching with her wing--

Is it true what she doth sing?

"When I set forth, when I set forth,

Both barn and chest were brimming o'er;

When I came back, when I came back,

I found a piteous lack of store."

Oh, my own home, so dearly loved,

Kind Heaven grant that I may kneel

Again upon thy sacred hearth,

While dreams the happy past reveal!

The swallow surely will return,

Coffer and barn will brim once more;

But blank remains the heart, empty the heart remains,

And none may the lost restore!

The swallow skims through the hamlet,

She sings as she sang of yore:--

"When I set out, when I set out,

Both barn and chest were brimming o'er;

When I came back, when I came back,

I found a piteous lack of store."

[Illustration]

The swallow, caught in the morning, and closely examined, is seen to

be a strange and ugly bird, we confess; but this fact perfectly well

agrees with what is, _par excellence_, the _bird_--the being among

all beings born for flight. To this object Nature has sacrificed

everything; she has laughed at _form_, thinking only of _movement_; and

has succeeded so well that this bird, ugly in repose, is, when flying,

the most beautiful of all.

Scythe-like wings; projecting eyes; no neck (in order to treble her

strength); feet, scarcely any, or none: all is wing. These are her

great general features. Add a very large beak, always open, which, in

flight, snaps at its prey without stopping, closes, and again re-opens.

Thus she feeds while flying; she drinks, she bathes while flying; while

flying, she feeds her young.

If she does not equal in accuracy of line the thunderous swoop of

the falcon, by way of compensation she is freer; she wheels, makes a

hundred circles, a labyrinth of undefined figures, a maze of varied

curves, which she crosses and re-crosses, _ad infinitum_. Her enemy

is dazzled, lost, confused, and knows not what to do. She wearies and

exhausts him; he gives up the chase, but leaves her unfatigued. She

is the true queen of the air; the incomparable agility of her motions

makes all space her own. Who, like her, can change in the very moment

of springing, and turn abruptly? No one. The infinitely varied and

capricious pursuit of a prey which is ever fluttering--of the gnat, the

fly, the beetle, the thousand insects that waver to and fro and never

keep in the same direction--is, undoubtedly, the best training school

for flight, and renders the swallow superior to all other birds.

Nature, to attain this end, to achieve this unique wing, has adopted

an extreme resolution, that of suppressing the foot. In the large

church-haunting swallow, which we call the martin, the foot is reduced

to a mere nothing. The wing gains in proportion; the martin, it is

said, accomplishes eighty leagues in an hour. This astounding swiftness

equals even that of the frigate-bird. The foot, remarkably short in

the latter, is but a stump in the martin; if he rests, it is on his

belly; so that he never perches. With him it is the reverse of all

other beings; movement alone affords him repose. When he darts from

the church-towers, and commits himself to the air, the air cradles

him amorously, supports, and refreshes him. If he would cling to any

object, he has only his own small and feeble claws. But when he rests,

he is infirm, and, as it were, paralyzed; he feels every roughness; the

hard fatality of gravitation has resumed possession of him; the chief

among birds seems sunk to a reptile.

[Illustration]

To take the range of a place is a great difficulty for him: so, if he

fixes his nest aloft, at his departure from it he is constrained to let

himself fall into his natural element. Afloat in the air he is free, he

is sovereign; but until then he is a slave, dependent on everything, at

the disposal of any one who lays hand upon him.

The true name of the genus, which is a full explanation in itself, is

the Greek _A-pode_, "Without feet." The great race of swallows, with

its sixty species which fill the earth, charms and delights us with its

gracefulness, its flight, and its soft chirping, owes all its agreeable

qualities to the deformity of a very little foot; it is at once the

foremost among the winged tribes by the gift of the perfect art of

flight, and the most sedentary and attached to its nest.

Among this peculiar genus, the foot not supplying the place of the

wing, the training of the young being confined to the wing alone and

a protracted apprenticeship in flying, the brood keep the nest for

a long time, demanding the cares and developing the foresight and

tenderness of the mother. The most mobile of birds is found fettered by

her affections. Her nest is not a transient nuptial bed, but a home, a

dwelling-place, the interesting theatre of a difficult education and

of mutual sacrifices. It has possessed a loving mother, a faithful

mate,--what do I say?--rather, young sisters, which eagerly hasten

to assist the mother, are themselves little mothers, and the nurses

of a still younger brood. It has developed maternal tenderness, the

anxieties and mutual teaching of the young to the younger.

The finest thing is, that this sentiment of kinship expands. In danger,

every swallow is a sister; at the cry of one, all rush to her aid;

if one be captured, all lament her, and torture their bosoms in the

attempt to release her.

That these charming birds extend their sympathy to birds foreign to

their own species one easily conceives. They have less cause than any

others to dread the beasts of prey, from their lightness of wing, and

they are the first to warn the poultry-coops of their appearance. Hen

and pigeon cower and seek an asylum as soon as they hear the swallow's

warning voice.

No; man does not err in considering the swallow the best of the winged

world.

And why? She is the happiest, because the freest.

Free by her admirable flight.

Free by her facility of nourishment.

Free by her choice of climate.

Also, whatever attention I have paid to her language (she speaks

amicably to her sisters, rather than sings), I have never heard her do

aught but bless life and praise God.

_Libertà! molto e desiato bene!_ I revolved these words in my heart

on the great piazza of Turin, where we never wearied of watching

the flight of innumerous swallows, hearing a thousand little joyous

cries. On their descent from the Alps they found there convenient

habitations all prepared for their reception, in the apertures left

by the scaffold-beams in the very walls of the palaces. At times,

and frequently in the evening, they chattered very loudly and cried

shrilly, to prevent us from understanding them. Often they darted down

headlong, just skimming the ground, but rising again so quickly that

one might have thought them loosened from a spring or shot from a

bow. Unlike man, who is incessantly called back to earth, they seem

to gravitate above. Never have I seen the image of a more sovereign

liberty. Their tricks, their sports, were infinite.

We travellers regarded with pleased eyes these other travellers,

which bore their pilgrimage so gaily and so lightly. The horizon,

nevertheless, was heavy, and ringed by the Alps, which at that hour

seemed close at hand. The black pine-woods were already darkened

and overshadowed by the evening; the glaciers glittered again with

a ghastly whiteness. The sorrowful barrier of these grand mountains

separated us from France, towards which we were soon about to travel

slowly.

[Illustration]

[Illustration: HARMONIES OF THE TEMPERATE ZONE.]

[Illustration]

HARMONIES OF THE TEMPERATE ZONE.

Why do the swallow and so many other birds place their habitation so

near to that of man? Why do they make themselves our friends, mingling

with our labours, and lightening them by their songs? Why is that

happy spectacle of alliance and harmony, which is the end of nature,

presented only in the climates of our temperate zone?

For this reason, that here the two parties, man and the bird, are free

from the burdensome fatalities which in the south separate them, and

place them in antagonism to one another.

That which enervates man, on the contrary, excites the bird, endows him

with ardent activity, inquietude, and the vehemence which finds vents

in harsh cries. Under the Tropics both are in complete divergence,

slaves of a despotic nature, which weighs upon them differently.

To pass from those climates to ours is to become free.

_Here_ we dominate over the nature which _there_ subjugated us. I quit

willingly, and without one wistful glance, the overwhelming paradise

where, a feeble child, I have languished in the arms of the great nurse

who, with a too potent draught, has intoxicated while thinking to

suckle me.

This milder nature was made for me, is my legitimate spouse--I

recognize her. And, above all, she resembles me; like me, she is grave,

she is laborious, she has the instinct of work and patience.

Her renewed seasons share among themselves her great annual day,

as the workman's day alternates between toil and repose. She gives

no fruit gratuitously; she gives what is worth all the fruits of

earth--industry, activity.

With what rapture I find there to-day my image, the trace of my will,

the creations of my exertions and my intelligence! Deeply laboured by

me, by me metamorphosed, she relates to me my works, reproduces to me

myself. I see her as she was before she underwent this human creative

work, before she was made man.

Monotonous at the first glance, and melancholy, she exhibited her

forests and meadows; but both strangely different from those which are

seen elsewhere.

The meadow, the rich green carpet of England and Ireland, with its

delicate soft sward constantly springing up afresh--not the rough

fleece of the Asiatic steppes, not the spiny and hostile vegetation of

Africa, not the bristling savagery of American savannahs, where the

smallest plant is woody and harshly arborescent--the European meadow,

through its annual and ephemeral vegetation, its lowly little flowers,

with mild and gentle odours, wears a youthful aspect; nay, more, an

aspect of innocence, which harmonizes with our thoughts and refreshes

our hearts.

On this first layer of humble yielding herbage, which has no

pretensions to mount higher, stands out in bold contrast the strong

individuality of the robust trees, so different from the confused

vegetation of meridional forests.

Who can single out, beneath such a mass of lianas, orchids, and

parasitical plants, the trees, themselves herbaceous, which are there,

so to speak, engulphed? In our ancient forests of Gaul and Germany

stand, strong and serious, slowly and solidly built, the elm or the

oak--that forest hero, with kindly arms and heart of steel, which has

conquered eight or ten centuries, and which, when felled by man and

associated with his labours, endows them with the eternity of the works

of nature.

[Illustration]

As the tree, so the man. May it be given us to resemble it--to

resemble that mighty but pacific oak, whose powerful absorption has

concentrated every element, and made of it the grave, useful, enduring

individual--the solid personality--of which all men confidently demand

a support, a shelter; which stretches forth its helpful arms to the

divers animal tribes, and shelters them with its foliage! With a

thousand voices they gratefully enchant, by day and night, the still

majesty of this aged witness of the years. The birds thank it from

their hearts, and delight its paternal shades with song, love, and

youth.

Indestructible vigour of the climates of the West? Why doth this oak

live through a thousand years? Because it is ever young.

It is the oak which chronicles the commencement of spring. For us the

emotion of the new life does not begin when all nature clothes itself

in the uniform verdure of the meaner vegetation. It commences only when

we see the oak, from the woody foliage of the past, which it still

retains, gathering its fresh leaves; when the elm, permitting itself to

be outstripped by inferior trees, tints with a light green the severe

delicacy of its airy branches, clearly defined against the sky.

[Illustration]

Then, then, Nature speaks to all--her potent voice troubles even the

soul of sages. And why not? Is she not holy? And this surprising

awakening, which has stirred life everywhere--from the hard dumb heart

of the oaks, even to their lofty crest, where the bird pours out its

gladness--is it not, as it were, a return of God?

I have lived in climates where the olive and the orange preserve an

eternal bloom. Without ignoring the beauty of these favoured trees,

and their special distinction, I could never accustom myself to the

monotonous permanency of their unchangeable garb, whose verdure

responded to the heaven's unchangeable sapphire. I was ever in a state

of expectancy, waiting for a renewal which never came. The days passed

by, but were always identical. Not a leaf the less on the ground, not a

cloudlet in the sky. Mercy, I exclaimed, O everlasting Nature! To the

changeful heart which thou hast given me, grant a little change. Rain,

mire, storm, I accept them all; so that from sky or earth the idea of

movement may return to me--the idea of renovation; that every year the

spectacle of a new creation may refresh my heart, may restore to me

the hope that my soul shall enjoy a similar resurrection, and, by the

alternations of sleep, of death, or of winter, create for itself a new

spring!

[Illustration]

Man, bird, all nature, utter the same desire. We exist through change.

To these forcible alternations of heat, cold, fog, and sun, melancholy

and joyaunce, we owe the tempered, the powerful personality of our

West. Rain wearies us to-day; fine weather will come with the morrow.

The splendours of the East, the marvels of the Tropics, taken together,

are not worth the first violet of Easter, the first song of April, the

blossom of the hawthorn, the glee of the young girl who resumes her

robes of white.

In the morning a potent voice, of singular freshness and clearness, of

keen metallic _timbre_, the voice of the mavis, rises aloft, and there

is no heart so sick or so sour as to hear it without a smile.

One spring, on my way to Lyons, among the intertangled vines which the

peasants laboured to raise up again, I heard a poor, old, miserable,

and blind woman singing, with an accent of extraordinary gaiety, this

ancient village lay:

"Nous quittons nos grands habits,

Pour en prendre de plus petits."

[Illustration]

[Illustration: THE BIRD AS THE LABOURER OF MAN.]

[Illustration]

THE BIRD

AS THE LABOURER OF MAN.

The "_miserly_ agriculturist," is the accurate and forcible expression

of Virgil. Miserly, and blind, in truth, for he proscribes the birds

which destroy insects and protect his crops.

Not a grain will he spare to the bird which, during the winter rains,

hunted up the future insect, sought out the nests of the larvæ,

examined them, turned over every leaf, and daily destroyed myriads of

future caterpillars; but sacks of corn to the adult insects, and whole

fields to the grasshoppers which the bird would have combated!

With his eyes fixed on the furrow, on the present moment, without

sight or foresight; deaf to the grand harmony which no one ever

interrupts with impunity, he has everywhere solicited or approved the

laws which suppressed the much-needed assistant of his labour, the

insect-destroying bird. And the insects have avenged the bird. It has

become necessary to recall in all haste the banished. In the island

of Bourbon, for example, a price was set on each martin's head; they

disappeared, and then the grasshoppers took possession of the island,

devouring, extinguishing, burning up with harsh acridity all that they

did not devour. The same thing has occurred in North America with the

starling, the protector of the maize. The sparrow even, which attacks

the grain, but also defends it--the thieving, pilfering sparrow, loaded

with so many insults, and stricken with so many maledictions--it has

been seen that without him Hungary would perish; that he alone could

wage the mighty war against the cockchafers and the myriad winged foes

which reign in the low-lying lands: his banishment has been revoked,

and the courageous militia hastily recalled which, if not strictly

disciplined, are not the less the salvation of the country.

No long time ago, near Rouen, and in the valley of Monville, the

crows had for a considerable period been proscribed. The cockchafers,

accordingly, profited to such an extent--their larvæ, multipled _ad

infinitum_, pushed so far their subterranean works--that an entire

meadow was pointed out to me as completely withered on the surface;

every root of grass or herb was eaten up; and all the turf, easily

detached, could be rolled back on itself just as one raises a carpet.

All toil, all appeals of man to nature, supposes the intelligence of

the natural order. Such is the order, and such the law: _Life has

around it and within it its enemy--most frequently as its guest--the

parasite which undermines and cankers it_.

Inert and defenceless life, especially vegetable, deprived of

locomotion, would succumb to it but for the stronger support of the

indefatigable enemy of the parasite, the merciless pursuer, the winged

conqueror of the monsters.

The war rages _without_ under the Tropics, where they surge up on all

sides. _Within_ in our climates, where everything is hidden, more

profound, and more mysterious.

In the exuberant fecundity of the Torrid Zone, the insects, those

terrible destroyers of plant-life, carry off the superfluous. They

are there a necessity. They ravage among the prodigious abundance of

spontaneous plants, of lost seeds, of the fruits which Nature scatters

over the wastes. Here, in the narrow field watered by the sweat of

man, they garner in his place, devour his labour and its harvest; they

attack even his life.

[Illustration]

The Bird · 第 9 / 17 段