The working men who sat in the Luxembourg during the months of March and
April under the presidency of M. Louis Blanc, showed a sort of respect
for the Chamber of Peers they replaced. The armchairs of the peers were
occupied, but not soiled. There was no insult, no affront, no abuse. Not
a piece of velvet was torn, not a piece of leather was dirtied. There is
a good deal of the child about the people, it is given to chalking its
anger, its joy and its irony on walls; these labouring men were serious
and inoffensive. In the drawers of the desks they found the pens and
knives of the peers, yet made neither a cut nor a spot of ink.
A keeper of the palace remarked to me: “They have behaved themselves
very well.” They left their places as they had found them. One only
left his mark, and he had written in the drawer of Louis Blanc on the
ministerial bench:
Royalty is abolished.
Hurrah for Louis Blanc!
This inscription is still there.
The fauteuils of the peers were covered with green velvet embellished
with gold stripes. Their desks were of mahogany, covered with morocco
leather, and with drawers of oak containing writing material in plenty,
but having no key. At the top of his desk each peer’s name was stamped
in gilt letters on a piece of green leather let into the wood. On the
princes’ bench, which was on the right, behind the ministerial bench,
there was no name, but a gilt plate bearing the words: “The Princes’
Bench.” This plate and the names of the peers had been torn off, not by
the working men, but by order of the Provisional Government.
A few changes were made in the rooms which served as ante-chambers to
the Assembly. Puget’s admirable “Milo of Crotona,” which ornamented the
vestibule at the top of the grand staircase, was taken to the old museum
and a marble of some kind was substituted for it. The full length statue
of the Duke d’Orleans, which was in the second vestibule, was taken I
know not where and replaced by a statue of Pompey with gilt face, arms
and legs, the statue at the foot of which, according to tradition,
assassinated Caesar fell. The picture of founders of constitutions, in
the third vestibule, a picture in which Napoleon, Louis XVIII. and Louis
Philippe figured, was removed by order of Ledru-Rollin and replaced by a
magnificent Gobelin tapestry borrowed from the Garde-Meuble.
Hard by this third vestibule is the old hall of the Chamber of Peers,
which was built in 1805 for the Senate. This hall, which is small,
narrow and obscure; supported by meagre Corinthian columns with
mahogany-coloured bases and white capitals; furnished with flat desks
and chairs in the Empire style with green velvet seats, the whole in
mahogany; and paved with white marble relieved by lozenges of red Saint
Anne marble,--this hall, so full of memories, had been religiously
preserved, and after the new hall was built in 1840, had been used for
the private conferences of the Court of Peers.
It was in this old hall of the Senate that Marshal Ney was tried. A
bar had been put up to the left of the Chancellor who presided over the
Chamber. The Marshal was behind this bar, with M. Berryer, senior, on
his right, and M. Dupin, the elder, on his left. He stood upon one
of the lozenges in the floor, in which, by a sinister hazard, the
capricious tracing of the marble figured a death’s head. This lozenge
has since been taken up and replaced by another.
After February, in view of the riots, soldiers had to be lodged in the
palace. The old Senate-hall was turned into a guard-house. The desks of
the senators of Napoleon and of the peers of the Restoration were
stored in the lumber rooms, and the curule chairs served as beds for the
troops.
Early in June, 1849, I visited the hall of the Chamber of Peers and
found it just as I had left it seventeen months before, the last time
that I sat there, on February 23, 1848.
Everything was in its place. Profound calmness reigned; the fauteuils
were empty and in order. One might have thought that the Chamber had
adjourned ten minutes previously.