SCENE VI.—_The doors are thrown open. Enter the HIGH-PRIEST, XAIRA,

DON ALONZO, DON JUAN, with a long train of priests and courtiers. Many

compliments are exchanged on all sides; they walk about, and converse

in different groupes. Several of the courtiers assemble round the

chamberlain._

_Xaira._ (_To the High-Priest._) Why do these strangers come hither?

_High-Priest._ Probably to attend the king when he goes to the sacrifice.

_Xaira._ Oh impious, to permit the presence of strangers at the

celebration of our solemnities, perhaps only to make them the subject of

their mockery.

_High-Priest._ Mockery!—No, that were to shew themselves fools, and I can

rely upon that brave youth for not being guilty of any folly. Have you

forgotten that our king is indebted to him for his life—that he has made

the people of Quito the terror of their enemies since he taught them the

mode of fighting practised in his country—that he has also instructed us

in many useful arts of peace?

_Xaira._ Mere deception. He has only increased our wants.—We were much

happier without him.

_High-Priest._ Discontented man!

_Chamberlain._ Gentlemen, do you know any news for the entertainment of

the king?

_One of the Company._ None, excepting that old Telasco arrived here

yesterday evening from his province.

_Another._ And has brought his son Zorai to present him to the Inca.

_Chamberlain._ How long is it since the venerable old man last visited

the capital?

_First Speaker._ Two years. He has not been here since he brought his

daughter Cora to be consecrated as a Priestess.

_Alonzo._ (_Starting, and speaking aside to Juan_) Velasquez, do you hear

that Cora’s father is in Quito?

_Juan._ Yes, I hear it.

_Alonzo._ And her brother?

_Juan._ I hear that too.

_Alonzo._ This alone was wanting to make my misery complete!—How will

their unsuspecting features harrow my conscience. (_Martial instruments

are heard behind the scene, playing a march._)

_All._ The king approaches.

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