CHAPTER XI.

A reconciliation is seldom effected without some price being paid for

it. Jim's with Elizabeth, if it can be called such, is bought at the

cost of a small sacrifice of principle on his part. No later than this

morning he had laid it down as a Median rule that he should avoid

opportunities of finding himself in Miss Le Marchant's company; and yet,

not only has he spent the major part of the afternoon in her society,

but, as he walks away from her door, he finds that he has engaged

himself to help Byng, on no distant day, in doing the honours of the

Certosa Monastery to her and her mother. On reflection, he cannot quite

explain to himself how the arrangement has come about. The proposal

certainly did not originate with him, and still less with the two ladies

so strangely shy of all society. The three have somehow been swept into

it by Byng, who, either with the noblest altruism, or because he feels

justly confident that he has no cause for jealousy of his friend (Jim's

cynical reflection is that the latter is the much more probable reason),

has insisted on drawing him into the project.

Jim Burgoyne is not a man whom, as a rule, it is easy either to wile or

cudgel into any course that does not recommend itself to his own

judgment or taste--a fact of which he himself is perfectly aware, and

which makes him remorsefully acknowledge that there must indeed have

been a traitor in the citadel of his own heart before he could have so

weakly yielded at the first push to what his reason sincerely

disapproves. But yet it is not true that remorse is the leading feature

of his thoughts, as he walks silently beside his friend down the Via di

Servi. It ought to be, perhaps; but it is not. The picture that holds

the foreground of his memory is that of Elizabeth sitting on the floor,

and sending him peace-offerings from her pathetic eyes and across her

sensitive lips. It was very sweet of her to think it necessary to make

him amends at all for her trifling incivility, and nothing could be

sweeter than the manner of it. How gladly would he buy some little

rudeness from her every day at such a price! But yet, as he thinks it

over, the manner of it, the ground on which she rested her excuse, is

surely a strange one. That she should attribute her light lapse from

courtesy to want of knowledge of the world comes strangely from the

mouth of a woman of six-and-twenty. If it be true--and there was a naive

veracity in lip and eye as she spoke--how is it to be accounted for? Has

her mind, has her experience of life, remained absolutely stationary

during the last ten years? Her tell-tale face, over which some pensive

story is so plainly written, forbids the inference. It is no business of

his, of course. Amelia, thank Heaven! has no story; but, oh! if someone

would tell him what that history is! And yet, three days later, he

voluntarily puts away from himself the opportunity of hearing it.

During those three days he sees no more of her. He does not again seek

her out, and accident does not throw her in his way. He buys his

Cantagalli dinner-service in company with Amelia; chooses the

soup-tureen out of which he is to ladle mutton broth for the inhabitants

of Westbourne Grove; he tastes of the wedding-cake that has cost Cecilia

so dear, and he avoids Byng. On the third day he can no longer avoid

him, since he is to occupy, as on the San Miniato occasion, the fourth

seat in the fiacre which conveys himself and the Misses Wilson to the

garden-party at the villa in Bellosguardo inhabited by Mrs. Roche, the

mother of the amiable Bertie. The Wilsons' acquaintances in Florence are

few, and, as far as Burgoyne has at present had the opportunity of

judging, evil. It is, therefore, with a proportionate elation that

Cecilia dresses for a party at which she will meet the bulk, or at least

the cream, of the English society. It is to Byng's good nature that she

and her sister owe the introduction to a hostess whose acquaintance is

already too large to make her eager for any causeless addition to it;

but whose hand has been forced by Byng, in the mistaken idea that he is

doing a service to his friend Jim.

They are late in setting off, as Amelia is delayed by the necessity of

soothing Sybilla, who has been reduced to bitter tears by a

_tete-a-tete_ with her father, in which that well-intentioned but

incautious gentleman has been betrayed into suggesting to her that she

may possibly be suffering from biliousness. The administering of

bromide, to calm her nerves under such a shock; the reiterated

assurances that every member of the family except its head realizes the

monstrosity of the suggestion, take up so much time that Amelia herself

has to reduce to a minimum the moments allotted to her own toilette. She

has cried a little with Sybilla, for company partly, and partly out of

weariness of spirit. That and hurry have swollen her eyelids, and

painted her cheeks with a hard, tired red, so that it is an even more

homespun figure and a homelier face than usual, that seat themselves

opposite Burgoyne, when at length they get under weigh.

He, Burgoyne, has been impatient of the delay, impatient to set off and

to arrive; yet he would be puzzled to say why. He knows, on no less

authority than her own word, that he shall not meet Elizabeth; and yet

the mere feeling that the mistress of the house to which he is going is

of the same blood as she; that he shall see the rude, spoilt child,

whose ill-tempered pinch made her utter that low cry of pain, suffice to

give a tartness to his tone, as he inquires the cause of her lagging, of

the panting, flushed, apologetic Amelia. Byng and Cecilia have been

sitting waiting for some time in the _salon_, from which Sybilla has

removed her prostrate figure and tear-stained face; but they have been

entertaining each other so well--she in paying him a series of marked

attentions, and he in civilly and pleasantly accepting them--that the

half-hour has not seemed long to either. But the party, in motion at

last, has passed the Roman Gate, and is climbing up and up between the

high walls, each step giving it a greater vantage ground over the Flower

City, before Burgoyne recovers his equanimity.

The spring comes on apace. In the gardens above their heads laurestinus

bushes, with all their flowers out (as they are never seen in England,

where always the east wind nips half the little round buds before they

can expand into blossom), stand in white and green; rosemary trees,

covered with gray bloom, hang down; and against the azure of the high

heaven purple irides stand up arow. It is one of those days on which one

can with bodily eyes see the Great Mother at her quickening work; can

see her flushing the apple-boughs, unfolding the fig-leaves, and driving

the lusty green blood through the sappy vines. And in the slow creeping

of the fiacre up the twisting white road, each turn lays the divine

Tuscan city before them in some new aspect of arresting loveliness.

At Florence, one is like Balaam with the Israelites. One is taken to see

her from one point after another, each point seeming fairer than the

last; but the likeness ends there, for no wish to curse the sweet town

could ever arise in even the morosest heart. The hills have put on their

summer look of dreamy warmth and distance. Before they have reached the

hilltop the boon Italian air has kissed most of the creases out of Jim's

temper, and the brick-red from Amelia's cheek-bones. He looks

remorsefully from the triumphant beauty around, into the poor, fond face

opposite to him--looks at her with a sort of compassion for being so

unlovely, mixed with a compunctious admiration and tenderness for her

gentle qualities. He may touch her hand without fear of observation, so

wholly is Byng enveloped in the mantle of Cecilia's voluble tenderness.

"Have you forgiven me?" he asks, smiling; "I will make any apologies,

eat any dirt, say anything, short of allowing that Sybilla is not

bilious."

They have reached the villa, and turned out of the dusty highway into a

great cool courtyard, that has a Moorish look, with its high arches,

over which the Banksia roses tumble in cascades of yellow and white. It

seems wrong that the voices which come from the tea-tables under the

Loggia should be chattering English or Yankee, instead of cooing that

"sweet bastard Latin" that better suits place and day.

The hostess shakes hands absently with Burgoyne, offers his fair charges

iced coffee, and then, having discharged her conscience towards them,

draws Byng away for an intimate chat. From her hands he passes into

those of several other willing matrons and maids, and it seems likely

that the party who brought him will see him no more. Amelia, unused to,

and unexpectant of attention, is perfectly content to sit silent,

sipping her cold coffee; but Cecilia is champing her bit in a way which

frightens her future brother-in-law so much that he cowardly takes the

opportunity of her looking in another direction to lure his docile

_fiancee_ on to the broad terrace, whence all the young green glory of

the Arno's plain, and the empurpled slopes and dreamful breast of

Morello, are to be seen by the looker's beauty-drunk eye. Upon this

terrace many people are walking and sitting in twos and threes, and in

one of the little groups Amelia presently discovers a female

acquaintance, who at once fastens upon her, and happening to be

afflicted with a relative visited by a disorder of something the same

nature as Sybilla's, subjects her to a searching and exhaustive

catechism as to the nature of her sister's symptoms. Sybilla's symptoms,

whether at first or second hand, have invariably the property of driving

Jim into desert places; and, in the present instance, seeing no

likelihood of an end to the relation of them, he turns impatiently away,

and, without much thought of where he is going, follows a steep downward

path that ends in a descent of old stone steps, between whose crevices

green plants and little hawkweed blow-balls flourish undisturbed, to a

large square well, framed by a low broad parapet, with flower-beds set

around it, and the whole closed in by rugged stone walls. No one

apparently has had the same impulse as he, for, at first, he has the

cool solitude to himself. He sits down on the parapet of the still well,

and drops in pebbles to see how deep the water is; and anon lifts his

idle look to the empty niches in the crumbling wall--niches where once

wood-god, or water-nymph, or rural Pan stood in stone, now empty and

forsaken. Out of the wall two ilexes grow, and lift themselves against

the sapphire arch, which yet is no sapphire, nor of any name that

belongs to cold stone; a blue by which all other blues are but feeble

colourless ghosts of that divinest tint.

He is roused from the vague reverie into which the cool silence and the

brooding beauty around have lulled him, by the sound of approaching

voices. He is not to have his well any longer to himself. He looks up

with that scarcely latent hostility in his eye with which one regards

the sudden intruder into a railway carriage, when--counting on keeping

it to one's self for a long night journey--one has diffused limbs and

parcels over its whole area. The owners of the voices, having descended,

as he had done, the age-worn steps, come into sight. They are both men,

and one of them he recognises at once as a Mr. Greenock, a well-known

stock figure in Florentine society, a mature bachelor diner-out, a not

ill-natured retailer of news, collector of _bons-mots_, and harmless

appendage of pretty women. Of the other, at whom he scarcely glances,

all he grasps is the fact that he is dressed in clerical attire, and

that the first words audible of his speech, as he comes within hearing,

is the name of an English county--Devonshire. The answer comes in a tone

of keen interest:

"Ah, I thought there must be a screw loose!"

As the new arrivals become aware of the presence of a third person, they

pause in their talk; but presently, Mr. Greenock having recognised Jim

and greeted him with a friendly nod and a trivial remark upon the

splendour of the day, they resume their interrupted theme, standing

together a few yards distant from him on the walk--resume it in a rather

lower but still perfectly audible key.

"I thought there must be some reason for their shutting themselves up so

resolutely," continues Mr. Greenock in the gratified tone of one who has

at length solved a long-puzzling riddle. "I thought that there must be a

screw loose, in fact; but are you quite sure of it?"

The other gives a sigh and a shrug.

"Unfortunately there can be no doubt on that head; the whole lamentable

occurrence took place under my own eyes; the Moat is in my parish."

"Devonshire!" "A screw loose!" "The Moat!" Burgoyne is still sitting on

the well-brim; but he no longer sees the lapis vault above, nor the

placid dark water below. A sort of horrible mist is swimming before his

eyes; it is of Elizabeth Le Marchant that they are speaking. Through

that mist he snatches a scared look at the speaker; at him whom but two

minutes ago he had glanced at with such a cursory carelessness. Does he

recognise him? Alas! yes. Though changed by the acquisition of a bald

head and a grizzled beard, he sees him at once to be the man who, at the

time of his own acquaintance with the Le Marchant family, had filled the

office of vicar of their parish; under whom he had sat on several drowsy

summer Sunday mornings, trembling at the boys' perilous antics in the

great curtained pew, and laughing inwardly at Elizabeth's

mirth-struggling efforts to control them.

"And you say that they never held up their heads again afterwards?"

pursues Mr. Greenock in a tone of good-natured compassion, that is yet

largely tinged with gratified curiosity.

"They left the neighbourhood at once," returns the clergyman. "Dear me,

how time flies! it must be ten years ago now, and I never saw them again

until I met the unhappy girl and her mother yesterday, driving in the

Via Tornabuoni; but"--lowering his voice a little more--"you will

understand that this is strictly _entre nous_; that it must not go any

further."

"What do you think I am made of?" cries Mr. Greenock in a burst of

generous indignation; "but"--stepping a pace or two nearer to his

interlocutor--"I am not quite sure that I have got the details of the

story right; would you mind just running it over to me again?"

Jim has been sitting in such a stunned stillness that it is perhaps no

wonder that they have forgotten his neighbourhood. At all events, the

clergyman is evidently about to comply with his companion's request and

recapitulate the tale. If Jim preserves his motionless attitude but five

minutes longer, he will be put into possession of that story whose

existence he has already heavily conjectured, and the imagining of which

has made him often, within the last week or two, turn with nausea from

his food, and toss restlessly upon his bed. Without any trouble on his

part, without any possible blame attaching to him, he will learn the

poor soul's secret. Never! If the devil wish to tempt him with a

prospect of success, it must be with a less unhandsome bait. Almost

before the two startled scandalmongers have recalled the fact of his

existence by the abrupt noise of his departure, he is half-way back to

the terrace, that mist still before his eyes, and a singing in his ears.

Alas! A Novel · 第 11 / 32 章