CHAPTER I

Produced by Don Kostuch. (This text was produced from files

obtained from The Internet Archive/American Libraries.)

[Transcriber's note: The original unedited text file came

from http://www.archive.org/details/nobody00jacogoog]

NOBODY

LOUIS JOSEPH VANCE

[Illustration: "Miss Manwaring! For the Love of Mike--"]

NOBODY

By LOUIS JOSEPH VANCE

AUTHOR OF "The Lone Wolf,"

"The Brass Bowl," "Cynthia of the Minute,"

"The Destroying Angel," Etc.

With Frontispiece

By W. L. JACOBS

A. L. BURT COMPANY

Publishers

New York

Published by Arrangement with GEORGE H. DORAN COMPANY

Copyright, 1914,

By LOUIS JOSEPH VANCE

Copyright, 1915,

By GEORGE H. DORAN COMPANY

_This novel was originally published serially,

under the title of "An Outsider."_

CONTENTS

CHAPTER

I ANARCHY

II BURGLARY

III ACCESSARY AFTER THE FACT

IV BLACKMAIL

V CONSPIRACY

VI ALIAS MANWARING

VII FRAUD

VIII A THIEF IN THE NIGHT

IX PICAROON

X LEGERDEMAIN

XI THE THIRD DEGREE

XII MACHIAVELLIAN

XIII MARPLOT

XIV MAGIC

XV FALSE WITNESS

XVI THE PLANT

XVII EXPOSE

XVIII BREAKING JAIL

NOBODY

CHAPTER I

ANARCHY

"What you gonna have?"

To this inquiry the patron made no response; head bent, nose between

the pages of the magazine, she pored sedulously over a legend attached

to one of the illustrations.

After a decent pause in waiting the waitress renewed her demand with a

sharper accent:

"Say, lis'en; what you want?"

"White satin, veiled with _point d' Angleterre_,'" Miss Manvers

replied distinctly, if without looking up, aware simply of something

imperative in the starched but humid presence at her elbow.

Pardonably startled, the waitress demanded with the rising inflection:

"_Wha-a-at?_"

"'The court train,'" Miss Manvers pursued in abstraction, "'is lined

with lace and dotted with bouquets of orange-blossoms--'"

She checked herself suddenly, looked up shyly, and essayed a pale,

apologetic smile.

"I'm sorry; I didn't realise--"

But now the waitress had caught a glimpse of the illustration and was

bending over the patron's shoulder for a better look.

"Gee!" she commented sincerely. "Ain't that a dream?"

"Yes," Miss Manvers admitted wistfully, "it's a dream, right enough!"

"That's so, too." Deftly, with a large, moist, red hand, the waitress

arranged knife, fork, spoon, and paper serviette on the unclothed

brown board before Miss Manvers. "That's the worst of them fashion

mag'zines," she complained; "they get your goat. Sometimes after

readin' some of that dope I can't hardly remember orders right, just

for wishin' somebody'd come along and hang some of them joyful rags

onto me!"

Then, catching the eye of the manager, she straightway resumed her

professional habit of slightly wilted hauteur--compounded in equal

parts of discontent, tired feet, heat-fag and that profound disdain

for food-consuming animals which inevitably informs the mind of every

quick-lunch waitress.

"What you gonna have?" she demanded dispassionately.

"Ham-and, please."

"Plate of ham-and. Cawfy?"

"Yes, iced coffee and"--Miss Manvers hesitated briefly--"and a

napoleon."

Reciting the amended order, the waitress withdrew.

For the next few moments the customer neglected the fashion magazine

which she had found--apparently a souvenir of some other

absent-minded patron--on the seat of the chair next that one of her

own casual choice.

She stared blankly at the smudged and spotted bill of fare propped up,

in its wooden frame, against an armour-plate-china sugar-bowl. She was

deeply intrigued by the mystery of human frailty as exemplified by her

reckless extravagance in ordering that superfluous bit of pastry. Miss

Manvers's purse contained a single coin of silver, the quarter of a

dollar; being precisely the sum of her entire fortune. Her ham and

beans would cost fifteen cents, the coffee and the napoleon five cents

each. In other words, she would be penniless when she had paid her

score--and Heaven only knew for how long afterward.

Her lips moved without sound in her worn and pallid face. "What's the

difference?" she bully-ragged her conscience. "I might as well be

broke as the way I am!"

The argument was painfully reasonable; that inmate of New York

who has but five cents has nothing.

On the other hand, there was nothing whatever to be advanced in

extenuation of her folly in thus inviting indigestion--a passion for

pastry is its own punishment no less than any other infatuation to

which mortal flesh is prone. Sally was morally certain she would

suffer, and that severely, before nightfall.

"Well, what of it?" she grumbled sullenly. "If I die for it, it's

cheap at the price! And, no matter what happens, it can't be any

hotter afterward than it is now."

Somehow soothed by this cynical reflection, she sat up, mopped her

flushed forehead with a handkerchief of which she was not proud, and

drank thirstily of her tumbler of ice-water.

The grateful draft reminded her that she had actually been athirst

ever since noon. It was now almost three o'clock--thanks to which fact

she might eat in the comparative comfort of a lunchroom which boasted

no patron other than herself. But she was little appreciative of this

boon; she comprehended her surroundings with just a little languid

resentment of their smug cleanliness and their atmosphere impregnated

with effluvia of cheap edibles. But if these seemed offensive she

would have been willing to overlook them on certain

conditions--as she proved when the waitress reappeared with her order.

"I don't suppose--" Miss Manvers began, but hesitated.

"What say?"

"I don't suppose you need any more girls here?"

"Lookin' for a job?" the waitress inquired brilliantly. "I dunno--I'll

ask the manager, if you want."

Miss Manvers nodded a barely audible "Please!" She munched drearily

for a few minutes, staring out through the front windows wherein, from

dawn till dark, a white-clad chef industriously browned the wheats and

cast sinkers; beyond their wide expanse of plate-glass, stenciled with

the name of the establishment in reverse, a vista of sun-smitten

street danced drunkenly through the reek from the sheet-iron griddles.

Miss Manvers wondered dully if the sidewalks were really less hot than

those same griddles.

"The manager says nothin' doin'," the waitress reported. "But you can

leave your name and add-ress if you wanta."

"Thanks," said Miss Manvers; "but what's the use?"

"That's right, all right," the other sympathised. "Besides, take it

from me, this ain't the kind of a job you could make good at. You

gotta be a horse like me to stand it, 'specially days like this."

"Yes, I was thinking of that--"

"Believe me or not, nobody ain't got no idear what hot is without

they've juggled hash in one of these joints on a summer day. The

kitchen back there is honest' somethin' fierce. Three of our girls

fainted dead away in the noon rush."

"Oh, I know," Miss Manvers sighed; "I've tried it before--and failed."

The entrance of another customer prevented further confidences, and

Miss Manvers was left to resume her scanning of the fashion magazine.

If its distracting quality was unquestionable, it hardly contributed

comfort to her mood.

"In selecting her personal apparel," she read, "the bride-to-be must,

of necessity, be guided by individual requirements and the social

position which she is to assume. Although much has been said about the

advisability of purchasing only what is really needed and can be worn

before the styles change, it is a common fault of brides to buy too

much. . . . It is assumed that the June bride will have already on

hand a suit or two, a one-piece frock of serge or similar material, a

top-coat, an afternoon coat or one of the new capes, evening gowns,

and an evening wrap, one or two afternoon and luncheon frocks,

and hats, shoes, and similar accessories. . . ."

Here Miss Manvers withdrew from the printed page long enough mentally

to inventory her own wardrobe.

"That lets me out," she said, and turned a page.

The caption, "A Feudal Aristocracy," caught her attention. "Long

Island," she learned, "is a poem itself to-day, even if it is

suffering from cheap developments, the encroachment of tenantry, and

the swarming of the commuters. It is too bad that this garden spot

must be overrun, and indeed there has been a movement to stay the tide

of immigration from the city. In one section our best people are

buying up vast stretches of property to add to their private estates.

. . ."

Fascinated, Miss Manvers thrust aside a garnished plate, took a gulp

of the decoction called coffee, and attacked her napoleon.

"I am so glad," she continued to read, "to see that we are adding to

our estates and fast forming an aristocracy of the countryside; we

really live at our country places now for over half the year. Even the

large weddings are no longer town affairs. If one has an estate it is

so much smarter now to marry off one's daughters from the country

place. Yet there is always one difficulty about this method of

procedure: can such weddings be afforded the prominence

necessary? Weddings, of course, must be given a certain amount of

advertisement, through the proper channels, because each of us stands

for a representative house, which must not drop into oblivion. . . ."

At this point Miss Manvers wrinkled her nose indignantly. "Just for

that," she informed the unknown author of this artless screed, "just

for that now, I've a great mind not to go to Long Island at all this

summer--not even once to Coney!"

She turned impatiently back to the advertising pages and reviewed the

"classified wants" listlessly, forewarned by experience that they

would offer no invitation to one of her singularly modest

accomplishments; none of these advertisers desired the services of a

saleswoman, a typist, or even a lady's-maid. Not that Miss Manvers

imagined she would score a success in the role of lady's-maid, though

it was almost the only means open to her of earning a livelihood

which, thus far, she had not essayed.

Such work was hardly calculated to suit a girl with a mind of

independent cast and what is known as a temper of her own: prohibitive

barriers between her and such bread as may be earned in the sweat of

domestic servitude.

Little disappointed, then, she turned attention to "Chat of the Social

World," gossip which exercised potent fascination upon the girl's

intelligence. She devoured with more avidity than she had her

food those pretentiously phrased chronicles of the snobocracy--trite

announcements of post-season luncheons, dinners, dances, and bridge

parties; of departures for Europe and for American country homes, of

engagements and of weddings--distilling therefrom an acid envy that

robbed her napoleon of all its savour.

Such was the life for which she yearned with every famished aspiration

of her being. And why not? Who were these whose half-tone portraits

smirked complacence or scowled disdain to her inspection--who were

these that they should enjoy every good thing in life while she must

go hungering all her days for a little pleasure? Scarce one betrayed

by feature or expression either breeding or intelligence superior to

that of Sally Manvers, late of the hardware notions in Huckster's

Bargain Basement!

Regarding the full-page reproduction of a photograph showing a

jibber-jawed June bride in full regalia, Miss Manvers was moved

enviously to paraphrase an epigram of moot origin: "There, but for the

grace of God, stands Sally Manvers!"

There was enough truth in that to excuse a little gulp of emotion;

which, however, was craftily dissembled.

In due course, rising, Miss Manvers stood and delivered at the

desk of the blond cashier, then, penniless, wandered forth into the

brutal sunshine.

Her homeward way took her up Sixth Avenue, through Thirty-Fourth

Street, and northward on Park Avenue.

She went slowly, wearily, as suited a drudge to whom respite from

drudgery brought no earnest of ease or pleasure. The burning air beat

up into her downcast face from sun-baked stones that scorched through

the soles of her shoddy shoes, and she gulped down acrid mouthfuls of

it rather than breathed.

June was still young, but already summer, like some burly ruffian

shouldering spring aside with her work half done, held the city in the

hollow of a hot and humid hand.

In the mid-afternoon glow, lower Park Avenue owned its personal

atmosphere of somnolent isolation, in strong contrast with the bustle

of proletarian Fourth Avenue at its one extreme and the roar at the

other of traffic-galled Forty-Second Street. Of the residences a few,

whose awninged windows resembled heavy-lidded eyes, overlooked

wayfaring folk with drowsy arrogance; the greater number, with boarded

doors and blinded windows, like mouths and eyes tight shut in

seasonable slumber, ignored the world entirely.

Though she had passed that way twice a day for years on

end--always in consciousness of that aloof spirit informing the

inanimate, and in such resentment thereof as properly rewarded a

studied insolence--never before to-day had Sarah Manvers found the

genius of the neighbourhood so unmitigatedly intolerable. It was with

downright relief that presently she turned from the avenue eastward

and accomplished in the span of one short cross-town block a transit

of the most violent contrasts, from the dull dignity of the socially

eligible, if somewhat _passe_, through a stratum of shabby gentility,

to a region of late years dedicated to the uses of adversity

undisguised.

A few doors short of Lexington Avenue she paused, sighed, turned,

climbed weather-bitten steps to a brownstone entrance, and addressed

herself to three long flights of naked stairs.

She left behind, at the entrance, the dingy parlours of "Mme. Levin,

Modes et Toilettes," on the first landing the wailing-rooms of a

hag-ridden teacher of vocal culture, on the next several dusty

chambers perennially unrented, and gained at the top an open door

whose panels sported a simple rectangle of cardboard advertising the

tenancy of (in engraved script) _Miss Lucy Spode_, (in ink) _M. A.

Warden_, and (in pencil, a scrawl) _Manvers_.

Through this the girl walked into a back room of generous size, which

boasted a top-light together with the generic name of studio, and

was furnished with an ill-assorted company of lame and dismal pieces.

The several vocations of its tenants were indicated by a

typewriting-machine beneath a rubber hood thick with dust, a folding

metal music-stand and a violin-case, and a large studio easel

supplemented by a number of scrubby canvases. A door in the partition

wall communicated with a small bedchamber of the kind commonly termed

"hall room." And in one corner a stationary wash-stand and a gas-stove

for morbid cookery lurked behind a Japanese screen of dilapidated

panels.

Near the windows, on the end of a box-couch, a young woman was

perched, thin shoulders rounded over the ink-stained drawing-board

resting on her knees. She had a large, self-willed mouth and dark

Bohemian hair, and wore a dreary cotton kimono over a silk petticoat

whose past had been lurid. One hand clutched gingerly a bottle of

India ink, the other wielded a scratchy steel drafting-pen.

Interrupted, she looked up with a start that all but spilled the ink

and cried in a voice heavily coloured with the enervating brogue of

the Southern born:

"My land, Sally! _What_ time is it?"

In the act of unpinning her hat (a straw that even a drowning woman

would have hesitated to grasp at) Miss Manvers paused to consult an

invalid alarm-clock which was suffering palpitations on an

adjacent shelf.

"Twenty past three," she reported, sententious.

The artist cocked her head, squinted malevolently at her drawing,

dipped, and busily scratched once more.

"Scared me," she explained: "coming home so early!"

Sally removed her collar with a wrench and a grunt: "Got a date?"

"Sure; with Sammy--four o'clock."

"Salamander stuff, eh?"

"What do you want--a day like this? I'm half-cooked already, and I

guess I can go through a little fire for the sake of a sixty-cent

_table d' hote_ and a trip to Coney. But you needn't worry; it'll be

hotter than this before Sammy warms up enough to singe anything. His

intentions are so praiseworthy they pain him; he blushes every time he

has to recognise the sex question long enough to discuss the delights

of monogamy in a two-family house within commuting distance of

Prospect Park South."

"You don't mean to say you've got that far along--already!"

"That's the reward of a year's steady angling, honey."

"Heavens, but how you must carry on with Sammy!"

"Believe me, it's something scandalous," sighed Lucy Spode.

"But why--" Sally began in a tone of expostulation.

The other quickened with a flash of temper. "Don't ask me! I came

No'th to study art and mingle with the world of intellect and fashion,

and after three years I'm drawing heads for fashion magazines at a

dollar per, and I know a minor poet who's acquainted with the

assistant editor of _The Scrap-Book_, and the one man I know who owns

a dress-suit gets fifty cents an hour for posing in it. If that isn't

enough to make me welcome even the prospect of married life with Sammy

Myerick and a woman to do the washing, I don't know--"

"Well, if you aren't crazy about Sammy, why not chuck him? Marriage

isn't the last resource for a girl like you. You've got just as many

wits to live on as the next one. This town's full of young women no

better-looking than either of us, and with even less intelligence, who

manage pretty comfortably, thank you, on the living the world owes

them."

"Sally Manvers!" cried the Southern girl, scandalised, "what a way to

talk!"

"Oh, _all_ right," said the other indifferently. "Where's Mary

Warden?"

"Lyric Hall-rehearsing."

"Lucky Mary!"

Lucy Spode looked up in astonishment. "Lucky!" she protested; "dancing

till she's ready to drop, in this awful heat, and no pay for

rehearsals!"

"All the same," Sally contended, "she's got some chance, some right to

hope for better things. She's an understudy, and her principal might

fall ill--or something. That's better than marrying a man you don't

care for--or clerking at Huckster's for seven dollars a week."

"Cat," said Miss Spode dispassionately. "Who's been mussing your fur?"

"Life."

The steel pen was poised again while Lucy Spode surveyed Sally Manvers

suspiciously.

"What do you mean--life?" she demanded.

"This sort of thing." Sally waved a comprehensive hand. "Living here,

in this hole, and most of the time not even able to pay my share of

the rent; slaving for a dollar a day, and losing part of that in

unjust fines; walking to and from the store to save car fare; eating

the sort of food we do eat; never having pretty clothes or pleasures

of any sort. I don't call this a life!"

"You've got indigestion," Miss Spade diagnosed shrewdly. "I'll bet two

bits you've been eating napoleons again."

"I have got indigestion, but it's thanks only to being fed up

with existence--the kind we lead, at least. I want something better."

"The vote, perhaps?"

"For two cents I'd throw something at you."

The artist uncoiled her legs, stuck the pen in her hair, set the

ink-bottle down on the floor, sighed, and, lifting the drawing-board,

held it at arm's length, studying her work through narrowed eyelids.

"Then it must be a man," she concluded absently. "When a woman of

twenty-seven wants something and doesn't know what it is, it's either

the vote or a man."

"Oh, shut up."

"With man an odds-on favourite in the betting." Miss Spode laid the

board aside with a "Thank goodness, that's finished!" and, rising,

stretched her cramped limbs. "What I'd like to know," she persisted,

"is whether it's man abstract or a man concrete."

Sally laughed bitterly. "Take a good look at me, dear--as an exhibit,

not as a friend--and tell me honestly whether any man worth having

would glance twice at me."

"You can be pretty enough," Miss Spade returned seriously, "when you

want to take the trouble--"

"But I don't--ever."

"The more fool you."

"What's the use--on seven a week? What's the good of being pretty in

rags like these? It only gets a girl in wrong. I don't care how

fetching I might make myself seem--"

"But you ought to."

"Look here; do you know how a reporter would describe me?"

"Of course; 'respectable working girl.'"

"Well, then, men worth while don't run after 'respectable working

girls'; they leave that to things who wear 'Modish Men's

Clothing'--with braided cuffs and pockets slashed on the bias!--and

stand smirking on corners we have to pass going home. Do you think I'd

do my hair becomingly, and--and all that--to attract such creatures?"

"So it's abstract man. Thought so!"

"It's starvation, that's what it is. I'm sick for want of what other

girls get without asking--pretty clothes and--and all that sort of

thing."

"Meaning," the artist interpreted gravely, "love."

"Well," Sally demanded, defiant, "why not?"

"Why not indeed?" Lucy returned obliquely, wandering round the studio

and collecting various articles of wearing-apparel toward her

appearance in public.

"I'm twenty-seven," Miss Manvers declared mutinously. "I'll never be

younger--I want to be loved before I'm old!"

She paused, viewed with reassuring amusement Lucy's countenance of

perplexity, and laughed again.

"I've had ten years of independence; and what has it brought me? The

reward of virtue: that swaybacked couch for my bed, Uneeda biscuit for

my bread, and for salt--tears of envy!"

"Virtue is its own reward," Lucy enunciated severely.

"Virtue is its only reward, you mean!"

"You don't talk fit to eat."

"You know what I mean. Only mental bankrupts go to the devil because

they're hungry. I'm less bothered about keeping body and soul together

--Huckster's seven a week does that after a fashion--than about

keeping soul and mind together."

"It sounds reasonable."

"I'm desperate, I tell you! And there's more than one resort of

desperation for a girl of intelligence."

"As, for instance-"

"Well--you've named one."

"Man?"

"That's the animal's first name."

"But you've just pointed out, a successful campaign demands a

wardrobe."

"Even that can be had if one's unscrupulous enough."

"Whatever do you mean?"

"To seek happiness where I can find it. I'm game for anything. I'm

'north of fifty-three'!"

"You're _what_?"

"Have you forgotten the 'Rhyme of the Three Sealers'? 'There's never a

law of God or man runs north of fifty-three'! Well, the age of

twenty-seven is a woman's fifty-three, north latitude--at least, it is

if she's unmarried--time to jettison scruples, morals, regard for the

conventions, and hoist the black flag of social piracy!"

"In plain language, you think the hour has struck to doll yourself up

like a man-trap. What?"

"Yes--and hang the expense!"

"By all means, hang it. But where? It's a case of cash or credit; the

first you haven't got, and I don't see your visible means of

supporting a charge-account at Altman's."

"There are ways," Sally insisted darkly.

"You can't mean you'd do anything dishonest--"

"I'd do _anything_. Look at all the people in high places who began as

nothing more nor less than adventurers. Nobody's fussing about how

they got their money. It's a sin to be poor nowadays, but the sin of

sins is to stay poor!"

A moment of silence followed this pronouncement; then Miss Spode

observed pensively:

"Something's happened to you to-day, Sally. What is it? You haven't

been--"

"Fired again'? Not exactly. Just laid off indefinitely--that's all.

With good luck I may get my job back next September."

"Oh, but honey!" Lucy exclaimed, crossing to drop a hand on Sally's

shoulder: "I am sorry!"

"Of course you are," Sally returned stonily. "But you needn't be. I'm

not going to let this make things any harder for you and Mary Warden."

"How perfectly mean! You know I wasn't thinking anything like that!"

"Yes, dear, I do know it." In sudden contrition, Sally caught the

other girl's hand and laid her cheek transiently against it. "What I

meant to make clear was"--she faltered momentarily--"I've made up my

mind I'm a Jonah, and the only decent thing for me to do is to quit

you both, Lucy, my dear!"

She ended on a round note of determination rather than of defiance,

and endured calmly, if with a slightly self-conscious smile, the

distressed look of her companion.

"Don't be silly!" this last retorted, pulling herself together. "You

know you're welcome--"

"Of course I do. All the same, I'm not taking any more, thanks."

"But it's only a question of time. If you can't wait for Huckster's to

take you on again, Mary and I can easily keep things going until you

find another job."

"But that wouldn't be fair!"

"What wouldn't be fair?"

"To sponge on you two under false pretences." "False pretences!" Lucy

iterated blankly.

"I was laid off last Saturday. I didn't say anything, but I've been

looking for something else ever since--and this is Wednesday, and I'm

through. I'm sick and tired. I've got just as much right as anybody to

live on society, and that's what I'm going to do from now on!"

Miss Spode lowered a cloth skirt over her head and blouse before

pursuing. "But what I can't understand is how--assuming you're in

earnest--"

"Deadly earnest!" Sally declared.

"--and mean to go through with this--how you think you'll get a start

without doing something downright wrong."

"It wouldn't be fair to tempt me the way I feel to-day."

"There's only one thing," Miss Spode announced, adjusting her hat,

"that prevents me from speaking to a cop about you: I know you're a

fraud. You couldn't do anything dishonourable to save you."

"Oh, couldn't I!" Sally returned ominously. "You wait and see!"

"Well, well," said the other indulgently, "have it your own way.

Hooray for crime! But if I stop here listening to you preach

anarchy I'll be late for Sammy. So I'm off." Pausing in the doorway,

she looked back with just a trace of doubt colouring her regard. "Do

try to brace up and be sensible, honey. I'm worried about leaving you

alone with all these blue devils."

"You needn't be. I can take care of myself--"

"Well, promise to do nothing rash before I come home."

"Promises made for keeps are specifically prohibited by article nine

of the Social Pirate's Letters of Marque. But I don't mind telling you

the chances are you'll find me on the roof when you get back, unless

this heat lets up. I'm going up now; this place is simply

suffocating!"

But her smile grew dim as she resigned herself to an evening whose

loneliness promised to be unbroken; that faint flush faded which had

crept into her cheeks in the course of her half-whimsical,

half-serious harangue; she looked once more what life had made her--a

work-worn shop-girl, of lack-lustre charm, on the verge of prematurely

middle-aged, hopeless spinsterhood.

Another six months of this life would break her, body and spirit,

beyond repair.

Her eyes, that ranged the confines of those mean quarters, darkened

quickly with their expression of jaded discontent.

Another six months? She felt as if she could not suffer another six

hours. . . .

After a time she rose and moved languidly out into the hall, from

which an iron ladder led up through a scuttle to the roof, the refuge

and retreat of the studio's tenants on those breathless, interminable

summer nights when their quarters were unendurably stuffy. Here they

were free to lounge at ease, _en deshabille_; neither the dressmaker

nor the teacher of voice-production ever troubled their privacy, and

seldom did other figures appear on any of the roofs which ran to the

Park Avenue corner on an exact plane broken only by low dividing walls

and chimney-stacks.

Three chairs of the steamer type, all maimed, comprised the furniture

of this roof-garden, with (by way of local colour) on one of the

copings a row of four red clay flower-pots filled with sun-baked dust

from which gnarled and rusty stalks thrust themselves up like withered

elfin limbs.

Selecting the soundest chair, Sally dragged it into the shadow cast by

the hood of the studio top-light, and settling down with her feet on

the adjacent coping, closed her eyes and sought to relax from her

temper of high, almost hysterical nervous tension.

Thoughts bred of her talk with Lucy for a time distracted her,

blending into incoherent essays at imaginative adventures staged in

the homes and parks of the wealthy, as pictured by the sycophantic

fashion magazine and cast with the people of its gallery of

photographs--sublimely smart women in frocks of marvellous

inspiration, and polo-playing, motor-driving, clothes-mad men of an

insouciance appalling.

On the edge of unconsciousness she said aloud, but without knowing

that she spoke, three words.

These were: "Charmeuse . . . Paquin . . . Bride . . ."

And then she slept; her pallid face upturned to that high-arched sky

of brass, from which light and heat beat down in brutal waves, she

slept the sleep of exhaustion, deep and heavy; dark and stupefying

sleep possessed her utterly, as overpowering and obliterating as

though induced by drugs.

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