CHAPTER I

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THE ROMANCE OF THE REAPER

[Illustration: A CHICAGO MOWER IN SIBERIA]

THE ROMANCE OF THE REAPER

by

HERBERT N. CASSON

Author of "The Romance of Steel."

Illustrated from Photographs

"And he gave it for his opinion, that whoever

could make two ears of corn, or two

blades of grass, to grow upon a spot of

ground where only one grew before, would

deserve better of mankind, and do more

essential service to his country, than the

whole race of politicians put together."

--_Dean Swift._

New York

Doubleday, Page & Company

1908

Copyright, 1907, 1908, by

Everybody's Magazine

Copyright, 1908, by

Doubleday, Page & Company

Published, May, 1908

All Rights Reserved, Including That of Translation

into Foreign Languages, Including the Scandinavian

TO THE FARMERS OF THE UNITED STATES

WHOSE ENERGY AND PROGRESSIVENESS HAVE

MADE THIS WONDER-STORY COME TRUE

PREFACE

This is the story of our most useful business. It is a medley of

mechanics, millionaires, kings, inventors and farmers; and it is intended

for the average man and woman, boy and girl. Although I have taken great

pains to make this book accurate, I have written it in the fashion of

romance, because it tells a story that every American ought to know.

The fact is that the United States owes much more to the Reaper than it

owes to the factory or the railroad or the Wall Street Stock Exchange.

Without the magical grain machinery that gives us cheap bread, the whole

new structure of our civilisation, with all its dazzling luxuries and

refinements, would be withered by the blight of Famine. This may sound

strange and sensational to those who have been bred in the cities, but it

is true.

The reaper has done more to chase the wolf from the door--to abolish

poverty and drudgery and hand-labour, than any other invention of our day.

It has done good without any backwash of evil. It has not developed any

new species of social parasite, as so many modern improvements have done.

It has not added one dollar to the unclean hoard of a stock-gambler, nor

turned loose upon the public a single idle millionaire.

The reaper is our best guarantee of prosperity. In spite of our periodical

panics, which prove, by the way, that the men who provide us with banks

are not as efficient as the men who provide us with bread, we are certain

to rebound into prosperity and social progress as long as we continue to

make three hundred harvesting machines every working day--one every two

minutes. The rising flood of wheat is bound to submerge the schemers and

the pessimists alike.

And it is the reaper, too, which has done most to make possible a nobler

human race, by lessening the power of that ancient motive--the Search for

Food. Every harvester that clicks its way through the yellow grain means

more than bread. It means more comfort, more travel, more art and music,

more books and education. In this large fact lies the real Romance of the

Reaper.

In gathering the material for this book I have been greatly assisted by

Messrs. E. J. Baker, of the _Farm Implement News_; B. B. Clarke, of the

_American Thresherman_; Ralph Emerson, of Rockford, Ill; C. W. Marsh, of

De Kalb, Ill.; Edwin D. Metcalf and T. M. Osborne, of Auburn, N. Y., Henry

Wallace, of _Wallace's Farmer_, William N. Whiteley, of Springfield, Ohio;

and the officials of the International Harvester Company, who made it

possible for me to have free access to all of its works and to familiarise

myself with its manner of doing business in this country and abroad.

Also, I take pleasure in reproducing the following editorial note from

_Everybody's Magazine_, in which four chapters of this book were first

printed:

"President Roosevelt in his message of December 3rd said: 'Modern

industrial conditions are such that combination is not only

necessary, but inevitable.... Corporation and labour union alike have

come to stay. Each, if properly managed, is a source of good, and not

evil.' If capital combinations can be good, there must be some that

are good. Would it not be a proper service to the American people to

tell them of a trust that, while it had reaped the economical

advantages of combination, had yet played fair with the public and

with its competitors? Hence this story of the great Harvester

combine. Before we began to publish Mr. Casson's articles, we

followed up his investigations with a thorough inquiry of our own,

and we are bound to say that the business methods of this institution

seem to conform to the highest standards of fair play and square

dealing. The International Harvester combine is not a tariff trust.

Its members surrendered dominance in their own business only when the

trend of 'modern industrial conditions' and overstrenuous competition

made combination 'not only necessary, but inevitable.' The inside

history of the 'Morganising' of this group of fighters, as narrated

here, is as humorous as it is fascinating."

CONTENTS

PAGE

Preface vii

CHAPTER

I. The Story of McCormick 3

II. The Story of Deering 48

III. The International Harvester Company 90

IV. The American Harvester Abroad 126

V. The Harvester and the American Farmer 161

ILLUSTRATIONS

A Chicago mower in Siberia _Frontispiece_

FACING PAGE

Cyrus Hall McCormick 12

The Virginian birthplace of the McCormick reaper 22

A model of the first practical reaper 27

William Deering 51

William N. Whiteley 53

C. W. Marsh 53

John F. Appleby 53

E. H. Gammon 53

Asa S. Bushnell 60

Benjamin H. Warder 60

Hon. Thomas Mott Osborne 60

David M. Osborne 60

A self-binder in Scotland, with the Wallace Monument

in the background 62

Cyrus Hall McCormick, Jr. 85

Charles Deering 85

Harold McCormick 92

J. J. Glessner 92

W. H. Jones 92

James Deering 92

American self-binders on the estate of President

Fallieres, in France 135

King Alphonso of Spain driving an American seeder 138

Bismarck having his first view of an American

self-binder 147

An American harvester at work in Argentina 151

Gathering in a Finland harvest 154

In the ancient fields of Algiers 158

The Romance of the Reaper

The Romance of the Reaper

CHAPTER I

THE STORY OF MCCORMICK

This Romance of the Reaper is a true fairy tale of American life--the

story of the magicians who have taught the civilised world to gather in

its harvests by machinery.

On the old European plan--snip--snip--snipping with a tiny hand-sickle,

every bushel of wheat required three hours of a man's lifetime. To-day, on

the new American plan--riding on the painted chariot of a self-binding

harvester, the price of wheat has been cut down to _ten minutes a bushel_.

"When I first went into the harvest field," so an Illinois farmer told me,

"it took ten men to cut and bind my grain. Now our hired girl gets on the

seat of a self-binder and does the whole business."

This magical machinery of the wheat-field solves the mystery of

prosperity. It explains the New Farmer and the miracles of scientific

agriculture. It accounts for the growth of great cities with their steel

mills and factories. And it makes clear how we in the United States have

become the best fed nation in the world.

Hard as it may be for this twentieth century generation to believe, it is

true that until recently the main object of all nations was to get bread.

Life was a Search for Food--a desperate postponement of famine.

Cut the Kings and their retinues out of history and it is no exaggeration

to say that the human race was hungry for ten thousand years. Even of the

Black Bread--burnt and dirty and coarse, there was not enough; and the few

who were well fed took the food from the mouths of slaves. Even the

nations that grew Galileo and Laplace and Newton were haunted by the

ghosts of Hunger. Merrie England was famine-swept in 1315, 1321, 1369,

1438, 1482, 1527, 1630, 1661, and 1709. To have enough to eat, was to the

masses of all nations a dream--a Millennium of Prosperity.

This long Age of Hunger outlived the great nations of antiquity. Why?

Because they went at the problem of progress in the wrong way.

If Marcus Aurelius had invented the reaper, or if the Gracchi had been

inventors instead of politicians, the story of Rome would have had a

happier ending. But Rome said: The first thing is empire. Egypt said: The

first thing is fame. Greece said: The first thing is genius. Not one of

them said: The first thing is _Bread_.

In the Egyptian quarter of the British Museum, standing humbly in a glass

case between two mummied Pharaohs, is a little group of farm utensils. A

fractured wooden plough, a rusted sickle, two sticks tied together with a

leathern thong, and several tassels that had hung on the horns of the

oxen. A rummaging professor found these in the tomb of Seti I., who had

his will on the banks of the Nile three thousand years ago. Egypt had a

most elaborate government at that time. She had an army and navy, an art

and literature. Yet her bread-tools were no better than those of the

barbarians whom she despised.

It is one of the most baffling mysteries of history, that agriculture--the

first industry to be learned, was the last one to be developed. For

thousands of years the wise men of the world absolutely ignored the

problems of the farm. A farmer remained either a serf or a tenant. He was

a stolid drudge--"brother to the ox." Even the masterful old Pilgrim

Fathers had no ploughs at all--nothing but hoes and sharp sticks, for the

first twelve years of their pioneering.

Fifty-five years of American Independence went by before the first reaper

clicked its way clumsily into fame, on a backwoods farm in Virginia. At

that time, 1831, the American people were free, but they held in their

hands the land-tools of slaves. They had to labour and sweat in the

fields, with the crude implements that had been produced by ages of

slavery. For two generations they tried to build up a prosperous Republic

with sickles, flails, and wooden ploughs, and they failed.

There are men and women now alive who can remember the hunger year of

1837, when there were wheat bounties in Maine and bread riots in New York

City. Flour mills were closed for lack of wheat. Starving men fell in the

streets of Boston and Philadelphia. Mobs of labourers, maddened by the

fear of famine, broke into warehouses and carried away sacks of food as

though they were human wolves. Even in the Middle West--the prairie

paradise of farmers--many a family fought against Death with the serf's

weapon of Black Bread.

Enterprise was not then an American virtue. The few men who dared to

suggest improvements were persecuted as enemies of society. The first iron

ploughs were said to poison the soil. The first railroad was torn up. The

first telegraph wires were cut. The first sewing-machine was smashed. And

the first man who sold coal in Philadelphia was chased from the State as a

swindler.

Even the railway was a dangerous toy. The telegraph was still a dream in

the brain of Morse. John Deere had not invented his steel plough, nor Howe

his sewing-machine, nor Hoe his printing-press. There were no stoves nor

matches nor oil-lamps. Petroleum was peddled as a medicine at a dollar a

bottle. Iron was $75 a ton. Money was about as reliable as mining stocks

are to-day; and all the savings in all the banks would not now buy the

chickens in Iowa.

Our total exports were not more than we paid last year for diamonds and

champagne. Chicago was a twelve-family village. There was no West nor

Middle West. Not one grain of wheat had been grown in Minnesota, the

Dakotas, Nebraska, Colorado, Kansas, Washington, Nevada, Idaho, Montana,

New Mexico, Oregon, Utah, Arizona, Wyoming, Oklahoma or Texas.

The whole structure of civilisation, as we know it, was unbuilt; and most

of its architects and builders were unborn or in the cradle. Spencer was

eleven years of age; Virchow was ten; Pasteur nine; Huxley six; Berthelot

four; and as for Haeckel, Carnegie, Morgan, Edison and their generation,

they had not yet appeared in the land of the living.

Then came the Reaper.

This unappreciated machine, about which so little has been written,

changed the face of the world. It moved the civilised nations up out of

the bread line. It made prosperity possible; and elevated the whole

struggle for existence to a higher plane.

Life is still a race--always will be; but not for bread. The lowest prizes

now are gold watches and steam yachts and automobiles. Even the hobo at

the back door scorns bread, unless we apologise for it with meat and jam.

It is so plentiful--this clean, white bread, that it is scarcely an

article of commerce any longer. In our hotels it is thrown in free of

charge, as though it were a pinch of salt or a glass of water. There is no

"penn'orth of bread" in the bill, as there was in Falstaff's day.

Seven bushels of wheat apiece! That is what we eighty-five million people

ate in 1906--twelve thousand million loaves of bread. Such a year of

feasting was new in the history of the world. And yet we sent a thousand

million dollars' worth of food to other nations.

Suppose that bread were money, just for one day! What a lesson it would be

on the social value of the reaper! Thirty loaves would be the day's pay of

a labourer--as much as he could carry on his back. Two loaves for a

cigar--three for a shave--five for a bunch of violets--forty for a theatre

ticket--a hundred for a bottle of champagne! Is there anything cheaper

than bread?

The reaper was America's answer to Malthus--who scared England into

abolishing the Corn Laws by his proclamation that "the ultimate check to

population is the lack of food." What would that well-meaning pessimist

think were he now alive, if he were told that the human race is growing

wheat at the rate of ten bushels a year per family? Or that Minnesota and

the Dakotas (names that the world of his day had never heard) produce

enough wheat to feed all the people of England?

The reaper was America's answer to the world's demand for democracy.

Instead of bread riots and red flags and theories of an earthly paradise

in which nobody worked but the Government, the United States invented a

machine that gave democracy a chance. Instead of a guillotine to cut off

the heads of the privileged people who ate too much, it produced a reaper

that gave everybody enough. This was not a complete answer, nor will

there ever be one, to the riddle of liberty, equality and fraternity. But

it was so much better than theories and riots that it helped to persuade

twenty-five million immigrants to cross the ocean and become shareholders

in the American Republic.

If it were possible to trace back a strand in the twisted thread of cause

and effect, we would find that many a factory and steel-mill owes its

origin to the flood of wheat-money that came to us from Europe in 1880 and

1881--every dollar of it made by the humble harvester.

Without this obedient slave of wood and steel, all our railroads and

skyscrapers and automobiles could not save us from famine. If we had to

reap our grain in the same way as the Romans did, it would take half the

men in the United States to feed us on bread alone, to say nothing of the

rest of the menu.

Like most great things, the reaper was born among humble people and in a

humble way. It was crude at first and dogged by failure. No one man made

it. It was the product of a hundred brains.

The exact truth about its origin is not known and never will be. What few

facts there were have been torn and twisted by the bitter feuds of the

Patent Office. Every letter and document that exists is controversial. So

I cannot say that the story, as I give it, is entirely true, but only that

it is as near as I can get to the truth after six months of investigation.

There is evidence to show that Cyrus Hall McCormick completed a practical

reaper in 1831, although the first reaper patent was taken out in 1833 by

an inventive seaman named Obed Hussey, of Baltimore. The young McCormick

did not secure his patent until 1834; but he had given a public exhibition

in Virginia three years before.

There were nearly a hundred people who saw this exhibition. Not one of

them is now alive; and the story as told by their children has many little

touches of imagination. But in the main, it is very likely to be true.

It was in the fall of 1831 when Cyrus McCormick hitched four horses to his

unwieldy machine and clattered out of the barnyard into a field of wheat

nearby. Horses shied and pranced at the absurd object, which was unlike

anything else on the face of the earth. Dogs barked. Small boys yelled.

Farmers, whose backs were bent and whose fingers were scarred from the

harvest labour, gazed with contemptuous curiosity at the queer contraption

which was expected to cut grain without hands.

[Illustration: CYRUS HALL McCORMICK]

A little group of Negro slaves had spasms of uncomprehending delight in

one corner of the field, not one of them guessing that "Massa" McCormick's

comical machine was cutting at the chains that bound their children. And a

noisy crowd of white labourers followed the reaper up and down the field

with boisterous enmity; for here was an invention which threatened to

deprive them of the right to work--the precious right to work sixteen

hours a day for three cents an hour.

The field was hilly and the reaper worked badly. It slewed and jolted

along, cutting the grain very irregularly. Seeing this, the owner of the

field--a man who was Ruff by name and rough by nature, rushed up to

McCormick and shouted--"Here! This won't do. Stop your horses! Your

machine is rattling the heads off my wheat." "It's a humbug," bawled one

of the labourers. "Give me the old cradle yet, boys!" exclaimed a

round-shouldered farmer. The Negroes turned handsprings with delight; and

the whole jeering mob gathered around the discredited machine.

Just then a fine-looking man rode up on horseback. The crowd made way as

he came near, for they recognised him as the Honourable William Taylor--a

conspicuous politician of that day.

"Pull down the fence and cross over into my field," he said to young

McCormick. "I'll give you a fair chance to try your machine."

McCormick quickly accepted the offer, drove into Taylor's field, which was

not as hilly, and cut the grain successfully for four or five hours.

Although the United States had been established more than fifty years

before, this was the first grain that had ever been cut by machinery. The

Fathers of the Republic had eaten the bread of hand-labour all their

lives, and never dreamed that the human race would ever find a better

way.

When he arrived home that evening, Cyrus thought that his troubles were

over. He had reaped six acres of wheat in less than half a day--as much as

six men would have done by the old-fashioned method. He had been praised

as well as jeered at. "Your reaper is a success," said his father, "and it

makes me feel proud to have a son do what I could not do."

Two Big Men had given him their approval--William Taylor and a Professor

Bradshaw, of the Female Academy in the town of Lexington, Virginia. The

professor, who was a pompous and positive individual, made a solemn

investigation of the reaper, and then announced, in slow, loud, and

emphatic tones--"That--machine--is--worth--a hundred--thousand--dollars."

But if Cyrus McCormick hoped to wake up the following morning and find

himself rich and famous, he was roughly disappointed. The local excitement

soon died out, and in a few days the men in the village store were

discussing Webster's last speech against Nullification and Andrew

Jackson's war against the bankers. One old woman expressed the general

feeling by saying that young McCormick's reaper was "a right, smart

curious sort of thing, but it won't come to much."

McCormick was at this time a youth of twenty-two. He had been one of four

pink, helpless babies, born in 1809, who became, each in his own world,

the greatest leader of his day--Darwin, Gladstone, Lincoln, and McCormick.

Like Lincoln, McCormick first learned to breathe in a long cabin--but in

Virginia. He was bred from a fighting race. His father had wrenched a

living from the rocks of Virginia for his family of nine. His grandfather

had fought the English in the Revolution. His great-grandfather had been

an Indian fighter in Pennsylvania; and his great-great-grandfather battled

with a flint-lock against the soldiers of James II., at the siege of

Londonderry.

The McCormick family, in 1809, had a good deal of what was then called

prosperity. They had enough to eat--a roof that kept out the rain--1,800

acres of land, or near-land--three saw-mills--two flour-mills, and a

distillery. They had very little money, because there was little to be

had. In the whole United States there was barely as much money as would

buy half of the New York Subway.

The first American McCormicks had a thousand dollars or more when they

resolved to leave Ireland, and they were Scotch enough to invest the whole

amount in linen, which they sold at a high profit in Philadelphia. This

capital enabled them to acquire a small stock of books, tools, and

comforts, which were passed along from father to son.

Robert McCormick--the father of Cyrus, was himself a remarkable Virginian.

He was quick with his hands in shaping iron and wood. In fact, he was

fairly famous in his county as the inventor of a hemp-brake, a

clover-sheller, a bellows and threshing machine. His mind was greedy for

knowledge; and it was his habit, when the seven children were asleep, to

explore into the mysteries of astronomy until his candle had flickered its

life out. Twenty or more of his letters, which I have seen, are well

written and with a fine use of bookish words.

The one persistent ambition of his life was to invent a reaper. It is also

true, and a titbit of a fact for those who believe in prenatal

influences, that during the year in which Cyrus H. McCormick was born, his

father first began the actual construction of a reaping machine.

Especially during the harvest months, the topic of conversation in the

McCormick home was whether the dream of "reaping grain with horses" could

ever come true. "Reaper," was one of the first words that baby Cyrus

learned to say; and his favourite play-toy, when he grew older, was the

wreck of his father's reaper that wouldn't reap, which lay in rusty

disgrace near the barn-door.

"Often I have seen Robert McCormick standing over his machine," said one

of his neighbours. "He would be studying and thinking, drawing down his

under lip, as was his habit when he was puzzling over anything." His

friends ridiculed him for wasting so much time on a foolish toy, until he

became half ashamed of it himself and quit his experimenting in the

daytime. But at night, he and Cyrus hammered away in the little log

workshop, as though they were a pair of conspirators.

The romantic mystery of these midnight labours made an indelible mark on

the brain of the boy Cyrus. He grew up to be serious and

self-contained--quite unlike the boys of the neighbourhood. He was not

popular and never cared to be.

"Cyrus was a natural mechanical genius from a child," said John Cash, who

worked on the McCormick farm. "He invented the best hillside plough ever

used in this country. He and his father would lock themselves up in the

shop and work for hours on a reaping machine. The neighbours thought they

were both unbalanced to have the idea of cutting grain with horses."

Cyrus was always busy making or mending some piece of machinery. He

abhorred the drudgery of the farm; but delighted in any work that had an

idea behind it. He surprised his teacher one morning by bringing to school

a twenty-inch globe of wood, which turned on its axis as the earth does,

and had the seas and continents outlined in ink.

"That young fellow is ahead of me," said the amazed teacher.

At fifteen Cyrus had invented a new grain cradle. At twenty-one he

improved a machine which his father had made to break hemp. And at

twenty-two this young country-boy, who had never seen a college, a city,

or a railroad, constructed _the first practical American reaper_. It was a

clumsy makeshift--as crude as a Red River ox-cart; but it was built on the

right lines. It was not at all handsome or well made or satisfactory; but

it was a reaper that reaped.

But McCormick soon discovered that it was not enough to invent a reaper.

What the world needed was a man who was strong and dominating enough to

force his reaper upon the unwilling labourers of the harvest fields.

Tenacity! Absolute indifference to defeat! The lust for victory that makes

a man unconscious of the blows he gives or takes! This was what was

needed, and what Cyrus McCormick possessed, to a greater degree, perhaps,

than any other man in American history.

Tenacity! It was in his blood. Back of him was the hardiest breed that was

ever mixed into the American blend--the pick of the Scots who fought their

way to the United States by way of Ireland. These Irish Scots, few as

they were, led the way across the Alleghanies, founded Pittsburgh, made a

trail to Texas, and put five Presidents in the White House.

And tenacity was bred, as well as born, into Cyrus McCormick. He went

barefooted as a boy, not for lack of shoes, but to make him tough. "I want

my boys to know how to endure hardship," said his mother. He sat on a slab

bench in the little log school house and learned to read from the Book of

Genesis. He sang Psalms with forty verses, on Sundays, and sat as still as

a graven image during the three-hour sermons, for his father was a

Presbyterian of the old Covenanter brand.

So it came to pass that Cyrus McCormick clung to his reaper, as John Knox

had to his Bible. "His whole soul was wrapped up in it," said one of his

neighbours. He grew as indifferent to the rough jokes of the farmers as

Martin Luther was to the sneers of the village priests. The making of

reapers became more than a business. It was a creed--a religion--a new

eleventh commandment.

By the time he was thirty, he had become a nineteenth century Mohammed,

ready for a world crusade. His war-cry was--Great is the Reaper, and

McCormick is its prophet.

Like Mohammed, he had his visions of future glory. On one occasion, while

riding on horseback through a wilderness path, the dazzling thought

flashed upon his mind--"Perhaps I may make a million dollars from this

reaper." This idea remained for years the driving wheel of his brain.

"The thought was so enormous," he said afterward, "that it seemed like a

dream--like dwelling in the clouds--so remote, so unattainable, so

exalted, so visionary."

Also, like Mohammed, he had a period of preparatory solitude. Soon after

the first exhibition of his reaper, he bought a tract of land and farmed

it alone, with two aged Negroes as housekeepers. Here he lived for more

than a year with no companion except his reaper. He seemed at this time,

too, to have resolved upon a life of celibacy, for I find in one of his

letters an allusion to two young ladies of unusual attractiveness. "They

are pretty, smart and rich," he writes, "but alas, I have other business

to attend to!"

[Illustration: THE VIRGINIAN BIRTHPLACE OF THE McCORMICK REAPER.]

The two things of which he stood most in need were money and cheaper iron.

So, after thinking over the situation in his lonely cabin, he decided to

build a furnace and make his own iron. His father and a neighbour joined

him in the enterprise. They built the furnace, made the iron, and might

have forgotten the reaper, if the financial earthquake of 1839 had not

shaken them down into the general wreckage. The neighbour who had been

made a partner signed over his property to his mother, and threw the whole

burden of the bankruptcy upon the McCormick family, crushing them for a

time into an abyss of debt and poverty.

Cyrus McCormick gave up everything he owned to the creditors--everything

except his reaper, which nobody wanted. So far his vision of wealth was

still a dream. Instead of being the possessor of a million, he was eight

years older, and penniless.

There were four sons and three daughters in the family, and the nine of

them slaved for five years to save the homestead from the auctioneer. Once

the sheriff rode up with a writ, but was so deeply impressed with their

energy and uprightness that he rode away with the dreaded paper still in

his pocket.

Up to this time Cyrus had not sold one reaper. As Mohammed preached for

ten years without converting anyone except his own relatives, so Cyrus

McCormick preached the gospel of the reaper for ten years without success.

Then, in 1841, he sold two for $100 apiece. The next year seven daring

farmers came to the McCormick homestead, each with $100 in his hands.

This brilliant success brought the whole family into line behind Cyrus,

and the farm was transformed into a reaper factory. Twenty-nine machines,

"fearfully and wonderfully made," were sold in 1843, and fifty in 1844.

There were troubles, of course. Some buyers failed to pay. A workman who

was sent out on horseback to collect $300, ran away with horse, money and

all. But none of these things moved Cyrus. At last, after thirteen years

of delay, he was selling reapers.

Best of all, an order for eight had come from Cincinnati. These were the

first reapers that were sold outside of Virginia. They were seen by the

more enterprising farmers of Ohio and created a sensation wherever they

were used. Cyrus, who was now a powerful, broad-chested man of thirty-six,

caught a glimpse of his opportunity and sprang to seize it. He saw that

the time had come to leave the backwoods farm--forty miles from a

blacksmith--sixty miles from a canal--one hundred miles from a railway.

So, with $300 in his belt, he set out on horseback for the West.

Here he saw _the prairies_. To a man who had spent his life in a hollow of

the Alleghanies, the West was a new world. It was the natural home of the

reaper. The farmers of Virginia might continue forever to harvest their

small, hilly fields by hand, but here--in this vast land ocean, with few

labourers and an infinity of acres, the reaper was as indispensable as the

plough. To reap even one of these new States by hand would require the

whole working population of the country.

Also, in Illinois, McCormick saw what made his Scotch heart turn cold

within him--he saw hogs and cattle feeding in the autumn wheat-fields,

which could not be reaped for lack of labourers. Five million bushels of

wheat had grown and ripened--enough to empty the horn of plenty into every

farmer's home. Men and women, children and grandmothers, toiled day and

night to gather in the yellow food. But the short harvest-season rushed

past so quickly that tons of it lay rotting under the hoofs of cattle.

It was a puzzling problem. It was too much prosperity--a new trouble for

farmers. In Europe, men had been plenty and acres scarce. Here, acres were

plenty and men scarce. Ripe grain--the same in all countries, will not

wait. Unless it is gathered quickly--in from four to ten days, it breaks

down and decays. So, even to the dullest minds, it was clear that there

must be some better way of snatching in the ripened grain.

The sight of the trampled wheat goaded McCormick almost into a frenzy of

activity. He rode on horseback through Illinois, Wisconsin, Missouri,

Ohio, and New York, proclaiming his harvest gospel and looking for

manufacturers who would build his reapers. From shop to shop he went with

the zeal of a Savonarola.

[Illustration: A MODEL OF THE FIRST PRACTICAL REAPER]

One morning, in the little town of Brockport, New York, he found the

first practical men who appreciated his invention--Dayton S. Morgan and

William H. Seymour. Morgan was a handy young machinist who had formed a

partnership with Seymour--a prosperous store-keeper. They listened to

McCormick with great interest and agreed to make a hundred reapers. By

this decision they both later became millionaires, and also entered

history as the founders of the first reaper factory in the world.

Altogether, in the two years after he left Virginia, McCormick sold 240

reapers. This was Big Business; but it was only a morsel in proportion to

his appetite. Neither was it satisfactory. He found himself tangled in a

snarl of trouble because of bad iron, stupid workmen, and unreliable

manufacturers. He cut the Gordian knot by building a factory of his own at

Chicago.

This was one of the wisest decisions of his life, though at the time it

appeared to be a disastrous mistake. Chicago, in 1847, showed no signs of

its present greatness. As a city, it was a ten-year-old experiment, built

in a swamp, without a railway or a canal. It was ugly and dirty, with a

river that ran in the wrong direction; but it was _busy_. It was the link

between the Mississippi and the Great Lakes--a central market where wheat

was traded for lumber and furs for iron. It had no history--no ancient

families clogging up the streets with their special privileges. And best

of all, it was a place where a big new idea was actually preferred to a

small old one.

Chicago did not look at McCormick with dead eyes and demand a certified

cheque from his ancestors. It sized him up in a few swift glances and saw

a thick-set, ruddy man, with the physique of a heavy-weight wrestler, dark

hair that waved in glossy furrows, and strong eyes that struck you like a

blow. It glanced at his reaper and saw a device to produce more wheat.

More wheat meant more business, so Chicago said ----

"Glad to see you. You're the right man and you're in the right place. Come

in and get busy." William B. Ogden, the first Mayor of Chicago, listened

to his story for two minutes, then asked him how much he wanted for a half

interest. McCormick had little money and no prestige. Ogden had a surplus

of both. So a partnership was arranged, and the new firm plunged toward

prosperity by selling $50,000 worth of reapers for the next harvest.

At last there had come a break in the clouds, and McCormick found his path

flooded with sunshine. He was no longer a wanderer in the night. He was

the Reaper King--the founder of a new dynasty. As soon as possible he

bought out Ogden, and thenceforth established a one-man business. By 1851

he was making a thousand reapers a year, and owned one-tenth of the

million dollars he had dreamed of in the Virginian wilderness.

At this point his life changes. His pioneer troubles are over. There are

no more thousand-mile rides on horseback--no more conflicts with jeering

crowds--no more smashing of reapers by farm labourers. The repeal of the

Corn Laws in England had opened up a new market for our wheat, and the

discovery of gold in California was booming the reaper business by making

money plentiful and labour scarce.

Suddenly, McCormick looked up from his work in the factory, and saw that

he was not only rich, but famous. One of his reapers had taken the Grand

Prize at a World's Fair in England. Even the London _Times_, which had

first ridiculed his reaper as "a cross between an Astley chariot, a

wheelbarrow and a flying machine," was obliged to admit, several days

later, that "the McCormick reaper is worth the whole cost of the

Exposition."

Seventeen years later, on the imperial farm, near Paris, Napoleon III.

descended from his carriage and fastened the Cross of the Legion of Honour

upon McCormick's coat. There was a picture that some American-souled

artist, when we have one, will delight to put on canvas. How splendid was

the contrast, and how significant of the New Age of Democracy, between the

suave and feeble Emperor, enjoying the sunset rays of his inherited glory,

and the strong-faced, rough-handed Virginian farmer, who had built up a

new empire of commerce that will last as long as the human race eats

bread!

From first to last, the stout-hearted old Reaper King received no favours

from Congress or the Patent Office. He built up his stupendous business

without a land grant or a protective tariff. By the time that his Chicago

factory was ten years old, he had sold 23,000 reapers, and cleared a

profit of nearly $1,300,00. The dream of his youth had been realised, and

more. All told, in 1859, there were 50,000 reapers in the United States,

doing the work of 350,000 men, saving $4,000,000 in wages, and cramming

the barns with 50,000,000 bushels of grain.

So, on his fiftieth birthday, the battle-scarred McCormick found himself a

millionaire. He was also married, having fallen in love with Miss Nettie

Fowler, of New York, a young lady of unusual beauty and ability. No

history of the reaper can be complete without a reference to this

remarkable woman, who has been for fifty years, and is to-day, one of the

active factors in our industrial development. No important step has ever

been taken either by her husband or her three sons, until it has received

her approval. And Mrs. McCormick has been much more than a mere adviser.

Her exact memory and keen grasp of the complex details of her husband's

business made her practically an unofficial manager. She suggested

economies at the factory, stopped the custom of closing the plant in

midsummer, studied the abilities of the workmen, and on several occasions

superintended the field-trials in Europe.

Chicago may not know it, but it is true, that its immense McCormick

factory owes its existence to Mrs. McCormick. After the Big Fire of 1871,

when his $2,000,000 plant was in ruins, McCormick concluded to retire. He

still had a fortune of three or four millions and he was sixty-two years

of age. His managers advised him not to rebuild, because of the excessive

cost of new machinery.

As soon as the fiery cyclone had passed, he and his wife drove to the

wrecked factory. Several hundred of the workmen gathered about the

carriage, and the chief engineer, acting as spokesman, said: "Well, Mr.

McCormick, shall we start the small engine and make repairs, or shall we

start the big engine and make machines?"

Mr. McCormick turned to his wife and said, "Which shall it be?" It was a

breathless moment for the workmen.

"Build again at once," said Mrs. McCormick. "I do not want our boy to grow

up in idleness; I want him to work, as a useful citizen, and a true

American."

"_Start The Big Engine_," said McCormick. The men threw their hats in the

air and cheered. They sprang at the smoking debris, and began to rebuild

before the cinders were cold.

Such was the second birth of the vast factory which, in its sixty years,

has created fully 5,000,000 harvesters, and which is now so magically

automatic that, with 6,000 workmen, it can make one-third of all the

grain-gathering machinery of the world.

Practically nothing has been written about McCormick from the human nature

side. He was one of those Cromwellian men who can only be appreciated at a

distance. He was too absorbed in his work to be congenial and too

aggressive to be popular. He shouldered his way roughly against the

slow-moving crowd; and the people whom he thrust out of his way naturally

did not consider the importance of his life-task.

Most of the really great men of his day were his friends--Horace Greeley,

for instance, and Peter Cooper, Junius Morgan, Abram S. Hewitt, Cyrus W.

Field, and Ferdinand De Lesseps. But among the men of his own trade he

stood hostile and alone.

"McCormick wants to keep the whole reaper business to himself. He will not

live and let live," said his competitors. And they had reason to say so.

He did want to dominate. He wanted to make all the harvesting machines

that were made--not one less. He was not at all a modern

"community-of-interest" financier. He was a man of an outgrown school--a

consistent individualist, not only in business, but in politics and

religion as well. There was no compartment in his brain for mergers and

combines--for theories of government ownership--for Higher Criticism and

the new theology. He was a Benjamin Franklin commercialist, a Thomas

Jefferson Democrat, and a John Knox Presbyterian.

He had worked harder to establish the reaper business than any other man.

He was making reapers when William Deering was five years old, and before

Ralph Emerson and "Bill" Whiteley were born. He had graduated into

success through a fifteen-year course in failure. The world into which he

was born was as hostile to him as the Kentucky wilderness was to Daniel

Boone or the Atlantic Ocean to Columbus. He was hard-fibred, because he

had to be. He was the thin end of the wedge that split into fragments the

agricultural obstacle to social progress.

One careless writer of biographies has said that McCormick began at the

foot of the ladder. This is not correct. When he began, there was no

ladder. _He had to build it as he climbed._

The first man who gave battle to McCormick was an erratic genius named

Obed Hussey, who, as we have seen, secured a reaper patent in 1833. No two

men were ever more unlike than Hussey and McCormick. Hussey was born in

Nantucket; and he had roamed the frozen North as a whaling seaman. He was

inventive, poetic, and as whimsical as the weather. His delight was in

working out some mechanical problem. His first invention was a machine to

make pins. Soon afterward, while he was living in Cincinnati,

constructing a machine to mould candles, a friend said to him:

"Hussey, why don't you invent a machine to reap grain?"

"Are there no such machines?" he asked in surprise.

"No," said his friend, "and whoever can invent one will make a fortune."

Hussey forsook his candle machine, set to work upon a reaper, and within a

year had one in the fields. Then came a twenty-five-year war with

McCormick, which was waged furiously in the Patent Office, the courts, and

a hundred wheat-fields. Hussey won the opening battle by arriving first at

the Patent Office, although his machine, as claimed by McCormick, was two

years younger. By 1841 Hussey had sold reapers in five states, and ten

years later he shared the honours with McCormick at the London World's

Fair.

Both machines were very crude and unsatisfactory. Hussey's had a better

cutting apparatus and McCormicks was more complete. In the long run, each

adopted the devices of the other, and a better reaper was evolved. Before

many years, it became apparent that Hussey was outclassed. By 1858 he was

left so far behind that he lost his interest in reapers and invented a

steam-plough.

His first machine was "really a mower," says Merritt Finley Miller, one of

the two professors who have written on harvesting machinery. It lacked the

master-wheel, the reel and the divider, without which the grain cannot be

rightly handled. When Hussey gave up the contest, his invention was bought

for $200,000 by William F. Ketchum and others, who adapted it into a

mowing-machine.

"Hussey was a very peculiar man," said Ralph Emerson. "His machine was

fairly good, but it was a failure in the market, because he would not put

on a reel. He refused to do this, saying he did not invent a reel, and it

would be a falsehood if he put one on. He said that it was contrary to his

principles to sell anything that he had not invented.

"On one occasion I went to buy a shop licence from him. 'Have you a

thousand dollars in your pocket?' he asked. 'No,' said I. 'Can you get me

three thousand dollars by daylight to-morrow morning?' 'No,' I answered,

'but I can get it by noon.' 'Well,' said Hussey, 'I want to be very

reasonable with you. If you'll pay me one thousand dollars before you

leave the house, or twenty-five hundred dollars before daybreak to-morrow,

I'll sell you a licence. Otherwise, it will cost you twelve thousand

dollars.'

"Several days later I paid him twelve thousand dollars, and as he handed

me the licence, he said--'Now, don't say that I never offered you this for

a thousand dollars.'"

Hussey's adventurous life was snapped short by a tragic death. While he

was on a train at Baltimore, a little girl was crying for a drink of

water. The kind-hearted old sailor-mechanic got off the train, brought her

a glass of water, and on his way to return the glass, he slipped and fell

between the moving wheels.

Of all the men who fought McCormick in the earlier days, I found only two

now alive--Ralph Emerson, of Rockford, and William N. Whiteley, of

Springfield, Ohio. Both of these men to-day generously give the old

warrior his due.

"McCormick was the first man to make the reaper a success in the field,"

said Whiteley, the battle-worn giant of Ohio, where I found him still at

work. "McCormick was a fighter--a bulldog, we called him; but those were

rough days. The man who couldn't fight was wiped out."

Ralph Emerson, now one of the most venerable figures in Illinois, rose

from a sick-bed against his doctors orders, so that he might be

magnanimous to his former antagonist.

"McCormick's first reapers were a failure," said he, speaking slowly and

with great difficulty; "and he owed his preeminence mainly to his great

business ability. His enemies have said that he was not an inventor, but I

say that he was an inventor of eminence."

So, as the gray haze of years enables us to trace the larger outlines of

his work, we can see that McCormick was especially fitted for a task

which, up to his day, had never been done, and which will never need to be

repeated during the lifetime of our earth. He was absolutely mastered by

one idea, as wholly as Copernicus or Columbus. His business was his life.

It was not accidental, as with Rockefeller, nor incidental, as with

Carnegie. On one occasion when a friend was joking him about his poor

judgment in outside affairs, he whirled around in his chair and said

emphatically: "I have one purpose in life, and only one--the success and

widespread use of my machines. All other matters are to me too

insignificant to be considered."

He made money--ten millions or more. But a hundred millions would not have

bribed him to forsake his reaper. It was as much a part of him as his

right hand. In several of his business letters he writes as though he had

been a Hebrew prophet, charged with a world-message of salvation.

"But for the fact that Providence has seemed to assist me in all our

business," he writes on one critical occasion, "it has at times seemed

that I would almost sink under the weight of responsibility hanging upon

me. I believe the Lord will help us out."

Not that he left any detail to Providence to which he could personally

attend. He was a Puritan of the "trust-in-God-and-keep-your-powder-dry"

species. A little farther down, in this same letter, he writes--"Meet

Hussey in Maryland and _put him down_."

The fountain-springs of his life were wholly within. He acted from a few

basic, unchangeable convictions. If public opinion was with him, he was

gratified; if it was against him he thought no more of it than of the

rustling of the trees when the wind blew.

"When anyone opposed his plans and showed that they were impossible," said

one of his superintendents, "I noticed that he never argued; he just went

on working."

His brain had certain subjects distinctly mapped out. What he knew--he

knew. He had no hazy imaginings. He lived in a black and white world and

abhorred all half-tints. He was right--always right, and the men who

opposed him were Philistines and false prophets, who deserved to be

consumed by sudden fire from Heaven.

It was this inward spiritual force that made him irresistible. Small men

shrivelled up when he spoke to them.

"The exhibition of his powerful will was at times actually terrible," said

one of his attorneys. "If any other man on this earth ever had such a

will, certainly I have not heard of it."

Small and easy undertakings had no interest for him whatever. It was the

impossibility that enraged and inspired him. At the sight of an obstacle

in his path, he rushed forward like a charge of cavalry. When the Civil

War was at its height, he and Horace Greeley, who was very similar to him

in this respect, actually believed that they could stop it. They had

several long conferences in the Fifth Avenue Hotel, New York, and

McCormick went so far in 1864 as to prepare a statement of principles

which he fully believed would restore peace and harmony between the North

and the South.

Such was this massive, unbendable American. As we shall see, he was far

from being the only strong, picturesque figure in the industry. But it

would make many a book to tell in detail the effect of his life work upon

the progress of the United States. It was a New World, truly, that had

been created, alike for the people of the farms and of the cities, in the

year that the victorious old Reaper King was carried to his grave, with a

sheaf of wheat on his breast.

What if there had been no reapers, and no hunger-insurance, and no cheap

bread! What sort of an American nation would we have, if we were still

using such food-implements as the sickle and the flail?

Could we have swung through four years of Civil War, as we did, without

famine or national insolvency?

Could the West have risen toward its present greatness if its billion

acres had to be harvested by hand?

Could the railways alone, which produce nothing, have given us more food

for less work--the first necessity of a civilised democracy?

Would our manufacturers be creating new wealth at the rate of sixteen

billions a year, if the reaper had not enriched the farmers and sent half

the farm-hands into the factories?

And our towering cities--two of them more populous than the thirteen

colonies were, how large would they be and how prosperous if bread were

twenty cents a pound?

As Seward once said, it was the reaper that "pushed the American frontier

westward at the rate of thirty miles a year." Most of the western

railways were built to the wheat; and it was wheat money that paid for

them. The reaper clicked ahead of the railroad, and civilisation followed

the wheat, from Chicago to Puget Sound, just as the self-binder is leading

the railroad to-day--three hundred miles in front in Western Canada, and

eight hundred miles in Siberia. Even so unyielding a partisan of the

railroads as Marvin Hughitt admitted to me that "the reaper has not yet

received proper recognition for its development of the West."

During the Civil War the reaper was doing the work of a million men in the

grain-fields of the North. It enabled a widow, with five sons, to send

them all to the front, and yet gather every sheaf into the barn. It kept

the wolf from the door, and more--it paid our European debts in wheat. It

wiped out all necessity for Negro labour in the wheat States, just as a

cotton-picker will, some day, in the South.

"The reaper is to the North what the slave is to the South," said Edwin M.

Stanton in 1861. "It releases our young men to do battle for the Union,

and at the same time keeps up the supply of the nation's bread."

Lincoln called out every third man, yet the crops increased. Europeans

could not believe it. They heard in 1861 that we were sending three times

as much wheat to England as we had ever done before. They shook their

heads and said--"Another American story!" when they were told that we were

supporting two vast armies and yet selling other nations enough grain to

feed thirty-five million people. Naturally, no country that clung to the

sickle and flail could be convinced of such a preposterous miracle.

After the war, the mighty river of wheat that flowed from the West became

so wide and so deep that it poured a yellow stream into every American

home. It began to turn the wheels of fourteen thousand flour-mills. Rich

cities sprang up, like Aladdin palaces, beside its banks--Chicago, St.

Louis, Cincinnati, Milwaukee, Minneapolis, Kansas City, St. Paul, Omaha,

Des Moines. All of these, and a hundred lesser ones, were nourished into

prosperity by the rising current of reaper-wheat, as it moved from the

Mississippi to the sea.

By 1876 we had become the champion food-producers of the world. A Kansas

farmer was raising six bushels of wheat with as little labour as an

Italian spent to produce one. And there was one doughty Scot--Dalrymple of

Dakota, who was guillotining more wheat with four hundred labourers and

three hundred harvesters, than five thousand peasants could garner by

hand.

Inevitably, the American Farmer became a financier. In 1876 he earned

twenty-four per cent. He had twenty-seven hundred millions to spend. By

1880 he had begun to buy so much store goods that the United States was

able to write a Declaration of Industrial Independence. Steadily he has

grown richer and wiser, until now he is the owner of a billion-acre farm,

worth thirty dollars an acre, operated with farm machinery that cost him

$900,000,000 and producing, in a single year, seven thousand times the

value of a millionaire.

Such, in one country, is the amazing result which the Reaper has helped to

create. And this is not all. It is now more necessary to the human race

than the railway. It is fighting back famine in fifty countries. Its click

has become the music of an International Anthem. The nations are feeding

each other, in spite of their tariffs and armies. The whole world takes

dinner at the one long table; and the fear of hunger is dying out of the

hearts of men; and the prayer of the Christian centuries is

answered--"Give us this day our daily bread."

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