FIELDING HAD AN ORDERLY

His legs were like pipe-stems, his body was like a board, but he was

straight enough, not unsoldierly, nor so bad to look at when his back

was on you; but when he showed his face you had little pleasure in him.

It seemed made of brown putty, the nose was like india-rubber, and the

eyes had that dull, sullen look of a mongrel got of a fox-terrier and a

bull-dog. Like this sort of mongrel also his eyes turned a brownish-red

when he was excited.

You could always tell when something had gone wrong with Ibrahim the

Orderly, by that curious dull glare in his eyes. Selamlik Pasha said

to Fielding that it was hashish; Fielding said it was a cross breed of

Soudanese and fellah. But little Dicky Donovan said it was something

else, and he kept his eye upon Ibrahim. And Dicky, with all his faults,

could screw his way from the front of a thing to the back thereof like

no other civilised man you ever knew. But he did not press his opinions

upon Fielding, who was an able administrator and a very clever fellow

also, with a genial habit of believing in people who served him: and

that is bad in the Orient.

As an orderly Ibrahim was like a clock: stiff in his gait as a pendulum,

regular as a minute. He had no tongue for gossip either, so far as

Fielding knew. Also, five times a day he said his prayers--an unusual

thing for a Gippy soldier-servant; for as the Gippy’s rank increases he

soils his knees and puts his forehead in the dust with discretion. This

was another reason why Dicky suspected him.

It was supposed that Ibrahim could not speak a word of English; and

he seemed so stupid, he looked so blank, when English was spoken, that

Fielding had no doubt the English language was a Tablet of Abydos to

him. But Dicky was more wary, and waited. He could be very patient and

simple, and his delicate face seemed as innocent as a girl’s when he

said to Ibrahim one morning: “Ibrahim, brother of scorpions, I’m going

to teach you English!” and, squatting like a Turk on the deck of the

Amenhotep, the stern-wheeled tub which Fielding called a steamer, he

began to teach Ibrahim.

“Say ‘Good-morning, kind sir,’” he drawled.

No tongue was ever so thick, no throat so guttural, as Ibrahim’s when he

obeyed this command. That was why suspicion grew the more in the mind

of Dicky. But he made the Gippy say: “Good-morning, kind sir,” over and

over again. Now, it was a peculiar thing that Ibrahim’s pronunciation

grew worse every time; which goes to show that a combination of

Soudanese and fellah doesn’t make a really clever villain. Twice, three

times, Dicky gave him other words and phrases to say, and practice made

Ibrahim more perfect in error.

Dicky suddenly enlarged the vocabulary thus: “An old man had three

sons: one was a thief, another a rogue, and the worst of them all was a

soldier. But the soldier died first!”

As he said these words he kept his eyes fixed on Ibrahim in a

smiling, juvenile sort of way; and he saw the colour--the brownish-red

colour--creep slowly into Ibrahim’s eyes. For Ibrahim’s father had three

sons: and certainly one was a thief, for he had been a tax-gatherer; and

one was a rogue, for he had been the servant of a Greek money-lender;

and Ibrahim was a soldier!

Ibrahim was made to say these words over and over again, and the red

fire in his eyes deepened as Dicky’s face lighted up with what seemed a

mere mocking pleasure, a sort of impish delight in teasing, like that of

a madcap girl with a yokel. Each time Ibrahim said the words he jumbled

them worse than before. Then Dicky asked him if he knew what an old man

was, and Ibrahim said no. Dicky said softly in Arabic that the old man

was a fool to have three such sons--a thief and a rogue and a soldier.

With a tender patience he explained what a thief and a rogue were, and

his voice was curiously soft when he added, in Arabic: “And the third

son was like you, Mahommed--and he died first.”

Ibrahim’s eyes gloomed under the raillery--under what he thought the

cackle of a detested Inglesi with a face like a girl, of an infidel who

had a tongue that handed you honey on the point of a two-edged sword.

In his heart he hated this slim small exquisite as he had never hated

Fielding. His eyes became like little pots of simmering blood, and he

showed his teeth in a hateful way, because he was sure he should glut

his hatred before the moon came full.

Little Dicky Donovan knew, as he sleepily told Ibrahim to go, that for

months the Orderly had listened to the wholesome but scathing talk of

Fielding and himself on the Egyptian Government, and had reported it to

those whose tool and spy he was.

That night, the stern-wheeled tub, the Amenhotep, lurched like a turtle

on its back into the sands by Beni Hassan. Of all the villages of Upper

Egypt, from the time of Rameses, none has been so bad as Beni Hassan.

Every ruler of Egypt, at one time or another, has raided it and razed it

to the ground. It was not for pleasure that Fielding sojourned there.

This day, and for three days past, Fielding had been abed in his cabin

with a touch of Nilotic fever. His heart was sick for Cairo, for he

had been three months on the river; and Mrs. Henshaw was in Cairo--Mrs.

Henshaw, the widow of Henshaw of the Buffs, who lived with her brother,

a stone’s-throw from the Esbekieh Gardens. Fielding longed for Cairo,

but Beni Hassan intervened. The little man who worried Ibrahim urged him

the way his private inclinations ran, but he was obdurate: duty must be

done.

Dicky Donovan had reasons other than private ones for making haste to

Cairo. During the last three days they had stopped at five villages

on the Nile, and in each place Dicky, who had done Fielding’s work of

inspection for him, had been met with unusual insolence from the Arabs

and fellaheen, officials and others; and the prompt chastisement he

rendered with his riding-whip in return did not tend to ease his mind,

though it soothed his feelings. There had been flying up the river

strange rumours of trouble down in Cairo, black threats of rebellion--of

a seditious army in the palm of one man’s hand. At the cafes on the

Nile, Dicky himself had seen strange gatherings, which dispersed as he

came on them. For, somehow, his smile had the same effect as other men’s

frowns.

This evening he added a whistle to his smile as he made his inspection

of the engine-room and the galley and every corner of the Amenhotep,

according to his custom. What he whistled no man knew, not even himself.

It was ready-made. It might have been a medley, but, as things happened,

it was an overture; and by the eyes, the red-litten windows of the mind

of Mahommed Ibrahim, who squatted beside the Yorkshire engineer at the

wheel, playing mankalah, he knew it was an overture.

As he went to his cabin he murmured to himself “There’s the devil to

pay: now I wonder who pays?” Because he was planning things of moment,

he took a native drum down to Fielding’s cabin, and made Fielding play

it, native fashion, as he thrummed his own banjo and sang the airy

ballad, “The Dragoons of Enniskillen.” Yet Dicky was thinking hard all

the time.

Now there was in Beni Hassan a ghdzeeyeh, a dancing-woman of the

Ghawazee tribe, of whom, in the phrase of the moralists, the less said

the better. What her name was does not matter. She was well-to-do. She

had a husband who played the kemengeh for her dancing. She had as good a

house as the Omdah, and she had two female slaves.

Dicky Donovan was of that rare type of man who has the keenest desire to

know all things, good or evil, though he was fastidious when it came

to doing them. He had a gift of keeping his own commandments. If he

had been a six-footer and riding eighteen stone--if he hadn’t been, as

Fielding often said, so “damned finicky,” he might easily have come a

cropper. For, being absolutely without fear, he did what he listed and

went where he listed. An insatiable curiosity was his strongest point,

save one. If he had had a headache--though he never had--he would at

once have made an inquiry into the various kinds of headache possible to

mortal man, with pungent deductions from his demonstrations. So it was

that when he first saw a dancing-girl in the streets of Cairo he

could not rest until by circuitous routes he had traced the history of

dancing-girls back through the ages, through Greece and the ruby East,

even to the days when the beautiful bad ones were invited to the feasts

of the mighty, to charm the eyes of King Seti or Queen Hatsu.

He was an authority on the tribe of the Ghawazee, proving, to their

satisfaction and his own, their descent from the household of Haroon al

Rashid. He was, therefore, welcome among them. But he had found also,

as many another wise man has found in “furrin parts,” that your greatest

safety lies in bringing tobacco to the men and leaving the women alone.

For, in those distant lands, a man may sell you his nuptial bed, but he

will pin the price of it to your back one day with the point of a lance

or the wedge of a hatchet.

Herebefore will be found the reason why Dicky Donovan--twenty-five and

no moustache, pink-cheeked and rosy-hearted, and “no white spots on his

liver”--went straight, that particular night, to the house of the chief

dancing-girl of Beni Hassan for help in his trouble. From her he had

learned to dance the dance of the Ghawazee. He had learned it so that,

with his insatiable curiosity, his archaeological instinct, he should be

able to compare it with the Nautch dance of India, the Hula-Hula of the

Sandwich Islanders, the Siva of the Samoans.

A half-hour from the time he set his foot in Beni Hassan two

dancing-girls issued from the house of the ghdzeeyeh, dressed in

shintiydn and muslin tarah, anklets and bracelets, with gold coins about

the forehead--and one was Dicky Donovan. He had done the rare thing: he

had trusted absolutely that class of woman who is called a “rag” in that

far country, and a “drab” in ours. But he was a judge of human nature,

and judges of human nature know you are pretty safe to trust a woman

who never trusts, no matter how bad she is, if she has no influence over

you. He used to say that the better you are and the worse she is, the

more you can trust her. Other men may talk, but Dicky Donovan knows.

What Dicky’s aunt, the Dowager Lady Carmichael, would have said to have

seen Dicky flaunting it in the clothes of a dancing-girl through the

streets of vile Beni Hassan, must not be considered. None would have

believed that his pink-and-white face and slim hands and staringly white

ankles could have been made to look so boldly handsome, so impeachable.

But henna in itself seems to have certain qualities of viciousness in

its brownish-red stain, and Dicky looked sufficiently abandoned. The

risk was great, however, for his Arabic was too good and he had to

depend upon the ghdzeeyeh’s adroitness, on the peculiar advantage of

being under the protection of the mistress of the house as large as the

Omdah’s.

From one cafe to another they went. Here a snakecharmer gathered a

meagre crowd about him; there an ‘A’l’meh, or singing-girl, lilted a

ribald song; elsewhere hashish-smokers stretched out gaunt, loathsome

fingers towards them; and a Sha’er recited the romance of Aboo Zeyd.

But Dicky noticed that none of the sheikhs, none of the great men of

the village, were at these cafes; only the very young, the useless,

the licentious, or the decrepit. But by flickering fires under the

palm-trees were groups of men talking and gesticulating; and now and

then an Arab galloped through the street, the point of his long lance

shining. Dicky felt a secret, like a troubled wind, stirring through the

place, a movement not explainable by his own inner tremulousness.

At last they went to the largest cafe beside the Mosque of Hoseyn. He

saw the Sheikh-el-beled sitting on his bench, and, grouped round him,

smoking, several sheikhs and the young men of the village. Here he and

the ghdzeeyeh danced. Few noticed them; for which Dicky was thankful;

and he risked discovery by coming nearer the circle. He could,

however, catch little that they said, for they spoke in low tones, the

Sheikh-el-beled talking seldom, but listening closely.

The crowd around the cafe grew. Occasionally an Arab would throw back

his head and cry: “Allahu Akbar!” Another drew a sword and waved it

in the air. Some one in front of him whispered one startling word to a

camel-driver.

Dicky had got his cue. To him that whisper was as loud and clear as the

“La ilaha illa-llah!” called from the top of a mosque. He understood

Ibrahim the Orderly now; he guessed all--rebellion, anarchy, massacre.

A hundred thoughts ran through his head: what was Ibrahim’s particular

part in the swaggering scheme was the first and the last of them.

Ibrahim answered for himself, for at that moment he entered the burning

circle. A movement of applause ran round, then there was sudden silence.

The dancing-girls were bid to stop their dancing, were told to be gone.

The ghazeeyeh spat at them in an assumed anger, and said that none but

swine of Beni Hassan would send a woman away hungry. And because the

dancing-girl has power in the land, the Sheikh-el-beled waved his hand

towards the cafe, hastily calling the name of a favourite dish. Eyes

turned unconcernedly towards the brown clattering ankles of the two as

they entered the cafe and seated themselves immediately behind where the

Sheikh-el-beled squatted. Presently Dicky listened to as sombre a tale

as ever was told in the darkest night. The voice of the tale-teller was

that of Ibrahim, and the story was this: that the citadel at Cairo was

to be seized, that the streets of Alexandria were to be swept free of

Europeans, that every English official between Cairo and Kordofan was to

be slain. Mahommed Ibrahim, the spy, who knew English as well as Donovan

Pasha knew Arabic, was this very night to kill Fielding Bey with his own

hand!

This night was always associated in Dicky’s mind with the memory of

stewed camel’s-meat. At Ibrahim’s words he turned his head from the rank

steam, and fingered his pistol in the loose folds of his Arab trousers.

The dancing-girl saw the gesture and laid a hand upon his arm.

“Thou art one against a thousand,” she whispered; “wait till thou art

one against one.”

He dipped his nose in the camel-stew, for some one poked a head in at

the door--every sense in him was alert, every instinct alive.

“To-night,” said Mahommed Ibrahim, in the hoarse gutturals of the

Bishareen, “it is ordered that Fielding Bey shall die--and by my hand,

mine own, by the mercy of God! And after Fielding Bey the clean-faced

ape that cast the evil eye upon me yesterday, and bade me die. ‘An old

man had three sons,’ said he, the infidel dog, ‘one was a thief, another

a rogue, and the third a soldier--and the soldier died first.’ ‘A camel

of Bagdad,’ he called me. Into the belly of a dead camel shall he go, be

sewn up like a cat’s liver in a pudding, and cast into the Nile before

God gives tomorrow a sun.”

Dicky pushed away the camel-stew. “It is time to go,” he said.

The ghdzeeyeh rose with a laugh, caught Dicky by the hand, sprang out

among the Arabs, and leapt over the head of the village barber, calling

them all “useless, sodden greybeards, with no more blood than a Nile

shad, poorer than monkeys, beggars of Beni Hassan!” Taking from her

pocket a handful of quarter-piastres, she turned on her heels and tossed

them among the Arabs with a contemptuous laugh. Then she and Dicky

disappeared into the night.

Donovan Pasha, and Some People of Egypt — Complete · 第 15 / 42 题