The various printings of 1601 reveal how Mark Twain's 'Fireside
Conversation' has become a part of the American printer's lore. But more
important, its many printings indicate that it has become a popular bit
of American folklore, particularly for men and women who have a feeling
for Mark Twain. Apparently it appeals to the typographer, who devotes to
it his worthy art, as well as to the job printer, who may pull a crudely
printed proof. The gay procession of curious printings of 1601 is unique
in the history of American printing.
Indeed, the story of the various printings of 1601 is almost legendary.
In the days of the “jour.” printer, so I am told, well-thumbed copies
were carried from print shop to print shop. For more than a quarter
century now it has been one of the chief sources of enjoyment for
printers' devils; and many a young rascal has learned about life from
this Fireside Conversation. It has been printed all over the country,
and if report is to be believed, in foreign countries as well. Because
of the many surreptitious and anonymous printings it is exceedingly
difficult, if not impossible, to compile a complete bibliography. Many
printings lack the name of the publisher, the printer, the place or date
of printing. In many instances some of the data, through the patient
questioning of fellow collectors, has been obtained and supplied.
1. [Date, 1601.] Conversation, as it was by the Social Fireside, in the
Time of the Tudors.
DESCRIPTION: Pamphlet, pp. [ 1 ]-8, without wrappers or cover, measuring
7x8 inches. The title is Set in caps. and small caps.
The excessively rare first printing, printed in Cleveland, 1880, at the
instance of Alexander Gunn, friend of John Hay. Only four copies are
believed to have been printed, of which, it is said now, the only known
copy is located in the Willard S. Morse collection.
2. Date 1601. Conversation, as it was by the Social Fireside, in the
time of the Tudors.
(Mem.--The following is supposed to be an extract from the diary of the
Pepys of that day, the same being cup-bearer to Queen Elizabeth. It is
supposed that he is of ancient and noble lineage; that he despises these
literary canaille; that his soul consumes with wrath to see the Queen
stooping to talk with such; and that the old man feels his nobility
defiled by contact with Shakespeare, etc., and yet he has got to stay
there till Her Majesty chooses to dismiss him.)
DESCRIPTION: Title as above, verso blank; pp. [i]-xi, text; verso p. xi
blank. About 8 x 10 inches, printed on handmade linen paper soaked in
weak coffee, wrappers. The title is set in caps and small caps.
COLOPHON: at the foot of p. xi: Done Att Ye Academie Preffe; M DCCC LXXX
II.
The privately printed West Point edition, the first printing of the text
authorized by Mark Twain, of which but fifty copies were printed. The
story of this printing is fully told in the Introduction.
3. Conversation As It Was By The Social Fire-side In The Time Of The
Tudors from Ye Diary of Ye Cupbearer to her Maisty Queen Elizabeth.
[design] Imprinted by Ye Puritan Press At Ye Sign of Ye Jolly Virgin
1601.
DESCRIPTION: 2 blank leaves; p. [i] blank, p. [ii] fronds., p. [iii]
title [as above], p. [iv] “Mem.”, pp. 1-[25] text, I blank leaf. 4 3/4
by 6 1/4 inches, printed in a modern version of the Caxton black letter
type, on M.B.M. French handmade paper. The frontispiece, a woodcut by A.
E. Curtis, is a portrait of the cup-bearer. Bound in buff-grey
boards, buckram back. Cover title reads, in pale red ink, Caxton type,
Conversation As It Was By The Social Fire-side In The Time Of The
Tudors. [The Byway Press, Cincinnati, Ohio, 1901, 120 copies.]
Probably the first published edition.
Later, in 1916, a facsimile edition of this printing was published in
Chicago from plates.