THE CAXTON COFFER.

The devices of our early English printers are often void of significancy

early, or else mere quibbles. In that particular, Caxton set a

commendable example.

His device is "W.4.7C." The two figures, however, are interlaced, and

seem to admit of two interpretations. I must cite, on this question, the

famous triumvirate--Ames, Herbert, and Dibdin:

"The following mark [above described] I find put at the end of

many of his books, _perhaps_ for the date 1474, when he began

printing in England, or his sign."--Joseph AMES, 1749.

"The following mark [above described] I find put at the end of

many of his books, _perhaps_ for the date 1474, when he began

printing in England, or his sign."--William HERBERT, 1785.

"The figures in the large device [above described] form the

_reverse impression_ of 74; meaning, _as it has been stated_, that

our printer commenced business in England, in the year 1474: but

not much weight can be attached to this remark, as no copy of the

_Chess book_, printed in 1474, has yet been discovered which

presents us with this device."--T. F. DIBDIN, 1810.

In lieu of baseless conjectures, I have here to complain of timidity.

There is scarcely room for a doubt on the date. As dom de Vaines

observes, with regard to dates, "dans le bas age on supprimoit le

millieme et les centaines, commencant aux dixaines." There can be no

objection to the interpretation on that score. The main question

therefore is, in what order should we read the interlaced figures? Now,

the position of the _point_ proves that we should read 74--which is the

date of _The game and playe of the chesse_. The figures indicate 1474 as

clearly as the letters W. C. indicate William Caxton. What is the just

inference, must ever remain a matter of opinion.

In the woodcut of _Arsmetrique_, published in the _Myrrour of the

worlde_, A.D. 1481, I observe the figures 74 rather conspicuously

placed, and perhaps the device was then first adopted.

Notes and Queries, Vol. IV, Number 103, October 18, 1851 A Medium of Inter-communication for Literary Men, Artists, Antiquaries, Genealogists, etc. · 第 34 / 102 题