Hoyles, Lady, 84
Hume, David, 76, 80
Ibsen, Henrik, 28-40, 253
Ingres, 197
_International Journal of Ethics_, the, 7
Irving, Sir Henry, 192
James, Henry, 127
John, 205, 210
Johnson, Samuel, 14, 20, 76, 77, 80, 81, 147
Jones, Inigo, 214
Jonson, Ben, 4
Kandinsky, 215
Keats, 41, 102, 202
Kevorkian, 158
Kipling, Rudyard, 15, 145, 225, 253
Kokan, Shiba, 143, 145
Korin, 140
Kublai Khan, 245
Laforgue, 10, 213
Lamb, Charles, 94, 96, 200
Laprade, 215
Larionoff, 215
Laurenciu, Marie, 207
Leopardi, 94
Lespinasse, Julie de, 94
Lesueur, 205
Lewis, Wyndham, 175, 176, 182, 183, 199, 228, 229
Lippi, Lippo, 211
London, Bishop of, 151
Macaulay, 147
Maillol, 211, 215, 226, 229
Mallarme, 213
Manguin, 194
Mantegna, 197
Marchand, 181, 194-198, 200, 201, 202, 206, 215
Marinetti, 88
Marivaux, 9, 10
Marquet, 181, 215
Mathews, Elkin, 32
Matisse, Henri, 10, 181, 194, 196, 200, 211, 215, 226
McEvoy, 210
Meredith, 120, 127
Merimee, 94
Meyer-Riefstahl, 160
Mill, 89
Milton, 13, 41
Mirek, Aga, 162, 163
Mohamed, Sultan, 161, 162
Montagu, Lady Mary, 94
Montaigne, 17-27
Montgomerie, Miss Margaret, 79
Moore, George, 11, 12, 15
Morgan, Pierpont, 157
Morris, William, 146-155
Mozart, 70, 249
Murray, Prof. Gilbert, 127, 128
_Nation_, the, 7
Nevinson, 186
_New Age_, the, 3
_New Statesman_, the, 7
Nicholson, 129
Nietzsche, 213
_Nineteenth Century_, the, 52
Norton, Mrs., 122
Ogilvie, Mrs., 178
Okakura, 135
Okio, 144, 145
Oliphant, Mrs., 10
Orpen, 129, 210
Pallas, 7
Paoli, 80
Paul, Herbert, 52
Peacock, Thomas Love, 50-73
Peguy, 90
Philippe, Charles-Louis, 10
Phillips, Stephen, 129
Picasso, 10, 181, 184, 194, 195, 196, 200, 215, 216, 219, 226
Pichard, Mrs. Louise, 178
Piret, Fernand, 177
Pissarro, Camille, 179
Pissarro, Lucien, 178
Plato, 86, 90, 99, 100, 114
Pollock, Sir Frederick, 51
Poynter, Sir Edward, 210
_Punch_, 100, 249
Puvis, 228
Pythagoras, 86
Rabelais, 99
Raphael, 156, 160, 161, 213
Reinhardt, 129, 130, 131
Renan, 86
Renoir, 196, 216, 227
Rimbaud, 213
Roberts, Ellis, 28, 31, 32, 33, 39, 40
Roberts, 199, 228
Rogers, Bickley, 101
Rostand, 129
Rousseau, 201, 211
Ruck, Arthur, 159, 160
Russell, Bertrand, 90
Rutter, 179
Sainte-Beuve, 26
Saintsbury, Prof., 51, 53
Saunders, Miss Helen, 178
Seccombe, Thomas, 74, 75
Segonzac, 215
Severini, 181
Sevigne, Madame de, 94
Shakespeare, 4, 10, 14, 32, 56, 99, 100, 108, 125, 246
Shaw, Bernard, 106, 132, 252
Shelley, 51, 68, 69, 115, 116-118, 120-125, 150
Shelley, Mary, 119
Sichel, Miss, 43, 47
Sickert, Walter, 175, 184, 195, 209, 224
Socrates, 24, 105
Sophocles, 34, 41, 55, 126
_Spectator_, the, 253
Spedding, James, 51
Spenser, Stanley, 199, 228
Stanhope, 86
Steer, 205, 210
Stephen, Leslie, 147
Sterne, 56, 60
Stevens, Alfred, 226
Stockmann, 39
Stone, Major, 74
Strowski, Fortunat, 17
Swift, 94
Swinburne, 89, 125, 128, 152
Tabari, 158
Tchekov, 213
Temple, Rev. W. J., 74, 77, 78
Tennyson, Alfred, 151, 152, 225
Thackeray, 13
Thucydides, 104
_Times_, the, 100
Titian, 185, 211
Tolstoy, Leo, 89
Trelawny, Edward John, 115-125
Turner, 214, 228
Velasquez, 140
Veuillard, 194
Victoria, Queen, 99
Vigee Lebrun, Madame, 207
Vignier, 157
Vivarini, 219
Vlaminck, de, 200, 201, 202, 215
Voltaire, 94, 99
Wagner, 11, 253
Waller, Edmund, 29
Walpole, Horace, 94
Ward, Mrs. Humphrey, 12
Watteau, 140
Wells, H. G., 9, 11, 12, 13, 88, 232
Welsh, Jane, 91, 93, 94, 96, 97
Whistler, 140, 152
Whitman, Walt, 151
Whitworth, Geoffrey, 1, 2
Woolf, Virginia, 11
Wordsworth, 240
Wren, 214
Yeats, J. B., 178
Young, Dr. Arthur Button, 53, 64
Zola, 126, 127
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* * * * *
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Fourth Impression. Illustrated
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PRESS OPINIONS ON "ART" BY CLIVE BELL
"A book of absorbing interest. No one who reads it will, I am sure, find
the brief and somewhat comprehensive title either arrogant or
misleading. It contains some of the profoundest, truest and most
courageous considerations stated with connected and well-supported
conviction. The book is not only racy and readable, but--rarest of all
things on this subject--it is comprehensible. The value of the book as
an illuminant to thought on painting is henceforth impossible to
ignore."--Mr. WALTER SICKERT in the _New Age_.
"Certainly one of the most brilliant, provocating, suggestive things
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this iconoclast brings in with him, what masses of mouldy snobbism he
sweeps into the dust-heap, how salutary even for the idols themselves is
such a thorough turning out! It will be seen that this is a book that
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"By reason of its originality of thought and virility of expression Mr.
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defender and exponent."--_Glasgow Herald._
"Lovers of art owe Mr. Clive Bell thanks for the most stimulating, not
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appeared."--_Athenaeum._
"Mr. Bell says many wise and witty things. Few people will agree with
them all, many will get angry with the remorselessness of his logic, but
nobody can read the book through carefully without clearing up their own
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of what art is and means."--_Sunday Times._
"He utters paradoxes as if they were the tritest things in the world;
all epigram and impudence he trails his coat assiduously, and, while his
brilliance is vastly entertaining, his method of bouncing us into liking
what he likes, and hating what he hates, is likely to infuriate quite as
many readers as it takes by storm."--_Manchester Guardian._
"The rather sterile literature of art criticism has been seriously
enriched by a brilliant if wilful manifesto. The refreshing absence of
obscurity common to art criticism will be particularly welcome. For
genuine students the book possesses significant form, and will be
indispensable."--_Westminster Gazette._
"This is the best and most entertaining book about art that we have ever
read."--_Standard._
"This book is of first-rate importance. But nobody need be frightened of
it on that account. Unlike most important works on the theory of art, it
is thoroughly entertaining from beginning to end. Its main thesis is a
generalization which, if true, is applicable to all schools and all
epochs. The book is stimulating and suggestive."--_Cambridge Review._
"Mr. Bell's book has been generally recognized as the most interesting
and stimulating appreciation that has yet appeared in this country of
the movement which we call post-impressionism. The book is, however,
much wider in its scope. A book upon aesthetics at once serious (on the
whole), sane, and extremely entertaining."--_Welsh Outlook._
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