L. Yes; that's the fashion at the Tete Noire.

MARY. But surely this is ruin, not caprice?

L. I believe it is in great part misfortune; and we will examine

these crystal troubles in next lecture. But if you want to see the

gracefullest and happiest caprices of which dust is capable, you

must go to the Hartz; not that I ever mean to go there myself, for

I want to retain the romantic feeling about the name; and I have

done myself some harm already by seeing the monotonous and heavy

form of the Brocken from the suburbs of Brunswick. But whether the

mountains be picturesque or not, the tricks which the goblins (as

I am told) teach the crystals in them, are incomparably pretty.

They work chiefly on the mind of a docile, bluish-colored,

carbonate of lime; which comes out of a gray limestone. The

goblins take the greatest possible care of its education, and see

that nothing happens to it to hurt its temper; and when it may be

supposed to have arrived at the crisis which is to a well brought

up mineral, what presentation at court is to a young lady--after

which it is expected to set fashions--there's no end to its pretty

ways of behaving. First it will make itself into pointed darts as

fine as hoarfrost; here, it is changed into a white fur as fine as

silk; here into little crowns and circlets, as bright as silver;

as if for the gnome princesses to wear; here it is in beautiful

little plates, for them to eat off; presently it is in towers

which they might be imprisoned in; presently in caves and cells,

where they may make nun-gnomes of themselves, and no gnome ever

hear of them more; here is some of it in sheaves, like corn; here,

some in drifts, like snow; here, some in rays, like stars: and,

though these are, all of them, necessarily, shapes that the

mineral takes in other places, they are all taken here with such a

grace that you recognize the high caste and breeding of the

crystals wherever you meet them, and know at once they are Hartz-

born.

Of course, such fine things as these are only done by crystals

which are perfectly good, and good-humored; and of course, also,

there are ill-humored crystals who torment each other, and annoy

quieter crystals, yet without coming to anything like serious war.

Here (for once) is some ill-disposed quartz, tormenting a

peaceable octahedron of fluor, in mere caprice. I looked at it the

other night so long, and so wonderingly, just before putting my

candle out, that I fell into another strange dream. But you don't

care about dreams.

DORA. No; we didn't, yesterday; but you know we are made up of

caprice; so we do, to-day: and you must tell it us directly.

L. Well, you see, Neith and her work were still much in my mind;

and then, I had been looking over these Hartz things for you, and

thinking of the sort of grotesque sympathy there seemed to be in

them with the beautiful fringe and pinnacle work of Northern

architecture. So, when I fell asleep, I thought I saw Neith and

St. Barbara talking together.

DORA. But what had St. Barbara to do with it?

L. My dear, I am quite sure St. Barbara is the patroness of good

architects; not St. Thomas, whatever the old builders thought. It

might be very fine, according to the monks' notions, in St.

Thomas, to give all his employer's money away to the poor: but

breaches of contract are bad foundations; and I believe, it was

not he, but St. Barbara, who overlooked the work in all the

buildings you and I care about. However that may be, it was

certainly she whom I saw in my dream with Neith. Neith was sitting

weaving, and I thought she looked sad, and threw her shuttle

slowly; and St. Barbara was standing at her side, in a stiff

little gown, all ins and outs, and angles; but so bright with

embroidery that it dazzled me whenever she moved; the train of it

was just like a heap of broken jewels, it was so stiff, and full

of corners, and so many-colored and bright. Her hair fell over her

shoulders in long, delicate waves, from under a little three

pinnacled crown, like a tower. She was asking Neith about the laws

of architecture in Egypt and Greece; and when Neith told her the

measures of the pyramids, St. Barbara said she thought they would

have been better three-cornered and when Neith told her the

measures of the Parthenon, St. Barbara said she thought it ought

to have had two transepts. But she was pleased when Neith told her

of the temple of the dew, and of the Caryan maidens bearing its

frieze: and then she thought that perhaps Neith would like to hear

what sort of temples she was building herself, in the French

valleys, and on the crags of the Rhine. So she began gossiping,

just as one of you might to an old lady: and certainly she talked

in the sweetest way in the world to Neith; and explained to her

all about crockets and pinnacles: and Neith sat, looking very

grave; and always graver as St. Barbara went on; till at last, I'm

sorry to say, St. Barbara lost her temper a little.

MARY (very grave herself). "St. Barbara"?

L. Yes, Mary. Why shouldn't she? It was very tiresome of Neith to

sit looking like that.

MAY. But, then, St. Barbara was a saint!

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