Produced by David Widger
INDEX OF THE PROJECT GUTENBERG
WORKS OF
JOHN RUSKIN
Compiled by David Widger
CONTENTS
## THE KING OF THE GOLDEN RIVER
## THE KING OF THE GOLDEN RIVER (Illustrated)
RUSKIN LILIES
## THE ETHICS OF THE DUST
## MORNINGS IN FLORENCE
## THE TWO PATHS
## VAL D'ARNO
## THE QUEEN OF THE AIR
## PROSERPINA, Vol. 1
PROSERPINA, Vol. 2
## SELECTIONS FROM RUSKIN
## THE PLEASURES OF ENGLAND
## THE POETRY OF ARCHITECTURE
## LOVE'S MEINIE
GIOTTO AND HIS WORKS IN PADUA
## LECTURES ON ART
## A JOY FOR EVER
## LECTURES ON LANDSCAPE
## THE STORM-CLOUD OF THE NINETEENTH CENTURY
## ON THE OLD ROAD, VOL. 2 (of 2)
## THE HARBOURS OF ENGLAND
## HORTUS INCLUSUS
## LECTURES ON ARCHITECTURE
## BIBLE OF AMIENS
## ARATRA PENTELICI, SEVEN LECTURES
## THE CROWN OF WILD OLIVE
## ARIADNE FLORENTINA
## SAINT URSULA
## THE ELEMENTS OF DRAWING
## STONES OF VENICE [INTRODUCTIONS]
## THE STONES OF VENICE, Vol. I (of III)
## THE STONES OF VENICE, Vol. II
## THE STONES OF VENICE, Vol. III (of III)
## FRONDES AGRESTES
## TIME AND TIDE BY WEARE AND TYNE
## THE SEVEN LAMPS OF ARCHITECTURE
## UNTO THIS LAST AND OTHER POLITICAL ESSAYS
## THE EAGLE'S NEST
OF VULGARITY
## RUSKIN RELICS
## ARROWS OF THE CHACE, Vol. 1 (of 2)
## ARROWS OF THE CHACE, Vol. 2 (of 2)
## MODERN PAINTERS Vol. I (of V)
## MODERN PAINTERS Vol. II (of V)
## MODERN PAINTERS Vol. III (of V)
## MODERN PAINTERS Vol. IV (of V)
## MODERN PAINTERS Vol. V (of V)
TABLES OF CONTENTS OF VOLUMES
The King of the Golden River
By John Ruskin
CONTENTS
CHAPTER I
HOW THE AGRICULTURAL SYSTEM OF THE BLACK BROTHERS WAS INTERFERED WITH BY SOUTHWEST WIND, ESQUIRE
CHAPTER II
OF THE PROCEEDINGS OF THE THREE BROTHERS AFTER THE VISIT OF SOUTHWEST WIND, ESQUIRE; AND HOW LITTLE GLUCK HAD AN INTERVIEW WITH THE KING OF GOLDEN RIVER
CHAPTER III
HOW MR. HANS SET OFF ON AN EXPEDITION TO THE GOLDEN RIVER, AND HOW HE PROSPERED THEREIN
CHAPTER IV
HOW MR. SCHWARTZ SET OFF ON AN EXPEDITION TO THE GOLDEN RIVER, AND HOW HE PROSPERED THEREIN
CHAPTER V
HOW LITTLE GLUCK SET OFF ON AN EXPEDITION TO THE GOLDEN RIVER, AND HOW HE PROSPERED THEREIN, WITH OTHER MATTERS OF INTEREST
THE KING OF THE GOLDEN RIVER
OR THE BLACK BROTHERS
A Legend of Stiria
By John Ruskin
Illustrated by Richard Doyle
CONTENTS
CHAPTER I.
HOW THE AGRICULTURAL SYSTEM OF THE BLACK BROTHERS WAS INTERFERED WITH BY SOUTH-WEST WIND, ESQUIRE 9
CHAPTER II.
OF THE PROCEEDINGS OF THE THREE BROTHERS AFTER THE VISIT OF SOUTH-WEST WIND, ESQUIRE; AND HOW LITTLE GLUCK HAD AN INTERVIEW WITH THE KING OF THE GOLDEN RIVER 28
CHAPTER III.
HOW MR. HANS SET OFF ON AN EXPEDITION TO THE GOLDEN RIVER, AND HOW HE PROSPERED THEREIN 40
CHAPTER IV.
HOW MR. SCHWARTZ SET OFF ON AN EXPEDITION TO THE GOLDEN RIVER, AND HOW HE PROSPERED THEREIN 51
CHAPTER V.
HOW LITTLE GLUCK SET OFF ON AN EXPEDITION TO THE GOLDEN RIVER, AND HOW HE PROSPERED THEREIN; WITH OTHER MATTERS OF INTEREST 56
LIST OF ILLUSTRATIONS
Designed And Drawn On Wood By Richard Doyle
SUBJECTS. ENGRAVERS. PAGE
South-West Wind, Esq., knocking at the Black Brothers' door C. Thurston Thompson Frontispiece.
The Treasure Valley C. Thurston Thompson Title
Initial Letter, and Mountain Range G. and E. Dalziel 9
South-West Wind, Esq., seated on the hob G. and E. Dalziel 18
South-West Wind, Esq., bowing to the Black Brothers H. Orrin Smith 21
Storm Scene G. and E. Dalziel 25
Card of South-West Wind, Esq. H. Orrin Smith 27
Initial Letter, and Cottage in the Treasure Valley Isabel Thompson 28
The Black Brothers drinking and Gluck working C. S. Cheltnam 30
Gluck looking out at the Golden River H. D. Linton 32
The Golden Dwarf appearing to Gluck G. and E. Dalziel 36
Gluck looking up the Chimney H. Orrin Smith 39
The Black Brothers beating Gluck C. S. Cheltnam 40
Hans and Schwartz fighting H. Orrin Smith 41
Schwartz before the Magistrate C. S. Cheltnam 42
Hans and the Dog H. Orrin Smith 47
The Black Stone G. and E. Dalziel 50
Initial Letter—Gluck releasing Schwartz G. and E. Dalziel 51
Schwartz ascending the Mountain H. Orrin Smith 53
Initial Letter—Gluck ascending the Mountain H. Orrin Smith 56
Priest giving Gluck Holy Water G. and E. Dalziel 57
Gluck and the Child C. S. Cheltnam 59
THE ETHICS OF THE DUST
Ten Lectures To Little Housewives
On The Elements Of Crystallization
By John Ruskin, LL.D.,
CONTENTS
DEDICATION.
PERSONAE
PREFACE TO THE SECOND EDITION.
PREFACE TO THE SECOND EDITION.
PREFACE.
LECTURE 1. — THE VALLEY OF DIAMONDS
LECTURE 2. — THE PYRAMID BUILDERS
LECTURE 3. — THE CRYSTAL LIFE
LECTURE 4. — THE CRYSTAL ORDERS
LECTURE 5. — CRYSTAL VIRTUES
LECTURE 6. — CRYSTAL QUARRELS
LECTURE 7. — HOME VIRTUES
LECTURE 8. — CRYSTAL CAPRICE
LECTURE 9. — CRYSTAL SORROWS
LECTURE 10.
NOTES.
NOTE I.
NOTE II.
NOTE III.
NOTE IV.
NOTE V.
NOTE VI.
NOTE TO SECOND EDITION
MORNINGS IN FLORENCE
By John Ruskin
CONTENTS
MORNINGS IN FLORENCE.
THE FIRST MORNING.
THE SECOND MORNING.
THE THIRD MORNING.
THE FOURTH MORNING.
THE FIFTH MORNING.
THE SIXTH MORNING.
THE TWO PATHS
By John Ruskin
CONTENTS
THE TWO PATHS.
PREFACE.
THE TWO PATHS
LECTURE I. — THE DETERIORATIVE POWER OF CONVENTIONAL ART OVER NATIONS.
LECTURE II. — THE UNITY OF ART.
LECTURE III. — MODERN MANUFACTURE AND DESIGN.
LECTURE IV. — INFLUENCE OF IMAGINATION IN ARCHITECTURE
LECTURE V. — THE WORK OF IRON, IN NATURE, ART, AND POLICY.
APPENDICES.
APPENDIX II.
APPENDIX III.
APPENDIX IV.
APPENDIX V.
VAL D'ARNO
By John Ruskin
CONTENTS
VAL D'ARNO
LECTURE I. NICHOLAS THE PISAN.
LECTURE II. JOHN THE PISAN.
LECTURE III. SHIELD AND APRON.
LECTURE IV. PARTED PER PALE.
LECTURE V. PAX VOBISCUM.
LECTURE VI. MARBLE COUCHANT.
LECTURE VII. MARBLE RAMPANT.
LECTURE VIII. FRANCHISE.
LECTURE IX. THE TYRRHENE SEA.
LECTURE X. FLEUR DE LYS.
THE QUEEN OF THE AIR
Being a Study of the Greek Myths of Cloud and Storm
By John Ruskin, LL.D.
CONTENTS
TABLE OF CONTENTS
PREFACE
THE QUEEN OF THE AIR.
I. — ATHENA CHALINITIS. (Athena in the Heavens.)
II. — ATHENA KERAMITIS. (Athena in the Earth.)
III. — ATHENA ERGANE. (Athena in the Heart.)
PROSERPINA.
VOLUME I.
Studies of Wayside Flowers
By John Ruskin,
CONTENTS OF VOL.
PAGE
INTRODUCTION
1
CHAPTER I. MOSS
12
CHAPTER II. THE ROOT
26
CHAPTER III. THE LEAF
40
CHAPTER IV. THE FLOWER
64
CHAPTER V. PAPAVER RHOEAS
86
CHAPTER VI. THE PARABLE OF JOASH
106
CHAPTER VII. THE PARABLE OF JOTHAM
117
CHAPTER VIII. THE STEM
127
CHAPTER IX. OUTSIDE AND IN
151
CHAPTER X. THE BARK
170
CHAPTER XI. GENEALOGY
176
CHAPTER XII. CORA AND KRONOS
205
CHAPTER XIII. THE SEED AND HUSK
219
CHAPTER XIV. THE FRUIT GIFT
227
INDEX I. DESCRIPTIVE NOMENCLATURE
239
INDEX II. ENGLISH NAMES
255
INDEX III. LATIN OR GREEK NAMES
258
SELECTIONS FROM THE WORKS OF JOHN RUSKIN
Edited With Introduction And Notes By Chauncey B. Tinker
CONTENTS
INTRODUCTION
The Life of Ruskin
The Unity of Ruskin's Writings
Ruskin's Style
SELECTIONS FROM MODERN PAINTERS
The Earth-Veil
The Mountain Glory
Sunrise on the Alps
The Grand Style
Of Realization
Of the Novelty of Landscape
Of the Pathetic Fallacy
Of Classical Landscape
Of Modern Landscape
The Two Boyhoods
SELECTIONS FROM THE STONES OF VENICE
The Throne
St. Mark's
Characteristics of Gothic Architecture
SELECTIONS FROM THE SEVEN LAMPS OF ARCHITECTURE
The Lamp of Memory
The Lamp of Obedience
SELECTIONS FROM LECTURES ON ART
Inaugural
The Relation of Art to Morals
The Relation of Art to Use
ART AND HISTORY
TRAFFIC
LIFE AND ITS ARTS
BIBLIOGRAPHICAL NOTE
THE PLEASURES OF ENGLAND.
Lectures given in Oxford.
By John Ruskin
CONTENTS
LECTURE I.
THE PLEASURES OF LEARNING. Bertha to Osburga 5
LECTURE II.
THE PLEASURES OF FAITH. Alfred to the Confessor 31
LECTURE III.
THE PLEASURES OF DEED. Alfred to Cour de Lion 61
LECTURE IV.
THE PLEASURES OF FANCY. Cour de Lion to Elizabeth 91
POETRY OF ARCHITECTURE
SEVEN LAMPS OF ARCHITECTURE
By John Ruskin
CONTENTS
INTRODUCTION 1
PART I.—THE COTTAGE.
I. THE LOWLAND COTTAGE—ENGLAND AND FRANCE 7
II. THE LOWLAND COTTAGE—ITALY 15
III. THE MOUNTAIN COTTAGE—SWITZERLAND 25
IV. THE MOUNTAIN COTTAGE—WESTMORELAND 35
V. A CHAPTER ON CHIMNEYS 45
VI. THE COTTAGE—CONCLUDING REMARKS 57
PART II.—THE VILLA.
I. THE MOUNTAIN VILLA—LAGO DI COMO 67
II. THE MOUNTAIN VILLA—LAGO DI COMO (CONTINUED) 80
III. THE ITALIAN VILLA (CONCLUDED) 94
IV. THE LOWLAND VILLA—ENGLAND 104
V. THE ENGLISH VILLA—PRINCIPLES OF COMPOSITION 113
VI. THE BRITISH VILLA.—PRINCIPLES OF COMPOSITION.
(THE CULTIVATED, OR BLUE COUNTRY, AND THE WOODED, OR GREEN COUNTRY) 126
VII. THE BRITISH VILLA.—PRINCIPLES OF COMPOSITION.
(THE HILL, OR BROWN COUNTRY) 145
LIST OF PLATES
Facing Page
Fig. 1. Old Windows; from an early sketch by the Author 13
" 2. Italian Cottage Gallery, 1846 20
Cottage near la Cité, Val d'Aosta, 1838 21
" 3. Swiss Cottage, 1837. (Reproduced from the Architectural Magazine) 28
" 4. Cottage near Altorf, 1835 29
" 5. Swiss Châlet Balcony, 1842 32
" 6. The Highest House in England, at Malham 42
" 7. Chimneys. (Eighteen sketches redrawn from the Architectural Magazine) 48
" 8. Coniston Hall, from the Lake near Brantwood, 1837. (Reproduced from the Architectural Magazine) 50
" 9. Chimney at Neuchatel; Dent du Midi and Mont Blanc in the distance 20
" 10. Petrarch's Villa, Arquà, 1837. (Redrawn from the Architectural Magazine) 98
" 11. Broken Curves. (Three diagrams, redrawn from the Architectural Magazine) 101
" 12. Old English Mansion, 1837. (Reproduced from the Architectural Magazine) 116
" 13. Windows. (Three designs, reproduced from the Architectural Magazine) 122
" 14. Leading Lines of Villa-Composition. (Diagram redrawn from the Architectural Magazine) 164
LOVE'S MEINIE.
THREE LECTURES ON GREEK AND ENGLISH BIRDS.
By John Ruskin
CONTENTS.
PREFACEv
LECTURE I.
THE ROBIN1
LECTURE II.
THE SWALLOW25
LECTURE III.
THE DABCHICKS52
APPENDIX107
LECTURES ON ART.
Delivered Before The University Of Oxford In Hilary Term, 1870.
CONTENTS
LECTURE I.
INAUGURAL 1
LECTURE II.
THE RELATION OF ART TO RELIGION 24
LECTURE III.
THE RELATION OF ART TO MORALS 46
LECTURE IV.
THE RELATION OF ART TO USE 66
LECTURE V.
LINE 86
LECTURE VI.
LIGHT 102
LECTURE VII.
COLOUR 123
"A JOY FOR EVER"
(AND ITS PRICE IN THE MARKET)
Two Lectures On The Political Economy Of Art
By John Ruskin
CONTENTS.
LECTURE I.
PAGE
THE DISCOVERY AND APPLICATION OF ART 1
A Lecture delivered at Manchester, July 10th, 1857.
LECTURE II.
THE ACCUMULATION AND DISTRIBUTION OF ART 70
Continuation of the previous Lecture; delivered July 13th, 1857.
ADDENDA.
Note 1.—"FATHERLY AUTHORITY" 151
" 2.—"RIGHT TO PUBLIC SUPPORT" 159
" 3.—"TRIAL SCHOOLS" 169
" 4.—"PUBLIC FAVOUR" 180
" 5.—"INVENTION OF NEW WANTS" 183
" 6.—"ECONOMY OF LITERATURE" 187
" 7.—"PILOTS OF THE STATE" 189
" 8.—"SILK AND PURPLE" 193
———
SUPPLEMENTARY ADDITIONAL PAPERS.
EDUCATION IN ART 213
ART SCHOOL NOTES 229
SOCIAL POLICY 240
INDEX.
LECTURES ON LANDSCAPE
DELIVERED AT OXFORD IN LENT TERM, 1871.
By John Ruskin
CONTENTS.
LECTURE I.
Outline 1
LECTURE II.
Light and Shade 16
LECTURE III.
Color 32
LIST OF PLATES
Vesuvius in Eruption, by J.M.W. Turner 2
Near Blair Athol, by J.M.W. Turner 19
Dumblane Abbey, by J.M.W. Turner 20
Madonna and Child, by Filippo Lippi 33
The Lady with the Brooch, by Sir Joshua Reynolds 35
Æsacus and Hesperie, by J.M.W. Turner 45
Mill near Grande Chartreuse, by J.M.W. Turner 47
L'Aiguillette; Valley of Cluses, by J.M.W. Turner 48
THE STORM-CLOUD OF THE NINETEENTH CENTURY
TWO LECTURES DELIVERED AT THE LONDON INSTITUTION
CONTENTS.
Preface iii
Lecture I. (February 4) 1
Lecture II. (February 11) 31
ON THE OLD ROAD
A Collection Of Miscellaneous Essays And Articles On Art And Literature.
Vol. II. (of II.)
CONTENTS
PICTURE GALLERIES.
Parliamentary Evidence:—
National Gallery Site Commission. 1857 3
Select Committee on Public Institutions. 1860 25
The Royal Academy Commission 50
A Museum or Picture Gallery 71
MINOR WRITINGS UPON ART.
The Cavalli Monuments, Verona. 1872 89
Verona and its Rivers (with Catalogue). 1870 99
Christian Art and Symbolism. 1872 118
Art Schools of Mediæval Christendom. 1876 121
The Extension of Railways. 1876 125
The Study of Beauty. 1883 132
NOTES ON NATURAL SCIENCE.
The Color of the Rhine. 1834 141
The Strata of Mont Blanc. 1834 143
The Induration of Sandstone. 1836 145
The Temperature of Spring and River Water. 1836. 148
Meteorology. 1839 153
Tree Twigs. 1861 158
Stratified Alps of Savoy. 1863 162
Intellectual Conception and Animated Life. 1871 168
LITERATURE.
Fiction—fair and Foul. 1880-81 175
Fairy Stories. 1868 290
ECONOMY.
Home, and Its Economies. 1873 299
Usury. A Reply and a Rejoinder. 1880 314
Usury. A Preface. 1885 340
THEOLOGY.
Notes on the Construction of Sheepfolds. 1851 347
The Lord's Prayer and the Church. 1879-81. (Letters and Epilogue.) 382
The Nature and Authority of Miracle. 1873 418
AN OXFORD LECTURE. 1878 429
THE HARBORS OF ENGLAND.
CONTENTS
EDITOR'S PREFACE.v
AUTHOR'S ORIGINAL PREFACE. xi
THE HARBORS OF ENGLAND.1
Dover34
Ramsgate36
Plymouth38
Catwater40
Sheerness41
Margate43
Portsmouth46
Falmouth49
Sidmouth51
Whitby52
Deal54
Scarborough56
HORTUS INCLUSUS
MESSAGES FROM THE WOOD TO THE GARDEN,
SENT IN HAPPY DAYS TO THE SISTER LADIES OF THE THWAITE, CONISTON.
CONTENTS
PREFACE. v
INTRODUCTION. vii
PREFACE TO THE THIRD EDITION. ix
HORTUS INCLUSUS. 1
THE SACRISTANS CELL. 2
THE LOST CHURCH IN THE CAMPAGNA. 7
REGRETS. 9
FRONDES AGRESTES. 10
HOW HE FELL AMONG THIEVES. 10
IN PARADISE. 12
FOAM OF TIBER. 13
WHARFE IN FLOOD. 18
FRONDES. 19
WASP STINGS. 20
BOLTON STRID. 21
ST. URSULA. 25
ST. MARK'S DOVES. 26
ST. MARK'S REST. 28
SAINTS AND FLOWERS. 29
TO MISS BEEVER. 39
TO MISS BEEVER. 53
MISCELLANEOUS. 61
TO MISS BEEVER. 67
SUSIE'S LETTERS. 93
ABOUT WRENS. 100
HISTORY OF A BLACKBIRD. 101
LECTURES ON ARCHITECTURE AND PAINTING
Delivered At Edinburgh In November, 1853.
CONTENTS.
PAGE
Prefacev
LECTURE I.
Architecture1
LECTURE II.
Architecture34
Addenda to Lectures I. and II.56
LECTURE III.
Turner and his Works75
LECTURE IV.
Pre-Raphaelitism100
Addenda to Lecture IV.123
LIST OF PLATES.
Plate I. Figs. 1. 3. and 5. Illustrative diagrams 3
" II. " 2. Windows in Oakham Castle 5
" III. " 4. and 6. Spray of ash-tree, and improvement of the same on Greek principles 10
" IV. " 7. Window in Dunblane Cathedral 15
" V. " 8. Mediæval turret 20
" VI. " 9. and 10. Lombardic towers 22
" VII. " 11. and 12. Spires at Coutances and Rouen 25
" VIII. " 13. and 14. Illustrative diagrams 39
" IX. " 15. Sculpture at Lyons 40
" X. " 16. Niche at Amiens 41
" XI. " 17. and 18. Tiger's head, and improvement of the same on Greek principles 44
" XII. " 19. Garret window in Hotel de Bourgtheroude 51
" XIII. " 20. and 21. Trees, as drawn in the 13th century 81
" XIV. " 22. Rocks, as drawn by the school of Leonardo da Vinci 83
" XV. " 23. Boughs of trees, after Titian 84
THE BIBLE OF AMIENS
CONTENTS
PREFACE. iii
Chapter I. — By the Rivers of Waters 1
Chapter II. — Under the Drachenfels 26
Chapter III. — The Lion Tamer 58
Chapter IV. — Interpretations
88
Appendix I. — Chronological List of Principal Events referred to in the 'Bible of Amiens' 143
Appendix II. — References Explanatory of Photographs to Chapter IV 144
Appendix III. — General Plan of 'Our Fathers have told us' 153
INDEX 157
PLATES
Plate I. — The Dynasties of France 9
Plate II. — The Bible of Amiens, Northern Porch before Restoration 27
Plate III. — Amiens, Jour Des Trépassés, 1880 58
St. Mary 131
Plan of the West Porches 140
ARATRA PENTELICI.
SEVEN LECTURES ON THE ELEMENTS OF SCULPTURE
Given Before The University Of Oxford In Michaelmas Term, 1870
CONTENTS
PAGE
Preface v
LECTURE I.
Of the Division of Arts 1
LECTURE II.
Idolatry 20
LECTURE III.
Imagination 39
LECTURE IV.
Likeness 67
LECTURE V.
Structure 90
LECTURE VI.
The School of Athens 114
LECTURE VII.
The Relation Between Michael Angelo and Tintoret 132
LIST OF PLATES
Facing Page
I. Porch of San Zenone, Verona 14
II. The Arethusa of Syracuse 15
III. The Warning to the Kings, San Zenone, Verona 15
IV. The Nativity of Athena 46
V. Tomb of the Doges Jacopo and Lorenzo Tiepolo 49
VI. Archaic Athena of Athens and Corinth 50
VII. Archaic, Central and Declining Art of Greece 72
VIII. The Apollo of Syracuse, and the Self-made Man 84
IX. Apollo Chrysocomes of Clazomenæ 85
X. Marble Masonry in the Duomo of Verona 100
XI. The First Elements of Sculpture. Incised outline and opened space 101
XII. Branch of Phillyrea 109
XIII. Greek Flat relief, and sculpture by edged incision 111
XIV. Apollo and the Python. Heracles and the Nemean Lion 119
XV. Hera of Argos. Zeus of Syracuse 120
XVI. Demeter of Messene. Hera of Cnossus 121
XVII. Athena of Thurium. Siren Ligeia of Terina 121
XVIII. Artemis of Syracuse. Hera of Lacinian Cape 122
XIX. Zeus of Messene. Ajax of Opus 124
XX. Greek and Barbarian Sculpture 127
XXI. The Beginnings of Chivalry 129
THE CROWN OF WILD OLIVE
Also, Munera Pulveris,
Pre-Raphaelitism-aratra Pentelici,
The Ethics Of The Dust,
Fiction, Fair And Foul,
The Elements Of Drawing
John Ruskin
CONTENTS.
THE CROWN OF WILD OLIVE.
PAGE
LECTURE I.
Work, 17
LECTURE II.
Traffic, 44
LECTURE III.
War, 66
MUNERA PULVERIS.
Preface, 97
CHAP.
I. Definitions, 111
II. Store-Keeping, 125
III. Coin-Keeping, 151
IV. Commerce, 170
V. Government, 181
VI. Mastership, 204
Appendices, 222
PRE-RAPHAELITISM.
Preface, 235
Pre-Raphaelitism, 237
ARATRA PENTELICI.
Preface, 283
LECTURE
I. Of the Division of Arts, 287
II. Idolatry, 304
III. Imagination, 322
IV. Likeness, 350
V. Structure, 372
VI. The School of Athens, 395
The Future of England, 415
Notes on Political Economy of Prussia, 435
LIST OF ILLUSTRATIONS.
PLATES FACING PAGE
I. Porch of San Zenone. Verona, 300
II. The Arethusa of Syracuse, 302
III. The Warning to the Kings, 302
IV. The Nativity of Athena, 308
V. Tomb of the Doges Jacopo and Lorenzo Tiepolo, 333
VI. Archaic Athena of Athens and Corinth, 334
VII. Archaic, Central and Declining Art of Greece, 355
VIII. The Apollo of Syracuse and the Self-made Man, 366
IX. Apollo Chrysocomes of Clazomenæ, 368
X. Marble Masonry in the Duomo of Verona, 381
XI. The First Elements of Sculpture, 382
XII. Branch of Phillyrea. Dark Purple, 390
XIII. Greek Flat Relief and Sculpture by Edged Incision, 392
XIV. Apollo and the Python. Heracles and the Nemean Lion, 400
XV. Hera of Argos. Zeus of Syracuse, 401
XVI. Demeter of Messene. Hera of Crossus, 402
XVII. Athena of Thurium. Sereie Ligeia of Terina, 402
XVIII. Artemis of Syracuse. Hera of Lacinian Cape, 404
XIX. Zeus of Messene. Ajax of Opus, 405
XX. Greek and Barbarian Sculpture, 407
XXI. The Beginnings of Chivalry, 409
FIGURE PAGE
1. Specimen of Plate, 293
2. Woodcut, 323
3. Figure on Greek Type of Vases, 326
4. Early Drawing of the Myth, 330
5. Cut, "Give It To Me," 332
6. Engraving on Coin, 335
7. Drawing of Fish. By Turner, 362
8. Iron Bar, 379
9. Diagram of Leaf, 391
ARIADNE FLORENTINA
SIX LECTURES ON WOOD AND METAL ENGRAVING
GIVEN BEFORE THE UNIVERSITY OF OXFORD,
IN MICHAELMAS TERM, 1872.
CONTENTS.
DEFINITION OF THE ART OF ENGRAVING 1
THE RELATION OF ENGRAVING TO OTHER ARTS IN FLORENCE 22
THE TECHNICS OF WOOD ENGRAVING 42
THE TECHNICS OF METAL ENGRAVING 61
DESIGN IN THE GERMAN SCHOOLS OF ENGRAVING (HOLBEIN AND DÜRER) 81
DESIGN IN THE FLORENTINE SCHOOLS OF ENGRAVING (SANDRO BOTTICELLI) 108
APPENDIX
ARTICLE
I. NOTES ON THE PRESENT STATE OF ENGRAVING IN ENGLAND 143
II. DETACHED NOTES 157
LIST OF PLATES
Diagram 27
The Last Furrow (Fig. 2). Facsimile from Holbein's woodcut 47
The Two Preachers (Fig. 3). Facsimile from Holbein's woodcut 48
I. Things Celestial and Terrestrial, as apparent to the English mind 56
II. Star of Florence 62
III. "At evening from the top of Fésole" 72
IV. "By the Springs of Parnassus" 77
V. "Heat considered as a Mode of Motion." Florentine Natural Philosophy 92
VI. Fairness of the Sea and Air. In Venice and Athens 95
The Child's Bedtime (Fig. 5). Facsimile from Holbein's woodcut 103
"He that hath ears to hear let him hear" (Fig. 6). Facsimile from Holbein's woodcut 105
VII. For a time, and times 130
VIII. The Nymph beloved of Apollo (Michael Angelo) 131
IX. In the Woods of Ida 132
X. Grass of the Desert 135
XI. "Obediente Domino voci hominis" 145
XII. The Coronation in the Garden 158
SAINT URSULA
By John Ruskin
Contents
PREFACE
THE STORY OF ST. URSULA
THE DREAM OF ST. URSULA
THE ELEMENTS OF DRAWING
IN THREE LETTERS TO BEGINNERS
CONTENTS.
page
Preface ix
LETTER I.
On First Practice 1
LETTER II.
Sketching from Nature 65
LETTER III.
On Color and Composition 106
APPENDIX I.
Illustrative Notes 183
APPENDIX II.
Things to be Studied 188
STONES OF VENICE
By John Ruskin
CONTENTS
THE STONES OF VENICE
PREFACE.
THE STONES OF VENICE
CHAPTER I. — THE QUARRY.
CHAPTER II. — THE THRONE.
CHAPTER III. — TORCELLO.
CHAPTER IV. — ST. MARK'S.
CHAPTER V. — THE DUCAL PALACE.
NOTE.
THE STONES OF VENICE
VOLUME I. (of III)
THE FOUNDATIONS
CONTENTS.
page
Preface, iii
CHAPTER I.
The Quarry, 1