CHAPTER VII.

A SHOT FROM THE DARK.

The study door was opposite the window. It was shut, but not locked, of

course, and all at once Max saw a knob begin to turn.

Apparently it made no sound, for the four men went on with their

work--the lawyer and Frost opening the bag preparatory to putting the

jewel cases into it, and Atherton and Professor Tufts stowing away the

apparatus in its case.

Every fiber of the waiter’s being tingled with suppressed excitement. It

was only too plain that somebody was outside the door, preparing to

burst in and take the burglars by surprise.

What ought he to do? Should he call out and warn them of their danger?

Should he make his own escape before the storm burst?

He had no time to decide, for all at once, with dramatic suddenness,

the door was flung open, and Francis Massey sprang into the room clad in

dressing gown and slippers, and armed with a revolver.

“Hands up, if you don’t want a bullet in you!” he cried, leveling his

weapon at Atherton with one hand, while with the other he pressed the

switch beside the door and flooded the room with light.

The intruders had been content with their electric torches and the

brilliant flame of the blowpipe.

With simultaneous cries of dismay the four men spun around and faced the

owner of the house.

“Stop that instantly, or I’ll fire!” cried the latter, as Atherton’s

hand stole toward his pocket. “Put your hands up, all of you! This

revolver is loaded in every chamber, and as you may be aware, I have

some little reputation as a crack shot.”

This was true enough, for Francis Massey had been a famous sportsman in

his younger days, and was still an expert with the revolver.

Half the length of the room separated him from the four men, and if they

had attempted to rush him, he could have--and probably would

have--dropped all four of them before they could have reached him.

“That’s better!” he said grimly, as the quartet quickly raised their

hands above their heads. “Now, kindly oblige me by walking backward and

standing with your backs to that wall behind you. Be quick about it!”

The waiter outside could have laughed at the ignominious spectacle

presented by the four masked burglars as they silently and sullenly

shuffled backward, and ranged themselves in a line against the wall.

Although the scene appealed to his sense of humor, it also had its

serious side--even from Max’s point of view.

All his plans for the future would be ruined if these men were captured

and their identity unmasked. At any rate, they must be allowed to

escape, and, after a moment’s hurried thought, the waiter drew out his

own revolver and cautiously pushed the muzzle under the lower edge of

the curtain.

“Massey doesn’t happen to be the only crack shot on hand,” he told

himself.

“I’m now going to ring for help,” the millionaire announced, moving

slowly toward an electric button set into his desk. “You’ll remain just

where you are until the servants come, and the very first man among you

who attempts to play any tricks will be shot down like a dog, without

any further----”

Crack!

At that moment Max Berne pressed the trigger of his revolver, and the

bullet, true to its aim, struck Massey on the wrist, shattering the bone

and causing him to drop the weapon with an involuntary howl of pain.

What happened next the waiter did not stop to see. As soon as he had

fired and had thereby given Atherton and his companions a chance to make

their escape, he leaped to his feet and dashed off in the direction of

the wooden door, which opened into the lane.

Long before he reached the door, he heard the four men racing across in

the same direction. As he did not wish them to see him, however, he hid

himself behind some bushes, but as soon as they had passed him, he

emerged from his hiding place, and followed them at a little distance.

Meanwhile, the report of the revolver had aroused the occupants of the

house, and by the time Max reached the door in the wall, he could hear

the servants running out of the house and calling to one another through

the darkness.

By that time, though, Atherton and the others had scrambled into their

machine, and the car was halfway down the lane.

Swiftly, yet without any trace of flurry, the waiter darted across the

road, snatched away the screen of leaves from his motor cycle, and

wheeled the machine into the lane.

While he was starting the engine, he heard a number of servants running

toward the door, and, just as he mounted, two of them dashed out.

“Here’s one of them!” called the foremost servant, and, as he uttered

the words, he rushed at Max and tried to seize him by the arm.

A blow in the mouth, however, sent him reeling back into the arms of the

other servants, and the next instant the waiter was scorching down the

lane at a speed which defied pursuit.

Half an hour later, after passing through Freehold, Berne caught sight

of the tail lights of Atherton’s car. He easily could have overtaken it

had he wished, but he preferred to follow it at a respectful distance.

Eventually, to make a long story short, he saw it thread its way through

the outlying districts of Long Island City, across the Queensborough

Bridge, and plunge into the narrow streets of the East Side.

Even then he did not leave the trail, but followed until the big car

drew up in front of the huge apartment house in which Alfred Atherton

maintained his luxurious bachelor quarters.

As the leader of the kid-gloved crooks alighted from the car, Max Berne

rattled past on his motor cycle.

He could not resist the temptation.

“Good night, Mr. Atherton,” he called out.

The society man wheeled about with thumping heart, but was too late to

see more than the cyclist’s back.

“That will give him something to think about!” murmured the waiter. “I

hope he hasn’t got a weak heart!”

“Great heavens!” ejaculated the startled Atherton. “Who was that, and

how long has he been following us?”

But none of the others could say, and although they tried to shake off

the uneasy feeling it gave them, they were not altogether successful.

Nick Carter Stories No. 160, October 2, 1915: The Yellow Label; or, Nick Carter and the Society Looters. · 第 7 / 21 章