THE COMPLEMENTARIES

136. Considering the circuit of the colors which we are able to produce

with our pigment-materials, the question arises, What contrasts of

color are the strongest? what interval in the Scale of Colors gives

us the strongest possible color-contrast? Producing the twelve colors

in the values of their greatest intensities, and as intense as

possible, and setting the tones in a circuit and in their natural and

inevitable order, you will observe that the greatest color-contrast

is the contrast between colors at the interval of the seventh: for

example, the contrasts of Red and Green, or Orange and Blue, or Yellow

and Violet. The colors at the interval of the sixth are less strong

in contrast. The contrast diminishes gradually as we pass from the

interval of the seventh to the interval of the second. The contrast of

colors at the interval of the seventh, the greatest possible contrast,

is called the contrast of the complementaries. In estimating intervals

we count the colors between which the intervals occur.

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