127. Of pigments I use these: Blue Black, Madder Lake (Deep), Rose
Madder, Indian Red, Venetian Red, Vermilion, Burnt Sienna, Cadmium
Orange, Yellow Ochre, Pale Cadmium, Aureolin, Cremnitz White,
“Emeraude” Green (Green Oxide of Chromium, transparent), Cobalt Blue,
French Ultramarine Blue. These are the pigments which I suggest for
oil-painting. In water-color painting I should substitute Charcoal
Gray for Blue Black. “Emeraude Green” is often called Viridian in the
form in which it is used in water-color. For Cremnitz White I should
substitute, in water-color painting, Chinese White. These are the
pigment-materials which I use myself and recommend to others. There
are, of course, many other pigments which may be used, but these will,
I think, be found sufficient for all purposes. Provided with these
pigments, with a palette upon which to put them, with brushes and other
materials necessary for painting, we are prepared to take up the study
of tones and tone-relations.