"Pisa, March 4. 1822.
"Since I wrote the enclosed, I have waited another post, and now
have your answer acknowledging the arrival of the packet--a
troublesome one, I fear, to you in more ways than one, both from
weight external and internal.
"The unpublished things in your hands, in Douglas K.'s, and Mr.
John Murray's, are, 'Heaven and Earth, a lyrical kind of Drama upon
the Deluge, &c.;'--'Werner,' _now with you_;--a translation of the
First Canto of the Morgante Maggiore;--_ditto_ of an Episode in
Dante;--some stanzas to the Po, June 1st, 1819;--Hints from Horace,
written in 1811, but a good deal, _since_, to be omitted;--several
prose things, which may, perhaps, as well remain unpublished;--'The
Vision, &c. of Quevedo Redivivus' in verse.
"Here you see is 'more matter for a May morning;' but how much of
this can be published is for consideration. The Quevedo (one of my
best in that line) has appalled the Row already, and must take its
chance at Paris, if at all. The new Mystery is less speculative
than 'Cain,' and very pious; besides, it is chiefly lyrical. The
Morgante is the _best_ translation that ever was or will be made;
and the rest are--whatever you please to think them.
"I am sorry you think Werner even _approaching_ to any fitness for
the stage, which, with my notions upon it, is very far from my
present object. With regard to the publication, I have already
explained that I have no exorbitant expectations of either fame or
profit in the present instances; but wish them published because
they are written, which is the common feeling of all scribblers.
"With respect to 'Religion,' can I never convince you that I have
no such opinions as the characters in that drama, which seems to
have frightened every body? Yet _they_ are nothing to the
expressions in Goethe's Faust (which are ten times hardier), and
not a whit more bold than those of Milton's Satan. My ideas of a
character may run away with me: like all imaginative men, I, of
course, embody myself with the character while I draw it, but not a
moment after the pen is from off the paper.
"I am no enemy to religion, but the contrary. As a proof, I am
educating my natural daughter a strict Catholic in a convent of
Romagna; for I think people can never have _enough_ of religion, if
they are to have any. I incline, myself, very much to the Catholic
doctrines; but if I am to write a drama, I must make my characters
speak as I conceive them likely to argue.
"As to poor Shelley, who is another bugbear to you and the world,
he is, to my knowledge, the _least_ selfish and the mildest of
men--a man who has made more sacrifices of his fortune and feelings
for others than any I ever heard of. With his speculative opinions
I have nothing in common, nor desire to have.
"The truth is, my dear Moore, you live near the _stove_ of society,
where you are unavoidably influenced by its heat and its vapours. I
did so once--and too much--and enough to give a colour to my whole
future existence. As my success in society was _not_
inconsiderable, I am surely not a prejudiced judge upon the
subject, unless in its favour; but I think it, as now constituted,
_fatal_ to all great original undertakings of every kind. I never
courted it _then_, when I was young and high in blood, and one of
its 'curled darlings;' and do you think I would do so _now_, when I
am living in a clearer atmosphere? One thing _only_ might lead me
back to it, and that is, to try once more if I could do any good in
_politics_; but _not_ in the petty politics I see now preying upon
our miserable country.
"Do not let me be misunderstood, however. If you speak your _own_
opinions, they ever had, and will have, the greatest weight with
_me_. But if you merely _echo_ the 'monde,' (and it is difficult
not to do so, being in its favour and its ferment,) I can only
regret that you should ever repeat any thing to which I cannot pay
attention.
"But I am prosing. The gods go with you, and as much immortality of
all kinds as may suit your present and all other existence.
"Yours," &c.
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