INTRODUCTORY STATEMENT OF THE FACTS BY PERCY FAIRBANK

I

"Hullo, there! Hostler! Hullo-o-o!"

"My dear! why don't you look for the bell?"

"I have looked--there is no bell."

"And nobody in the yard. How very extraordinary! Call again, dear."

"Hostler! Hullo, there! Hostler-r-r!"

My second call echoes through empty space, and rouses nobody--produces, in

short, no visible result. I am at the end of my resources--I don't know

what to say or what to do next. Here I stand in the solitary inn yard of a

strange town, with two horses to hold, and a lady to take care of. By way

of adding to my responsibilities, it so happens that one of the horses is

dead lame, and that the lady is my wife.

Who am I?--you will ask.

There is plenty of time to answer the question. Nothing happens; and

nobody appears to receive us. Let me introduce myself and my wife.

I am Percy Fairbank--English gentleman--age (let us say) forty--no

profession--moderate politics--middle height--fair complexion--easy

character--plenty of money.

My wife is a French lady. She was Mademoiselle Clotilde Delorge--when I

was first presented to her at her father's house in France. I fell in love

with her--I really don't know why. It might have been because I was

perfectly idle, and had nothing else to do at the time. Or it might have

been because all my friends said she was the very last woman whom I ought

to think of marrying. On the surface, I must own, there is nothing in

common between Mrs. Fairbank and me. She is tall; she is dark; she is

nervous, excitable, romantic; in all her opinions she proceeds to

extremes. What could such a woman see in me? what could I see in her? I

know no more than you do. In some mysterious manner we exactly suit each

other. We have been man and wife for ten years, and our only regret is,

that we have no children. I don't know what you may think; I call

that--upon the whole--a happy marriage.

So much for ourselves. The next question is--what has brought us into the

inn yard? and why am I obliged to turn groom, and hold the horses?

We live for the most part in France--at the country house in which my wife

and I first met. Occasionally, by way of variety, we pay visits to my

friends in England. We are paying one of those visits now. Our host is an

old college friend of mine, possessed of a fine estate in Somersetshire;

and we have arrived at his house--called Farleigh Hall--toward the close

of the hunting season.

On the day of which I am now writing--destined to be a memorable day in

our calendar--the hounds meet at Farleigh Hall. Mrs. Fairbank and I are

mounted on two of the best horses in my friend's stables. We are quite

unworthy of that distinction; for we know nothing and care nothing about

hunting. On the other hand, we delight in riding, and we enjoy the breezy

Spring morning and the fair and fertile English landscape surrounding us

on every side. While the hunt prospers, we follow the hunt. But when a

check occurs--when time passes and patience is sorely tried; when the

bewildered dogs run hither and thither, and strong language falls from

the lips of exasperated sportsmen--we fail to take any further interest in

the proceedings. We turn our horses' heads in the direction of a grassy

lane, delightfully shaded by trees. We trot merrily along the lane, and

find ourselves on an open common. We gallop across the common, and follow

the windings of a second lane. We cross a brook, we pass through a

village, we emerge into pastoral solitude among the hills. The horses toss

their heads, and neigh to each other, and enjoy it as much as we do. The

hunt is forgotten. We are as happy as a couple of children; we are

actually singing a French song--when in one moment our merriment comes to

an end. My wife's horse sets one of his forefeet on a loose stone, and

stumbles. His rider's ready hand saves him from falling. But, at the first

attempt he makes to go on, the sad truth shows itself--a tendon is

strained; the horse is lame.

What is to be done? We are strangers in a lonely part of the country. Look

where we may, we see no signs of a human habitation. There is nothing for

it but to take the bridle road up the hill, and try what we can discover

on the other side. I transfer the saddles, and mount my wife on my own

horse. He is not used to carry a lady; he misses the familiar pressure of

a man's legs on either side of him; he fidgets, and starts, and kicks up

the dust. I follow on foot, at a respectful distance from his heels,

leading the lame horse. Is there a more miserable object on the face of

creation than a lame horse? I have seen lame men and lame dogs who were

cheerful creatures; but I never yet saw a lame horse who didn't look

heartbroken over his own misfortune.

For half an hour my wife capers and curvets sideways along the bridle

road. I trudge on behind her; and the heartbroken horse halts behind _me_.

Hard by the top of the hill, our melancholy procession passes a

Somersetshire peasant at work in a field. I summon the man to approach us;

and the man looks at me stolidly, from the middle of the field, without

stirring a step. I ask at the top of my voice how far it is to Farleigh

Hall. The Somersetshire peasant answers at the top of _his_ voice:

"Vourteen mile. Gi' oi a drap o' zyder."

I translate (for my wife's benefit) from the Somersetshire language into

the English language. We are fourteen miles from Farleigh Hall; and our

friend in the field desires to be rewarded, for giving us that

information, with a drop of cider. There is the peasant, painted by

himself! Quite a bit of character, my dear! Quite a bit of character!

Mrs. Fairbank doesn't view the study of agricultural human nature with my

relish. Her fidgety horse will not allow her a moment's repose; she is

beginning to lose her temper.

"We can't go fourteen miles in this way," she says. "Where is the nearest

inn? Ask that brute in the field!"

I take a shilling from my pocket and hold it up in the sun. The shilling

exercises magnetic virtues. The shilling draws the peasant slowly toward

me from the middle of the field. I inform him that we want to put up the

horses and to hire a carriage to take us back to Farleigh Hall. Where can

we do that? The peasant answers (with his eye on the shilling):

"At Oonderbridge, to be zure." (At Underbridge, to be sure.)

"Is it far to Underbridge?"

The peasant repeats, "Var to Oonderbridge?"--and laughs at the question.

"Hoo-hoo-hoo!" (Underbridge is evidently close by--if we could only find

it.) "Will you show us the way, my man?" "Will you gi' oi a drap of

zyder?" I courteously bend my head, and point to the shilling. The

agricultural intelligence exerts itself. The peasant joins our melancholy

procession. My wife is a fine woman, but he never once looks at my

wife--and, more extraordinary still, he never even looks at the horses.

His eyes are with his mind--and his mind is on the shilling.

We reach the top of the hill--and, behold on the other side, nestling in

a valley, the shrine of our pilgrimage, the town of Underbridge! Here our

guide claims his shilling, and leaves us to find out the inn for

ourselves. I am constitutionally a polite man. I say "Good morning" at

parting. The guide looks at me with the shilling between his teeth to make

sure that it is a good one. "Marnin!" he says savagely--and turns his back

on us, as if we had offended him. A curious product, this, of the growth

of civilization. If I didn't see a church spire at Underbridge, I might

suppose that we had lost ourselves on a savage island.

The Lock and Key Library: Classic Mystery and Detective Stories: Modern English · 第 31 / 82 题