BY WILLIAM DUANE, JR.

If the ancient inhabitants of the world had extreme difficulty in

sheltering themselves from the severity of the seasons, they experienced

much more in giving to their clothes the impress of art or industry.

Consult Strabo; he will tell you that certain nations covered themselves

with the bark of trees, fig-leaves or rushes, rudely intertwined. Often

also the skins of animals were employed, without the least preparation,

for the same end. In proportion as the barbarism disappeared which had

been introduced by the confusion of tongues, they began to think of the

wool of sheep, and to ask themselves if there were no means of uniting

in a single thread the different pieces of this substance by the aid of

a kind of spindle. Seeing their efforts crowned with success, “Let us

now,” said they, “try to imitate the spider.” They did so; and, behold,

as Democritus begs us to observe, the art of weaving invented! After

that, the invariable custom which existed among the Jews, fifteen

hundred years before Jesus Christ, of collecting the fleeces of their

sheep at fixed periods; and great was the account which they made of it

according to the testimony of Genesis (31, 19.)

The history, true or fabulous, of the web of Penelope, the wife of

Ulysses, proves to us that wool was not the sole material to which they

thought of applying the art of weaving. And do we not read in Pliny that

“the cotton plant grew in Upper Egypt, that they made stuffs of it, and

that the Egyptian priests made admirable surplices of it?” It is

undeniable that garments of cotton and of linen were in use in the time

of the patriachs; indeed Moses commands his people in the 22d chapter of

Deuteronomy, “not to wear a dress of linen;” and the ancient

Babylonians, as Herodotus informs us, (Book I.) “wore immediately over

their skin a cambric tunic, which fell down to their feet in the

oriental manner.” It was the same among the Athenians, according to

Thucydides.

In the age of Augustus, many people had already arrived at great

perfection in the manufacture of linen stuffs: it is the express

assertion of the historian Pliny. “The Faventine cloth,” says he, “is

always whiter than the Allienne cloth. That which they have designated

by the word _Retovine_, is so exceedingly fine that its threads are as

slender as those of the spider. I have myself seen a thread of Cumes

hemp so thin that a great net made of this material could go through a

common ring; and I have heard tell of a man who could carry on his back

as much as was required to encircle an entire forest. The fine cambric,

made of the linen of Byssus, is a product of Achaia; it was sold in old

times for its weight in gold.” (Book 19.)

In the Egyptian Museum of the Royal Library of Paris, you may cast your

eyes upon mummies, found in the catacombs of Cairo: the cloth in which

they are wrapped is not at all coarser than the cambric of your shops;

and yet it has been woven three hundred years. On this occasion it is

not inappropriate to add that the art of weaving is still more ancient

than that of embalming; which this answer of Abraham to the king of

Sodom indicates: “I will not carry away a single thread of your wool,”

said the patriarch to him, “lest you should say—I have made Abraham

rich!” Elsewhere, Moses informs us that Abimelech presented a veil to

Sarah; that on the approach of Isaac, Rebecca covered her face with a

veil; and that when Joseph was appointed viceroy of Egypt, Prince

Pharaoh covered him with a linen robe after having placed his own ring

upon his finger. The Book of Job (the most ancient writing perhaps in

existence) mentions a weaver’s _shuttle_, (chapter 7.) A thousand years

before the Christian era, do you see, setting out along the desert,

those messengers of the wise Solomon, going to procure in Egypt cloths

of fine linen for the king, their master? Shortly after, the city of

Tyre obtained great celebrity for the beauty of its fine linens; and

Ezekiel dwells enraptured on the opulence of its merchants in the

following terms:—“All the planks of thy vessels are of the fine fir

tree of Senir, and their masts are of the cedar of Lebanon! For their

sails thou hast employed the fine linen of Egypt, splendidly

embroidered.” Do not suppose that all the sails of this period were of

as precious a material as those of the Tyrians: like those of the

Arabians of our days, they were generally composed of woven rushes.

The women commonly wore white dresses; besides, the ancients had early

made rapid progress in the art of bleaching. They were all ignorant, as

you may well suppose, of the expeditious process which the illustrious

Berthollet has conceived, with the assistance of a hydrochlorate of lime

or of soda; they knew, however, how to use other detersive substances to

impart a shining whiteness to their stuffs. “There exists among us,”

says Pliny, “a species of poppy, very rare, which bleaches linen cloth

wonderfully; and yet, would one believe it? we have among us a crowd of

people so vain that they have attempted to dye their linen as well as

their wool.” In alluding in another passage to the sky-blue curtains of

the Emperor Nero, he begs us not to forget that, despite of all the rich

shades produced by dyeing, _white_ cloth never ceased to enjoy the

highest reputation, to such a degree that they conferred the title of

_Great_ on a person named _Lentulus Spinter_, who first conceived the

idea of hanging white curtains around the places consecrated to the

Olympic games. This same kind of stuff was spread upon all the houses of

the _Via Sacra_, by order of Cæsar, the Dictator, who planning

magnificent decorations, wished that they should extend from his

residence up to the Capitol.

The basis of the hard soap of our days was undoubtedly known to the

ancients. The _natron_ or sub-carbonate of soda, which they collect in

the channels of the Nile at the present time, was really gathered there

in sufficient abundance in the first ages of the world. From another

place, the man of Uz made use of it; for he makes ready in one of his

chapters (Job, ch. 9.) to wash his clothes in a pit with _bor_ or

_borith_, a plant much esteemed on account of its alkaline properties.

(You must not confound this with the _boron_ of modern chemistry, which

with oxygen constitutes the boracic acid.) Open the Sixth Book of the

Odyssey; Homer will there shew you Nausicaa, and her companions,

trampling their clothes with their feet to whiten them for an

approaching marriage; the bard adds that the ladies knew perfectly well

the property which the atmosphere possessed of assisting in the

destruction of the only substance which imparts a greyish appearance to

cloths. In alluding to this passage, Goguet affirms that all the linen

and cotton garments were washed daily. An anecdote related by Apuleius

in his book of “The Golden Ass,” goes to prove still more the attention

which they formerly paid to the art of bleaching; “A wag,” said he to

us, “being secretly introduced into the house of a merchant, came near

being suffocated by the sulphurous gas which was given out by a

bleaching machine in which he was hid.”

The ability of the ancients to bestow upon their linen, cotton[2] and

woolen cloths a brightness not inferior to that of the snow of their

mountains, did not fail them when they had to dye them. More than three

thousand years ago a cunning shrew, as Genesis informs us, (ch. 28.)

fastened a scarlet ribbon around the hand of one of the children of

Tamar: and Homer speaks to us in the part of his poem above mentioned,

of the colored cloths of Sidon as admirable productions. Jacob made for

his beloved son Joseph, “a robe of many colors,” and the king of Tyre

sent into the palace of Solomon “a man skilful to work wonderfully in

gold, silver, &c. and to produce upon fine linen the shades of purple,

blue and crimson.” According to Herodotus, who wrote, as you know, four

hundred years before Jesus Christ, some people of Caucasus washed in

water the leaves of a certain tree, which yielded at length a brilliant

color, with the aid of which they drew upon stuffs the figures of lions,

monkeys, dolphins and vultures.

Among the brave knights who perished at Colchis, in the Argonautic

expedition, there was one whom the historian Valerius Flaccus

distinguishes by his painted tunic, at the same time that he expresses

his admiration of the whiteness of the fine cloth which the hero also

wore:

“Tenuia non illum _candentis_ carbossa lini,

Non auro depicta chalymis, non flava galeri

Cæsaries, _pictoque_ juvant subtemine bracæ.”

(Val. Flac. 6.)

Speaking of Colchis, it was there that the best materials for painting

were formerly procured. Besides, if you will ascend in spirit to the

days of old, you will perceive every year on the roads leading from

Georgia to the principal cities of India, as well as to Dimbeck, an

immense drove of two thousand camels, loaded with madder. Thence the

_red_[3] flowers were derived, of which Strabo speaks, which the nations

dwelling on the borders of the Indus and the Ganges loved to spread upon

their cloths. It is a particular worthy of remark that the Egyptians who

constantly clothed the statues of their goddess Isis with _linen_ and

_cotton_ drapery, never employed _wool_ for that purpose, a substance

which they hated so much that they did not permit the use of it, even in

interments, as the 44th chapter of Ezekiel informs us. This aversion

extended even to shepherds, for you may read in Genesis that every

shepherd was an abomination to the Egyptians. (46.)

The purple of Tyre was known at an epoch exceedingly remote, and the

dyers of Phœnicia surpassed in skill those of all the other nations of

the east. This people came a thousand years ago as far as Great Britain

to procure an enormous quantity of tin, a metal which has the property,

or rather certain salts of it have, of augmenting the intensity of the

principal red colors contained in many vegetable and animal substances.

Upon this subject, we would advise you to run over, in the third book of

Strabo, the interesting recital which he gives of the pursuit of a

Phœnician vessel by a Roman bark, which wished to seize the tin with

which it was freighted. It was in the neighborhood of the coast of

Cornwall: the Phœnician, seeing the prow of the Roman near his stern,

threw three-fourths of his cargo overboard, and steered right upon a

sand-bank, where the enemy, as you may well suppose, did not think of

following him. The Tyrians, astonished at the great opulence which their

city attained, attributed to the gods the magic art of dyeing in purple.

All writers, and especially Ctesias, physician to a king of Persia, who

lived four hundred years before the Christian era, and Ælian, a

contemporary of Alexander Severus, frequently allude to an insect, to

which the Phœnicians were indebted for the superior manner in which they

could produce an admirable scarlet. It was evidently the cochineal: and

this little animal must have been at that time less rare than at present

in Syria, India, and Persia, since the humblest classes frequently wore

stuffs dyed with purple. It is not surprising that they knew not how to

extract from the cochineal the most brilliant of all the known reds, the

carmine, before which the vermillion grows pale, and which chemistry can

procure for us, in our days, in great abundance; and you know that this

little insect lives upon the _cactus_ which grow in Brazil, in Mexico,

at Jamaica, and at Saint Domingo.

The fashion of wearing silk was unknown at Rome, before the beginning of

the empire. The rage for dressing in it was already so great in the time

of Tiberius, that the emperor prohibited the use of it by a positive

law. The Greeks also had a taste for it; and the cloak of _Amphion_ was

certainly of silk, for the historian Philostratus (Ion, Book I.) tells

us that its color changed according to the different ways in which the

light was reflected from it. Pliny gives us to understand that the gold

stuffs of the ancients were not made as those of our time, of a thread

of gold or silver, wrapped around a woof of silk, but that they were

woven of gold deprived of all alloy: knowing this, he speaks of the

manner in which the wife of Claudius dressed herself to attend a

_Naumachia_ or sea fight, in the following terms—“Nos vidimus

Agrippinam—indutam palludamento auro textile, _sine alia materia_.” It

is about fifty years since they extracted, by assaying, more than four

pounds weight of pure gold from some old dresses which the fathers of

the Clementine College, at Rome, discovered in an urn of basalt, buried

in their vineyard. Tarquin, the Elder, was he, among the Roman

Sovereigns who most usually wore dresses of gold.

From the time of Homer the Greeks wore _black_ dresses for mourning.

This bard shews us Thetis wearing, after the death of Patroclus, the

blackest of her dresses. (Iliad, 24.) For many years the same usage

prevailed among the Romans, but it was partly changed under the

emperors, so that when Plutarch wrote, the women in mourning could wear

nothing but white. Besides, we have a proof of it at the obsequies of

Septimius Severus: “The image of this emperor,” Herodian tells us,

“formed of wax, was surrounded on one side by a row of women in _white_,

and on the other by the body of all the senators, clothed in _black_. At

the death of the Empress Plotina,” adds the historian, “her husband

Trajan covered himself with very black habits for the space of nine

days.” The _toga_ necessarily received as many shades of color as the

other garments: but as to the form of this kind of robe it is impossible

to decide. When Dionysius, of Halicarnassus, asserts that the toga

presented the appearance of a semicircle (’ημικυκλος) he did not at all

intend to describe its shape, but only the form which it assumed when

worn upon the body. Strabo asserts that the military cloak with which

the warriors clothed themselves had an oval form; and that among the

Athenians it was often worn by the young people even in time of peace.

The _tunic_, which was the principal part of the under clothing, was not

generally used among the nations of antiquity, except the Greeks and

Romans; all the Cynic philosophers disdained to make use of it. We know

that Augustus put on as many as four tunics in winter. The name of this

great emperor reminds us that it was in his reign, or thereabouts, that

the Romans began to use table-cloths. Montfaucon believes that the

greater part of them were of cloth striped with gold and purple. In

France the ancient table-cloths were intended for collecting, after the

meal, the smallest crumbs that were left, that nothing might be lost;

and D’Arcy informs you that among our neighbors, the English, table

linen was very seldom used in the thirteenth and fourteenth centuries.

As there exist in our days many nations, especially in the torrid zone,

who do not wear _hats_, (a name by which we must understand every

covering for the head, as its etymology plainly indicates,) so it

formerly happened that the nations did not always think of making use of

them. Thus one of the most civilized, the Egyptians, went bare-headed,

according to the authority of Hesiod. Amongst the Orientals, and

especially amongst the Persians, the turban was in great vogue; that of

the sovereign was composed of a whole bale of muslin. It was from this

last mentioned people that the Jews derived the turban. The hats of the

Greeks must have had very large brims, to judge from the root of the

word (πετασος) which designated them. The Romans granted to their

freedmen the right of covering themselves with a kind of cap, which has

been since adopted as the emblem of liberty. It is to a Swiss, residing

in Paris, about the beginning of the fifteenth century, that we owe the

first invention of felt hats. They were generally known at the close of

the reign of Charles VII.: this monarch himself wore one at his

triumphal entry into Rouen, in 1449. We read in Daniel that the worthy

townsmen of that ancient city stood still as if petrified, so much were

they astonished at seeing his majesty’s hat; the historian adds that its

lining was of red silk, and that it was surmounted by a superb bunch of

feathers. Before the period of which we speak, it is probable that the

French covered their heads in the same way as the English, that is to

say, with woven caps or rather with cloth and silk hoods.

The stockings of the ancients were made of little pieces of cloth sewed

together. We cannot say with certainty in what country the

stocking-frame was invented. France, England and Spain respectively

claim this useful discovery. A short time before the unfortunate

tournament, in which Henry II. lost his life, he put on the first pair

of silk stockings ever worn. Five years afterward, we see in England,

William Ryder presenting a pair, as a very precious article, to William,

Earl of Pembroke. Ryder had learnt the method of making them from an

Italian merchant.

Many persons probably know not that _wooden shoes_ date from a very

remote period; for the Jews wore them long before the age of Augustus.

Perhaps they were not made exactly like the wooden shoes so common among

the poorer classes in France; but it is not less true that this kind of

covering for the feet was generally adopted among nearly all the people

of Judæa: sometimes, however, we observe leather shoes among them; and

the Jewish soldiers covered their feet with copper, or with iron. The

shoes of the Egyptians were of _papyrus_; the Chinese and the Indians

manufactured theirs of silk, of rushes, of the bark of trees, of iron,

of brass, of gold or of silver, according as their fortune permitted, or

their fancy dictated. At Rome, as in Greece, leather was the material

which covered the feet of every one. The Roman women wore _white_ shoes:

the common people wore _black_: and the magistrates set off their feet

with _red_ shoes on solemn occasions. A thousand years ago the most

powerful sovereigns of Europe had wooden soles to their shoes. Under

William Rufus, son of the great Duke of Normandy, who conquered at

Hastings, in 1066, a fashion was introduced into England of giving to

the shoes an excessive length; the point which terminated them was

stuffed with tow, and curved up on high like a ram’s horn. In the

fourteenth century they thought of connecting these points with the

knee, by means of a gold chain. Great must have been the surprise of the

worthy Anglo-Saxons, on beholding this strange species of vegetation

sprouting up suddenly amongst them! Some called to remembrance the

history of the serpent’s teeth, which Cadmus sowed, whence a swarm of

soldiers issued; others conceived that it was the costume of magicians;

and little children sometimes, when going to bed, asked their mothers if

there was no danger that their heads might be metamorphosed in the night

into those of a horrible deer? Before leaving this paragraph upon shoes,

we would call to recollection the antiquity of the art of the

leather-dresser: open for that purpose the Iliad, and you will find in

the Seventeenth Book, tanners preparing skins to make leather of them.

This class of manufacturers composed, three hundred years ago, a very

important body, since we possess the account of a furious quarrel which

broke out, under Queen Elizabeth, between them and the shoe-makers. We

are pleased to record here the perfection with which they manufacture

leather at this date in the New World. In South Carolina, as well as in

the state of Virginia, the Indian women are so skilful in this branch of

industry that a single person can dress as many as ten deer-skins a

day.[4] Of all the transformations which are wrought in the arts, that

of the animal substance into leather is, without doubt, one of the most

curious. The process, by means of which they set about accomplishing it

in old times, was the result of a calculation still more ingenious than

that of changing two opaque bodies into a transparent body to make

glass, for instance; or else two transparent bodies into an opaque body

for making soap. Besides, you know that chemistry actually teaches us

that leather is a real salt, a _tannate of gelatine_. This assertion was

not uttered with confidence until M. Pelouze had extracted from tan in

late years the tannic acid in a state of remarkable purity. Besides

this, you may now explain a phenomena which is repeated at a great

distance upon the ocean, at the time of some lamentable shipwreck. The

journal which records for you the history of one of these sad events

often tells you that in the last moment of famine, the unhappy survivors

took to eating their shoes, and that life is sometimes prolonged by

these means! Certainly, for the gelatine possesses nutritious

properties, even when its peculiarities are stained with a thousand

impurities, as is leather.

The subject upon which we have endeavored to present some observations,

is so capable of being extended that a large volume in octavo would

scarcely suffice to contain all the historical knowledge relating to it.

But such a dissertation, carried out to the extent or with the exactness

which it admits of, would only constitute at last a kind of catalogue or

bare enumeration of the thousand modifications which human vestures have

undergone down to our times. The memory of the reader would be unable to

retain so prodigious a number of minute particulars, and the curiosity

of his mind, fatigued by so many useless details, would be extinguished

before finishing the third part. These changes have often, it is true,

nothing for their object but the accessory and secondary parts of dress,

as the following passage, which we meet with in the _voyages_ of M. de

Chateaubriand, seems to point out.

“One thing has at the same time struck me and charmed me; I have met in

the dress of the Auvergne peasant the attire of the Breton peasant.

Whence comes this? It is because there was formerly for this kingdom,

and for all Europe, a _groundwork_ of a common attire.” (Vol. 2., p.

296.)

In another particular also, men have always been constant, that they

have never ceased to seek for the material to compose their clothing

from the animals which the Creator has placed in their respective

climates. It will probably be the same till the end of the world. It is

thus that the nations under the temperate zone have recourse for

covering to wool, because, being a bad conductor of caloric, it prevents

the escape of it from their bodies. In the frozen zone the Russians, the

Esquimaux, and the Greenlanders, clothe themselves in furs, a material

which is a still worse conductor of caloric; while the natives of

countries under the influence of the torrid zone, make their dresses of

hair or horse-hair, whose conducting properties are in an inverse ratio

to those of furs. It is worth remarking that the animals which in

temperate regions are covered with wool or ordinary hair, are provided,

when they inhabit countries really cold, with an under-fleece of very

fine wool: it is the case with goats, sheep, dogs, horses, and Thibet

cows.

If by a game of metempsychosis, you were enabled to return to existence

two hundred years hence, what unheard of changes would you not see in

the dress of individuals. Transport in anticipation your shade to a

point commanding one of the public promenades of the capital; suppose

yourself, for instance, on the top of the Vendôme Column, on a fine

summer’s evening; you would, perhaps, perceive the _dandies_ of the time

strutting in frocks, whose leg of mutton sleeves are as voluminous as

those of our sylphides at this day. Their hats, instead of being of

beaver or of fur, have a similar shape to that which our ladies adopted

in 1839. For the young folks a notched veil would be the prescribed

mode; the men, of a certain age, would embellish their hats with a

superb scarlet plume. As to the women, who will now dare to affirm that

they will not then cover their heads with perukes _à la_ Louis XIV.

topped off with three-cocked hats, and that from their chin there will

not descend a band _à la procureur du roi_? Extend your Pythagorean

glance farther into the ages, and you will, perhaps, discover another

part of mankind adding to their dress an enormous pair of wings! We may

doubt that the gnomes, the sciences, will never render the attempt to

make use of them more effectual than that of the son of Dædalus in old

times; but in return, posterity may fly by another process, in case the

æronauts can discover the secret of steering themselves in mid-air.

Should this expectation be realised, we may then hear one of your future

grand-nieces (who will be the belles of the noble Faubourg) say to her

domestic on rising from her breakfast, “Ganymede! my balloon, with its

boat; I wish to go dine to-day with my cousin, at Florence.”

-----

[2] It is generally believed that the word _calico_ is derived from

Calicut, a city on the coast of Malabar in Hindostan, whence the first

patterns of this stuff came to Europe.

[3] Dyers now know how to produce a very durable red by dipping their

stuffs in a solution of acetate of alum, before subjecting them to the

action of the madder. It would be desirable that they should begin to

derive some advantage, on a large scale, of a new substance, lately

discovered by Mr. Robiquet, which possesses the property of producing a

red amaranth or pansy, very agreeable. Chemists call this substance

_orsine_.

[4] This will be news to the people “in South Carolina, as well as in

the state of Virginia.” _Translator._

Philadelphia, May, 1841.

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