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=CHOPIN, HIS LIFE AND LETTERS.= By MORITZ KARASOWSKI. Translated by
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=HANDEL'S "MESSIAH."= The Oratorio and its History. A Handbook of Hints
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Dr. Farmer's researches into the MUSIC OF THE ARABS OF THE MIDDLE
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The present work undoubtedly breaks fresh ground in history, and is
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=THE PAST AND THE FUTURE.= An Inaugural Lecture at Gresham College. By
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=THE WORLD'S EARLIEST MUSIC.= Traced to its Beginnings in Ancient Lands.
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=TREATISE ON BYZANTINE MUSIC.= By S. G. HATHERLEY. 208 Musical Examples.
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There are upwards of 50 unabbreviated musical pieces, ancient and
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ORCHESTRAL.
=THE CHAMBER AND ORCHESTRAL WORKS OF JOHANNES BRAHMS. FIRST SERIES TO
OP. 67.= Historical, Descriptive and Analytical Account of each Work
treated in the order of the Opus number, and preceded by a Didactic
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and a complete Rhythmical Chart of each Movement. By EDWIN EVANS,
Senior. With 435 music examples and tables. 8vo, cloth, 30s. _net_.
=THE CHAMBER AND ORCHESTRAL WORKS OF JOHANNES BRAHMS. SECOND SERIES, OP.
68 TO THE END.= By EDWIN EVANS, Senior. Uniform with the above. With 633
music examples and tables. 8vo, cloth, 30s. _net_.
The above two volumes are a complete technical account of the
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concertos. They form a part of the Historical, Descriptive and
Analytical Account of the Entire Works of Brahms advertised on page
2.
=ORCHESTRAL AND BAND INSTRUMENTS.= A Short Account of the Instruments
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BROADHEAD, Mus.B. Dunelm, L.Mus.T.C.L. With 24 Illustrative Music
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=CONCISE METHOD OF INSTRUMENTATION.= How to Write for the Orchestra and
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=INSTRUMENTS AND ART OF THE ORCHESTRA.= An Introductory Study. With
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=ORCHESTRAL WIND INSTRUMENTS=, Ancient and Modern. Being an Account of
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ULRIC DAUBENY. Important original work fully illustrated with beautiful
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=HANDBOOK ON THE TECHNIQUE OF CONDUCTING.= By SIR ADRIAN BOULT. Seventh
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=PRACTICAL GUIDE FOR THE CONDUCTOR= and Useful Notes for the Orchestra.
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=A MUSICAL ZOO.= Twenty-four Illustrations displaying the Ornamental
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This popular and useful book might have been entitled "The Art of
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=ON CONDUCTING.= By RICHARD WAGNER. Translated by E. DANNREUTHER. Fourth
Edition. Crown 8vo, cloth, 7s. 6d. _net_.
WEINGARTNER, speaking of this celebrated work, says: "Wagner's book
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but above all the spiritualising internal factor that gives the
performance its very soul."
_Grove's Dictionary_ says "One of the finest of his minor
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instructive. A Treatise on _Style_, giving his views as to the true
way of rendering classical music, with minute directions how to do
it and how not to do it, together with many examples in musical
type from the instrumental works of Beethoven, Weber, Mozart, etc."
=NOTES ON CONDUCTING AND CONDUCTORS.= By T. R. CROGER, _F.R.G.S.,
F.Z.S._, also the Organising and Conducting of Amateur Orchestras, with
three full-page Illustrations of the various "Beats" and Plan of the
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"A mine of good things."--_Musical Opinion._
"One of the best guides to conducting."--_Music Trades Review._
=ABOUT CONDUCTING.= Practical Advice on Concerts, Rehearsals, the
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and Organiser of the Promenade Concerts). With two plans, crown 8vo,
cloth, 5s. 6d. _net_.
ORGAN.
=TECHNICS OF THE ORGAN.= An Illuminative Treatise on many Points and
Difficulties connected therewith. Special Treatment of Rhythm,
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Regulation of Organ Tone and Accompaniment. By EDWIN EVANS, Senior,
F.R.C.O. With over 100 Music Examples. 4to, cloth, 12s. 6d. _net_.
A valuable Book to help a Moderate Player to become a Master.
=NEW ORGAN PRINCIPLES AND THEIR INTERPRETATION.= A Guide to and
Suggestions on Phrasing and Registration with a view to improved Organ
Playing. By TERENCE WHITE. With 54 music examples. Octavo, cloth, 6s.
_net_ (paper covers, 3s. 6d. _net_).
=ORGAN OF THE ANCIENTS FROM EASTERN SOURCES= (Hebrew, Syriac and
Arabic). By HENRY GEORGE FARMER, M.A., Ph.D., Carnegie Research Fellow.
Foreword by CANON F. W. GALPIN. With numerous Illustrations. Square 8vo,
cloth, 27s. 6d. _net_.
"An authoritative treatment of the subject."--_Grove's Dictionary._
=TECHNICS OF ORGAN TEACHING.= A Handbook which treats of Special Points
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JEVONS. 8vo, cloth, 6s. _net_ (paper, 3s. 6d. _net_).
=ART OF ORGAN ACCOMPANIMENT IN THE CHURCH SERVICES.= What to Do and what
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Test Questions," etc. Cloth, 6s. _net_ (paper covers, 3s. 6d. _net_).
=MODERN ORGAN BUILDING.= Being a Practical Explanation and Description
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WALTER and THOMAS LEWIS (_Organ Builders_). =Third edition=, with
additional matter and Diagrams added, covering the latest developments
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working drawings, together with diagrams, tables, etc. xxix, 247 pages,
4to, cloth.
=THE ORGAN AS VIEWED FROM WITHIN.= A Practical Handbook on the Mechanism
of the Organ. By JOHN BROADHOUSE. With over fifty Illustrations. Second
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=THE PEDAL ORGAN.= Its History, Design and Control. By THOMAS CASSON.
With folding Diagram. Second Impression. 8vo, cloth, 6s. _net_.
=THE EARLY ENGLISH ORGAN BUILDERS= and their Works, from the Fifteenth
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the History of the Organ. By DR. E. F. RIMBAULT. Well printed, with
Woodcuts. Post 8vo, cloth, 7s. 6d. _net_.
=THE ORGAN=: A Comprehensive Treatise on its Structure, Capabilities,
History and Bibliography. With Criticisms and Depositories, preceded by
an Analytical Consideration of general Bibliographical and Catalogual
Construction. By J. W. WARMAN, _late Organist of the Anglican Cathedral,
Quebec_. Four parts [A to Nou. (the rest unprinted)], 15s. _net_.
The parts advertised above are all that have been published, as the
untimely death of Mr. Warman prevented the completion of the work.
The book is a mine of wealth for those interested in organ
subjects. The author devoted the best part of his life in compiling
the work and collecting material for his subject.
=SOME CONTINENTAL ORGANS= (Ancient and Modern) and their Makers. With
Specifications of many of the fine Examples in Germany and Switzerland.
By JAMES I. WEDGEWOOD. Post 8vo, cloth, 6s. 6d. _net_.
Contains specification and a brief _critique_ of some of the famous
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at Haarlem, Cologne, Aix-la-Chapelle, Frankfort, Heidelberg, Ulm,
Stuttgart, Einsiedeln, Strassburg and Antwerp. This work forms a
valuable supplement to Hopkins's and Rimbault's great treatise.
=MODERN ORGAN TUNING=, The How and Why, Clearly Explaining the Nature of
the Organ Pipe and the System of Equal Temperament, together with an
Historic Record of the Evolution of the Diatonic Scale from the Greek
Tetrachord. By HERMANN SMITH. Crown 8vo, cloth, 7s. 6d. _net_.
"The greatest authority on acoustical matters connected with organ
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in his "Art of Organ Building."
=THE TEMPLE EDITION OF ORGAN OVERTURES AND ARRANGEMENTS=, all with Ped.
Obb. 3s. _net_ each.
See page 25 for list of about sixty works in this series, including
works by Wagner, Tchaikovsky, Beethoven, Mozart, Handel, Berlioz,
Glinka, Schubert, Gounod, Herold, Mendelssohn, Meyerbeer, Balfe,
Auber, Rossini, Weber, Wallace, Suppe, Adam, Thomas, Nicolai,
Sterndale-Bennett, Cornelius and Flotow, chiefly arranged by Edwin
Evans.
=THE INFLUENCE OF THE ORGAN IN HISTORY.= By DUDLEY BUCK. Fresh issue
with Illustrations. Crown 8vo, cloth, 4s. _net_ (or paper, 2s. _net_).
=ORGANIST'S REPERTOIRE GUIDE.= An International Repertoire Guide
(Historical, Educational and Descriptive) to Foreign, British and
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of_ "Liszt, Composer, and his Piano Works"). 4to, cloth, 17s. 6d. _net_.
Describes the best Organ Music of foreign countries as well as of
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A large and beautifully presented quarto work, fully illustrated by
thirty-six plates on fine art paper, comprising seven English and
sixteen foreign organs, thirty-one portraits, and illustrations of
the houses of Bach and Handel.
=REFORM IN ORGAN BUILDING.= By THOMAS CASSON. Crown 8vo, sewed, 2s. 6d.
_net_.
=TUTOR FOR THE AMERICAN ORGAN AND HARMONIUM.= By W. F. TAYLOR. 4to, 2s.
6d. _net_.
=THE BYRD ORGAN BOOK=, for Piano or Organ. A Collection of 21 Pieces
(Pavans, Galliards, etc.), by William Byrd, 1543-1623, edited from the
Virginal MSS., and now first published in Modern Notation. By M. H.
GLYN, 7s. 6d.
"A charming collection."--_West Sussex Gazette._
=ADVICE TO YOUNG ORGANISTS.= By J. T. FIELD. 6d. _net_.
=THE ORGAN FIFTY YEARS HENCE.= A Study of its Development in the Light
of its Past History and Present Tendencies. By FRANCIS BURGESS,
_F.S.A._, _Scot._ 8vo, 2s. _net_.
THE TEMPLE EDITION OF ORGAN OVERTURES. (3 Staves).
Arranged from Full Score by Edwin Evans, Senr. (except where other wise
stated).
Price 3/-_net_ each.
=ATHALIE= (Mendelssohn).
=BARBER OF BAGDAD= (Peter Cornelius).
=BEATRICE AND BENEDICT= (Berlioz).
=BENVENUTO CELLINI= (Berlioz).
=BOHEMIAN GIRL= (Balfe).
=CALM SEA AND PROSPEROUS VOYAGE= (Mendelssohn).
=CARNAVAL ROMAIN= (Berlioz).
=CORSAIR= (Berlioz).
=CROWN DIAMONDS= (Auber).
=EGMONT= (Beethoven).
=EURYANTHE= (Weber).
=FAUST= (Gounod).
=FAUST= (Wagner).
=FESTIVAL OVERTURE= (Tschaikowsky).
=FIGARO= (Mozart).
=FINALE= (Rubinstein's Sonata, Op. 12).
=FLYING DUTCHMAN= (Wagner).
=FRA DIAVOLO= (Auber).
=FREISCHUTZ= (Weber). A. Whittingham.
=ISABELLA= (Suppe).
=ITALIANA= (Rossini).
=KING LEAR= (Berlioz).
=KING STEPHEN= (Beethoven). P. J. Mansfield.
=LA CLEMENZA DI TITO= (Mozart). P. J. Mansfield.
=L'AFRICAINE= (Meyerbeer).
=LA REINE DE SABA= (Gounod).
=LARGO= from Beethoven's Sonata in E flat. W. A. C. Cruikshank.
=LE SONGE D'UNE NUIT D'ETE= (Thomas).
=LIFE FOR THE CZAR= (Glinka).
=LIGHT CAVALRY= (Suppe).
=LOHENGRIN= (Wagner).
=LURLINE= (Wallace).
=MAGIC FLUTE= (Mozart).
=MARITANA= (Wallace).
=MASANIELLO= (Auber).
=MEISTERSINGERS= (Wagner).
=MERRY WIVES OF WINDSOR= (Nicolai).
=MIDSUMMER NIGHT'S DREAM= (Mendelssohn).
=MIGNON= (A. Thomas).
=NAIADES, THE= (Sterndale Bennett).
=OBERON= (Weber). A. Whittingham.
=OTHO= (Handel). W. A. C. Cruikshank.
=1812 OVERTURE= (Tschaikowsky).
=POET AND PEASANT= (Suppe).
=PARSIFAL= (Wagner).
=RAYMOND= (Thomas).
=RIENZI= (Wagner).
=ROSAMUNDE= (Schubert).
=RUY BLAS= (Mendelssohn).
=SCIPIO= (Handel).
=SEMIRAMIDE= (Rossini).
=SI J'ETAIS ROI= (Adam).
=SIRENE, LA= (Auber).
=SON AND STRANGER= (Mendelssohn). W. A. C. Cruikshank.
=STRADELLA= (Flotow).
=TANCREDI= (Rossini).
=TANNHAUSER= (Wagner).
=TRISTAN AND ISOLDA= (Wagner).
=WAVERLEY= (Berlioz).
=WILLIAM TELL= (Rossini). A. Whittingham.
=ZAMPA= (Herold).
PIANO SOLO OVERTURES.
Price 2/-_net_ each.
=BOHEMIAN GIRL= (Balfe).
*=CALIPH OF BAGDAD= (Boieldieu).
=CROWN DIAMONDS= (Auber).
=DER FREYSCHUTZ= (Weber).
=DON GIOVANNI= (Mozart).
=DONNA DEL LAGO= (Rossini).
=FRA DIAVOLO= (Auber).
=GUY MANNERING= (Sir H. R. Bishop).
=IDOMENEO= (Mozart).
=IL BARBIERE= (Rossini).
*=IL TANCREDI= (Rossini).
=LIGHT CAVALRY= (Suppe).
=MAGIC FLUTE= (Zauberfloete), (Mozart).
=MARITANA= (Wallace).
=MASANIELLO= (Auber).
*=MERRY WIVES OF WINDSOR= (Nicolai).
=MIGNON OVERTURE= (A. Thomas).
=NOZZE DE FIGARO= (Mozart).
*=POET AND PEASANT= (Suppe).
=RAYMOND= (Thomas).
=SEMIRAMIDE= (Rossini).
=WILLIAM TELL= (Rossini).
*=ZAMPA= (Herold).
* Also arranged as Duet (piano, 4 hands), price 2/6 _net_.
PIANOFORTE.
=THE PIANO WORKS OF BRAHMS.= By EDWIN EVANS, _Senior_. Historical,
Descriptive and Analytical Account of each Work treated in the Order of
the Opus number, and preceded by a Didactic Section. 8vo, cloth, 30s.
_net_.
The above volume is a complete technical account of the piano
works. It forms a part of the Historical, Descriptive and
Analytical Account of the Entire Works of Brahms advertised on page
2.
=HOW TO PLAY BACH'S 48 PRELUDES AND FUGUES.= A Guide Book for the use of
Piano Students as an aid to the Unravelling and Interpretation of these
Masterpieces, ensuring a more Intelligent Keyboard Rendering. By C. W.
WILKINSON. Crown 8vo, cloth, 10s. _net_.
=NATURAL TECHNICS IN PIANO MASTERY.= A Complete and Authoritative
Manual, covering every phase of Piano Playing and Study. Many Diagrams
of Hand and Finger Technique and some Music Examples. By JACOB
EISENBERG. Crown 8vo, cloth, 12s. 6d. _net_.
=PARTHENIA=, or the First Musick ever printed for the Virginals. 21
Compositions by three Famous 16th and 17th century Masters, William
Byrd, Dr. John Bull and Orlando Gibbons. Arranged for the Piano and
freed from the errors of Dr. Rimbault's edition by accurate comparison
with the original text by MARGARET H. GLYN. Folio, 12s. 6d. _net_.
This edition of "Parthenia" has been entirely re-engraved.
=THE APPROACH TO LISZT.= A Course of Modern Tonal-Technique for the
Piano, in the form of Graded Studies from the Moderately Difficult to
the Master Stage. By HERBERT WESTERBY, _Mus.Bac. Lond., F.R.C.O., etc._
Folio, 5s. 6d. _net_.
Preliminary Studies in Touch and Phrasing in all Keys. Based on the
Scales and Broken Chords.
Intermediate Studies in Sequential, Wrist and Preparatory Arpeggio
Work in the Black and White Key Positions.
Advanced Sequential Studies on the Black Keys, with Sixteen
Excerpts from Liszt's Piano Works. The Master Works: Fifty-eight
Excerpts from Liszt.
=THE ART OF TUNING THE PIANOFORTE.= A New Comprehensive Treatise to
enable the Musician to Tune his Piano upon the System founded on the
Theory of Equal Temperament. By HERMANN SMITH. New Edition, thoroughly
Revised. Crown 8vo, limp cloth, 6s. _net_.
=ESSENTIALS IN PIANO-PLAYING=, and other Musical Studies. By J. ALFRED
JOHNSTONE, Hon. L.Mus., T.C.L. Portrait, 243 pages. Crown 8vo, cloth,
10s. _net_.
=EXTEMPORISING AT THE PIANO MADE EASY.= A Manual for Beginners in
Musical Composition. Hints and Aids for the "From Brain to Keyboard"
Composer. By REV. E. H. MELLING, _F.R.C.O._ 8vo, limp cloth, 3s. 6d.
_net_ (paper 2s. _net_).
=INDIVIDUALITY IN PIANO TOUCH.= By ALGERNON H. LINDO and J. ALFRED
JOHNSTONE. Crown 8vo, 2s. 6d. _net_.
=THE ARTIST AT THE PIANO.= Essays on the Art of Musical Interpretation.
By GEORGE WOODHOUSE. New and Revised Edition. Portrait of Paderewski.
8vo, cloth, 5s. 6d. _net_.
The celebrated pianist, Paderewski, after reading the manuscript of
this stimulating volume, wrote: "The booklet is quite a remarkable
work and a really valuable contribution to the philosophy of
pianistic art."
=THE STUDENT'S GUIDE TO THE ART OF TEACHING THE PIANOFORTE.= By CYRIL R.
H. HORROCKS, L.R.A.M., L.T.C.L., A.R.C.M. With an Extensive and
Carefully Graded List of Studies and Course of the Great Masters.
Numerous Musical Examples. Second edition, Revised. Crown 8vo, cloth,
10s. _net_.
Until quite recently it was thought impossible to give practical
instructions on the art of teaching, but the error of this idea has
been proved by the great success of the teachers' class at the
various musical institutions. The author's aim is to supply a
guide-book expressly for beginners and those with limited
experience in the art.
=PIANOFORTE TEACHER'S GUIDE.= By L. PLAIDY. Translated by FANNY RAYMOND
RITTER. Crown 8vo, boards, 3s. _net_ (paper, 2s. _net_).
"Some of the finest pianists of the day owe much of their technical
facility to Plaidy's excellent method."--_Bazaar._
=CANDIDATE'S SCALE AND ARPEGGIO TESTS= for the Piano. In the Primary,
Elementary and Junior Grades of all Local Examinations in Music, and the
Higher and Lower Divisions of the Associated Board of the R.A.M. and
R.C.M. By WILSON MANHIRE. 1s. _net_.
=TECHNICAL STUDY IN THE ART OF PIANOFORTE PLAYING= (Deppe's Principles).
By C. A. EHRENFECHTER. With numerous Illustrations. Fourth Edition.
Crown 8vo, cloth, 6s. _net_.
CONTENTS: Position--Arm--Wrist--Fingers; Touch (Tone Production);
Legato; Equality of Tone; Tension and Contraction; Five Finger
Exercises; Skips; The Scale; Arpeggio Chords; Firm Chords; High
Raising of the Arm; Melody and its Accompaniment; Connection of
Firm Chords; The Tremolo: The Shake (Trill); The Pedal; Fingering.
=HOW TO ACCOMPANY AT THE PIANO.= By EDWIN EVANS. (Plain Accompaniment,
Figurated Accompaniment, Practical Harmony for Accompanists). 172 Music
Examples which are made Clear by the Explanatory Text. Crown 8vo, cloth,
10s. _net_.
=GRADUATED SCALE AND ARPEGGIO MANUAL.= Compiled for the various Exams.
By HENRY SAINT-GEORGE. 3s. _net_.
=A SYSTEM OF STUDY OF SCALES AND CHORDS.= Being Chapters on the Elements
of Pianoforte Technique. By B. VINE WESTBROOK, F.R.C.O. Numerous
Examples. New and Revised edition. 8vo, 3s. _net_.
The author outlines a scheme which abolishes the drudgery and
inspires the pupil with an enthusiasm for practice and formulates a
method or system in which that practice may be carried out.
=PIANO CLASSES IN ELEMENTARY SCHOOLS.= By AUDREY KING. With Music
Examples. Crown 8vo, 1s. _net_.
=HOW TO PLAY 110 FAVOURITE PIANO SOLOS.= Being the 4 Series complete in
1 vol. of "Well-Known Piano Solos: How to Play them with Understanding,
Expression and Effect." By CHARLES W. WILKINSON. Crown 8vo, cloth, 12s.
6d. _net_.
=WELL-KNOWN PIANO SOLOS.= How to Play them with Understanding,
Expression and Effect. By C. W. WILKINSON. Four Series, 2s. each (each
series containing about 26 articles), or four in one vol. as above.
Contents of the First Series:--SINDING, Rustle of Spring.
SCARLATTI, Pastorale le Capriccio. PADEREWSKI, Minuet in G. HANDEL,
Harmonious Blacksmith. RUBINSTEIN, Melody in F. SCHARWENKA, Polish
Dance. SCHUMANN, Nachtstuecke. GODARD, Mazurka. DELIBES, Pizzicati
from Sylvia. GRIEG, Wedding Day at Troldhangen. ELGAR, Salut
d'Amour. PADEREWSKI, Melodie. RAFF, La Fileuse. TCHAIKOVSKY,
Troika. GODARD, Berger et Bergeres. CHAMINADE, Pierrette.
MOSZKOWSKI, Etincelles. PADEREWSKI, Minuet in A major. GRIEG,
Norwegian Bridal Procession. LISZT, Regata Veneziana. CHAMINADE,
Automne. MOSZKOWSKI, Serenata. LACK, Valse Arabesque. SCHUMANN,
Arabeske. CHOPIN, Etude in G flat. DURAND, First Valse.
Draws one's attention to the beauties in a piece, explains
difficulties here and there, draws attention to a pedal effect and
any peculiarity of fingering, and generally gives all the
information a professor is expected to give to his pupils.
=DELIVERY IN THE ART OF PIANOFORTE PLAYING=, On Rhythm, Measure,
Phrasing, Tempo. By C. A. EHRENFECHTER. Second Edition. Crown 8vo,
cloth, 6s. _net_.
"The section with reference to accent is particularly good. There
are numerous illustrations from the works of the masters."--W. H.
WEBBE in _The Pianist's A. B. C._
=PIANO TOUCH, PHRASING AND INTERPRETATION.= By J. Alfred Johnstone.
Crown 8vo, cloth, 7s. 6d. _net_.
=PRACTICE REGISTER= for Pupil's Daily Practice. A Specimen, 1d. (or 2s.
6d. per 100).
=REEVES' VAMPING TUTOR.= Art of Extemporaneous Accompaniment, or Playing
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=HOW TO MEMORISE MUSIC.= By C. F. KENYON. With numerous Musical
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=THE ART OF MODULATION.= A Handbook showing at a Glance the Modulations
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=TRANSPOSITION AT SIGHT.= For Students of the Organ and Pianoforte. By
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VIOLIN AND STRINGED INSTRUMENTS.
=VIOLINIST'S MANUAL.= A Treatise on Construction, Choice, Care,
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ADVANCED MODERN VIOLIN TECHNICS.
=TONAL SCALES AND ARPEGGIOS FOR VIOLIN.= Introductory to the Unusual
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=SCALES AND ARPEGGIOS.= Indispensable Studies for the Violin. Edited by
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=ARPEGGIOS FOR THE VIOLIN.= By BASIL ALTHAUS. Folio. 3s. _net_.
=VIOLINIST'S ENCYCLOPAEDIC DICTIONARY.= Containing the Explanation of
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=70 PREPARATORY VIOLIN EXERCISES= for Beginners in the First Position,
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=BOW INSTRUMENTS=, their Form and Construction. Practical and Detailed
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=OLD VIOLINS AND VIOLIN LORE=, Famous Makers of Cremona and Brescia, and
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plates. By H. R. HAWEIS. Thick crown 8vo, cloth, 17s. 6d. _net_.
=YOUNG VIOLINIST'S SCALE AND ARPEGGIO MANUAL.= By WILSON MANHIRE,
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=FACTS ABOUT FIDDLES.= Violins Old and New. By J. BROADHOUSE. Fourth
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=NOTABLE VIOLIN SOLOS=: How to Play Them. Three Series (consisting of 43
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=VIOLIN MANUFACTURE IN ITALY= and its German Origin. By DR. E. SCHEBEK.
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=CHATS WITH VIOLINISTS.= By WALLACE RITCHIE. With four Photographic
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CHAPTERS: On the Importance of being Accurate; On Various Details;
On the Violin and its Fittings; On Reading from Sight and Playing
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Exercises; Hand Development for Violinists, including Eighteen
Excellent Finger Gymnastics; Sundry Useful Hints.
I here lay before the public that information and advice which I
have hitherto been content to reserve for the sole use of my own
pupils. During a considerable experience, both as a student and as
a teacher of the violin, I have naturally pieced together quite a
variety of small hints and items of information which, though
modest enough individually, have been found on the whole to be of
no inconsiderable value, not only with regard to my own playing,
but also--and which is of far more importance--in enabling me to
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=ADVICE TO VIOLIN STUDENTS.= Containing Information of the Utmost Value
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Studies, Pieces, etc. Together with Hints on Common
Faults--Shifting--Reading
Music--Stopping--Harmonics--Vibrato--Tempo--Intonation, Pitch, etc.
=THE VALUE OF OLD VIOLINS.= By E. POLONASKI. Being a List of the
Principal Violin Makers, British, Italian, French and German. With
Approximate Valuations of their Instruments and Occasional Notes on
their Varnish. Facsimiles of Labels and Violins. Crown 8vo, cloth, 10s.
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=INFORMATION FOR PLAYERS=, Owners, Dealers and Makers of Bow
Instruments, also for String Manufacturers. Taken from Personal
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CONTENTS: The
Pegs--Neck--Fingerboard--Bridge--Tail-piece--Saddle--Violin
Holder--Tail-pin--Bar--Sound-post--On the Stringing of Bow
Instruments in General Use--Strings--Rosin--Cleaning of the
Instrument and the Bridge--Bow--Violin
Case--Repairs--Preservation--Conclusion.
=SKETCHES OF GREAT VIOLINISTS AND GREAT PIANISTS.= Biographical and
Anecdotal, with Account of the Violin and Early Violinists. Viotti,
Spohr, Paganini, De Beriot, Ole Bull, Clementi, Moscheles, Schumann
(Robert and Clara), Chopin, Thalberg, Gottschalk, Liszt. By G. T.
FERRIS. Third Edition. Crown 8vo, cloth, 8s. 6d. _net_.
=TREATISE ON THE STRUCTURE AND PRESERVATION OF THE VIOLIN= and all other
Bow Instruments. Together with an Account of the most Celebrated Makers
and of the Genuine Characteristics of their Instruments. By J. A. OTTO,
with Additions by J. BISHOP. With Diagrams and Plates. Fourth Edition,
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Contains instructions for the repair, preservation and bringing out
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holders; list of classical works for stringed instruments. This
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=HOW TO PLAY THE FIDDLE.= For Beginners on the Violin. By H. W. and G.
GRESSWELL. Eighth Edition. Crown 8vo, cloth, 6s. _net_; or in 2 vols.,
paper, 3s. _net_.
JOACHIM says: "Contains many useful hints about violin playing."
=BIOGRAPHICAL DICTIONARY OF FIDDLERS.= Including Performers on the
Violoncello and Double Bass, Past and Present. Containing a Sketch of
their Artistic Career, together with Notes of their Compositions. By A.
MASON CLARKE. 9 Portraits. Post 8vo, cloth, 10s. _net_.
"We may here take the opportunity of recommending a useful book to
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=ART OF HOLDING THE VIOLIN AND BOW AS EXEMPLIFIED BY OLE BULL.= His Pose
and Method proved to be based on true Anatomical Principles. By A. B.
CROSBY, M.D., Professor of Anatomy. Portrait, Diagrams and
Illustrations. 8vo, cloth, 5s. _net_.
Included in the above are some interesting recollections and
anecdotes of Ole Bull.
=THE VIOLIN AND OLD VIOLIN MAKERS.= Being a Historical and Biographical
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by Old Masters and illustrations of a copy of Gasparo da Salo. Crown
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=THE VIOLIN, ITS HISTORY AND CONSTRUCTION.= Illustrated and Described
from many Sources. Together with a List of Italian and Tyrolese Makers.
With 28 Illustrations and folding Examples of the First Music issued for
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By J. BROADHOUSE. Fresh issue printed in larger size. Crown 8vo, cloth,
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"The learned and instructive treatise of Abele, skilfully rendered
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work which forms a noteworthy addition to the small number of
English books upon this interesting subject."--_Scotsman._
=HOW TO MAKE A VIOLIN=, Practically Treated. By J. BROADHOUSE. New and
Revised Edition. With 47 Illustrations and Folding Plates and many
Diagrams, Figures, etc. Crown 8vo, cloth, 10s. 6d. _net_.
CONTENTS: Introduction--The Parts of the Violin--On the Selection
of Wood--The Tools required--The Models--The Mould--The Side-pieces
and Side Linings--The Back--Of the Belly--The Thickness of the Back
and Belly--The Bass Bar--The Purfling--The Neck--The
Fingerboard--The Nut and String Guard--Varnishing and
Polishing--Varnishes and Colouring Matter--The Varnish--A
Mathematical Method of Constructing the Outline--The Remaining
Accessories of the Violin.
This new edition had the advantage of being revised throughout by a
celebrated violin maker.
=A MUSICAL ZOO.= Twenty-four Illustrations displaying the Ornamental
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=THE HISTORY OF THE VIOLIN= and other Instruments Played on with the Bow
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SANDYS, F.S.A., and S. A. FORSTER. Thick 8vo, cloth 27s. 6d. _net_.
=THE VIOLIN AND BOW.= A Treatise (in Three Languages, English, French
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POZNANSKI. 5s. _net_.
=TECHNICS OF VIOLIN PLAYING.= By KARL COURVOISIER. With Illustrations.
Eleventh Edition. Cloth, 5s. _net_, paper, 2s. 6d. _net_.
"It is my opinion that this book will offer material aid to all
violin players."--JOACHIM.
"As far as words, aided by diagrams, can make clear so practical a
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leaves nothing to be desired. The author, who was a pupil of
Joachim, has treated the subject in a most thorough manner, and we
can highly recommend his little book."--_Educational Times._
=AN IMPORTANT LESSON TO PERFORMERS ON THE VIOLIN.= By the Celebrated
TARTINI. Portrait. Being the Translation by DR. BURNEY, issued
originally in 1779, together with the original Italian. 8vo, cloth, 6s.
_net_ (paper, 3s. _net_).
=VIOLONCELLO EXERCISES, SCALES AND ARPEGGIOS.= By E. GILLET. Complete in
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=ART OF VIOLONCELLO PLAYING.= Tutor in Three Books. By E. VAN DER
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=WELL-KNOWN VIOLONCELLO SOLOS.= How to Play Them. Three Series. By E.
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