THE NELL OF CHELSEA.

(_A Legend of the Opening of the Royal Military Exhibition._)

The Lady got out of her picture in the Morning Room, and glanced at

herself in the Club glass. She had been painted by Sir PETER LELY, and

consequently was scarcely in a costume suitable to a May Day at the

close of the Nineteenth Century.

"I' faith," said the Lady, "but I must get me a cloak to cover me,

otherwise I shall have a crowd a following me."

It will be seen from this observation that, although the Lady had

flourished (very considerably) in the time of CHARLES THE SECOND, she

had not kept up her Carolian English. It is possible that the chit-chat

under her frame by the fire-place had corrupted the purity of her--to an

antiquary--interesting lingo. Be this as it may, she glided down the

large and handsome staircase, and selecting the furred and hooded coat

of a member who had just returned from abroad, annexed it.

"This will do nicely," she murmured; "quite the mode," a remark which

proved that she had seen no fashion-plates lying on the Club table, and,

therefore, was entirely ignorant of the modern mysteries of ladies'

dress. However, she passed in the crowd--partly because no one appeared

to notice her. A Lady from a portrait by Sir PETER LELY without her

frame and background, after all, is rather a shadowy creation.

When she had turned from Garrick Street into St. Martin's Lane, she

looked about her in surprise. What had been fields when she was in the

flesh were now sites of houses. She glided along, perplexed to a degree,

until she got to Charing Cross; then she recognised the statue of

CHARLES THE FIRST, and what was standing of White Hall.

"By my troth, this is not an improvement! Houses, houses, nothing but

houses! I will e'en take the water to Chelsea, and see the hospital I

persuaded ROWLEY to give to his poor soldiers. There should be some

stairs hereabouts."

But if the Lady did not find stairs, she came across a landing-stage.

She got on to the Westminster Pier, and was soon aboard one of the best

vessels of the Victoria Steamboat Association, Limited. Within half an

hour or so she was landed opposite the building it had been her

privilege to secure for the benefit of the British Army. The place was

brave with bunting. There were enormous sheds full of battle pictures

and portraits, and in the grounds was an arena suitable for the holding

of military sports. Then there was a huge band-stand, and the electric

light was laid on with great liberality in the gardens.

"Gad'sooks!" exclaimed the Lady of the Picture; "and what are they doing

in the precincts of Chelsea Hospital?"

She was immediately supplied with information. A Military Exhibition was

being held in aid of the Church of England Institutes--establishments

(so she was told) of a strictly unsectarian character. The

entertainments would be of a most popular character,--weather

permitting, _al fresco_. The commissariat would be excellent. In one

place only temperance beverages would be served, but elsewhere there

would be--well--there would be drinks. At that very moment the

Exhibition was being opened by the Most Illustrious Gentleman in the

Land accompanied by H.R.H.'s most charming and most beautiful partner.

Would the Lady like to see the place?

"Another time," she replied. "Stay, I would like to see myself. Have you

a picture of me? I am Mistress NELLIE GWYNNE."

Her courteous informant bowed, and shook his head. He had heard it

suggested at the inaugural lunch that she should be represented, but

there were so many things to do--the Military Sports, the eating

and drinking, the Royal Patronage, and the Church of England

Institutes,--that, in point of fact, the matter had been overlooked.

"Well, never mind," said good-natured NELLIE, "I daresay you will get on

very well without me. But look to this, my master. Here we are very near

the site of old Cremorne, and a part of the grounds over yonder is

called Ranelagh. You have lights and bands, and subtle beverages, some

of which will cheer but not inebriate,--and others that may possibly

reverse the operation. Well, well, my portrait is not in your

collection,--the best I can wish you is that you may keep your night

_fetes_ as select as your picture-gallery."

And with this the Lady returned to her frame beside the fire-place in

the Club Morning Room.

* * * * *

"NUTS" FOR THE COAL TRADE.

[Under the 29th Section of the Weights and Measures Act "the person

in charge of the vehicle," when coal-frauds are perpetrated, seems

to be alone punishable.]

Not a sack was full, not a weight was true,

As the coals to their cellar we hurried;

Not an eye could see were they many or few

In the crypt where our cobbles we buried.

We buried them gaily, at luncheon time,

All Acts of Parliament spurning;

There were "Kitchens," composed of slate and slime,

And Wallsend, "dimly burning."

No fussing servants surveyed our cart--

(If they had, we'd have kept them shivering)

--They were busy serving the family tart

At our chosen hour for delivering!

Few and brief the remarks we made;

Not of coals, but of beer, we chattered;

And we thought of the tricks of an opulent trade

As the coal-dust we liberally scattered.

We thought of our "dealer," our wealthy boss,

How he's spared by the law just created;

How we carmen are made to suffer the loss

When for fraud by a Court we are "slated."

Lightly they'll talk of his "ha'porth of sack,"

On his weights make unhandsome reflection;

But little he'll reck, as fines fall on our back,

And _he's_ "doubly-screened" from detection!

But half of our "heavy task" was done

When a spy of the Council--drat it!--

Came pushing his nose in our sacks, every one,

Tried our weights, and our bill--looked at it!

Slowly and sadly we slunk out of sight,

Objecting to get into hobbles;

We breathed no farewell, and we said no good-night,

But we left him alone with the cobbles!

* * * * *

LAST REPORT.--The Dean and Chapter of Westminster have discharged a

Canon. No one was seriously injured.

* * * * *

THE PICK OF THE PICTURES.--No. 1. ROYAL ACADEMY.

[Illustration: No. 1004. Tally Ho Ho Ho! Going over a Ha! Ha! Ha! Quite

the picture of the year, and will probably be presented by subscription

to Colney Hatch, Esq., Master of the Hanwell Hounds.]

[Illustration: No. 243. The Determined Bather. Temperature so cold that

drapery is frozen.]

[Illustration: No. 110. Curiosity in Animal Life. Escaped from

Barnum's.]

[Illustration: No. 437. Advertisement for Provincial Tour of Griffiths

Brothers as "The Blondin Donkey."]

* * *

No. 5. The First Storey in the Royal Academy Annual is entitled, _The

Hungry Messenger_. Good STOREY.

No. 44. Never put off till to MORO PHILLIPS what you can put on to-day.

Illustration of an elderly Blue-coat Boy unable to leave off an old

habit.

No. 53, with No. 98 and No. 91. Ought to have been hung together,

portraits "_en soot_."

Punch, or the London Charivari, Vol. 98, 1890.05.10 · 第 32 / 37 题