THE SAHIB

There is another group of Indian tales, a group which deals with the

governance of India--with the men who are spent in the Imperial

Service. The peculiar charm and merit of these tales is best

considered as a special case of Mr Kipling's delight in the world's

work--a subject which claims a chapter to itself. But apart from this,

Mr Kipling's Anglo-Indian tales--his presentation of the work of the

Indian Empire, of the Anglo-Indian soldier and civilian--have an

unfortunate interest of their own. They are mainly responsible for a

misconception which has dogged Mr Kipling through all his career. This

misconception consists in regarding Mr Kipling as primarily an

Imperialist pamphleteer with a brief for the Services and a contempt

for the Progressive Parties. It is an error which has acted

mischievously upon all who share it--upon the reader who mechanically

regrets that Mr Kipling's work should be disfigured with fierce heresy;

upon the reader who chuckles with sectarian glee when the "much

talkers" are mocked and confounded; upon Mr Kipling himself who has

been encouraged to mistake an accident of his career as the essence of

his achievement and to regard himself as a sort of Imperial laureate.

The origin of this misconception is not obscure. Mr Kipling has

written intimate tales of the British Army: he is, therefore, a

"militarist." He has lived in India many years, and realised that men

who live in India, and administer India, and come into personal contact

with Hindus and Mohammedans, know more about India than Members of

Parliament who run through the Indian continent between sessions: he

is, therefore, a reviler of the free democratic institutions of Great

Britain. He has realised that Government departments in Whitehall are

not always thought to be very expeditious, well informed and devoted by

men who are often confronted with matters that cannot afford to wait

for a telegram: he is, therefore, a lover of the high hand and of

courses brutal and irregular. He has celebrated the toil and the

adventure of pioneers and of outposts: he is, therefore, one who

brandishes unseasonably the Imperial sword.

The grain of truth in these deductions is heavily outweighed by the

massive absurdity of regarding them as in any sense essential. Mr

Kipling brings political prejudice into his work less than almost any

living contemporary. At a time when there was hardly an English novel

or an English play of consequence which was not also a political

pamphlet it was completely false to regard Mr Kipling as a pamphleteer.

When most of our English authors were talking from the platform, Mr

Kipling--with a few, too few, others--remained apart. He is suspect,

not because his Anglo-Indian tales or his army tales are political, but

because they record much that is true of the English Services, which

fails to square with much that once was popularly believed about them.

The real reason of Mr Kipling's false fame as a politician is, not that

he is an Imperial pamphleteer, but that, writing of the Army and the

Empire, he fails to be a pamphleteer on the other side. His

detachment, not his partiality, is at fault.

Mr Kipling's detachment from the politics of his day explains virtually

everything that has offended his modern critics. Almost the first

thing to realise in discussing Mr Kipling's attitude to modern life is

that Mr Kipling has kept absolutely clear of the political and social

drift of the last thirty years. He has been conspicuously out of

everything. He has had nothing to say to any of the ideas or

influences which have formed his contemporaries. While others of his

literary generation were growing up amid intellectual movements,

democratic tendencies and advances of humanity, Mr Kipling was standing

between two civilisations in India which were hardly susceptible of

being reconciled till they had been reduced to very simple terms. The

instinct to simplify--to get down to something in nature that included

the East with the West, the First with the Twentieth century, was

naturally strong in one who was born between two nations; and it was an

instinct which drove Mr Kipling in the opposite direction from that in

which his contemporaries were moving. While Mr Kipling's generation

was learning to analyse, refine and interrogate, to become super-subtle

and incredulous, to exalt the particular and ignore the general, to

probe into the intricate and sensitive places of modern life, Mr

Kipling was looking at mankind in the mass, looking back to the

half-dozen realities which are the stuff of the poetry of every climate

and period--to love of country which is as old as the waters of

Babylon, to the faith of Achates, and the affliction of Job. While Mr

Kipling's contemporaries have been working towards minute studies of

individuals and groups, Mr Kipling has been content to catch the metal

of humanity at the flash point, to wait for the passionate moment which

reveals all mankind as of one kindred. "We be of one blood, ye and

I"--the phrase of the Jungle holds.

To find here evidence of a bias merely political, of an attitude

reactionary and hostile to the progress o the world, is to deny sense

and meaning to the greatest literature of the world. Mr Kipling's

instinctive simplifying of life he shares with the immortals. It is,

as we shall see, the immortal part of him. To write of Mr Kipling as

though he celebrates the ape and the tiger; extols the Philistine and

the brute; calls always for more chops--"bloody ones with gristle";

delights in the savagery of war, and ferociously despises all that

separates the Englishman of to-day from his painted ancestor--this is

the mistake of critics who cannot distinguish the cant of progress from

its reality.

We shall be driven more particularly to consider Mr Kipling's atavism

in discussing his tales of the British Army. For the present we are

dealing only with India and the "Imperialism" which some of Mr

Kipling's critics have taken for an offensive proof of his political

prejudice. Mr Kipling's treatment of the Anglo-Indian, and of the

dealing of the Anglo-Indian with the Indian Empire, has nothing to do

with the Yellows and the Blues. The real motive of Mr Kipling's

attitude towards the men on the frontier, in places where deadly things

are encountered and there is work to be done, is no more a matter of

politics, "progressive" or "reactionary," than is his celebration of

the Maltese Cat or of .007. "The White Man's Burden" is the burden of

every creature in whom there lives the pride of unrewarded labour, of

endurance and courage. In India this pride has to be wholesomely

tempered with humility; for India is old and vast and incomprehensible,

to be handled with care, to be approached as a country which, though it

shows an inscrutably smiling face to the modern world, has the power

suddenly to baffle its modern rulers by opening to them glimpses of an

intricate and unassailable life which cannot be ruffled by Orders in

Council or disturbed by the weak ploughing of teachers from the West.

The task of the Anglo-Indian administrator is, indeed, the finest

opportunity for that heroic life to the celebration of which Mr Kipling

has devoted so many of his tales. This hero has a task which taxes all

his ability, which promises little riches and little fame, and is known

to be tolerably hopeless. It offers to him a supreme test of his

virtue--a test in which the hero is accountable only to his personal

will; whose best work is its own reward and comfort.

"Gentlemen come from England," writes Mr Kipling in one of his Indian

tales, "spend a few weeks in India, walk round this great sphinx of the

Plains, and write books upon its ways and its work, denouncing or

praising it as their ignorance prompts. Consequently all the world

knows how the Supreme Government conducts itself. But no one, not even

the Supreme Government, knows everything about the administration of

the Empire. Year by year England sends out fresh drafts for the first

fighting-line, which is officially called the Indian Civil Service.

These die, or kill themselves by overwork, or are worried to death, or

broken in health and hope, in order that the land may be protected from

death and sickness, famine and war, and may eventually become capable

of standing alone. It will never stand alone; but the idea is a pretty

one, and men are willing to die for it, and yearly the work of pushing

and coaxing and scolding and petting the country into good living goes

forward. If an advance be made, all credit is given to the native,

while the Englishmen stand back and wipe their foreheads. If a failure

occurs, the Englishmen step forward and accept the blame."

This passage declares the heroic spirit of Mr Kipling's Anglo-Indian

tales; and many readers will fail to understand how exactly this spirit

has been found vainglorious.

There is a passage in Shakespeare where a king's envoy comes to claim

of a high-mettled and sweating warrior the fruits of victory. The

warrior grudges less surrendering the fruits of victory to the king

than he grudges surrendering his anger at being easily and prettily

addressed on the field of battle by a polite and dainty fellow who has

no idea how dearly the fruits of victory are purchased. Mr Kipling's

heroes are frail enough to feel some of this very natural indignation

when unbreathed politicians lecture them in the heat of their Indian

day. They come into touch with things simple and bitter. India has

searched out the value of many a Western shibboleth, destroyed many

doctrines, principles, ideas and theories. Phrases which look well in

a peroration look foolish when there is immediate work to be done, and

expediency begins to rule. The first lesson which the Indian civilian

learns, a lesson which is rarely omitted from any of Mr Kipling's

Indian stories, is that practical men are better for being ready to

take the world as they find it. The men who worship the Great God

Dungara, the God of Things as They Are, most terrible, One-eyed,

Bearing the Red Elephant Tusk--men who are set on saving their own

particular business--have no time for saving faces and phrases. They

have small respect for a principle. They have seen too many principles

break down under the particular instance. Hence there is in all Mr

Kipling's work a disrespect of things which are printed and made much

of in the contemporary British press; and this, again, has encouraged

the idea that he is "reactionary," contemptuous of the humanities, and

enemy of all the best poets and philosophers.

It will perhaps be well to look a little closely at one or two of Mr

Kipling's Indian series. They will help us to realise how the charges

we are discussing have arisen and exactly how unreasonable they are.

The first of two excellent examples is the story of _Tods' Amendment_.

_Tods' Amendment_ is the story of a Bill brought in by the Supreme

Legislative Council of India. Tods was an English baby of six, and he

mixed on friendly terms with Indians in the bazaar and with members of

the Supreme Legislative Council. The Council was at this time devising

a new scheme of land tenure which aimed at "safeguarding the interests"

of a few hundred thousand cultivators of the Punjab. The Bill was

beautiful on paper; and the Legal Member, who knew Tods, was settling

the "minor details." The weak part of the business was that European

legislators, dealing with natives, are often puzzled to know which

details are the major and which the minor. Also the Native Member was

from Calcutta, and knew nothing about the Punjab. Nevertheless, the

Bill was known to be a beautiful Bill till Tods happened one evening to

be sitting on the knee of the Legal Member, and to hear him mention

_The Submontane Tracts Ryotwari Revised Enactment_. Tods had heard the

bazaar talking of a new plan for the Ryotwari, as bazaars talk when

there is no white man to overhear. Tods began to prattle, and the

Legal Member began to listen, till he soon realised that there was only

one drawback to the beautiful Bill. The beautiful Bill, in short, was

altogether wrong, more especially in the Council's pet clause which so

clearly "safeguarded the interests of the tenant." It therefore came

about that the rough draft of the Submontane Tracts Ryotwari Revised

Enactment was put away in the Legal Member's private paper-box--"and,

opposite the twenty-second clause, pencilled in blue chalk, and signed

by the Legal Member, are the words, 'Tods' Amendment.'"

The moral of the tale is not obscure. A baby who runs in the bazaar is

better able to legislate for India than a Supreme Legislative Council.

India, in short, is a vast and uncertain land, whose ways are not

always learned in a lifetime by the men whose business it is. The

argument _a fortiori_--namely, that amiable and humane political

philosophers, well bred in the latest European theories of government,

are even less likely to be infallible--need not be pursued.

Our second story is the story of Aurelian McGoggin. Aurelian McGoggin

had read too many books, and he had too many theories. He also had a

creed: "It was not much of a creed. It only proved that men had no

souls, and there was no God and no hereafter, and that you must worry

along somehow for the good of humanity." McGoggin had found it an

excellent creed for a Government office, and he brought it to India and

tried to teach it to all his friends. His friends had found that life

in India is not long enough to waste in proving that there is no one

particular at the head of affairs, and they objected. They also warned

McGoggin not to be too good for his work, and not to insist on doing it

better than it needed to be done, because people in India wanted all

their energy for bare life. But McGoggin would not be warned, and one

day, when he had steadily overworked and overtalked through the hot

season, he was suddenly interrupted at the club, in the middle of an

oration. The doctor called it _aphasia_; but McGoggin only knew that

he was struck sensationally dumb: "Something had wiped his lips of

speech as a mother wipes the milky lips of her child, and he was

afraid. For a moment he had lost his mind and memory--which was

preposterous and something for which his philosophy did not allow.

Henceforth he did not appear to know so much as he used to about things

Divine."

McGoggin, in fact, was converted; for, as Mr Kipling explains, his

story is really a tract--a tract whose purpose is to convey that India

is able to cure the most resolute positivist of his positivism. Mr

Kipling's India is a land where science is mocked, and synthetic

philosophies perish, and mere talk is wiped from the lips. You do not

talk of Humanity in India, because in India "you really see

humanity--raw, brown, naked humanity--with nothing between it and the

blazing sky, and only the used-up, overhandled earth underfoot." Mr

Kipling's Indian administrators are practical and simple men, who obey

orders and accept the incredible because their position requires them

to administer India as though they were never at fault, whereas their

experience tells them that, if they are never to be at fault in India,

it is wise to be not too original and fatal to be too rigid.

_Tods' Amendment_ and _The Conversion of Aurelian McGoggin_ are printed

among _Plain Tales from the Hills_. They look forward to a whole

series of Anglo-Indian tales which present Mr Kipling's idea of the

English in India. Out of his later books we can illustrate a hundred

times his conviction that in India the simplest wisdom is the best.

But there are two kinds of simplicity. The one kind is illustrated in

a tale from _The Day's Work_; it is the right kind of simplicity. In

no story of Mr Kipling is the devoted service and practical

resourcefulness of the good Civilian so movingly celebrated as in the

story of _William the Conqueror_. It is the story of a famine, and of

how it was met by the servants of the Indian Government. The

administration of famine relief would seem to be a simple thing when

the grain has come by rail and only waits to be distributed. But the

district served by the little group of English in _William the

Conqueror_ was a district which did not understand the food of the

North, and, if it could not get the rice which it knew, was ready to

starve within reach of bagsful of unfamiliar wheat or rye. The hero of

the tale is finally reduced to distributing the Government rations to

the goats, and keeping the starving babies alive with milk. It was a

simple idea, and the man to whom it occurred worked himself to death's

door, which was no more than another simple idea of what was due from

him to the district and to his superior officer.

The wrong kind of simplicity is illustrated in a story from _Life's

Handicap_. It is called _The Head of the District_, and it has to do

with a simple idea which occurred to the Viceroy. A Deputy

Commissioner who understood the lawless Khusru Kheyel and had put into

them the fear of English law had died and a successor had to be

appointed. The man for the post was a certain Tallentire who had

worked with the late head of the district and knew the tribe with whom

he had to deal. But the Viceroy had a Principle. He wished to educate

the natives in self-government; and here was an opportunity--a vacant

post of responsibility and a native candidate to fill it.

"There was a gentleman and a member of the Bengal Civil Service who had

won his place and a university degree to boot in fair and open

competition with the sons of the English. He was cultured, of the

world, and, if report spoke truly, had wisely and, above all,

sympathetically ruled a crowded district in South-Eastern Bengal. He

had been to England and charmed many drawing-rooms there. His name, if

the Viceroy recollected aright, was Mr Grish Chunder Dé, M.A. In

short, did anybody see any objection to the appointment, always on

principle, of a man of the people to rule the people? The district in

South-Eastern Bengal might with advantage, he apprehended, pass over to

a younger civilian of Mr G. C. Dé's nationality (who had written a

remarkably clever pamphlet on the political value of sympathy in

administration); and Mr G. C. Dé could be transferred northward. As

regarded the mere question of race, Mr Grish Chunder Dé was more

English than the English, and yet possessed of that peculiar sympathy

and insight which the best among the best Service in the world could

only win to at the end of their service."

The principle was sound; but the consequences were such as usually

follow when ideas which are simple in one continent are applied in

another. Any man on the frontier could have told what would come of

asking the Khusru Kheyel to respect and obey Mr Grish Chunder Dé. It

was not a matter of religion or ability, but of history. The Khusru

Kheyel had had relations with the countrymen of their new Head for

generations and they were not relations of respect and obedience. How

there was riot and some rapid blood-letting on the border, and how the

new Head resigned his office before he had taken it over, is told as a

warning that there is a wrong kind of simplicity in dealing with India.

It is fatal to have invented simple and embracing phrases about a

country which holds more races than all Europe; has had a long and

private history of its own; has been more often conquered than Great

Britain; and has had every sort of experience except that of being

governed according to constitutional law.

This chapter being mainly devoted to rescuing Mr Kipling from his

political admirers and censors, it may be well to conclude upon his

vision of the devoted civilian Scott, the hero of a tale already

quoted, the man who fed the Indian babies from a herd of goats fattened

on the food which the starving people of the Deccan distrusted and

refused. Scott appears in that story at sunset, delectable and humane,

sneezing in the dust of a hundred little feet, "a god in a halo of gold

dust, walking slowly at the head of his flocks, while at his knee ran

small naked cupids."

Clearly there is something wrong with the popular habit of regarding Mr

Kipling as essentially concerned with the carving of men to the "nasty

noise of beef-cutting on the block." His "god in a halo of gold dust"

seriously discourages any attempt to brand him with the mark of the

reverting carnivor.

Rudyard Kipling · 第 9 / 25 题