deal of expense and pains bestowed on it, we may learn from what Pindar
says in his Olympic Odes, where he speaks of the flesh of Pelops being
served up for food:—
And in the second course they carved
Your miserable limbs, and feasted on them;
But far from me shall be the thought profane,
That in foul feast celestials could delight.[91]
And the ancients often called this second course simply τράπεζαι, as,
for instance, Achæus in his Vulcan, which is a satyric drama, who says,—
_A._ First we will gratify you with a feast;
Lo! here it is.
_B._ But after that what means
Of pleasure will you offer me?
_A._ We'll anoint you
All over with a richly-smelling perfume.
_B._ Will you not give me first a jug of water
To wash my hands with?
_A._ Surely; the dessert (τράπεζα)
Is now being clear'd away.
And Aristophanes, in his Wasps, says—
Bring water for the hands; clear the dessert.[92]
And Aristotle, in his treatise on Drunkenness, uses the term δεύτεραι
τράπεζαι, much as we do now; saying,—"We must therefore bear in mind
that there is a difference between τράγημα and βρῶμα, as there is
also between ἒδεσμα and τρωγάλιον. For this is a national name in use
in every part of Greece, since there is food (βρῶμα) in sweetmeats
(ἐν τραγήμασι), from which consideration the man who first used the
expression δευτέρα τράπεζα, appears to have spoken with sufficient
correctness. For the eating of sweetmeats (τραγηματισμὸς) is really an
eating after supper (ἐπιδορπισμὸς); and the sweetmeats are served up
as a second supper." But Dicæarchus, in the first book of his Descent
to the Cave of Trophonius, speaks thus: "There was also the δευτέρα
τράπεζα, which was a very expensive part of a banquet, and there were
also garlands, and perfumes, and burnt frankincense, and all the other
necessary accompaniments of these things."
49. Eggs too often formed a part of the second course, as did hares
and thrushes, which were served up with the honey-cakes; as we find
mentioned by Antiphanes in the Leptiniscus, where he says,—
_A._ Would you drink Thasian wine?
_B._ No doubt, if any one
Fills me a goblet with it.
_A._ Then what think you
Of almonds?
_B._ I feel very friendly to them,
They mingle well with honey.
_A._ If a man
Should bring you honied cheesecakes?
_B._ I should eat them,
And swallow down an egg or two besides.
And in his Things resembling one another, he says,—
Then he introduced a dance, and after that he served up
A second course, provided well with every kind of dainty.
And Amphis, in his Gynæcomania, says,—
_A._ Did you e'er hear of what they call a ground[93] life?
. . . . . . . . . . . 'tis clearly
Cheesecakes, sweet wine, eggs, cakes of sesame,
Perfumes, and crowns, and female flute-players.
_B._ Castor and Pollux! why you have gone through
The names of all the dozen gods at once.
Anaxandrides, in his Clowns, says,—
And when I had my garland on my head,
They brought in the dessert (ἡ τράπεζα), in which there were
So many dishes, that, by all the gods,
And goddesses too, I hadn't the least idea
There were so many different things i' th' house;
And never did I live so well as then.
Clearchus says in his Pandrosus,—
_A._ Have water for your hands:
_B._ By no means, thank you;
I'm very comfortable as I am.
_A._ Pray have some;
You'll be no worse at all events. Boy, water!
And put some nuts and sweetmeats on the table.
And Eubulus, in his Campylion, says,—
_A._ Now is your table loaded well with sweetmeats.
_B._ I am not always very fond of sweetmeats.
Alexis, too, says in his Polyclea, (Polyclea was the name of a
courtesan,)—
[Sidenote: DESSERT.]
He was a clever man who first invented
The use of sweetmeats; for he added thus
A pleasant lengthening to the feast, and saved men
From unfill'd mouths and idle jaws unoccupied.
And in his Female Likeness (but this same play is attributed also to
Antidotus) he says,—
_A._ I am not one, by Æsculapius!
To care excessively about my supper;
I'm fonder of dessert.
_B._ 'Tis very well.
_A._ For I do hear that sweetmeats are in fashion,
For suitors when they're following....
_B._ Their brides,—
_A._ To give them cheesecakes, hares, and thrushes too,
These are the things I like; but pickled fish
And soups and sauces I can't bear, ye gods!
But Apion and Diodorus, as Pamphilus tells us, assert that the
sweetmeats brought in after supper are also called ἐπαίκλεια.
50. Ephippus, in his Ephebi, enumerating the different dishes in
fashion for dessert, says,—
Then there were brought some groats, some rich perfumes
From Egypt, and a cask of rich palm wine
Was broach'd. Then cakes and other kinds of sweetmeats,
Cheesecakes of every sort and every name;
And a whole hecatomb of eggs. These things
We ate, and clear'd the table vigorously,
For we did e'en devour some parasites.
And in his Cydon he says,—
And after supper they served up some kernels,
Vetches, and beans, and groats, and cheese, and honey,
Sweetmeats of various kinds, and cakes of sesame,
And pyramidical rolls of wheat, and apples,
Nuts, milk, hempseed too, and shell-fish,
Syrup, the brains of Jove.
Alexis too, in his Philiscus, says,—
Now is the time to clear the table, and
To bring each guest some water for his hands,
And garlands, perfumes, and libations,
Frankincense, and a chafing-dish. Now give
Some sweetmeats, and let all some cheesecakes have.
And as Philoxenus of Cythera, in his Banquet, where he mentions the
second course, has spoken by name of many of the dishes which are
served up to us, we may as well cite his words:—
"And the beautiful vessels which come in first, were brought in again
full of every kind of delicacy, which mortals call τράπεζαι, but the
Gods call them the Horn of Amalthea. And in the middle was placed
that great delight of mortals, white marrow dressed sweet; covering
its face with a thin membrane, like a spider's web, out of modesty,
that one might not see . . . . . in the dry nets of Aristæus. . . .
And its name was amyllus . . . . . . . . . which they call Jupiter's
sweetmeats. . . . Then he distributed plates of . . . . very
delicious . . . . . . and a cheesecake compounded of cheese, and milk,
and honey . . . . . almonds with soft rind . . . . and nuts, which
boys are very fond of; and everything else which could be expected in
plentiful and costly entertainment. And drinking went on, and playing
at the cottabus, and conversation. . . . . . . . It was pronounced a
very magnificent entertainment, and every one admired and praised it."
This, then, is the description given by Philoxenus of Cythera, whom
Antiphanes praises in his Third-rate Performer, where he says—
Philoxenus now does surpass by far
All other poets. First of all he everywhere
Uses new words peculiar to himself;
And then how cleverly doth he mix his melodies
With every kind of change and modification!
Surely he is a god among weak men,
And a most thorough judge of music too.
But poets of the present day patch up
Phrases of ivy and fountains into verse,
And borrow old expressions, talking of
Melodies flying on the wings of flowers,
And interweave them with their own poor stuff.
51. There are many writers who have given lists of the different
kinds of cheesecakes, and as far as I can recollect, I will mention
them, and what they have said. I know, too, that Callimachus, in his
List of Various Books, mentions the treatises on the Art of Making
Cheesecakes, written by Ægimius, and Hegesippus, and Metrobius, and
also by Phætus. But I will communicate to you the names of cheesecakes
which I myself have been able to find to put down, not treating you as
Socrates was treated in the matter of the cheesecake which was sent to
him by Alcibiades; for Xanthippe took it and trampled upon it, on which
Socrates laughed, and said, "At all events you will not have any of it
yourself." (This story is related by Antipater, in the first book of
his essay on Passion.) But I, as I am fond of cheesecakes, should have
been very sorry to see that divine cheesecake so injuriously treated.
Accordingly, Plato the comic poet mentions cheesecakes in his play
called The Poet, where he says—
Am I alone to sacrifice without Having a taste allow'd
me of the entrails, Without a cheesecake, without
frankincense?
[Sidenote: CHEESECAKES.]
Nor do I forget that there is a village, which Demetrius the Scepsian,
in the twelfth book of his Trojan Array, tells us bears the name
of Πλακοῦς (cheesecake); and he says that it is six stadia from
Hypoplacian Thebes.[94]
Now, the word πλακοῦς ought to have a circumflex in the nominative
case; for it is contracted from πλακόεις, as τυροῦς is from τυρόεις,
and σησαμούς from σησαμόεις. And it is used as a substantive, the word
ἄρτος (bread) being understood.
Those who have lived in the place assure us that there are capital
cheesecakes to be got at Parium on the Hellespont; for it is a blunder
of Alexis, when he speaks of them as coming from the island of Paros.
And this is what he says in his play called Archilochus:—
Happy old man, who in the sea-girt isle Of happy
Paros dwell'st—a land which bears Two things in high
perfection; marble white, Fit decoration for th' immortal
gods, And cheesecakes, dainty food for mortal men.
And Sopater the farce-writer, in his Suitors of Bacchis, testifies that
the cheesecakes of Samos are extraordinarily good; saying,—
The cheesecake-making island named Samos.
52. Menander, in his False Hercules, speaks of cheesecakes made in a
mould:—
It is not now a question about candyli, Or all the
other things which you are used To mix together in one
dish—eggs, honey, And similago; for all these things
now Are out of place. The cook at present's making Baked
cheesecakes in a mould; and boiling groats, To serve up
after the salt-fish,—and grapes, And forced-meat wrapp'd
in fig-leaves. And the maid, Who makes the sweetmeats and
the common cheesecakes, Is roasting joints of meat and
plates of thrushes.
And Evangelus, in his Newly-married Woman, says—
_A._ Four tables did I mention to you of women,
And six of men; a supper, too, complete—
In no one single thing deficient;
Wishing the marriage-feast to be a splendid one.
_B._ Ask no one else; I will myself go round,
Provide for everything, and report to you.
. . . . . As many kinds of olives as you please;
For meat, you've veal, and sucking-pig, and pork,
And hares—
_A._ Hear how this cursed fellow boasts!
_B._ Forced-meat in fig-leaves, cheese, cheesecakes in moulds—
_A._ Here, Dromo!
_B._ Candyli, eggs, cakes of meal.
And then the table is three cubits high;
So that all those who sit around must rise
Whene'er they wish to help themselves to anything.
There was a kind of cheesecake called ἄμης. Antiphanes
enumerates
ἄμητες, ἄμυλοι;
and Menander, in his Supposititious Son, says—
You would be glad were any one to dress
A cheesecake (ἄμητα) for you.
But the Ionians, as Seleucus tells us in his Dialects, make the
accusative case ἄμην; and they call small cheesecakes of the
same kind ἀμητίσκοι. Teleclides says—
Thrushes flew of their own accord
Right down my throat with savoury ἀμητίσκοι.
53. There was also a kind called διακόνιον:—
He was so greedy that he ate a whole
Diaconium up, besides an amphiphon.
But the ἀμφιφῶν was a kind of cheesecake consecrated to
Diana, having figures of lighted torches round it. Philemon, in his
Beggar, or Woman of Rhodes, says—
Diana, mistress dear, I bring you now
This amphiphon, and these libations holy.
Diphilus also mentions it in his Hecate. Philochorus also mentions the
fact of its being called ἀμφιφῶν, and of its being brought
into the temples of Diana, and also to the places where three roads
meet, on the day when the moon is overtaken at its setting by the
rising of the sun; and so the heaven is ἀμφιφῶς, or all over
light.
There is the basynias too. Semus, in the second book of the Deliad,
says—"In the island of Hecate, the Delians sacrifice to Iris, offering
her the cheesecakes called basyniæ; and this is a cake of wheat-flour,
and suet, and honey, boiled up together: and what is called κόκκωρα
consists of a fig and three nuts."
[Sidenote: CHEESECAKES.]
There are also cheesecakes called strepti and neëlata. Both these kinds
are mentioned by Demosthenes the orator, in his Speech in Defence of
Ctesiphon concerning the Crown.
There are also epichyta. Nicochares, in his Handicraftsmen, says—
I've loaves, and barley-cakes, and bran, and flour,
And rolls, obelias, and honey'd cheesecakes,
Epichyti, ptisan, and common cheesecakes,
Dendalides, and fried bread.
But Pamphilus says that the ἐπίχυτος is the same kind of
cheesecake as that which is called ἀττανίτης. And Hipponax
mentions the ἀττανίτης in the following lines:—
Not eating hares or woodcocks,
Nor mingling small fried loaves with cakes of sesame,
Nor dipping attanitæ in honeycombs.
There is also the creïum. This is a kind of cheesecake which, at Argos,
is brought to the bridegroom from the bride; and it is roasted on the
coals, and the friends of the bridegroom are invited to eat it; and it
is served up with honey, as Philetas tells us in his Miscellanies.
There is also the glycinas: this is a cheesecake in fashion among the
Cretans, made, with sweet wine and oil, as Seleucus tells us in his
Dialects.
There is also the empeptas. The same author speaks of this as a
cheesecake made of wheat, hollow and well-shaped, like those which are
called κρηπῖδες; being rather a kind of paste into which they put those
cheesecakes which are really made with cheese.
54. There are cakes, also, called ἐγκρίδες. These are cakes
boiled in oil, and after that seasoned with honey; and they are
mentioned by Stesichorus in the following lines:—
Groats and encrides,
And other cakes, and fresh sweet honey.
Epicharmus, too, mentions them; and so does Nicophon, in his
Handicraftsmen. And Aristophanes, in his Danaides, speaks of a man who
made them in the following words:—
And not be a seller of encrides (ἐγκριδοπώλης).
And Pherecrates, in his Crapatalli, says—
Let him take this, and then along the road
Let him seize some encrides.
There is the ἐπικύκλιος, too. This is a kind of cheesecake
in use among the Syracusans, under this name; and it is mentioned by
Epicharmus, in his Earth and Sea.
There is also the γοῦρος; and that this, too, is a kind of
cheesecake we learn from what Solon says in his Iambics:—
Some spend their time in drinking, and eating cakes,
And some eat bread, and others feast on γοῦροι
Mingled with lentils; and there is no kind
Of dainty wanting there, but all the fruits
Which the rich earth brings forth as food for men
Are present in abundance.
There are also cribanæ; and κριβάνης is a name given by Alcman
to some cheesecakes, as Apollodorus tells us. And Sosibius asserts the
same thing, in the third book of his Essay on Alcman; and he says they
are in shape like a breast, and that the Lacedæmonians use them at
the banquets of women, and that the female friends of the bride, who
follow her in a chorus, carry them about when they are going to sing an
encomium which has been prepared in her honour.
There is also the crimnites, which is a kind of cheesecake made of a
coarser sort of barley-meal (κρίμνον), as Iatrocles tells us
in his treatise on Cheesecakes.
55. Then there is the staitites; and this, too, is a species of
cheesecake made of wheaten-flour and honey. Epicharmus mentions it in
his Hebe's Wedding; but the wheaten-flour is wetted, and then put into
a frying-pan; and after that honey is sprinkled over it, and sesame,
and cheese; as Iatrocles tells us.
There is also the charisius. This is mentioned by Aristophanes in his
Daitaleis, where he says—
But I will send them in the evening
A charisian cheesecake.
And Eubulus, in his Ancylion, speaks of it as if it were plain bread:—
I only just leapt out,
While baking the charisius.
Then there is the ἐπίδαιτρον, which is a barley-cake, made
like a cheesecake, to be eaten after supper; as Philemon tells us in
his treatise on Attic Names.
There is also the nanus, which is a loaf made like a cheesecake,
prepared with cheese and oil.
There are also ψώθια, which are likewise called ψαθύρια. Pherecrates,
in the Crapatalli, says—
And in the shades below you'll get for threepence
A crapatallus, and some ψώθια.
[Sidenote: CHEESECAKES.]
But Apollodorus the Athenian, and Theodorus, in his treatise
on the Attic Dialect, say that the crumbs which are knocked off from a
loaf are called ψώθια, which some people also call ἀττάραγοι.
Then there is the ἴτριον. This is a thin cake, made of sesame
and honey; and it is mentioned by Anacreon thus:—
I broke my fast, taking a little slice
Of an ἴτριον; but I drank a cask of wine.
And Aristophanes, in his Acharnians, says—
Cheesecakes, and cakes of sesame, and ἴτρια.
And Sophocles, in his Contention, says—
But I, being hungry, look back at the ἴτρια.
There is mention made also of ἄμοραι. Philetas, in his
Miscellanies, says that cakes of honey are called ἄμοραι; and
they are made by a regular baker.
There is the ταγηνίτης, too; which is a cheesecake fried
in oil. Magnes, or whoever it was that wrote the comedies which are
attributed to him, says in the second edition of his Bacchus—
Have you ne'er seen the fresh ταγήνιαι hissing,
When you pour honey over them?
And Cratinus, in his Laws, says—
The fresh ταγηνίας, dropping morning dew.
Then there is the ἔλαφος. This is a cheesecake made on the
festival of Elaphebolia, of wheat-flour, and honey, and sesame.
The ναστὸς is a kind of cheesecake, having stuffing inside it.
56. Χόρια are cakes made up with honey and milk.
The ἀμορβίτης is a species of cheesecake in fashion among the
Sicilians. But some people call it παισά. And among the Coans
it is called πλακούντιον, as we are informed by Iatrocles.
Then there are the σησαμίδες, which are cakes made of honey,
and roasted sesame, and oil, of a round shape. Eupolis, in his
Flatterers, says—
He is all grace, he steps like a callabis-dancer,
And breathes sesamides, and smells of apples.
And Antiphanes, in his Deucalion, says—
Sesamides, or honey-cheesecakes,
Or any other dainty of the kind.
And Ephippus, in his Cydon, also mentions them in a passage which has
been already quoted.
Then there are μύλλοι. Heraclides the Syracusan, in his
treatise on Laws, says, that in Syracuse, on the principal day of the
Thesmophorian festival, cakes of a peculiar shape are made of sesame
and honey, which are called μύλλοι throughout all Sicily, and
are carried about as offerings to the goddesses. There is also the
echinus. Lynceus the Samian, in his epistle to Diagoras, comparing the
things which are considered dainties in Attica with those which are
in esteem at Rhodes, writes thus: "They have for the second course a
rival to the fame of the ἄμης in a new antagonist called the ἐχινος,
concerning which I will speak briefly; but when you come and see me,
and eat one which shall be prepared for you in the Rhodian manner, then
I will endeavour to say more about it."
There are also cheesecakes named κοτυλίσκοι. Heracleon of
Ephesus tells us that those cheesecakes have this name which are made
of the third part of a chœnix of wheat.
There are others called χοιρίναι, which are mentioned by
Iatrocles in his treatise on Cheesecakes; and he speaks also of that
which is called πυραμοῦς, which he says differs from the
πυραμίς, inasmuch as this latter is made of bruised wheat
which has been softened with honey. And these cheesecakes are in
nightly festivals given as prizes to the man who has kept awake all
night.
57. But Chrysippus of Tyana, in his book called the Art of
Making Bread, enumerates the following species and genera of
cheesecakes:—"The terentinum, the crassianum, the tutianum, the
sabellicum, the clustron, the julianum, the apicianum, the canopicum,
the pelucidum, the cappadocium, the hedybium, the maryptum, the
plicium, the guttatum, the montianum. This last," he says, "you will
soften with sour wine, and if you have a little cheese you may mash
the montianum up half with wine and half with cheese, and so it will
be more palatable. Then there is the clustrum curianum, the clustrum
tuttatum, and the clustrum tabonianum. There are also mustacia made
with mead, mustacia made with sesame, crustum purium, gosgloanium, and
paulianum.
[Sidenote: CHEESECAKES.]
"The following cakes resembling cheesecakes," he says, "are really
made with cheese:—the enchytus, the scriblites, the subityllus. There
is also another kind of subityllus made of groats. Then there is the
spira; this, too, is made with cheese.
There are, too, the lucuntli, the argyrotryphema, the libos, the
cercus, the æxaphas, the clustroplacous. There is also," says
Chrysippus, "a cheesecake made of rye. The phthois is made thus:—Take
some cheese and pound it, then put it into a brazen sieve and strain
it; then put in honey and a hemina[95] of flour made from spring wheat,
and beat the whole together into one mass.
"There is another cake, which is called by the Romans catillus ornatus,
and which is made thus:—Wash some lettuces and scrape them; then put
some wine into a mortar and pound the lettuces in it; then, squeezing
out the juice, mix up some flour from spring wheat in it, and allowing
it to settle, after a little while pound it again, adding a little
pig's fat and pepper; then pound it again, draw it out into a cake,
smoothe it, and cut it again, and cut it into shape, and boil it in hot
oil, putting all the fragments which you have cut off into a strainer.
"Other kinds of cheesecakes are the following:—the ostracites, the
attanites, the amylum, the tyrocoscinum. Make this last thus:—Pound
some cheese (τῦρον) carefully, and put it into a vessel; then place
above it a brazen sieve (κόσκινον) and strain the cheese through
it. And when you are going to serve it up, then put in above it a
sufficient quantity of honey. The cheesecakes called ὑποτυρίδες are
made thus:—Put some honey into some milk, pound them, and put them into
a vessel, and let them coagulate; then, if you have some little sieves
at hand, put what is in the vessel into them, and let the whey run off;
and when it appears to you to have coagulated thoroughly, then take up
the vessel in which it is, and transfer it to a silver dish, and the
coat, or crust, will be uppermost. But if you have no such sieves, then
use some new fans, such as those which are used to blow the fire; for
they will serve the same purpose. Then there is the coptoplacous. And
also," says he, "in Crete they make a kind of cheesecake which they
call gastris. And it is made thus:—Take some Thasian and Pontic nuts
and some almonds, and also a poppy. Roast this last with great care,
and then take the seed and pound it in a clean mortar; then, adding the
fruits which I have mentioned above, beat them up with boiled honey,
putting in plenty of pepper, and make the whole into a soft mass, (but
it will be of a black colour because of the poppy;) flatten it and make
it into a square shape; then, having pounded some white sesame, soften
that too with boiled honey, and draw it out into two cakes, placing one
beneath and the other above, so as to have the black surface in the
middle, and make it into a neat shape." These are the recipes of that
clever writer on confectionary, Chrysippus.
58. But Harpocration the Mendesian, in his treatise on Cheesecakes,
speaks of a dish which the Alexandrians call παγκαρπία. Now
this dish consists of a number of cakes mashed up together and boiled
with honey. And after they are boiled, they are made up into round
balls, and fastened round with a thin string of byblus in order to
keep them together. There is also a dish called πόλτος, which
Alcman mentions in the following terms—
And then we'll give you poltos made of beans (πυάνιος),
And snow-white wheaten groats from unripe corn,
And fruit of wax.
But the substantive πυάνιον, as Sosibius tells us, means a
collection of all kinds of seeds boiled up in sweet wine. And χῖδρος
means boiled grains of wheat. And when he speaks here of waxy
fruit, he means honey. And Epicharmus, in his Earth and Sea, speaks
thus—
To boil some morning πόλτος.
And Pherecrates mentions the cakes called μελικηρίδων in his
Deserters, speaking as follows—
As one man smells like goats, but others
Breathe from their mouths unalloy'd μελικήρας.
59. And when all this had been said, the wise Ulpian said,—Whence,
my most learned grammarians, and out of what library, have these
respectable writers, Chrysippus and Harpocration, been extracted, men
who bring the names of illustrious philosophers into disrepute by being
their namesakes? And what Greek has ever used the word ἡμίνα;
or who has ever mentioned the ἄμυλος?" And when Laurentius
answered him, and said,—Whoever the authors of the poems attributed to
Epicharmus were, they were acquainted with the ἡπίνα. And we
find the following expressions in the play entitled Chiron—
And to drink twice the quantity of cool water,—
Two full heminas.
[Sidenote: CAKES.]
And these spurious poems, attributed to Epicharmus, were, at
all events, written by eminent men. For it was Chrysogonus the
flute-player, as Aristoxenus tells us in the eighth book of his
Political Laws, who wrote the poem entitled Polity. And Philochorus,
in his treatise on Divination, says that it was a man of the name of
Axiopistos, (whether he was a Locrian or a Sicyonian is uncertain,) who
was the author of the Canon and the Sentences. And Apollodorus tells us
the same thing. And Teleclides mentions the ἄμυλος in his Rigid Men,
speaking thus—
Hot cheesecakes now are things I'm fond of,
Wild pears I do not care about;
I also like rich bits of hare
Placed on an ἄμυλος.
60. When Ulpian had heard this, he said—But, since you have also a
cake which you call κοπτὴ, and I see that there is one served
up for each of you on the table, tell us now, you epicures, what writer
of authority ever mentions this word κοπτὴ? And Democritus
replied—Dionysius of Utica, in the seventh book of his Georgics, says
that the sea leek is called κοπτὴ. And as for the honey-cake
which is now served up before each of us, Clearchus the Solensian, in
his treatise on Riddles, mentions that, saying—"If any one were to
order a number of vessels to be mentioned which resemble one another,
he might say,
A tripod, a bowl, a candlestick, a marble mortar,
A bench, a sponge, a caldron, a boat, a metal mortar,
An oil-cruse, a basket, a knife, a ladle,
A goblet, and a needle.
And after that he gives a list of the names of different dishes, thus—
Soup, lentils, salted meat, and fish, and turnips,
Garlic, fresh meat, and tunny-roe, pickles, onions,
Olives, and artichokes, capers, truffles, mushrooms.
And in the same way he gives a catalogue of cakes, and sweetmeats,
thus—
Ames, placous, entiltos, itrium,[96]
Pomegranates, eggs, vetches, and sesame;
Coptè and grapes, dried figs, and pears and peaches,
Apples and almonds."
These are the words of Clearchus. But Sopater the farce-writer, in his
drama entitled Pylæ, says—
Who was it who invented first black cakes (κοπταὶ)
Of the uncounted poppy-seed? who mix'd
The yellow compounds of delicious sweetmeats?
Here my excellent cross-examiner, Ulpian, you have authorities for
κοπτή; and so now I advise you ἀπεσθίειν some. And he, without any
delay, took and ate some. And when they all laughed, Democritus
said;—But, my fine word-catcher, I did not desire you to eat, but not
to eat; for the word ἀπεσθίω is used in the sense of abstaining from
eating by Theopompus the comic poet, in his Phineus, where he says—
Cease gambling with the dice, my boy, and now
Feed for the future more on herbs. Your stomach
Is hard with indigestion; give up eating (ἀπέσθιε)
Those fish that cling to the rocks; the lees of wine
Will make your head and senses clear, and thus
You'll find your health, and your estate too, better.
Men do, however, use ἀπεσθίω for to eat a portion of
anything, as Hermippus does, in his Soldiers—
Alas! alas! he bites me now, he bites,
And quite devours (ἀπεσθίει) my ears.
61. The Syrian being convicted by these arguments, and being a good
deal annoyed, said—But I see here on the table some pistachio nuts
(ψιττάκια); and if you can tell me what author has ever
spoken of them, I will give you, not ten golden staters, as that Pontic
trifler has it, but this goblet. And as Democritus made no reply, he
said, But since you cannot answer me, I will tell you; Nicander of
Colophon, in his Theriacans, mentions them, and says—
Pistachio nuts (ψιττάκια) upon the highest branches,
Like almonds to the sight.
The word is also written βιστάκια, in the line—
And almond-looking βιστάκια were there.
And Posidonius the Stoic, in the third book of his History, writes
thus: "But both Arabia and Syria produce the peach, and the nut which
is called βιστάκιον; which bears a fruit in bunches like bunches of
grapes, of a sort of tawny white, long shaped, like tears, and the nuts
lie on one another like berries. But the kernel is of a light green,
and it is less juicy than the pine-cone, but it has a more pleasant
smell. And the brothers who together composed the Georgics, write thus,
in the third book—"There is also the ash, and the turpentine tree,
which the Syrians call πιστάκια." And these people spell the word
πιστάκια with a π, but Nicander writes it φιττάκια, and Posidonius
βιστάκια.
[Sidenote: VEGETABLES.]
62. And when he had said this, looking round on all those who were
present, and being praised by them, he said,—But I mean also to discuss
every other dish that there is on the table, in order to make you
admire my varied learning. And first of all I will speak of those which
the Alexandrians call κόνναρα and παλίουροι. And they are mentioned
also by Agathocles of Cyzicus, in the third book of his History of
his Country; where, he says: "But after the thunderbolt had struck
the tomb, there sprung up from the monument a tree which they call
κόνναρον. And this tree is not at all inferior in size to the elm or
the fir. And it has great numbers of branches, of great length and
rather thorny; but its leaf is tender and green, and of a round shape.
And it bears fruit twice a-year, in spring and autumn. And the fruit
is very sweet, and of the size of a phaulian olive, which it resembles
both in its flesh and in its stone; but it is superior in the good
flavour of its juice. And the fruit is eaten while still green; and
when it has become dry they make it into paste, and eat it without
either bruising it or softening it with water, but taking it in very
nearly its natural state. And Euripides, in the Cyclops, speaks of—
A branch of paliurus.[97]
But Theopompus, in the twenty-first book of his History of Philip,
mentions them, and Diphilus, the physician of Siphnus, also speaks of
them, in his treatise on What may be eaten by People in Health, and by
Invalids. But I have mentioned these things first, my good friends, not
because they are before us at this moment, but because in the beautiful
city of Alexandria, I have often eaten them as part of the second
course, and as I have often heard the question as to their names raised
there, I happened to fall in with a book here in which I read what I
have now recounted to you.
63. And I will now take the pears (ἄπιον), which I see before
me, and speak of them, since it is from them that the Peloponnesus
was called Ἀπία,[98] because plants of the peartree were
abundant in the country, as Ister tells us, in his treatise on the
History of Greece. And that it was customary to bring up pears in water
at entertainments, we learn from the Breutias of Alexis, where we read
these lines—
_A._ Have you ne'er seen pears floating in deep water
Served up before some hungry men at dinner?
_B._ Indeed I have, and often; what of that?
_A._ Does not each guest choose for himself, and eat
The ripest of the fruit that swims before him?
_B._ No doubt he does.
But the fruit called ἁμαμηλίδες are not the same as pears, as
some people have fancied, but they are a different thing, sweeter, and
they have no kernel. Aristomenes, in his Bacchus, says—
Know you not how the Chian garden grows
Fine medlars?
And Æschylides too, in the third book of his Georgics, shows us that it
is a different fruit from the pear, and sweeter. For he is speaking of
the island Ceos, and he expresses himself thus,—"The island produces
the very finest pears, equal to that fruit which in Ionia is called
hamamelis; for they are free from kernels, and sweet, and delicious."
But Aethlius, in the fifth book of his Samian Annals, if the book be
genuine, calls them homomelides. And Pamphilus, in his treatise on
Dialects and Names, says, "The epimelis is a species of pear." Antipho,
in his treatise on Agriculture, says that the phocides are also a kind
of pear.
64. Then there are pomegranates. And of pomegranates some kinds are
said to be destitute of kernels, and some to have hard ones. And those
without kernels are mentioned by Aristophanes in his Farmers; and in
his Anagyrus he says—
Except wheat-flour and pomegranates.
He also speaks of them in the Gerytades; and Hermippus, in his
Cercopes, says—
Have you e'er seen the pomegranate's kernel in snow?
And we find the diminutive form ῥοίδιον, like βοίδιον.
Antiphanes also mentions the pomegranates with the hard kernels in his
Bœotia—
I bade him bring me from the farm pomegranates
Of the hard-kernell'd sort.
And Epilycus, in his Phoraliscus, says—
You are speaking of apples and pomegranates.
[Sidenote: POMEGRANATES.]
Alexis also, in his Suitors, has the line—
He took the rich pomegranates from their hands.
But Agatharchides, in the nineteenth book of his History of Europe,
tells us that the Bœotians call pomegranates not ῥοιαὶ but σίδαι,
speaking thus:—"As the Athenians were disputing with the Bœotians
about a district which they called Sidæ, Epaminondas, while engaged
in upholding the claims of the Bœotians, suddenly lifted up in his
left hand a pomegranate which he had concealed, and showed it to
the Athenians, asking them what they called it, and when they said
ῥοιὰ, 'But we,' said he, 'call it σίδη.' And the district bears
the pomegranate-tree in great abundance, from which it originally
derived its name. And Epaminondas prevailed." And Menander, in his
Heauton-Timorumenos, called them ῥοίδια, in the following lines—
And after dinner I did set before them
Almonds, and after that we ate pomegranates.
There is, however, another plant called sida, which is something like
the pomegranate, and which grows in the lake Orchomenus, in the water
itself; and the sheep eat its leaves, and the pigs feed on the young
shoots, as Theophrastus tells us, in the fourth book of his treatise on
Plants; where he says that there is another plant like it in the Nile,
which grows without any roots.
65. The next thing to be mentioned are dates. Xenophon, in the second
book of his Anabasis, says—"And there was in the district a great
deal of corn, and wine made of the dates, and also vinegar, which was
extracted from them; but the berries themselves of the date when like
what we see in Greece, were set apart for the slaves. But those which
were destined for the masters were all carefully selected, being of a
wonderful size and beauty, and their colour was like amber. And some
they dry and serve up as sweetmeats; and the wine made from the date
is sweet, but it produces headache." And Herodotus, in his first book,
speaking of Babylon, says,—"There are palm-trees there growing over
the whole plain, most of them being very fruitful; and they make bread,
and wine, and honey of them. And they manage the tree in the same way
as the fig-tree. For those palm-trees which they call the males they
take, and bind their fruit to the other palm-trees which bear dates,
in order that the insect which lives in the fruit of the male palm
may get into the date and ripen it, and so prevent the fruit of the
date-bearing palm from being spoilt. For the male palm has an insect in
each of its fruits, as the wild fig has." And Polybius of Megalopolis,
who speaks with the authority of an eye-witness, gives very nearly the
same account of the lotus, as it is called, in Libya, that Herodotus
here gives of the palm-tree; for he speaks thus of it: "And the lotus
is a tree of no great size, but rough and thorny, and its leaf is green
like that of the rhamnus, but a little thicker and broader. And the
fruit at first resembles both in colour and size the berries of the
white myrtle when full grown; but as it increases in size it becomes
of a scarlet colour, and in size about equal to the round olives; and
it has an exceedingly small stone. But when it is ripe they gather
it. And some they store for the use of the servants, bruising it and
mixing it with groats, and packing it into vessels. And that which is
preserved for freemen is treated in the same way, only that the stones
are taken out, and then they pack that fruit also in jars, and eat it
when they please. And it is a food very like the fig, and also like
the palm-date, but superior in fragrance. And when it is moistened and
pounded with water, a wine is made of it, very sweet and enjoyable to
the taste, and like fine mead; and they drink it without water; but it
will not keep more than ten days, on which account they only make it in
small quantities as they want it. They also make vinegar of the same
fruit."
66. And Melanippides the Melian, in his Danaides, calls the fruit
of the palm-tree by the name of φοίνιξ, mentioning them in this
manner:—"They had the appearance of inhabitants of the shades below,
not of human beings; nor had they voices like women; but they drove
about in chariots with seats, through the woods and groves, just as
wild beasts do, holding in their hands the sacred frankincense, and the
fragrant dates (φοίνικας), and cassia, and the delicate perfumes of
Syria."[99]
[Sidenote: FIGS.]
And Aristotle, in his treatise on Plants, speaks thus:—"The dates
(φοίνικες) without stones, which some call eunuchs and others
ἀπύρηνοι." Hellanicus has also called the fruit φοίνιξ, in his Journey
to the Temple of Ammon, if at least the book be a genuine one; and so
has Phormus the comic poet, in his Atalantæ. But concerning those that
are called the Nicolaan dates, which are imported from Syria, I can
give you this information; that they received this name from Augustus
the emperor, because he was exceedingly fond of the fruit, and because
Nicolaus of Damascus, who was his friend, was constantly sending him
presents of it. And this Nicolaus was a philosopher of the Peripatetic
School, and wrote a very voluminous history.
67. Now with respect to dried figs. Those which came from Attica
were always considered a great deal the best. Accordingly Dinon, in
his History of Persia, says—"And they used to serve up at the royal
table all the fruits which the earth produces as far as the king's
dominions extend, being brought to him from every district as a sort
of first-fruits. And the first king did not think it becoming for the
kings either to eat or drink anything which came from any foreign
country; and this idea gradually acquired the force of a law. For once,
when one of the eunuchs brought the king, among the rest of the dishes
at dessert, some Athenian dried figs, the king asked where they came
from. And when he heard that they came from Athens, he forbade those
who had bought them to buy them for him any more, until it should be in
his power to take them whenever he chose, and not to buy them. And it
is said that the eunuch did this on purpose, with a view to remind him
of the expedition against Attica." And Alexis, in his Pilot, says—
Then came in figs, the emblem of fair Athens,
And bunches of sweet thyme.
And Lynceus, in his epistle to the comic poet, Posidippus, says—"In
the delineation of the tragic passions, I do not think that Euripides
is at all superior to Sophocles, but in dried figs, I do think that
Attica is superior to every other country on earth." And in his
letter to Diagoras, he writes thus:—"But this country opposes to the
Chelidonian dried figs those which are called Brigindaridæ, which in
their name indeed are barbarous, but which in delicious flavour are not
at all less Attic than the others. And Phœnicides, in his Hated Woman,
says—
They celebrate the praise of myrtle-berries,
Of honey, of the Propylæa, and of figs;
Now these I tasted when I first arrived,
And saw the Propylæa; yet have I found nothing
Which to a woodcock can for taste compare.
In which lines we must take notice of the mention of the woodcock.
But Philemon, in his treatise on Attic Names, says that "the most
excellent dried figs are those called Ægilides; and that Ægila is the
name of a borough in Attica, which derives its name from a hero called
Ægilus; but that the dried figs of a reddish black colour are called
Chelidonians." Theopompus also, in the Peace, praising the Tithrasian
figs, speaks thus—
Barley-cakes, cheesecakes, and Tithrasian figs.
But dried figs were so very much sought after by all men, (for really,
as Aristophanes says—
There's really nothing nicer than dried figs;)
that even Amitrochates, the king of the Indians, wrote to Antiochus,
entreating him (it is Hegesander who tells this story) to buy and send
him some sweet wine, and some dried figs, and a sophist; and that
Antiochus wrote to him in answer, "The dried figs and the sweet wine we
will send you; but it is not lawful for a sophist to be sold in Greece.
The Greeks were also in the habit of eating dried figs roasted, as
Pherecrates proves by what he says in the Corianno, where we find—
But pick me out some of those roasted figs.
And a few lines later he says—
Will you not bring me here some black dried figs?
Dost understand? Among the Mariandyni,
That barbarous tribe, they call these black dried figs
Their dishes.
I am aware, too, that Pamphilus has mentioned a kind of dried figs,
which he calls προκνίδες.
68. That the word βότρυς is common for a bunch of grapes is known to
every one; and Crates, in the second book of his Attic Dialect, uses
the word σταφυλὴ, although it appears to be a word of Asiatic origin;
saying that in some of the ancient hymns the word σταφυλὴ is used for
βότρυς, as in the following line:—
Thick hanging with the dusky grapes (σταφυλῆσι) themselves.
[Sidenote: GRAPES.]
And that the word σταφυλὴ is used by Homer is known to every one. But
Plato, in the eighth book of his Laws, uses both βότρυς and σταφυλὴ,
where he says—"Whoever tastes wild fruit, whether it be grapes
(βοτρύων) or figs, before the time of the vintage arrives, which falls
at the time of the rising of Arcturus, whether it be on his own farm,
or on any one else's land, shall be fined fifty sacred drachmas to be
paid to Bacchus, if he plucked them off his own land; but a mina if
he gather them on a neighbour's estate; but if he take them from any
other place, two-thirds of a mina. But whoever chooses to gather the
grapes (τὴν σταφυλὴν), which are now called the noble grapes, or the
figs called the noble figs, if he gather them from his own trees, let
him gather them as he pleases, and when he pleases; but if he gathers
them from the trees of any one else without having obtained the leave
of the owner, then, in accordance with the law which forbids any one to
move what he has not placed, he shall be invariably punished." These
are the words of the divine Plato; but I ask now what is this noble
grape (γενναῖα), and this noble fig that he speaks of? And you may all
consider this point while I am discussing the other dishes which are on
the table. And Masurius said—
But let us not postpone this till to-morrow,
Still less till the day after.
When the philosopher says γενναῖα, he means εἰγενῆ, _generous_, as
Archilochus also uses the word—
Come hither, you are generous (γενναῖος);
or, perhaps, he means ἐπιγεγενημένα; that is to say, grafted. For
Aristotle speaks of grafted pears, and calls them ἑπεμβολάδες. And
Demosthenes, in his speech in defence of Ctesiphon, has the sentence,
"gathering figs, and grapes (βότρυς), and olives." And Xenophon, in
his Œconomics, says, "that grapes (τὰς σταφυλὰς) are ripened by the
sun." And our ancestors also have been acquainted with the practice of
steeping grapes in wine. Accordingly Eubulus, in his Catacollomenos,
says—
But take these grapes (βότρυς), and in neat wine pound them,
And pour upon them many cups of water.
Then make him eat them when well steep'd in wine.
And the poet, who is the author of the Chiron, which is generally
attributed to Pherecrates, says—
Almonds and apples, and the arbutus first,
And myrtle-berries, pastry, too, and grapes
Well steep'd in wine; and marrow.
And that every sort of autumn fruit was always plentiful at Athens,
Aristophanes testifies in his Horæ. Why, then, should that appear
strange which Aethlius the Samian asserts in the fifth book of his
Samian Annals, where he says, "The fig, and the grape, and the medlar,
and the apple, and the rose grow twice a-year?" And Lynceus, in his
letter to Diagoras, praising the Nicostratian grape, which grows in
Attica, and comparing it to the Rhodiacan, says, "As rivals of the
Nicostratian grapes they grow the Hipponian grape; which after the
month Hecatombæon (like a good servant) has constantly the same good
disposition towards its masters."
69. But as you have had frequent discussions about meats, and birds,
and pigeons, I also will tell you all that I, after a great deal of
reading, have been able to find out in addition to what has been
previously stated. Now the word περιστέριον (pigeon), may be found used
by Menander in his Concubine, where he says—
He waits a little while, and then runs up
And says—"I've bought some pigeons (περιστέρια) for you."
And so Nicostratus, in his Delicate Woman, says—
These are the things I want,—a little bird,
And then a pigeon (περιστέριον) and a paunch.
And Anaxandrides, in his Reciprocal Lover, has the line—
For bringing in some pigeons (περιστέρια) and some sparrows.
And Phrynichus, in his Tragedians, says—
Bring him a pigeon (περιστέριον) for a threepenny piece.
Now with respect to the pheasant, Ptolemy the king, in the twelfth
book of his Memorabilia, speaking of the palace which there is at
Alexandria, and of the animals which are kept in it, says, "They have
also pheasants, which they call τέταροι, which they not only used to
send for from Media, but they also used to put the eggs under broody
hens, by which means they raised a number, so as to have enough
for food; for they call it very excellent eating." Now this is the
expression of a most magnificent monarch, who confesses that he himself
has never tasted a pheasant, but who used to keep these birds as a sort
of treasure. But if he had ever seen such a sight as this, when, in
addition to all those which have been already eaten, a pheasant is also
placed before each individual, he would have added another book to the
existing twenty-four of that celebrated history, which he calls his
Memorabilia. And Aristotle or Theophrastus, in his Commentaries, says,
"In pheasants, the male is not only as much superior to the female as
is usually the case, but he is so in an infinitely greater degree."
[Sidenote: PEACOCKS.]
70. But if the before-mentioned king had seen the number of peacocks
also which exists at Rome, he would have fled to his sacred Senate,
as though he had a second time been driven out of his kingdom by his
brother. For the multitude of these birds is so great at Rome, that
Antiphanes the comic poet, in his Soldier or Tychon, may seem to have
been inspired by the spirit of prophecy, when he said—
When the first man imported to this city
A pair of peacocks, they were thought a rarity,
But now they are more numerous than quails;
So, if by searching you find one good man,
He will be sure to have five worthless sons.
And Alexis, in his Lamp, says—
That he should have devour'd so vast a sum!
Why if (by earth I swear) I fed on hares' milk
And peacocks, I could never spend so much.
And that they used to keep them tame in their houses, we learn from
Strattis, in his Pausanias, where he says—
Of equal value with your many trifles,
And peacocks, which you breed up for their feathers.
And Anaxandrides, in his Melilotus, says—
Is't not a mad idea to breed up peacocks,
When every one can buy his private ornaments?
And Anaxilaus, in his Bird Feeders, says—
Besides all this, tame peacocks, loudly croaking.
Menodotus the Samian also, in his treatise on the Treasures in the
Temple of the Samian Juno, says: "The peacocks are sacred to Juno;
and perhaps Samos may be the place where they were first produced and
reared, and from thence it was that they were scattered abroad over
foreign countries, in the same way as cocks were originally produced in
Persia, and the birds called guinea-fowl (μελεαγρίδες) in Ætolia." On
which account Antiphanes, in his Brothers by the same Father, says—
They say that in the city of the Sun
The phœnix is produced; the owl in Athens;
Cyprus breeds doves of admirable beauty:
But Juno, queen of Samos, does, they say,
Rear there a golden race of wondrous birds,
The brilliant, beautiful, conspicuous peacock.
On which account the peacock occurs on the coins of the Samians.
71. But since Menodotus has mentioned the guinea-fowl, we ourselves
also will say something on that subject. Clytus the Milesian, a pupil
of Aristotle, in the first book of his History of Miletus, writes
thus concerning them—"All around the temple of the Virgin Goddess
at Leros, there are birds called guinea-fowls. And the ground where
they are bred is marshy. And this bird is very devoid of affection
towards its young, and wholly disregards its offspring, so that the
priests are forced to take care of them. And it is about the size of a
very fine fowl of the common poultry, its head is small in proportion
to its body, having but few feathers, but on the top it has a fleshy
crest, hard and round, sticking up above the head like a peg, and of a
wooden colour. And over the jaws, instead of a beard, they have a long
piece of flesh, beginning at the mouth, redder than that of the common
poultry; but of that which exists in the common poultry on the top of
the beak, which some people call the beard, they are wholly destitute;
so that their beak is mutilated in this respect. But its beak is
sharper and larger than that of the common fowl; its neck is black,
thicker and shorter than that of common poultry. And its whole body is
spotted all over, the general colour being black, studded in every part
with thick white spots something larger than lentil seeds. And these
spots are ring-shaped, in the middle of patches of a darker hue than
the rest of the plumage: so that these patches present a variegated
kind of appearance, the black part having a sort of white tinge, and
the white seeming a good deal darkened. And their wings are all over
variegated with white, in serrated,[100] wavy lines, parallel to each
other. And their legs are destitute of spurs like those of the common
hen. And the females are very like the males, on which account the sex
of the guinea-fowls is hard to distinguish." Now this is the account
given of guinea-fowls by the Peripatetic philosopher.
72. Roasted sucking-pigs are a dish mentioned by Epicrates in his
Merchant—
On this condition I will be the cook;
Nor shall all Sicily boast that even she
Produced so great an artist as to fish,
Nor Elis either, where I've seen the flesh
Of dainty sucking-pigs well brown'd before
A rapid fire.
And Alexis, in his Wicked Woman, says—
A delicate slice of tender sucking-pig,
Bought for three obols, hot, and very juicy,
When it is set before us.
[Sidenote: PARTRIDGES.]
"But the Athenians," as Philochorus tells us, "when they sacrifice
to the Seasons, do not roast, but boil their meat, entreating the
goddesses to defend them from all excessive droughts, and heats,
and to give increase to their crops by means of moderate warmth and
seasonable rains. For they argue that roasting is a kind of cookery
which does less good to the meat, while boiling not only removes all
its crudities, but has the power also of softening the hard parts, and
of making all the rest digestible. And it makes the food more tender
and wholesome, on which account they say also, that when meat has been
once boiled, it ought not to be warmed up again by either roasting or
boiling it; for any second process removes the good done by the first
dressing, as Aristotle tells us. And roast meat is more crude and dry
than boiled meat." But roast meat is called φλογίδες. Accordingly
Strattis in his Callippides says, with reference to Hercules—
Immediately he caught up some large slices (φλογίδες)
Of smoking roasted boar, and swallow'd them.
And Archippus, in his Hercules Marrying, says—
The pettitoes of little pigs, well cook'd
In various fashion; slices, too, of bulls
With sharpen'd horns, and great long steaks of boar,
All roasted (φλογίδες).
73. But why need I say anything of partridges, when so much has
already been said by you? However, I will not omit what is related by
Hegesander in his Commentaries. For he says that the Samians, when
sailing to Sybaris, having touched at the district called Siritis, were
so alarmed at the noise made by partridges which rose up and flew away,
that they fled, and embarked on board their ships, and sailed away.
Concerning hares also Chamæleon says, in his treatise on Simonides,
that Simonides once, when supping with king Hiero, as there was no hare
set on the table in front of him as there was before all the other
guests, but as Hiero afterwards helped him to some, made this extempore
verse—
Nor, e'en though large, could he reach all this way.
But Simonides was, in fact, a very covetous man, addicted to
disgraceful gain, as we are told by Chamæleon. And accordingly in
Syracuse, as Hiero used to send him everything necessary for his daily
subsistence in great abundance, Simonides used to sell the greater part
of what was sent to him by the king, and reserve only a small portion
for his own use. And when some one asked him the reason of his doing
so, he said—"In order that both the liberality of Hiero and my economy
may be visible to every one."
The dish called udder is mentioned by Teleclides, in his Rigid Men, in
the following lines—
Being a woman, 'tis but reasonable
That I should bring an udder.
But Antidotus uses not the word οὖθαρ, but ὑπογάστριον, in his
Querulous Man.
74. Matron, in his Parodies, speaks of animals being fattened for food,
and birds also, in these lines—
Thus spake the hero, and the servants smiled,
And after brought, on silver dishes piled,
Fine fatten'd birds, clean singed around with flame,
Like cheesecakes on the back, their age the same.
And Sopater the farce-writer speaks of fattened sucking-pigs in his
Marriage of Bacchis, saying this—
If there was anywhere an oven, there
The well-fed sucking-pig did crackle, roasting.
But Æschines uses the form δελφάκιον for δέλφαξ in his Alcibiades,
saying, "Just as the women at the cookshops breed sucking-pigs
(δελφάκια)." And Antiphanes, in his Physiognomist, says—
Those women take the sucking-pigs (δελφάκια),
And fatten them by force;
And in his Persuasive Man he says—
To be fed up instead of pigs (δελφακίων).
Plato, however, has used the word δέλφαξ in the masculine
gender in his Poet, where he says—
Leanest of pigs (δέλφακα ῥαιότατον).
And Sophocles, in his play called Insolence, says—
Wishing to eat τὸν δέλφακα.
And Cratinus, in his Ulysses, has the expression—
Large pigs (δέλφακας μεγάλους).
But Nicochares uses the word as feminine, saying—
A pregnant sow (κύουσαν δέλφακα);
And Eupolis, in his Golden Age, says—
Did he not serve up at the feast a sucking-pig (δέλφακα),
Whose teeth were not yet grown, a beautiful beast (καλήν)?
And Plato, in his Io, says—
Bring hither now the head of the sucking-pig (τῆς δέλφακος).
[Sidenote: THE HELOTS.]
Theopompus, too, in his Penelope, says—
And they do sacrifice our sacred pig (τὴν ίερὰν δέλφακα).
Theopompus also speaks of fatted geese and fatted calves in the
thirteenth book of his History of Philip, and in the eleventh book of
his Affairs of Greece, where he is speaking of the temperance of the
Lacedæmonians in respect of eating, writing thus—"And the Thasians
sent to Agesilaus, when he arrived, all sorts of sheep and well-fed
oxen; and beside this, every kind of confectionery and sweetmeat. But
Agesilaus took the sheep and the oxen, but as for the confectionery and
sweetmeats, at first he did not know what they meant, for they were
covered up; but when he saw what they were, he ordered the slaves to
take them away, saying that it was not the custom of the Lacedæmonians
to eat such food as that. But as the Thasians pressed him to take them,
he said, Carry them to those men (pointing to the Helots) and give them
to them; saying that it was much better for those Helots to injure
their health by eating them, than for himself and the Lacedæmonians
whom he had with him." And that the Lacedæmonians were in the habit
of treating the Helots with great insolence, is related also by Myron
of Priene, in the second book of his History of Messene, where he
says—"They impose every kind of insulting employment on the Helots,
such as brings with it the most extreme dishonour; for they compel them
to wear caps of dogskin, and cloaks also of skins; and every year they
scourge them without their having committed any offence, in order to
prevent their ever thinking of emancipating themselves from slavery.
And besides all this, if any of them ever appear too handsome or
distinguished-looking for slaves, they impose death as the penalty, and
their masters also are fined for not checking them in their growth and
fine appearances. And they give them each a certain piece of land, and
fix a portion which they shall invariably bring them in from it."
The verb χηνίξω, to cackle like a goose (χὴν), is
used and applied to those who play on the flute. Diphilus says in his
Synoris—
Ἐχήνισας,—this noise is always made
By all the pupils of Timotheus.
75. And since there is a portion of a fore-quarter of pork which is
called πέρνα placed before each of us, let us say something about
it, if any one remembers having seen the word used anywhere. For the
best πέρναι are those from Cisalpine Gaul: those from Cibyra in Asia
are not much inferior to them, nor are those from Lycia. And Strabo
mentions them in the third book of his Geography, (and he is not a very
modern author). And he says also, in the seventh[101] book of the same
treatise, that he was acquainted with Posidonius the Stoic philosopher,
of whom we have often spoken as a friend of Scipio who took Carthage.
And these are the words of Strabo—"In Spain, in the province of
Aquitania, is the city Pompelo, which one may consider equivalent to
Pompeiopolis, where admirable πέρναι are cured, equal to the Cantabrian
hams."
The comic poet Aristomenes, in his Bacchus, speaks of meat cured by
being sprinkled with salt, saying—
I put before you now this salted meat.
And in his Jugglers he says—
The servant always ate some salted crab.
76. But since we have here "fresh cheese (τρόφαλις), the glory of fair
Sicily," let us, my friends, also say something about cheese (τυρός).
For Philemon, in his play entitled The Sicilian, says—
I once did think that Sicily could make
This one especial thing, good-flavour'd cheese;
But now I've heard this good of it besides,
That not only is the cheese of Sicily good,
But all its pigeons too: and if one speaks
Of richly-broider'd robes, they are Sicilian;
And so I think that island now supplies
All sorts of dainties and of furniture.
The Tromilican[102] cheese also has a high character, respecting which
Demetrius the Scepsian writes thus in his second book of the Trojan
Array—"Tromilea is a city of Achaia, near which a delicious cheese is
made of goat's milk, not to be compared with any other kind, and it is
called Tromilican. And Simonides mentions it in his Iambic poem, which
begins thus—
You're taking wondrous trouble beforehand,
Telembrotus:
and in this poem he says—
And there is the fine Achaian cheese,
Called the Tromilican, which I've brought with me.
[Sidenote: CHEESE.]
And Euripides, in his Cyclops, speaks of a harsh-tasted cheese, which
he calls ὀπίας τυρὸς, being curdled by the juice ὀπὸς of the fig-tree—
There is, too, τυρὸς ὀπίας, and Jove's milk.[103]
But since, by speaking in this way of all the things which are now
put on the table before us, I am making the Tromilican cheese into
the remains of the dessert, I will not continue this topic. For
Eupolis calls the relics of sweetmeats (τραγημάτων) and confectionery
ἀποτραγήματα. And ridiculing a man of the name of Didymias, he calls
him the ἀποτράγημα of a fox, either because he was little in person,
or as being cunning and mischievous, as Dorotheus of Ascalon says.
There are also thin broad cheeses, which the Cretans call females,
as Seleucus tells us, which they offer up at certain sacrifices. And
Philippides, in his play called the Flutes, speaks of some called
πυρίεφθαι (and this is a name given to those made of cream), when he
says—
Having these πυρίεφθαι, and these herbs.
And perhaps all such things are included in this Macedonian term
ἐπιδειπνίδες. For all these things are provocatives to drinking.
77. Now, while Ulpian was continuing the conversation in this way,
one of the cooks, who made some pretence to learning, came in,
and proclaimed μύμα. And when many of us were perplexed at this
proclamation, (for the rascal did not show what it was that he had,)
he said;—You seem to me, O guests, to be ignorant that Cadmus, the
grandfather of Bacchus, was a cook. And, as no one made any reply to
this, he said; Euhemerus the Coan, in the third book of his Sacred
History, relates that the Sidonians give this account, that Cadmus was
the cook of the king, and that he, having taken Harmonia, who was a
female flute-player and also a slave of the king, fled away with her.—
But shall I flee, who am a freeman born?
For no one can find any mention in any comedy of a cook being a slave,
except in a play of Posidippus. But the introduction of slaves as cooks
took place among the Macedonians first, who adopted this custom either
out of insolence, or on account of the misfortunes of some cities which
had been reduced to slavery. And the ancients used to call a cook who
was a native of the country, Mæson; but if he was a foreigner, they
called him Tettix. And Chrysippus the philosopher thinks the name
Μαίσων is derived from the verb μασάομαι, to eat; a cook being an
ignorant man, and the slave of his appetite; not knowing that Mæson was
a comic actor, a Megarian by birth, who invented the mask which was
called Μαίσων, from him; as Aristophanes of Byzantium tells us, in his
treatise on Masks, where he says that he invented a mask for a slave
and also one for a cook. So that it is a deserved compliment to him to
call the jests which suit those characters μαισωνικά.
For cooks are very frequently represented on the stage as jesting
characters; as, for instance, in the Men selecting an Arbitrator, of
Menander. And Philemon in one of his plays says—
'Tis a male sphinx, it seems, and not a cook,
That I've brought home; for, by the gods I swear,
I do not understand one single word
Of all he says; so well provided is he
With every kind of new expression.
But Polemo says, in his writings which are addressed to Timæus, that
Mæson was indeed a Megarian, but from Megara in Sicily, and not from
Nisæa. And Posidippus speaks of slaves as cooks, in his Woman Shut out,
where he says—
Thus have these matters happen'd: but just now,
While waiting on my master, a good joke
Occurr'd to me; I never will be caught
Stealing his meat.
And, in his Foster Brothers, he says—
_A._ Did you go out of doors, you who were cook?
_B._ If I remain'd within I lost my supper.
_A._ Let me then first....
_B._ Let me alone, I say;
I'm going to the forum to sacrifice:
A friend of mine, a comrade too in art,
Has hired me.
78. And there was nothing extraordinary in the ancient cooks being
experienced in sacrifices. At all events, they usually managed all
marriage-feasts and sacrifices. On which account Menander, in his
Flatterer, introduces a cook, who on the fourth day of the month had
been ministering in the festival of Aphrodite Pandemus, using the
following language—
[Sidenote: COOKS.]
Now a libation. Boy, distribute round
The entrails. Whither are you looking now?
Now a libation—quick! you Sosia, quick!
Quick! a libation. That will do; now pour.
First let us pray to the Olympian gods,
And now to all the Olympian goddesses:
Meantime address them; pray them all to give
Us safety, health, and all good things in future,
And full enjoyment of all present happiness.
Such shall be now our prayers.
And another cook, in Simonides, says—
And how I roasted, how I carved the meat,
You know: what is there that I can't do well?
And the letter of Olympias to Alexander mentions the great experience
of cooks in these matters. For, his mother having been entreated by
him to buy him a cook who had experience in sacrifices, proceeds to
say, "Accept the cook Pelignas from your mother; for he is thoroughly
acquainted with the manner in which all your ancestral sacrifices, and
all the mysterious rites, and all the sacred mysteries connected with
the worship of Bacchus are performed, and every other sacrifice which
Olympias practises he knows. Do not then disregard him, but accept him,
and send him back again to me at as early a period as possible."
79. And that in those days the cook's profession was a respectable one,
we may learn from the Heralds at Athens. "For these men used to perform
the duties of cooks and also of sacrifices of victims," as Clidemus
tells us, in the first book of his Protogony; and Homer uses the verb
ῥέζω, as we use θύω; but he uses θύω as we do θυμιάω, for burning cakes
and incense after supper. And the ancients used also to employ the verb
δράω for to sacrifice; accordingly Clidemus says, "The heralds used
to sacrifice (ἔδρων) for a long time, slaying the oxen, and preparing
them, and cutting them up, and pouring wine over them. And they were
called κήρυκες from the hero Ceryx; and there is nowhere any record of
any reward being given to a cook, but only to a herald." For Agamemnon
in Homer, although he is king, performs sacrifices himself; for the
poet says—
With that the chief the tender victims slew,
And in the dust their bleeding bodies threw;
The vital spirit issued at the wound,
And left the members quivering on the ground.[104]
And Thrasymedes the son of Nestor, having taken an axe, slays the ox
which was to be sacrificed, because Nestor himself was not able to do
so, by reason of his old age; and his other brothers assisted him; so
respectable and important was the office of a cook in those days. And
among the Romans, the Censors,—and that was the highest office in the
whole state,—clad in a purple robe, and wearing crowns, used to strike
down the victims with an axe. Nor is it a random assertion of Homer,
when he represents the heralds as bringing in the victims, and whatever
else had any bearing on the ratification of oaths, as this was a very
ancient duty of theirs, and one which was especially a part of their
office—
Two heralds now, despatch'd to Troy, invite
The Phrygian monarch to the peaceful rite;
and again—
Talthybius hastens to the fleet, to bring
The lamb for Jove, th' inviolable king.[105]
And, in another passage, he says—
A splendid scene! Then Agamemnon rose;
The boar Talthybius held; the Grecian lord
Drew the broad cutlass, sheath'd beside his sword.[106]
80. And in the first book of the History of Attica, Clidemus says, that
there was a tribe of cooks, who were entitled to public honours; and
that it was their business to see that the sacrifices were performed
with due regularity. And it is no violation of probability in Athenion,
in his Samothracians, as Juba says, when he introduces a cook arguing
philosophically about the nature of things and men, and saying—
_A._ Dost thou not know that the cook's art contributes
More than all others to true piety?
_B._ Is it indeed so useful?
_A._ Troth it is,
You ignorant barbarian: it releases
Men from a brutal and perfidious life,
And cannibal devouring of each other,
And leads us to some order; teaching us
The regular decorum of the life
Which now we practise.
_B._ How is that?
_A._ Just listen.
Once men indulged in wicked cannibal habits,
And numerous other vices; when a man
Of better genius arose, who first
Sacrificed victims, and did roast their flesh;
And, as the meat surpass'd the flesh of man,
They then ate men no longer, but did slay
The herds and flocks, and roasted them and ate them.
And when they once had got experience
Of this most dainty pleasure, they increased
In their devotion to the cook's employment;
[Sidenote: COOKS.]
So that e'en now, remembering former days,
They roast the entrails of their victims all
Unto the gods, and put no salt thereon,
For at the first beginning they knew not
The use of salt as seasoning; but now
They have found out its virtue, so they use it
At their own meals, but in their holy offerings
They keep their ancient customs; such as were
At first the origin of safety to us:
That love of art, and various seasoning,
Which carries to perfection the cook's skill.
_B._ Why here we have a new Palæphatus.
_A._ And after this, as time advanced, a paunch,
A well-stuff'd paunch was introduced . . . .
* * * * *
Then they wrapp'd up a fish, and quite conceal'd it
In herbs, and costly sauce, and groats, and honey;
And as, persuaded by these dainty joys
Which now I mention, every one gave up
His practice vile of feeding on dead men,
Men now began to live in company,
Gathering in crowds; cities were built and settled;
All owing, as I said before, to cooks.
_B._ Hail, friend! you are well suited to my master.
_A._ We cooks are now beginning our grand rites;
We're sacrificing, and libations offering,
Because the gods are most attentive to us,
Pleased that we have found out so many things,
Tending to make men live in peace and happiness.
_B._ Well, say no more about your piety—
_A._ I beg your pardon—
_B._ But come, eat with me,
And dress with skill whate'er is in the house.
81. And Alexis, in his Caldron, shows plainly that cookery is an art
practised by freeborn men; for a cook is represented in that play as
a citizen of no mean reputation; and those who have written cookery
books, such as Heraclides and Glaucus the Locrian, say that the art
of cookery is one in which it is not even every freeborn man who can
become eminent. And the younger Cratinus, in his play called the
Giants, extols this art highly, saying—
_A._ Consider, now, how sweet the earth doth smell,
How fragrantly the smoke ascends to heaven:
There lives, I fancy, here within this cave
Some perfume-seller, or Sicilian cook.
_B._ The scent of both is equally delicious.
And Antiphanes, in his Slave hard to Sell, praises the Sicilian cooks,
and says—
And at the feast, delicious cakes,
Well season'd by Sicilian art.
And Menander, in his Spectre, says—
Do ye applaud,
If the meat's dress'd with rich and varied skill.
But Posidippus, in his Man recovering his Sight, says—
I, having had one cook, have thoroughly learnt
All the bad tricks of cooks, while they compete
With one another in their trade. One said
His rival had no nose to judge of soup
With critical taste; that other had
A vicious palate; while a third could never
(If you'd believe the rest) restrain his appetite,
Without devouring half the meat he dress'd.
This one loved salt too much, and that one vinegar;
One burnt his meat; one gorged; one could not stand
The smoke; a sixth could never bear the fire.
At last they came to blows; and one of them,
Shunning the sword, fell straight into the fire.
And Antiphanes, in his Philotis, displaying the cleverness of the
cooks, says—
_A._ Is not this, then, an owl?
_B._ Aye, such as I
Say should be dress'd in brine.
_A._ Well; and this pike?
_B._ Why roast him whole.
_A._ This shark?
_B._ Boil him in
sauce.
_A._ This eel?
_B._ Take salt, and marjoram, and water.
_A._ This conger?
_B._ The same sauce will do for him.
_A._ This ray?
_B._ Strew him with herbs.
_A._ Here is a slice
Of tunny.
_B._ Roast it.
_A._ And some venison.
_B._ Roast it.
_A._ Then here's a lot more meat.
_B._ Boil all the rest.
_A._ Here's a spleen.
_B._ Stuff it.
_A._ And a nestis.
_B._ Bah!
This man will kill me.
And Baton, in his Benefactors, gives a catalogue of celebrated cooks
and confectioners, thus—
_A._ Well, O Sibynna, we ne'er sleep at nights,
Nor waste our time in laziness: our lamp
Is always burning; in our hands a book;
And long we meditate on what is left us
By—
_B._ Whom?
_A._ By that great Actides of Chios,
Or Tyndaricus, that pride of Sicyon,
Or e'en by Zopyrinus.
_B._ Find you anything?
_A._ Aye, most important things.
_B._ But what? The dead....
[Sidenote: THE THESSALIANS.]
82. And such a food now is the μύμα, which I, my friends, am bringing
you; concerning which Artemidorus, the pupil of Aristophanes, speaks
in his Dictionary of Cookery, saying that it is prepared with meat
and blood, with the addition also of a great deal of seasoning. And
Epænetus, in his treatise on Cookery, speaks as follows:—"One must
make μύμα of every kind of animal and bird, cutting up the tender
parts of the meat into small pieces, and the bowels and entrails, and
pounding the blood, and seasoning it with vinegar, and roasted cheese,
and assafœtida, and cummin-seed, and thyme (both green and dry), and
savory, and coriander-seed (both green and dry), and leeks, and onions
(cleaned and toasted), and poppy-seed, and grapes, and honey, and the
pips of an unripe pomegranate. You may also make this μύμα of fish."
83. And when this man had thus hammered on not only this dish but our
ears also, another slave came in, bringing in a dish called ματτύη.
And when a discussion arose about this, and when Ulpian had quoted a
statement out of the Dictionary of Cookery by the before-mentioned
Artemidorus relating to it, Æmilianus said that a book had been
published by Dorotheus of Ascalon, entitled, On Antiphanes, and on the
dish called Mattya by the Poets of the New Comedy, which he says is a
Thessalian invention, and that it became naturalized at Athens during
the supremacy of the Macedonians. And the Thessalians are admitted to
be the most extravagant of all the Greeks in their manner of dressing
and living; and this was the reason why they brought the Persians down
upon the Greeks, because they were desirous to imitate their luxury
and extravagance. And Cratinus speaks of their extravagant habits in
his treatise on the Thessalian Constitution. But the dish was called
ματτύη (as Apollodorus the Athenian affirms in the first book of his
treatise on Etymologies), from the verb μασάομαι (to eat); as also are
the words μαστίχη (mastich) and μάζα (barley-cake). But our own opinion
is that the word is derived from μάττω, and that this is the verb from
which μάζα itself is derived, and also the cheese-pudding called by the
Cyprians μαγίς; and from this, too, comes the verb ὑπερμαζάω, meaning
to be extravagantly luxurious. Originally they used to call this common
ordinary food made of barley-meal μάζα, and preparing it they called
μάττω. And afterwards, varying the necessary food in a luxurious and
superfluous manner, they derived a word with a slight change from
the form μάζα, and called every very costly kind of dish ματτύη; and
preparing such dishes they called ματτυάζω, whether it were fish, or
poultry, or herbs, or beasts, or sweetmeats. And this is plain from the
testimony of Alexis, quoted by Artemidorus; for Alexis, wishing to show
the great luxuriousness of the way in which this dish was prepared,
added the verb λέπομαι. And the whole extract runs thus, being out of
a corrected edition of a play which is entitled Demetrius:—
Take, then, this meat which thus is sent to you;
Dress it, and feast, and drink the cheerful healths,
λέπεσθε, ματτυάζετε.
But the Athenians use the verb λέπομαι for wanton and unseemly
indulgence of the sensual appetites.
84. And Artemidorus, in his Dictionary of Cookery, explains ματτύη as
a common name for all kinds of costly seasonings; writing thus—"There
is also a ματτύης (he uses the word in the masculine gender) made of
birds. Let the bird be killed by thrusting a knife into the head at the
mouth; then let it be kept till the next day, like a partridge. And if
you choose, you can leave it as it is, the wings on and with its body
plucked." Then, having explained the way in which it is to be seasoned
and boiled, he proceeds to say—"Boil a fat hen of the common poultry
kind, and some young cocks just beginning to crow, if you wish to make
a dish fit to be eaten with your wine. Then taking some vegetables, put
them in a dish, and place upon them some of the meat of the fowl, and
serve it up. But in summer, instead of vinegar, put some unripe grapes
into the sauce, just as they are picked from the vine; and when it is
all boiled, then take it out before the stones fall from the grapes,
and shred in some vegetables. And this is the most delicious ματτύης
that there is."
Now, that ματτύη, or ματτύης, really is a common name for all costly
dishes is plain; and that the same name was also given to a banquet
composed of dishes of this sort, we gather from what Philemon says in
his Man carried off:—
Put now a guard on me, while naked, and
Amid my cups the ματτύης shall delight me.
And in his Homicide he says—
Let some one pour us now some wine to drink,
And make some ματτύη quick.
[Sidenote: MATTYH.]
But Alexis, in his Pyraunus, has used the word in an obscure sense:—
But when I found them all immersed in business,
I cried,—Will no one give us now a ματτύη?
as if he meant a feast here, though you might fairly refer the word
merely to a single dish. Now Machon the Sicyonian is one of the comic
poets who were contemporaries of Apollodorus of Carystus, but he did
not exhibit his comedies at Athens, but in Alexandria; and he was an
excellent poet, if ever there was one, next to those seven[107] of the
first class. On which account, Aristophanes the grammarian, when he was
a very young man, was very anxious to be much with him. And he wrote
the following lines in his play entitled Ignorance:—
There's nothing that I'm fonder of than ματτύη;
But whether 'twas the Macedonians
Who first did teach it us, or all the gods,
I know not; but it must have been a person
Of most exalted genius.
85. And that it used to be served up after all the rest of the banquet
was over, is plainly stated by Nicostratus, in his Man expelled. And it
is a cook who is relating how beautiful and well arranged the banquet
was which he prepared; and having first of all related what the dinner
and supper were composed of, and then mentioning the third meal,
proceeds to say—
Well done, my men,—extremely well! but now
I will arrange the rest, and then the ματτύη;
So that I think the man himself will never
Find fault with us again.
And in his Cook he says—
Thrium and candylus he never saw,
Or any of the things which make a ματτύη.
And some one else says—
They brought, instead of a ματτύη, some paunch,
And tender pettitoes, and tripe, perhaps.
But Dionysius, in his Man shot at with Javelins (and it is a cook who
is represented speaking), says—
So that sometimes, when I a ματτύη
Was making for them, in haste would bring
(More haste worse speed)....[108]
Philemon, also, in his Poor Woman—
When one can lay aside one's load, all day
Making and serving out rich μάττυαι.
But Molpis the Lacedæmonian says that what the Spartans call ἐπαίκλεια,
that is to say, the second course, which is served up when the main
part of the supper is over, is called μάττυαι by other tribes of
Greece. And Menippus the Cynic, in his book called Arcesilaus, writes
thus:—"There was a drinking-party formed by a certain number of
revellers, and a Lacedæmonian woman ordered the ματτύη to be served
up; and immediately some little partridges were brought in, and some
roasted geese, and some delicious cheesecakes."
But such a course as this the Athenians used to call ἐπιδόρπισμα, and
the Dorians ἐπάϊκλον; but most of the Greeks called it τὰ ἐπίδειπνα.
And when all this discussion about the ματτύη was over, they thought it
time to depart; for it was already evening. And so we parted.
FOOTNOTES.
[61] Odyss. xxi. 293.
[62] Diomea was a small village in Attica, where there was a
celebrated temple of Hercules, and where a festival was kept in his
honour: Aristophanes says—
Ὅποθ' Ἡράκλεια τὰ 'ν Διομείοισ γίγνεται.—Ranæ, 651.
[63] Because slaves (and the actors were usually slaves) had only names
of one, or at most two syllables, such as Davus, Geta, Dromo, Mus.
[64] Τήνδε μοῦσαν, this Muse; τήνδ' ἐμοῦσαν,
this woman vomiting.
[65] The text here is corrupt and hopeless.—_Schweig._
[66] This passage, again, is hopelessly corrupt. "Merum Augeæ
stabulum."—_Casaub._
[67] There is no account of what this feast of Swings was.
The Greek is ἔωραι. Some have fancied it may have had some
connexion with the images of Bacchus (oscilla) hung up in the trees.
See Virg. G. ii. 389.
[68] There is probably some corruption in this passage: it is
clearly unintelligible as it stands.
[69] Σκευοποιὸς, a maker of masks, etc. for the stage; μιμητὴς, an
actor.
[70] See Iliad, ix. 186.
Τὸν δ' εὗρον φρένα τερπόμενον φόρμιγγι λιγείῃ,
καλῇ, δαιδαλέῃ, ἐπὶ δ' ἀργύρεος ζύγος ἤεν
τὴν ἄρετ' ἐξ ἐνάρων πτόλιν Ἠετίωνος ὀλέσσας
Τῃ ὅγε θυμὸν ἔτερπεν, ἄειδε δ' ἄρα κλέα ἀνδρῶν.
Which is translated by Pope:—
Amused at ease the godlike man they found,
Pleased with the solemn harp's harmonious sound,
(The well-wrought harp from conquer'd Thebæ came,
Of polish'd silver was its costly frame.)
With this he soothes his angry soul, and sings
Th' immortal deeds of heroes and of kings.—Iliad, ix. 245.
[71] Odyss. xvii. 262.
[72] Iliad, i. 603.
[73] This story is related by Herodotus, vi. 126.
[74] See Herodotus, i. 55.
[75] Κίνησις, motion.
[76] From ὄσχη, a vine-branch with grapes on it, and
φέρω, to bear.
[77] It is not known what part of the theatre this was.
[78] Iliad, xxiii. 2.
[79] Odyss. xii. 423.
[80] "This passage perplexes me on two accounts; first of all because I
have not been able to find such a line in Homer; and secondly because I
do not see what is faulty or weak in it; and it cannot be because it is
a spondaic verse, for of that kind there are full six hundred in Homer.
The other line comes from Iliad, ii. 731."—_Schweigh._
[81] Iliad, xii. 208.
[82] There is a difficulty again here, for there is no such
line found in Homer; the line most like it is—
Καλὴ Καστιάνειρα, δέμας εἰκυῖα θεῆσι.—Iliad, viii. 305.
In which, however, there is no incorrectness or defect at all.
[83] Odyss. ix. 212.
[84] Iliad, ix. 157.
[85] Odyss. i. 237.
[86] The Κάρνεια were a great national festival, celebrated by the
Spartans in honour of Apollo Carneius, under which name he was
worshipped in several places in Peloponnesus, especially at Amyclæ,
even before the return of the Heraclidæ. It was a warlike festival,
like the Attic Boedromia. The Carnea were celebrated also at Cyrene,
Messene, Sybaris, Sicyon, and other towns.—See Smith's Dict. Ant. _in
voc._
[87] From κλέπτω, to steal,—to injure privily.
[88]
καίτοι τί δεῖ
λύρας ἐπι τοῦτον, ποῦ 'στιν ἡ τοῖς ὀστράκοις
αὔτη κροτοῦσα; δεῦρο Μοῦσ' Εὐμιπίδου.—Ar. Ranæ, 1305.
[89] The Greek word is χρώματα: "As a technical term in Greek music,
χρῶμα was a modification of the simplest or diatonic music; but there
were also χρώματα as further modifications of all the three common
kinds (diatonic, chromatic, and enharmonic)." Liddell and Scott, _in
voc._ Smith, Dict. Gr. and Rom. Ant. v. _Music_, p. 625 _a_, calls
them χρόαι, and says there were six of them; one in the enharmonic
genus, often called simply ἁρμονία; two in the diatonic, 1st, διάτονον
σίντονον, or simply διάτονον, the same as the genus; 2d, διάτονον
μαλακόν: and three in the chromatic, 1st, χρῶμα τονιαῖον, or simply
χρῶμα, the same as the genus; 2d, χρῶμα ἡμιόλιον; 3d, χρῶμα μαλακόν.
_V. loc._
[90] The Saturnalia originally took place on the 19th of
December; in the time of Augustus, on the 17th, 18th, and 19th: but the
merrymaking in reality appears to have lasted seven days. Horace speaks
of the licence then permitted to the slaves:—
"Age, libertate Decembri,
Quando ita majores voluerunt, utere—narra."—Sat. ii. 7. 4.
—_Vide_ Smith, Gr. Lat. Ant.
[91] Pind. Ol. i. 80.
[92] Ar. Vespæ, 1216.
[93] Βίος ἀληλεσμένος, a civilised life, in which one uses ground corn,
and not raw fruits.—Liddell and Scott in voc. ἀλέω.
[94] This was a Thebes in Asia, so called by Homer (Iliad, vi.
397), as being at the foot of a mountain called Placia, or Placos.
[95] The ἡμίνα was equal to a κοτύλη, and held about half a pint.
[96] These are all names of different kinds of cheesecakes
which cannot be distinguished from one another in an English
translation.
[97] Eur. Cycl. 393.
[98] This is the name given to the Peloponnesus by Homer,—
ἐξ Ἀπίης γαίης—II. iii. 49,—
where Damm says the name is derived from some ancient king named Apis;
but he adds that the name Ἀπία is also used merely as meaning distant
(γῆν ἀπὸ ἀφεστῶσαν καὶ ἀλλοδάπην), as is plain from what Ulysses says
of himself to the Phæacians—
καὶ γὰρ ἔγω ξεῖνος ταλαπείριος ἔνθαδ' ἱκάνω
τηλόθεν ἐξ ἀπίης γαίης.—Odyss. vii. 25.
[99] This fragment is full of corruptions. I have adopted the reading
and interpretation of Casaubon.
[100] There is probably some corruption here.
[101] There is probably some great corruption here; for Posidonius was
a contemporary of Cicero.
[102] There is a dispute whether this word ought to be written
Tromilican or Stromilican. The city of Tromilea is mentioned nowhere
else.
[103] Eur. Cycl. 136.
[104] Homer, Iliad, iii. 292.
[105] Homer, Iliad, iii, 116.
[106] Homer, Iliad, xix. 250.
[107] Who these seven first-class authors were, whether tragedians or
comic poets, or both, or whether there was one selection of tragic and
another of comic poets, each classed as a sort of "Pleias Ptolemæi
Philadelphi ætate nobilitata," is quite uncertain.
[108] This passage is abandoned as corrupt by Schweighauser.