[Sidenote: LACEDÆMONIAN MARRIAGES.]
1. ANTIPHANES the comic writer, my friend Timocrates, when he was
reading one of his own comedies to Alexander the king, and when it was
plain that the king did not think much of it, said to him, "The fact
is, O king, that a man who is to appreciate this play, ought to have
often supped at picnic feasts, and must have often borne and inflicted
blows in the cause of courtesans," as Lycophron the Chalcidian relates
in his treatise on Comedy. And accordingly we, who are now about to
set out a discussion on amatory matters, (for there was a good deal of
conversation about married women and about courtesans,) saying what we
have to say to people who understand the subject, invoking the Muse
Erato to be so good as to impress anew on our memory that amatory
catalogue, will make our commencement from this point—
Come now, O Erato, and tell me truly
what it was that was said by the different guests about love and about
amatory matters.
2. For our admirable host, praising the married women, said that
Hermippus stated in his book about lawgivers, that at Lacedæmon all the
damsels used to be shut up in a dark room, while a number of unmarried
young men were shut up with them; and whichever girl each of the young
men caught hold of he led away as his wife, without a dowry. On which
account they punished Lysander, because he left his former wife, and
wished to marry another who was by far more beautiful. But Clearchus
the Solensian, in his treatise on Proverbs, says,—"In Lacedæmon the
women, on a certain festival, drag the unmarried men to an altar, and
then buffet them; in order that, for the purpose of avoiding the insult
of such treatment, they may become more affectionate, and in due season
may turn their thoughts to marriage. But at Athens, Cecrops was the
first person who married a man to one wife only, when before his time
connexions had taken place at random, and men had had their wives in
common. On which account it was, as some people state, that Cecrops was
called διφυὴς,[12] because before his time people did not know
who their fathers were, by reason of the numbers of men who might have
been so."
And beginning in this manner, one might fairly blame those who
attributed to Socrates two wives, Xanthippe and Myrto, the daughter
of Aristides; not of that Aristides who was surnamed the Just,
(for the time does not agree,) but of his descendant in the third
generation. And the men who made this statement are Callisthenes, and
Demetrius Phalereus, and Satyrus the Peripatetic, and Aristoxenus;
who were preceded in it by Aristotle, who relates the same story in
his treatise on Nobleness of Birth. Unless perhaps this licence was
allowed by a decree at that time on account of the scarcity of men,
so that any one who pleased might have two wives; to which it must be
owing that the comic poets make no mention of this fact, though they
very often mention Socrates. And Hieronymus of Rhodes has cited the
decree about wives; which I will send to you, since I have the book.
But Panætius the Rhodian has contradicted those who make this statement
about the wives of Socrates.
[Sidenote: HERCULES.]
3. But among the Persians the queen tolerates the king's having a
number of concubines, because there the king rules his wife like her
master; and also because the queen, as Dinon states in his history
of Persia, receives a great deal of respect from the concubines. At
all events they offer her adoration. And Priam, too, had a great many
women, and Hecuba was not indignant. Accordingly, Priam says—
Yet what a race! ere Greece to Ilion came,
The pledge of many a loved and loving dame.
Nineteen one mother bore—dead, all are dead![13]
But among the Greeks, the mother of Phœnix does not tolerate the
concubine of Amyntor. And Medea, although well acquainted with the
fashion, as one well established among the barbarians, refuses to
tolerate the marriage of Glauce, having been forsooth already initiated
in better and Greek habits. And Clytæmnestra, being exceedingly
indignant at a similar provocation, slays Cassandra with Agamemnon
himself, whom the monarch brought with him into Greece, having given
in to the fashion of barbarian marriages. "And a man may wonder,"
says Aristotle, "that Homer has nowhere in the Iliad represented any
concubine as living with Menelaus, though he has given wives to every
one else. And accordingly, in Homer, even old men sleep with women,
such as Nestor and Phœnix. For these men were not worn out or disabled
in the time of their youth, either by intoxication, or by too much
indulgence in love; or by any weakness of digestion engendered by
gluttony; so that it was natural for them to be still vigorous in old
age. The king of Sparta, then, appears to have too much respect for
his wedded wife Helena, on whose account he collected all the Grecian
army; and on this account he keeps aloof from any other connexion. But
Agamemnon is reproached by Thersites, as a man with many wives—
'Tis thine, whate'er the warrior's breast inflames, The golden spoil,
and thine the lovely dames; With all the wealth our wars and blood
bestow, Thy tents are crowded and thy chests o'erflow.[14]
"But it is not natural," says Aristotle, "to suppose that all that
multitude of female slaves were given to him as concubines, but only
as prizes; since he also provided himself with a great quantity of
wine,—but not for the purpose of getting drunk himself."
4. But Hercules is the man who appears to have had more wives than
any one else, for he was very much addicted to women; and he had
them in turn, like a soldier, and a man employed at different times
in different countries. And by them he had also a great multitude of
children. For, in one week, as Herodorus relates, he relieved the fifty
daughters of Thestias of their virginity. Ægeus also was a man of many
wives. For, first of all he married the daughter of Hoples, and after
her he married one of the daughters of Chalcodous, and giving both of
them to his friends, he cohabited with a great many without marriage.
Afterwards he took Æthra, the daughter of Pittheus; after her he took
Medea. And Theseus, having attempted to ravish Helen, after that
carried off Ariadne. Accordingly Istrus, in the fourteenth book of his
History of the Affairs of Athens, giving a catalogue of those women who
became the wives of Theseus, says that some of them became so out of
love, and that some were carried off by force, and some were married in
legal marriage. Now by force were ravished Helen, Ariadne, Hippolyta,
and the daughters of Cercyon and Sinis; and he legally married Melibœa,
the mother of Ajax. And Hesiod says that he married also Hippe and
Ægle; on account of whom he broke the oaths which he had sworn to
Ariadne, as Cercops tells us. And Pherecydes adds Pherebœa. And before
ravishing Helen he had also carried off Anaxo from Troy; and after
Hippolyta he also had Phædra.
5. And Philip the Macedonian did not take any women with him to his
wars, as Darius did, whose power was subverted by Alexander. For he
used to take about with him three hundred and fifty concubines in
all his wars; as Dicæearchus relates in the third book of his Life in
Greece. "But Philip," says he, "was always marrying new wives in war
time. For, in the twenty-two years which he reigned, as Satyrus relates
in his History of his Life, having married Audata the Illyrian, he had
by her a daughter named Cynna; and he also married Phila, a sister
of Derdas and Machatas. And wishing to conciliate the nation of the
Thessalians, he had children by two Thessalian women; one of whom was
Nicesipolis of Pheræ, who brought him a daughter named Thessalonica;
and the other was Philenora of Larissa, by whom he had Aridæus. He
also acquired the kingdom of the Molossi, when he married Olympias,
by whom he had Alexander and Cleopatra. And when he subdued Thrace,
there came to him Cithelas, the king of the Thracians, bringing with
him Meda his daughter, and many presents: and having married her, he
added her to Olympias. And after all these, being violently in love,
he married Cleopatra, the sister of Hippostratus and niece of Attalus.
And bringing her also home to Olympias, he made all his life unquiet
and troubled. For, as soon as this marriage took place, Attalus said,
'Now, indeed, legitimate kings shall be born, and not bastards.' And
Alexander having heard this, smote Attalus with a goblet which he had
in his hand; and Attalus in return struck him with his cup. And after
that Olympias fled to the Molossi; and Alexander fled to the Illyrians.
And Cleopatra bore to Philip a daughter who was named Europa."
Euripides the poet, also, was much addicted to women: at all events
Hieronymus in his Historical Commentaries speaks as follows,—"When
some one told Sophocles that Euripides was a woman-hater, 'He may be,'
said he, 'in his tragedies, but in his bed he is very fond of women.'"
6. But our married women are not such as Eubulus speaks of in his
Female Garland-sellers—
By Jove, we are not painted with vermilion.
Nor with dark mulberry juice, as you are often:
And then, if in the summer you go out,
Two rivulets of dark discoloured hue
Flow from your eyes, and sweat drops from your jaws,
And makes a scarlet furrow down your neck;
And the light hair, which wantons o'er your face,
Seems grey, so thickly is it plastered over.
[Sidenote: RAPACITY OF COURTESANS.]
And Anaxilas, in his Neottis, says—
The man whoe'er has loved a courtesan,
Will say that no more lawless worthless race
Can anywhere be found: for what ferocious
Unsociable she-dragon, what Chimæra,
Though it breathe fire from its mouth, what Charybdis,
What three-headed Scylla, dog o' the sea,
Or hydra, sphinx, or raging lioness,
Or viper, or winged harpy (greedy race),
Could go beyond those most accursed harlots?
There is no monster greater. They alone
Surpass all other evils put together.
And let us now consider them in order:—
First there is Plangon; she, like a chimæra,
Scorches the wretched barbarians with fire;
One knight alone was found to rid the world of her,
Who, like a brave man, stole her furniture
And fled, and she despairing, disappear'd.
Then for Sinope's friends, may I not say
That 'tis a hydra they cohabit with?
For she is old: but near her age, and like her,
Greedy Gnathæna flaunts, a two-fold evil.
And as for Nannion, in what, I pray,
Does she from Scylla differ? Has she not
Already swallow'd up two lovers, and
Open'd her greedy jaws t' enfold a third?
But he with prosp'rous oar escaped the gulf.
Then does not Phryne beat Charybdis hollow?
Who swallows the sea-captains, ship and all.
Is not Theano a mere Siren pluck'd?
Their face and voice are woman's, but their legs
Are feather'd like a blackbird's. Take the lot,
'Tis not too much to call them Theban Sphinxes.
For they speak nothing plain, but only riddles;
And in enigmas tell their victims how
They love and dote, and long to be caress'd.
"Would that I had a quadruped," says one,
That may serve for a bed or easy chair
"Would that I had a tripod"—"Or a biped,"
That is, a handmaid. And the hapless fool
Who understands these hints, like Œdipus,
If saved at all is saved against his will.
But they who do believe they're really loved
Are much elated, and raise their heads to heaven.
And in a word, of all the beasts on earth
The direst and most treacherous is a harlot.
7. After Laurentius had said all this, Leonidas, finding fault with
the name of wife (γαμετὴ), quoted these verses out of the
Soothsayers of Alexis—
Oh wretched are we husbands, who have sold
All liberty of life, all luxury,
And live as slaves of women, not as freemen.
We say we have a dowry; do we not
Endure the penalty, full of female bile,
Compared to which the bile of man's pure honey?
For men, though injured, pardon: but the women
First injure us, and then reproach us more;
They rule those whom they should not; those they should
They constantly neglect. They falsely swear;
They have no single hardship, no disease;
And yet they are complaining without end.
And Xenarchus, in his Sleep, says—
Are then the grasshoppers not happy, say you?
When they have wives who cannot speak a word.
And Philetærus, in his Corinthiast, says—
O Jupiter, how soft and bland an eye
The lady has! 'Tis not for nothing we
Behold the temple of Hetæra here;
But there is not one temple to a wife
Throughout the whole of Greece.
And Amphis says in his Athamas—
Is not a courtesan much more good-humour'd
Than any wedded wife? No doubt she is,
And 'tis but natural; for she, by law,
Thinks she's a right to sulk and stay at home:
But well the other knows that 'tis her manners
By which alone she can retain her friends;
And if they fail, she must seek out some others.
8. And Eubulus, in his Chrysille, says—
May that man, fool as he is, who marries
A second wife, most miserably perish;
Him who weds one, I will not blame too much,
For he knew little of the ills he courted.
But well the widower had proved all
The ills which are in wedlock and in wives.
And a little further on he says—
O holy Jove, may I be quite undone,
If e'er I say a word against the women,
The choicest of all creatures. And suppose
Medea was a termagant,—what then?
Was not Penelope a noble creature?
If one should say, "Just think of Clytæmnestra,"
I meet him with Alcestis chaste and true.
Perhaps he'll turn and say no good of Phædra;
But think of virtuous . . . who? . . . Alas, alas!
I cannot recollect another good one,
Though I could still count bad ones up by scores.
[Sidenote: FOLLY OF MARRYING.]
And Aristophon, in his Callonides, says—
May he be quite undone, he well deserves it,
Who dares to marry any second wife;
A man who marries once may be excused;
Not knowing what misfortune he was seeking.
But he who, once escaped, then tries another,
With his eyes open seeks for misery.
And Antiphanes, in his Philopator, says—
_A._ He's married now.
_B._ How say you? do you mean
He's really gone and married—when I left him,
Alive and well, possess'd of all his senses?
And Menander, in his Woman carrying the Sacred Vessel of Minerva, or
the Female Flute-player, says—
_A._ You will not marry if you're in your senses
When you have left this life. For I myself
Did marry; so I recommend you not to.
_B._ The matter is decided—the die is cast.
_A._ Go on then. I do wish you then well over it;
But you are taking arms, with no good reason,
Against a sea of troubles. In the waves
Of the deep Libyan or Ægean sea
Scarce three of thirty ships are lost or wreck'd;
But scarcely one poor husband 'scapes at all.
And in his Woman Burnt he says—
Oh, may the man be totally undone
Who was the first to venture on a wife;
And then the next who follow'd his example;
And then the third, and fourth, and all who follow'd.
And Carcinus the tragedian, in his Semele (which begins, "O nights"),
says—
O Jupiter, why need one waste one's words
In speaking ill of women? for what worse
Can he add, when he once has call'd them women?
9. But, above all other cases, those who when advanced in years marry
young wives, do not perceive that they are running voluntarily into
danger, which every one else foresees plainly: and that, too, though
the Megarian poet[15] has given them this warning:—
A young wife suits not with an aged husband;
For she will not obey the pilot's helm
Like a well-managed boat; nor can the anchor
Hold her securely in her port, but oft
She breaks her chains and cables in the night,
And headlong drives into another harbour.
And Theophilus, in his Neoptolemus, says—
A young wife does not suit an old man well;
For, like a crazy boat, she not at all
Answers the helm, but slips her cable off
By night, and in some other port is found.
10. And I do not think that any of you are ignorant, my friends, that
the greatest wars have taken place on account of women:—the Trojan war
on account of Helen; the plague which took place in it was on account
of Chryseis; the anger of Achilles was excited about Briseis; and the
war called the Sacred War, on account of another wife (as Duris relates
in the second book of his History), who was a Theban by birth, by name
Theano, and who was carried off by some Phocian. And this war also
lasted ten years, and in the tenth year was brought to an end by the
cooperation of Philip; for by his aid the Thebans took Phocis.
The war, also, which is called the Crissæan War (as Callisthenes
tells us in his account of the Sacred War), when the Crissæans made
war upon the Phocians, lasted ten years; and it was excited on this
account,—because the Crissæans carried off Megisto, the daughter of
Pelagon the Phocian, and the daughters of the Argives, as they were
returning from the Pythian temple: and in the tenth year Crissa was
taken. And whole families also have been ruined owing to women;—for
instance, that of Philip, the father of Alexander, was ruined on
account of his marriage with Cleopatra; and Hercules was ruined by his
marriage with Iole, the daughter of Eurytus; and Theseus on account
of his marriage with Phædra, the daughter of Minos; and Athamas on
account of his marriage with Themisto, the daughter of Hypseus; and
Jason on account of his marriage with Glauce, the daughter of Creon;
and Agamemnon on account of Cassandra. And the expedition of Cambyses
against Egypt (as Ctesias relates) took place on account of a woman;
for Cambyses, having heard that Egyptian women were far more amorous
than other women, sent to Amasis the king of the Egyptians, asking him
for one of his daughters in marriage. But he did not give him one of
his own daughters, thinking that she would not be honoured as a wife,
but only treated as a concubine; but he sent him Nitetis, the daughter
of Apries.
[Sidenote: LOVE.]
And Apries had been deposed from the sovereignty of Egypt, because of
the defeats which had been received by him from the Cyreneans; and
afterwards he had been put to death by Amasis. Accordingly, Cambyses,
being much pleased with Nitetis, and being very violently in love
with her, learns the whole circumstances of the case from her; and
she entreated him to avenge the murder of Apries, and persuaded him
to make war upon the Egyptians. But Dinon, in his History of Persia,
and Lynceas of Naucratis, in the third book of his History of Egypt,
say that it was Cyrus to whom Nitetis was sent by Amasis; and that she
was the mother of Cambyses, who made this expedition against Egypt to
avenge the wrongs of his mother and her family. But Duris the Samian
says that the first war carried on by two women was that between
Olympias and Eurydice; in which Olympias advanced something in the
manner of a Bacchanalian, with drums beating; but Eurydice came forward
armed like a Macedonian soldier, having been already accustomed to war
and military habits at the court of Cynnane the Illyrian.
11. Now, after this conversation, it seemed good to the philosophers
who were present to say something themselves about love and about
beauty: and so a great many philosophical sentiments were uttered;
among which, some quoted some of the songs of the dramatic philosopher,
Euripides,—some of which were these:—
Love, who is wisdom's pupil gay,
To virtue often leads the way:
And this great god
Is of all others far the best for man;
For with his gentle nod
He bids them hope, and banishes all pain.
May I be ne'er mixed up with those who scorn
To own his power, and live forlorn,
Cherishing habits all uncouth.
I bid the youth
Of my dear country ne'er to flee from Love,
But welcome him, and willing subjects prove.[16]
And some one else quoted from Pindar—
Let it be my fate always to love,
And to obey Love's will in proper season.
And some one else added the following lines from Euripides—
But you, O mighty Love, of gods and men
The sovereign ruler, either bid what's fair
To seem no longer fair; or else bring aid
To hapless lovers whom you've caused to love,
And aid the labours you yourself have prompted.
If you do this, the gods will honour you;
But if you keep aloof, you will not even
Retain the gratitude which now they feel
For having learnt of you the way to love.[17]
12. And Pontianus said that Zeno the Cittiæan thought that Love was the
God of Friendship and Liberty, and also that he was the great author of
concord among men; but that he had no other office. On which account,
he says in his Polity, that Love is a God, being one who cooperates
in securing the safety of the city. And the philosophers, also, who
preceded him considered Love a venerable Deity, removed from everything
discreditable: and this is plain from their having set up holy statues
in his honour in their Gymnasia, along with those of Mercury and
Hercules—the one of whom is the patron of eloquence, and the other
of valour. And when these are united, friendship and unanimity are
engendered; by means of which the most perfect liberty is secured to
those who excel in these practices. But the Athenians were so far
from thinking that Love presided over the gratification of the mere
sensual appetites, that, though the Academy was manifestly consecrated
to Minerva, they yet erected in that place also a statue of Love, and
sacrificed to it.
[Sidenote: LOVE.]
The Thespians also celebrate Erotidia, or festivals of Love, just as
the Athenians do Athenæa, or festivals of Minerva, and as the Eleans
celebrate the Olympian festivals, and the Rhodians the Halæan. And
in the public sacrifices, everywhere almost, Love is honoured. And
the Lacedæmonians offer sacrifices to Love before they go to battle,
thinking that safety and victory depend on the friendship of those who
stand side by side in the battle array. And the Cretans, in their line
of battle, adorn the handsomest of their citizens, and employ them to
offer sacrifices to Love on behalf of the state, as Sosicrates relates.
And the regiment among the Thebans which is called the Sacred Band, is
wholly composed of mutual lovers, indicating the majesty of the God, as
these men prefer a glorious death to a shameful and discreditable
life. But the Samians (as Erxias says, in his History of Colophon),
having consecrated a gymnasium to Love, called the festival which was
instituted in his honour the Eleutheria, or Feast of Liberty; and it
was owing to this God, too, that the Athenians obtained their freedom.
And the Pisistratidæ, after their banishment, were the first people
who ever endeavoured to throw discredit on the events which took place
through his influence.
13. After this had been said, Plutarch cited the following passage from
the Phædrus of Alexis:—
As I was coming from Piræus lately,
In great perplexity and sad distress,
I fell to thoughts of deep philosophy.
And first I thought that all the painters seem
Ignorant of the real nature of Love;
And so do all the other artists too,
Whoe'er make statues of this deity:
For he is neither male nor female either;
Again, he is not God, nor yet is he man:
He is not foolish, nor yet is he wise;
But he's made up of all kinds of quality,
And underneath one form bears many natures.
His courage is a man's; his cowardice
A very woman's. Then his folly is
Pure madness, but his wisdom a philosopher's;
His vehemence is that of a wild beast,
But his endurance is like adamant;
His jealousy equals any other god's.
And I, indeed,—by all the gods I swear,—
Do not myself precisely understand him;
But still he much resembles my description,
Excepting in the name.
And Eubulus, or Ararus, in his Campylion, says—
What man was he, what modeller or painter,
Who first did represent young Love as wing'd?
He was a man fit only to draw swallows.
Quite ignorant of the character of the god.
For he's not light, nor easy for a man
Who's once by him been master'd, to shake off;
But he's a heavy and tenacious master.
How, then, can he be spoken of as wing'd?
The man's a fool who such a thing could say.
And Alexis, in his Man Lamenting, says—
For this opinion is by all the Sophists
Embraced, that Love is not a winged god;
But that the winged parties are the lovers,
And that he falsely bears this imputation:
So that it is out of pure ignorance
That painters clothe this deity with wings.
14. And Theophrastus, in his book on Love, says that Chæremon the
tragedian said in one of his plays, that—
As wine adapts itself to the constitution
Of those who drink it, so likewise does Love
Who, when he's moderately worshipp'd,
Is mild and manageable; but if loosed
From moderation, then is fierce and troublesome.
On which account the same poet afterwards, distinguishing his powers
with some felicity, says—
For he doth bend a double bow of beauty,
And sometimes men to fortune leads,
But sometimes overwhelms their lives
With trouble and confusion.[18]
But the same poet also, in his play entitled The Wounded Man, speaks of
people in love in this manner:—
Who would not say that those who love alone
Deserve to be consider'd living men?
For first of all they must be skilful soldiers,
And able to endure great toil of body,
And to stick close to th' objects of their love:
They must be active, and inventive too,
Eager, and fertile in expedients,
And prompt to see their way in difficulties.
[Sidenote: LOVE.]
And Theophilus, in his Man fond of the Flute, says—
Who says that lovers are devoid of sense?
He is himself no better than a fool:
For if you take away from life its pleasures,
You leave it nothing but impending death.
And I myself am now indeed in love
With a fair maiden playing on the harp;
And tell me, pray, am I a fool for that?
She's fair, she's tall, she's skilful in her art;
And I'm more glad when I see her, than you
When you divide your salaries among you.
But Aristophon, in his Pythagorean, says—
Now, is not Love deservedly cast out
From his place among the twelve immortal gods?
For he did sow the seeds of great confusion,
And quarrels dire, among that heavenly band,
When he was one of them. And, as he was
Bold and impertinent, they clipp'd his wings,
That he might never soar again to heaven;
And then they banished him to us below;
And for the wings which he did boast before,
Them they did give to Victory, a spoil
Well won, and splendid, from her enemy.
Amphis, too, in his Dithyrambic, speaks thus of loving—
What say'st thou?—dost thou think that all your words
Could e'er persuade me that that man's a lover
Who falls in love with a girl's manners only,
And never thinks what kind of face she's got?
I call him mad; nor can I e'er believe
That a poor man, who often sees a rich one,
Forbears to covet some of his great riches.
But Alexis says in his Helena—
The man who falls in love with beauty's flower,
And taketh heed of nothing else, may be
A lover of pleasure, but not of his love;
And he does openly disparage Love,
And causes him to be suspect to others.
15. Myrtilus, having cited these lines of Alexis, and then looking
round on the men who were partisans of the Stoic school, having first
recited the following passage out of the lambics of Hermeas the Curian—
Listen, you Stoiclings, traffickers in nonsense,
Punners on words,—gluttons, who by yourselves
Eat up the whole of what is in the dishes,
And give no single bit to a philosopher.
Besides, you are most clearly proved to do
All that is contrary to those professions
Which you so pompously parade abroad,
Hunting for beauty;—
went on to say,—And in this point alone you are imitators of the
master of your school, Zeno the Phœnician, who was always a slave to
the most infamous passions (as Antigonus the Carystian relates, in
his History of his Life); for you are always saying that "the proper
object of love is not the body, but the mind;" you who say at the same
time, that you ought to remain faithful to the objects of your love,
till they are eight-and-twenty years of age. And Ariston of Ceos, the
Peripatetic, appears to me to have said very well (in the second book
of his treatise on Likenesses connected with Love), to some Athenian
who was very tall for his age, and at the same time was boasting of his
beauty, (and his name was Dorus,) "It seems to me that one may very
well apply to you the line which Ulysses uttered when he met Dolon—
Great was thy aim, and mighty is the prize.[19]
16. But Hegesander, in his Commentaries, says that all men love
seasoned dishes, but not plain meats, or plainly dressed fish. And
accordingly, when seasoned dishes are wanting, no one willingly
eats either meat or fish; nor does any one desire meat which is raw
and unseasoned. For anciently men used to love boys (as Aristophon
relates); on which account it came to pass that the objects of their
love were called παιδικά. And it was with truth (as Clearchus
says in the first book of his treatise on Love and the Affairs of Love)
that Lycophronides said—
No boy, no maid with golden ornaments,
No woman with a deep and ample robe,
Is so much beautiful as modest; for
'Tis modesty that gives the bloom to beauty.
And Aristotle said that lovers look at no other part of the objects of
their affection, but only at their eyes, in which modesty makes her
abode. And Sophocles somewhere represents Hippodamia as speaking of the
beauty of Pelops, and saying—
And in his eyes the charm which love compels
Shines forth a light, embellishing his face:
He glows himself, and he makes me glow too,
Measuring my eyes with his,—as any builder
Makes his work correspond to his careful rule.[20]
[Sidenote: LOVE.]
17. And Licymnius the Chian, saying that Somnus was in love with
Endymion, represents him as refusing to close the eyes of the youth
even when he is asleep; but the God sends his beloved object to sleep
with his eyelids still open, so that he may not for a single moment
be deprived of the pleasure of contemplating them. And his words are
these—
But Somnus much delighted
In the bright beams which shot from his eyes,
And lull'd the youth to sleep with unclosed lids.
And Sappho says to a man who was admired above all measure for his
beauty, and who was accounted very handsome indeed—
Stand opposite, my love,
And open upon me
The beauteous grace which from your eyes doth flow.
And what says Anacreon?—
Oh, boy, as maiden fair,
I fix my heart on you;
But you despise my prayer,
And little care that you do hold the reins
Which my soul's course incessantly do guide.[21]
And the magnificent Pindar says—
The man who gazes on the brilliant rays
Which shoot from th' eyes
Of beautiful Theoxenus, and yet can feel his heart
Unmoved within his breast, nor yields to love,
Must have a heart
Black, and composed of adamant or iron.[22]
But the Cyclops of Philoxenus of Cythera, in love with Galatea, and
praising her beauty, and prophesying, as it were, his own blindness,
praises every part of her rather than mention her eyes, which he does
not; speaking thus:—
O Galatea,
Nymph with the beauteous face and golden hair,
Whose voice the Graces tune,
True flower of love, my beauteous Galatea.
But this is but a blind panegyric, and not at all to be compared with
the encomium of Ibycus:—
Beauteous Euryalus, of all the Graces
The choicest branch,—object of love to all
The fair-hair'd maidens,—sure the soft-eyed goddess,
The Cyprian queen, and soft Persuasion
Combin'd to nourish you on beds of roses.
And Phrynichus said of Troilus—
The light of love shines in his purple cheeks.
18. But you prefer having all the objects of your love shaved and
hairless. And this custom of shaving the beard originated in the age of
Alexander, as Chrysippus tells us in the fourth book of his treatise on
The Beautiful and on Pleasure. And I think it will not be unseasonable
if I quote what he says; for he is an author of whom I am very fond, on
account of his great learning and his gentle good-humoured disposition.
And this is the language of the philosopher:—"The custom of shaving
the beard was introduced in the time of Alexander, for the people in
earlier times did not practise it; and Timotheus the flute-player used
to play on the flute having a very long beard. And at Athens they even
now remember that the man who first shaved his chin, (and he is not a
very ancient man indeed,) was given the surname of Κόρσης;[23]
on which account Alexis says—
Do you see any man whose beard has been
Removed by sharp pitch-plasters or by razors?
In one of these two ways he may be spoken of:
Either he seems to me to think of war,
And so to be rehearsing acts of fierce
Hostility against his beard and chin;
Or else he's some complaint of wealthy men.
For how, I pray you, do your beards annoy you?—
Beards by which best you may be known as men?
Unless, indeed, you're planning now some deed
Unworthy of the character of men.
And Diogenes, when he saw some one once whose chin was smooth, said,
'I am afraid you think you have great ground to accuse nature, for
having made you a man and not a woman.' And once, when he saw another
man, riding a horse, who was shaved in the same manner, and perfumed
all over, and clothed, too, in a fashion corresponding to those
particulars, he said that he had often asked what a Ἱππόπορνος was;
and now he had found out. And at Rhodes, though there is a law against
shaving, still no one ever prosecutes another for doing so, as the
whole population is shaved. And at Byzantium, though there is a penalty
to which any barber is liable who is possessed of a razor, still every
one uses a razor none the less for that law." And this is the statement
of the admirable Chrysippus.
[Sidenote: BEAUTY.]
19. But that wise Zeno, as Antigonus the Carystian says, speaking, as
it should seem, almost prophetically of the lives and professed
discipline of your sect, said that "those who misunderstood and failed
rightly to enter into the spirit of his words, would become dirty and
ungentlemanlike-looking; just as those who adopted Aristippus's sect,
but perverted his precepts, became intemperate and shameless." And the
greater portion of you are such as that, men with contracted brows, and
dirty clothes, sordid not only in your dispositions, but also in your
appearance. For, wishing to assume the character of independence and
frugality, you are found at the gate of covetousness, living sordidly,
clothed in scanty cloaks, filling the soles of your shoes with nails,
and giving hard names to any one who uses the very smallest quantity
of perfume, or who is dressed in apparel which is at all delicate. But
men of your sect have no business to be attracted by money, or to lead
about the objects of their love with their beards shaved and smooth,
who follow you about the Lyceum—
Thin, starved philosophers, as dry as leather,
as Antiphanes calls them.
20. But I am a great admirer of beauty myself. For, in the contests
[at Athens] for the prize of manliness, they select the handsomest,
and give them the post of honour to bear the sacred vessels at the
festivals of the gods. And at Elis there is a contest as to beauty, and
the conqueror has the vessels of the goddess given to him to carry;
and the next handsomest has the ox to lead, and the third places the
sacrificial cakes on the head of the victim. But Heraclides Lembus
relates that in Sparta the handsomest man and the handsomest woman have
special honours conferred on them; and Sparta is famous for producing
the handsomest women in the world. On which account they tell a story
of king Archidamus, that when one wife was offered to him who was very
handsome, and another who was ugly but rich, and he chose the rich
one, the Ephori imposed a fine upon him, saying that he had preferred
begetting kinglings rather than kings for the Spartans. And Euripides
has said—
Her very mien is worthy of a kingdom.[24]
And in Homer, the old men among the people marvelling at the beauty of
Helen, are represented as speaking thus to one another—
They cried, "No wonder such celestial charms
For nine long years have set the world in arms;—
What winning graces! what majestic mien!
She moves a goddess, and she looks a queen."[25]
And even Priam himself is moved at the beauty of the woman, though he
is in great distress. And also he admires Agamemnon for his beauty, and
uses the following language respecting him—
Say, what Greek is he
Around whose brow such martial graces shine,—
So tall, so awful, and almost divine?
Though some of larger stature tread the green,
None match his grandeur and exalted mien.[26]
And many nations have made the handsomest men their kings on that
account. As even to this day that Æthiopian tribe called the Immortals
does; as Bion relates in his History of the Affairs of Æthiopia. For,
as it would seem, they consider beauty as the especial attribute of
kings. And goddesses have contended with one another respecting beauty;
and it was on account of his beauty that the gods carried off Ganymede
to be their cup-bearer—
The matchless Ganymede, divinely fair,
Whom Heaven, enamour'd, snatch'd to upper air.[27]
And who are they whom the goddesses have carried off? are they not the
handsomest of men? And they cohabit with them; as Aurora does with
Cephalus and Clitus and Tithonus; and Ceres with Jason; and Venus with
Anchises and Adonis. And it was for the sake of beauty also that the
greatest of the gods entered through a roof under the form of gold, and
became a bull, and often transformed himself into a winged eagle, as he
did in the case of Ægina. And Socrates the philosopher, who despised
everything, was, for all that, subdued by the beauty of Alcibiades; as
also was the venerable Aristotle by the beauty of his pupil Phaselites.
And do not we too, even in the case of inanimate things, prefer what
is the most beautiful? The fashion, too, of Sparta is much praised, I
mean that of displaying their virgins naked to their guests; and in
the island of Chios it is a beautiful sight to go to the gymnasia and
the race-courses, and to see the young men wrestling naked with the
maidens, who are also naked.
[Sidenote: BEAUTY.]
21. And Cynulcus said:—And do you dare to talk in this way, you who
are not "rosy-fingered," as Cratinus says, but who have one foot made
of cow-dung? and do you bring up again the recollection of that poet
your namesake, who spends all his time in cookshops and inns? although
Isocrates the orator has said, in his Areopagitic Oration, "But not
one of their servants ever would have ventured to eat or drink in a
cookshop; for they studied to keep up the dignity of their appearance,
and not to behave like buffoons." And Hyperides, in his oration against
Patrocles, (if, at least, the speech is a genuine one,) says that
they forbade a man who had dined at a cookshop from going up to the
Areopagus. But you, you sophist, spend your time in cookshops, not with
your friends (ἑταίρων), but with prostitutes (ἑταιρῶν), having a lot
of pimps and procuresses about you, and always carrying about these
books of Aristophanes, and Apollodorus, and Ammonius, and Antiphanes,
and also of Gorgias the Athenian, who have all written about the
prostitutes at Athens.
Oh, what a learned man you are! how far are you from imitating
Theomandrus of Cyrene, who, as Theophrastus, in his treatise on
Happiness, says, used to go about and profess that he gave lessons in
prosperity. You, you teacher of love, are in no respect better than
Amasis of Elis, whom Theophrastus, in his treatise on Love, says was
extraordinarily addicted to amatory pursuits. And a man will not be
much out who calls you a πορνογράφος, just as they call Aristides
and Pausanias and Nicophanes ζωγράφοι. And Polemo mentions them, as
painting the subjects which they did paint exceedingly well, in his
treatise on the Pictures at Sicyon. Think, my friends, of the great and
varied learning of this grammarian, who does not conceal what he means,
but openly quotes the verses of Eubulus, in his Cercopes—
I came to Corinth; there I ate with pleasure
Some herb called basil (ocimum), and was ruin'd by it;
And also, trifling there, I lost my cloak.
And the Corinthian sophist is very fine here, explaining to his pupils
that Ocimum is the name of a harlot. And a great many other plays also,
you impudent fellow, derived their names from courtesans. There is the
Thalassa of Diodes, the Corianno of Pherecrates, the Antea of Eunicus
or Philyllus, the Thais, and the Phanion of Menander, the Opora of
Alexis, the Clepsydra of Eubulus—and the woman who bore this name, had
it because she used to distribute her company by the hour-glass, and to
dismiss her visitors when it had run down; as Asclepiades, the son of
Areas, relates in his History of Demetrius Phalereus; and he says that
her proper name was Meticha.
22.
There is a courtesan . . . . .
(as Antiphanes says in his Clown)—
. . . who is a positive
Calamity and ruin to her keeper;
And yet he's glad at nourishing such a pest.
On which account, in the Neæra of Timocles, a man is represented as
lamenting his fate, and saying—
But I, unhappy man, who first loved Phryne
When she was but a gatherer of capers,
And was not quite as rich as now she is,—
I who such sums of money spent upon her,
Am now excluded from her doors.
And in the play entitled Orestantoclides, the same Timocles says—
And round the wretched man old women sleep,
Nannium and Plangon, Lyca, Phryne too,
Gnathæna, Pythionica, Myrrhina,
Chrysis, Conallis, Hieroclea, and
Lapadium also.
And these courtesans are mentioned by Amphis, in his Curis, where he
says—
Wealth truly seems to me to be quite blind,
Since he ne'er ventures near this woman's doors,
But haunts Sinope, Nannium, and Lyca,
And others like them, traps of men's existence,
And in their houses sits like one amazed,
And ne'er departs.
[Sidenote: COURTESANS.]
23. And Alexis, in the drama entitled Isostasium, thus describes the
equipment of a courtesan, and the artifices which some women use to
make themselves up—
For, first of all, to earn themselves much gain,
And better to plunder all the neighbouring men,
They use a heap of adventitious aids.—
They plot to take in every one. And when,
By subtle artifice, they've made some money,
They enlist fresh girls, and add recruits, who ne'er
Have tried the trade, unto their cunning troop,
And drill them so that they are very soon
Different in manners, and in look, and semblance
From all they were before. Suppose one's short—
They put cork soles within the heels of her shoes:
Is any one too tall—she wears a slipper
Of thinnest substance, and, with head depress'd
Between the shoulders, walks the public streets,
And so takes off from her superfluous height.
Is any one too lean about the flank—
They hoop her with a bustle, so that all
Who see her marvel at her fair proportions.
Has any one too prominent a stomach—
They crown it with false breasts, such as perchance
At times you may in comic actors see;
And what is still too prominent, they force
Back, ramming it as if with scaffolding.
Has any one red eyebrows—those they smear
With soot. Has any one a dark complexion—
White-lead will that correct. This girl's too fair—
They rub her well with rich vermilion.
Is she a splendid figure—then her charms
Are shown in naked beauty to the purchaser.
Has she good teeth—then she is forced to laugh,
That all the bystanders may see her mouth,
How beautiful it is; and if she be
But ill-inclined to laugh, then she is kept
Close within doors whole days, and all the things
Which cooks keep by them when they sell goats' heads,
Such as a stick of myrrh, she's forced to keep
Between her lips, till they have learnt the shape
Of the required grin. And by such arts
They make their charms and persons up for market.
24. And therefore I advise you, my Thessalian friend with the handsome
chairs, to be content to embrace the women in the brothels, and not to
spend the inheritance of your children on vanities. For, truly, the
lame man gets on best at this sort of work; since your father, the
boot-maker, did not lecture you and teach you any great deal, and did
not confine you to looking at leather. Or do you not know those women,
as we find them called in the Pannuchis of Eubulus—
Thrifty decoys, who gather in the money,—
Fillies well-train'd of Venus, standing naked
In long array, clad in transparent robes
Of thinnest web, like the fair damsels whom
Eridanus waters with his holy stream;
From whom, with safety and frugality,
You may buy pleasure at a moderate cost.
And in his Nannium, (the play under this name is the work of Eubulus,
and not of Philippides)—
For he who secretly goes hunting for
Illicit love, must surely of all men
Most miserable be; and yet he may
See in the light of the sun a willing row
Of naked damsels, standing all array'd
In robes transparent, like the damsels whom
Eridanus waters with his holy stream,
And buy some pleasure at a trifling rate,
Without pursuing joys he's bound to hide,
(There is no heavier calamity,)
Just out of wantonness and not for love.
I do bewail the fate of hapless Greece,
Which sent forth such an admiral as Cydias.
Xenarchus also, in his Pentathlum, reproaches those men who live as you
do, and who fix their hearts on extravagant courtesans, and on freeborn
women; in the following lines—
It is a terrible, yes a terrible and
Intolerable evil, what the young
Men do throughout this city. For although
There are most beauteous damsels in the brothels,
Which any man may see standing all willing
In the full light of day, with open bosoms,
Showing their naked charms, all of a row,
Marshall'd in order; and though they may choose
Without the slightest trouble, as they fancy,
Thin, stout, or round, tall, wrinkled, or smooth-faced,
Young, old, or middle-aged, or elderly,
So that they need not clamber up a ladder,
Nor steal through windows out of free men's houses,
Nor smuggle themselves in in bags of chaff;
For these gay girls will ravish you by force,
And drag you in to them; if old, they'll call you
Their dear papa; if young, their darling baby:
And these a man may fearlessly and cheaply
Amuse himself with, morning, noon, or night,
And any way he pleases; but the others
He dares not gaze on openly nor look at,
But, fearing, trembling, shivering, with his heart,
As men say, in his mouth, he creeps towards them.
And how can they, O sea-born mistress mine,
Immortal Venus! act as well they ought,
E'en when they have the opportunity,
If any thought of Draco's laws comes o'er them?
[Sidenote: COURTESANS.]
25. And Philemon, in his Brothers, relates that Solon at first, on
account of the unbridled passions of the young, made a law that women
might be brought to be prostituted at brothels; as Nicander of Colophon
also states, in the third book of his History of the Affairs of
Colophon,—saying that he first erected a temple to the Public Venus
with the money which was earned by the women who were prostituted at
these brothels.
But Philemon speaks on this subject as follows:—
But you did well for every man, O Solon;
For they do say you were the first to see
The justice of a public-spirited measure,
The saviour of the state—(and it is fit
For me to utter this avowal, Solon);—
You, seeing that the state was full of men,
Young, and possess'd of all the natural appetites,
And wandering in their lusts where they'd no business,
Bought women, and in certain spots did place them,
Common to be, and ready for all comers.
They naked stand: look well at them, my youth,—
Do not deceive yourself; a'nt you well off?
You're ready, so are they: the door is open—
The price an obol: enter straight—there is
No nonsense here, no cheat or trickery;
But do just what you like, and how you like.
You're off: wish her good-bye; she's no more claim on you.
And Aspasia, the friend of Socrates, imported great numbers of
beautiful women, and Greece was entirely filled with her courtesans;
as that witty writer Aristophanes (in his Acharnenses[28])
relates,—saying, that the Peloponnesian war was excited by Pericles,
on account of his love for Aspasia, and on account of the girls who had
been carried away from her by the Megarians.
For some young men, drunk with the cottabus
Going to Megara, carry off by stealth
A harlot named Simætha. Then the citizens
Of Megara, full of grief and indignation,
Stole in return two of Aspasia's girls;
And this was the beginning of the war
Which devastated Greece, for three lewd women.
26. I therefore, my most learned grammarian, warn you to beware of the
courtesans who want a high price, because
You may see other damsels play the flute,
All playing th' air of Phœbus, or of Jove;
But these play no air save the air of the hawk,
as Epicrates says in his Anti-Lais; in which play he also uses the
following expressions concerning the celebrated Lais:—
But this fair Lais is both drunk and lazy,
And cares for nothing, save what she may eat
And drink all day. And she, as I do think,
Has the same fate the eagles have; for they,
When they are young, down from the mountains stoop,
Ravage the flocks and eat the timid hares,
Bearing their prey aloft with fearful might.
But when they're old, on temple tops they perch,
Hungry and helpless; and the soothsayers
Turn such a sight into a prodigy.
And so might Lais well be thought an omen;
For when she was a maiden, young and fresh,
She was quite savage with her wondrous riches;
And you might easier get access to
The satrap Pharnabazus. But at present,
Now that she's more advanced in years, and age
Has meddled with her body's round proportions,
'Tis easy both to see her and to scorn her.
Now she runs everywhere to get some drink;
She'll take a stater—aye, or a triobolus;
She will admit you, young or old; and is
Become so tame, so utterly subdued,
That she will take the money from your hand.
Anaxandrides also, in his Old-Man's Madness, mentions Lais, and
includes her with many other courtesans in a list which he gives in the
following lines:—
_A._ You know Corinthian Lais?
_B._ To be sure;
My countrywoman.
_A._ Well, she had a friend,
By name Anthea.
_B._ Yes; I knew her well.
_A._ Well, in those days Lagisca was in beauty;
Theolyta, too, was wondrous fair to see,
And seemed likely to be fairer still;
And Ocimon was beautiful as any.
27. This, then, is the advice I want to give you, my friend Myrtilus;
and, as we read in the Cynegis of Philetærus,—
Now you are old, reform those ways of yours;
Know you not that 'tis hardly well to die
In the embraces of a prostitute,
As men do say Phormisius perished?
Or do you think that delightful which Timocles speaks of in his
Marathonian Women?—
[Sidenote: HETÆRÆ.]
How great the difference whether you pass the night
With a lawful wife or with a prostitute!
Bah! Where's the firmness of the flesh, the freshness
Of breath and of complexion? Oh, ye gods!
What appetite it gives one not to find
Everything waiting, but to be constrain'd
To struggle a little, and from tender hands
To bear soft blows and bullets; that, indeed,
Is really pleasure.
And as Cynulcus had still a good deal which he wished to say, and as
Magnus was preparing to attack him for the sake of Myrtilus,—Myrtilus,
being beforehand with him (for he hated the Syrian), said—
But our hopes were not so clean worn out,
As to need aid from bitter enemies;
as Callimachus says. For are not we, O Cynulcus, able to defend
ourselves?
How rude you are, and boorish with your jokes!
Your tongue is all on the left side of your mouth;
as Ephippus says in his Philyra. For you seem to me to be one of those
men
Who of the Muses learnt but ill-shaped letters,
as some one of the parody writers has it.
28. I therefore, my friends and messmates, have not, as is said in the
Auræ of Metagenes, or in the Mammacythus of Aristagoras,
Told you of female dancers, courtesans
Who once were fair; and now I do not tell you
Of flute-playing girls, just reaching womanhood,
Who not unwillingly, for adequate pay,
Have borne the love of vulgar men;
but I have been speaking of regular professional Hetæræ—that is to say,
of those who are able to preserve a friendship free from trickery; whom
Cynulcus does not venture to speak ill of, and who of all women are the
only ones who have derived their name from friendship, or from that
goddess who is named by the Athenians Venus Hetæra: concerning whom
Apollodorus the Athenian speaks, in his treatise on the Gods, in the
following manner:—"And they worship Venus Hetæra, who brings together
male and female companions (ἑταίρους καὶ ἑταίρας)—that is to say,
mistresses." Accordingly, even to this day, freeborn women and maidens
call their associates and friends their ἑταῖραι; as Sappho does, where
she says—
And now with tuneful voice I'll sing
These pleasing songs to my companions (ἑταίραις).
And in another place she says—
Niobe and Latona were of old
Affectionate companions (ἑταῖραι) to each other.
They also call women who prostitute themselves for money, ἑταῖραι. And
the verb which they use for prostituting oneself for money is ἑταιρέω,
not regarding the etymology of the word, but applying a more decent
term to the trade; as Menander, in his Deposit, distinguishing the
ἑταῖροι from the ἑταῖραι, says—
You've done an act not suited to companions (ἑταίρωv),
But, by Jove, far more fit for courtesans (ἑταιρῶν),
These words, so near the same, do make the sense
Not always easily to be distinguished.
29. But concerning courtesans, Ephippus, in his Merchandise, speaks as
follows:—
And then if, when we enter through their doors,
They see that we are out of sorts at all,
They flatter us and soothe us, kiss us gently,
Not pressing hard as though our lips were enemies,
But with soft open kisses like a sparrow;
They sing, and comfort us, and make us cheerful,
And straightway banish all our care and grief,
And make our faces bright again with smiles.
And Eubulus, in his Campylion, introducing a courtesan of modest
deportment, says—
How modestly she sat the while at supper!
Not like the rest, who make great balls of leeks,
And stuff their cheeks with them, and loudly crunch
Within their jaws large lumps of greasy meat;
But delicately tasting of each dish,
In mouthfuls small, like a Milesian maiden.
And Antiphanes says in his Hydra—
But he, the man of whom I now was speaking,
Seeing a woman who lived near his house,
A courtesan, did fall at once in love with her;
She was a citizen, without a guardian
Or any near relations, and her manners
Pure, and on virtue's strictest model form'd,
A genuine mistress (ἑταῖρα); for the rest of the crew
Bring into disrepute, by their vile manners,
A name which in itself has nothing wrong.
And Anaxilas, in his Neottis, says—
[Sidenote: HETÆRÆ.]
_A._ But if a woman does at all times use
Fair, moderate language, giving her services
Favourable to all who stand in need of her,
She from her prompt companionship (ἑταιρίας) does earn
The title of companion (ἑταῖρα); and you,
As you say rightly, have not fall'n in love
With a vile harlot (πόρνη), but with a companion (ἑταῖρα).
Is she not one of pure and simple manners?
_B._ At all events, by Jove, she's beautiful.
30. But that systematic debaucher of youths of yours, is such a person
as Alexis, or Antiphanes, represents him, in his Sleep—
On this account, that profligate, when supping
With us, will never eat an onion even,
Not to annoy the object of his love.
And Ephippus has spoken very well of people of that description in his
Sappho, where he says—
For when one in the flower of his age
Learns to sneak into other men's abodes,
And shares of meals where he has not contributed,
He must some other mode of payment mean.
And Æschines the orator has said something of the same kind in his
Speech against Timarchus.
31. But concerning courtesans, Philetærus, in his Huntress, has the
following lines:—
'Tis not for nothing that where'er we go
We find a temple of Hetæra there,
But nowhere one to any wedded wife.
I know, too, that there is a festival called the Hetæridia, which is
celebrated in Magnesia, not owing to the courtesans, but to another
cause, which is mentioned by Hegesander in his Commentaries, who writes
thus:—"The Magnesians celebrate a festival called Hetæridia; and they
give this account of it: that originally Jason, the son of Æson, when
he had collected the Argonauts, sacrificed to Jupiter Hetærias, and
called the festival Hetæridia. And the Macedonian kings also celebrated
the Hetæridia."
There is also a temple of Venus the Prostitute (πόρνη) at Abydus, as
Pamphylus asserts:—"For when all the city was oppressed by slavery, the
guards in the city, after a sacrifice on one occasion (as Cleanthus
relates in his essays on Fables), having got intoxicated, took several
courtesans; and one of these women, when she saw that the men were all
fast asleep, taking the keys, got over the wall, and brought the news
to the citizens of Abydus. And they, on this, immediately came in arms,
and slew the guards, and made themselves masters of the walls, and
recovered their freedom; and to show their gratitude to the prostitute
they built a temple to Venus the Prostitute."
And Alexis the Samian, in the second book of his Samian Annals,
says—"The Athenian prostitutes who followed Pericles when he laid siege
to Samos, having made vast sums of money by their beauty, dedicated
a statue of Venus at Samos, which some call Venus among the Reeds,
and others Venus in the Marsh." And Eualces, in his History of the
Affairs of Ephesus, says that there is at Ephesus also a temple to
Venus the Courtesan (ἑταῖρα). And Clearchus, in the first book of his
treatise on Amatory Matters, says—"Gyges the king of the Lydians was
very celebrated, not only on account of his mistress while she was
alive, having submitted himself and his whole dominions to her power,
but also after she was dead; inasmuch as he assembled all the Lydians
in the whole country, and raised that mound which is even now called
the tomb of the Lydian Courtesan; building it up to a great height, so
that when he was travelling in the country, inside of Mount Tmolus,
wherever he was, he could always see the tomb; and it was a conspicuous
object to all the inhabitants of Lydia." And Demosthenes the orator,
in his Speech against Neæra (if it is a genuine one, which Apollodorus
says it is), says—"Now we have courtesans for the sake of pleasure,
but concubines for the sake of daily cohabitation, and wives for the
purpose of having children legitimately, and of having a faithful
guardian of all our household affairs."
32. I will now mention to you, O Cynulcus, an Ionian story (spinning it
out, as Æschylus says,) about courtesans, beginning with the beautiful
Corinth, since you have reproached me with having been a schoolmaster
in that city.
It is an ancient custom at Corinth (as Chamæleon of Heraclea
relates, in his treatise on Pindar), whenever the city addresses any
supplication to Venus, about any important matter, to employ as many
courtesans as possible to join in the supplication; and they, too, pray
to the goddess, and afterwards they are present at the sacrifices.
And when the king of Persia was leading his army against Greece (as
Theopompus also relates, and so does Timæus, in his seventh book),
the Corinthian courtesans offered prayers for the safety of Greece,
going to the temple of Venus. On which account, after the Corinthians
had consecrated a picture to the goddess (which remains even to this
day), and as in this picture they had painted the portraits of the
courtesans who made this supplication at the time, and who were present
afterwards, Simonides composed this epigram:—
[Sidenote: COURTESANS.]
These damsels, in behalf of Greece, and all
Their gallant countrymen, stood nobly forth,
Praying to Venus, the all-powerful goddess;
Nor was the queen of beauty willing ever
To leave the citadel of Greece to fall
Beneath the arrows of the unwarlike Persians.
And even private individuals sometimes vow to Venus, that if they
succeed in the objects for which they are offering their vows, they
will bring her a stated number of courtesans.
33. As this custom, then, exists with reference to this goddess,
Xenophon the Corinthian, when going to Olympia, to the games, vowed
that he, if he were victorious, would bring her some courtesans. And
Pindar at first wrote a panegyric on him, which begins thus:—
Praising the house which in th' Olympic games
Has thrice borne off the victory.[29]
But afterwards he composed a scolium[30] on him, which was sung at the
sacrificial feasts; in the exordium of which he turns at once to the
courtesans who joined in the sacrifice to Venus, in the presence of
Xenophon, while he was sacrificing to the goddess himself; on which
account he says—
O queen of Cyprus' isle,
Come to this grove!
Lo, Xenophon, succeeding in his aim,
Brings you a band of willing maidens,
Dancing on a hundred feet.
And the opening lines of the song were these:—
O hospitable damsels, fairest train
Of soft Persuasion,—
Ornament of the wealthy Corinth,
Bearing in willing hands the golden drops
That from the frankincense distil, and flying
To the fair mother of the Loves,
Who dwelleth in the sky,
The lovely Venus,—you do bring to us
Comfort and hope in danger, that we may
Hereafter, in the delicate beds of Love,
Heap the long-wished-for fruits of joy,
Lovely and necessary to all mortal men.
And after having begun in this manner, he proceeds to say—
But now I marvel, and wait anxiously
To see what will my masters say of me,
Who thus begin
My scolium with this amatory preface,
Willing companion of these willing damsels.
And it is plain here that the poet, while addressing the courtesans in
this way, was in some doubt as to the light in which it would appear to
the Corinthians; but, trusting to his own genius, he proceeds with the
following verse—
We teach pure gold on a well-tried lyre.
And Alexis, in his Loving Woman, tells us that the courtesans at
Corinth celebrate a festival of their own, called Aphrodisia; where he
says—
The city at the time was celebrating
The Aphrodisia of the courtesans:
This is a different festival from that
Which the free women solemnize: and then
It is the custom on those days that all
The courtesans should feast with us in common.
[Sidenote: COURTESANS.]
34. But at Lacedæmon (as Polemo Periegetes says, in his treatise on
the Offerings at Lacedæmon,) there is a statue of a very celebrated
courtesan, named Cottina, who, he tells us, consecrated a brazen
cow; and Polemo's words are these:—"And the statue of Cottina the
courtesan, on account of whose celebrity there is still a brothel which
is called by her name, near the hill on which the temple of Bacchus
stands, is a conspicuous object, well known to many of the citizens.
And there is also a votive offering of hers besides that to Minerva
Chalciœcos—a brazen cow, and also the before-mentioned image." And the
handsome Alcibiades, of whom one of the comic poets said—
And then the delicate Alcibiades,
O earth and all the gods! whom Lacedæmon
Desires to catch in his adulteries,
though he was beloved by the wife of Agis, used to go and held his
revels at the doors of the courtesans, leaving all the Lacedæmonian
and Athenian women. He also fell in love with Medontis of Abydos, from
the mere report of her beauty; and sailing to the Hellespont with
Axiochus, who was a lover of his on account of his beauty, (as Lysias
the orator states, in his speech against him,) he allowed Axiochus to
share her with him. Moreover, Alcibiades used always to carry about two
other courtesans with him in all his expeditions, namely, Damasandra,
the mother of the younger Lais, and Theodote; by whom, after he was
dead, he was buried in Melissa, a village of Phrygia, after he had been
overwhelmed by the treachery of Pharnabazus. And we ourselves saw the
tomb of Alcibiades at Melissa, when we went from Synadæ to Metropolis;
and at that tomb there is sacrificed an ox every year, by the command
of that most excellent emperor Adrian, who also erected on the tomb a
statue of Alcibiades in Parian marble.
35. And we must not wonder at people having on some occasions fallen
in love with others from the mere report of their beauty, when Chares
of Mitylene, in the tenth book of his History of Alexander, says
that some people have even seen in dreams those whom they have never
beheld before, and fallen in love with them so. And he writes as
follows:—"Hystaspes had a younger brother whose name was Zariadres:
and they were both men of great personal beauty. And the story told
concerning them by the natives of the country is, that they were the
offspring of Venus and Adonis. Now Hystaspes was sovereign of Media,
and of the lower country adjoining it; and Zariadres was sovereign of
the country above the Caspian gates as far as the river Tanais. Now the
daughter of Omartes, the king of the Marathi, a tribe dwelling on the
other side of the Tanais, was named Odatis. And concerning her it is
written in the Histories, that she in her sleep beheld Zariadres, and
fell in love with him; and that the very same thing happened to him
with respect to her. And so for a long time they were in love with one
another, simply on account of the visions which they had seen in their
dreams. And Odatis was the most beautiful of all the women in Asia; and
Zariadres also was very handsome. Accordingly, when Zariadres sent to
Omartes and expressed a desire to marry the damsel, Omartes would not
agree to it, because he was destitute of male offspring; for he wished
to give her to one of his own people about his court. And not long
afterwards, Omartes having assembled all the chief men of his kingdom,
and all his friends and relations, held a marriage-feast, without
saying beforehand to whom he was going to give his daughter. And as the
wine went round, her father summoned Odatis to the banquet, and said,
in the hearing of all the guests,—'We, my daughter Odatis, are now
celebrating your marriage-feast; so now do you look around, and survey
all those who are present, and then take a golden goblet and fill it,
and give it to the man to whom you like to be married; for you shall be
called his wife.' And she, having looked round upon them all, went away
weeping, being anxious to see Zariadres, for she had sent him word that
her marriage-feast was about to be celebrated. But he, being encamped
on the Tanais, and leaving the army encamped there without being
perceived, crossed the river with his charioteer alone; and going by
night in his chariot, passed through the city, having gone about eight
hundred stadia without stopping. And when he got near the town in which
the marriage festival was being celebrated, and leaving, in some place
near, his chariot with the charioteer, he went forward by himself,
clad in a Scythian robe. And when he arrived at the palace, and seeing
Odatis standing in front of the side-board in tears, and filling the
goblet very slowly, he stood near her and said, 'O Odatis, here I am
come, as you requested me to,—I, Zariadres.' And she, perceiving a
stranger, and a handsome man, and that he resembled the man whom she
had beheld in her sleep, being exceedingly rejoiced, gave him the bowl.
And he, seizing on her, led her away to his chariot, and fled away,
having Odatis with him. And the servants and the handmaidens, knowing
their love, said not a word. And when her father ordered them to summon
her, they said that they did not know which way she was gone. And the
story of this love is often told by the barbarians who dwell in Asia,
and is exceedingly admired; and they have painted representations of
the story in their temples and palaces, and also in their private
houses. And a great many of the princes in those countries give their
daughters the name of Odatis."
[Sidenote: COURTESANS.]
36. Aristotle also, in his Constitution of the Massilians, mentions a
similar circumstance as having taken place, writing as follows:—"The
Phocæans in Ionia, having consulted the oracle, founded Marseilles.
And Euxenus the Phocæan was connected by ties of hospitality with
Nanus; this was the name of the king of that country. This Nanus was
celebrating the marriage-feast of his daughter, and invited Euxenus,
who happened to be in the neighbourhood, to the feast. And the marriage
was to be conducted in this manner:—After the supper was over the
damsel was to come in, and to give a goblet full of wine properly
mixed to whichever of the suitors who were present she chose; and to
whomsoever she gave it, he was to be the bridegroom. And the damsel
coming in, whether it was by chance or whether it was for any other
reason, gives the goblet to Euxenus. And the name of the maiden was
Petta. And when the cup had been given in this way, and her father
(thinking that she had been directed by the Deity in her giving of it)
had consented that Euxenus should have her, he took her for his wife,
and cohabited with her, changing her name to Aristoxena. And the family
which is descended from that damsel remains in Marseilles to this day,
and is known as the Protiadæ; for Protis was the name of the son of
Euxenus and Aristoxena."
37. And did not Themistocles, as Idomeneus relates, harness a chariot
full of courtesans and drive with them into the city when the market
was full? And the courtesans were Lamia and Scione and Satyra and
Nannium. And was not Themistocles himself the son of a courtesan,
whose name was Abrotonum? as Amphicrates relates in his treatise on
Illustrious Men—
Abrotonum was but a Thracian woman,
But for the weal of Greece
She was the mother of the great Themistocles.
But Neanthes of Cyzicus, in his third and fourth books of his History
of Grecian Affairs, says that he was the son of Euterpe.
And when Cyrus the younger was making his expedition against his
brother, did he not carry with him a courtesan of Phocæa, who was a
very clever and very beautiful woman? and Zenophanes says that her name
was originally Milto, but that it was afterwards changed to Aspasia.
And a Milesian concubine also accompanied him. And did not the great
Alexander keep Thais about him, who was an Athenian courtesan? And
Clitarchus speaks of her as having been the cause that the palace
of Persepolis was burnt down. And this Thais, after the death of
Alexander, married Ptolemy, who became the first king of Egypt, and
she bore him sons, Leontiscus and Lagos, and a daughter named Irene,
who was married to Eunostus, the king of Soli, a town of Cyprus. And
the second king of Egypt, Ptolemy Philadelphus by name, as Ptolemy
Euergetes relates in the third book of his Commentaries, had a great
many mistresses,—namely, Didyma, who was a native of the country, and
very beautiful; and Bilisticha; and, besides them, Agathoclea, and
Stratonice, who had a great monument on the sea-shore, near Eleusis;
and Myrtium, and a great many more; as he was a man excessively
addicted to amatory pleasures. And Polybius, in the fourteenth book of
his History, says that there are a great many statues of a woman named
Clino, who was his cup-bearer, in Alexandria, clothed in a tunic only,
and holding a cornucopia in her hand. "And are not," says he, "the
finest houses called by the names of Myrtium, and Mnesis, and Pothina?
and yet Mnesis was only a female flute-player, and so was Pothine, and
Myrtium was one of the most notorious and common prostitutes in the
city."
Was there not also Agathoclea the courtesan, who had great power over
king Ptolemy Philopator? in fact, was it not she who was the ruin of
his whole kingdom? And Eumachus the Neapolitan, in the second book of
his History of Hannibal, says that Hieronymus, the tyrant of Syracuse,
fell in love with one of the common prostitutes who followed her trade
in a brothel, whose name was Pitho, and married her, and made her queen
of Syracuse.
[Sidenote: COURTESANS.]
38. And Timotheus, who was general of the Athenians, with a very high
reputation, was the son of a courtesan, a Thracian by birth, but,
except that she was a courtesan, of very excellent character; for when
women of this class do behave modestly, they are superior to those who
give themselves airs on account of their virtue. But Timotheus being on
one occasion reproached as being the son of a mother of that character,
said,—"But I am much obliged to her, because it is owing to her that
I am the son of Conon." And Carystius, in his Historic Commentaries,
says that Philetærus the king of Pergamus, and of all that country
which is now called the New Province, was the son of a woman named
Boa, who was a flute-player and a courtesan, a Paphlagonian by birth.
And Aristophon the orator, who in the archonship of Euclides proposed
a law, that every one who was not born of a woman who was a citizen
should be accounted a bastard, was himself, convicted, by Calliades the
comic poet, of having children by a courtesan named Choregis, as the
same Carystius relates in the third book of his Commentaries.
Besides all these men, was not Demetrius Poliorcetes evidently in love
with Lamia the flute-player, by whom he had a daughter named Phila? And
Polemo, in his treatise on the colonnade called Pœcile at Sicyon, says
that Lamia was the daughter of Cleanor an Athenian, and that she built
the before-mentioned colonnade for the people of Sicyon. Demetrius was
also in love with Leæna, and she was also an Athenian courtesan; and
with a great many other women besides.
39. And Machon the comic poet, in his play entitled the Chriæ, speaks
thus:—
But as Leæna was by nature form'd
To give her lovers most exceeding pleasure,
And was besides much favour'd by Demetrius,
They say that Lamia also gratified
The king; and when he praised her grace and quickness,
The damsel answer'd: And besides you can,
If you do wish, subdue a lioness (λέαιναν).
But Lamia was always very witty and prompt in repartee, as also was
Gnathæna, whom we shall mention presently. And again Machon writes thus
about Lamia:—
Demetrius the king was once displaying
Amid his cups a great variety
Of kinds of perfumes to his Lamia:
Now Lamia was a female flute-player,
With whom 'tis always said Demetrius
Was very much in love. But when she scoff'd
At all his perfumes, and, moreover, treated
The monarch with exceeding insolence,
He bade a slave bring some cheap unguent, and
He rubbed himself with that, and smear'd his fingers,
And said, "At least smell this, O Lamia,
And see how much this scent does beat all others."
She laughingly replied: "But know, O king,
That smell does seem to me the worst of all."
"But," said Demetrius, "I swear, by the gods,
That 'tis produced from a right royal nut."
40. But Ptolemy the son of Agesarchus, in his History of Philopator,
giving a list of the mistresses of the different kings, says—"Philip
the Macedonian promoted Philinna, the dancing-woman, by whom he had
Aridæus, who was king of Macedonia after Alexander. And Demetrius
Poliorcetes, besides the women who have already been mentioned, had a
mistress named Mania; and Antigonus had one named Demo, by whom he had
a son named Alcyoneus; and Seleucus the younger had two, whose names
were Mysta and Nysa." But Heraclides Lenebus, in the thirty-sixth book
of his History, says that Demo was the mistress of Demetrius; and that
his father Antigonus was also in love with her: and that he put to
death Oxythemis as having sinned a good deal with Demetrius; and he
also put to the torture and executed the maid-servants of Demo.
41. But concerning the name of Mania, which we have just mentioned, the
same Machon says this:—
Some one perhaps of those who hear this now,
May fairly wonder how it came to pass
That an Athenian woman had a name,
Or e'en a nickname, such as Mania.
For 'tis disgraceful for a woman thus
To bear a Phrygian name; she being, too,
A courtesan from the very heart of Greece.
And how came she to sink the city of Athens,
By which all other nations are much sway'd?
The fact is that her name from early childhood
Was this—Melitta. And as she grew up
A trifle shorter than her playfellows,
But with a sweet voice and engaging manners,
And with such beauty and excellence of face
As made a deep impression upon all men,
She'd many lovers, foreigners and citizens.
So that when any conversation
Arose about this woman, each man said,
The fair Melitta was his madness (μανία). Aye,
And she herself contributed to this name;
For when she jested she would oft repeat
This word μανία; and when in sport she blamed
Or praised any one, she would bring in,
In either sentence, this word μανία.
So some one of her lovers, dwelling on
The word, appears to have nicknamed the girl
Mania; and this extra name prevailed
More than her real one. It seems, besides,
That Mania was afflicted with the stone.
* * * * *
[Sidenote: COURTESANS.]
42. And that Mania was also excellent in witty repartee, Machon tells
us in these verses about her,—
There was a victor in the pancratium,
Named Leontiscus, who loved Mania,
And kept her with him as his lawful wife;
But finding afterwards that she did play
The harlot with Antenor, was indignant:
But she replied,—"My darling, never mind;
I only wanted just to feel and prove,
In a single night, how great the strength might be
Of two such athletes, victors at Olympia."
They say again that Mania once was ask'd,
By King Demetrius, for a perfect sight
Of all her beauties; and she, in return,
Demanded that he should grant her a favour.
When he agreed, she turned her back, and said,—
"O son of Agamemnon, now the Gods
Grant you to see what you so long have wish'd for."[31]
On one occasion, too, a foreigner,
Who a deserter was believed to be,
Had come by chance to Athens; and he sent
For Mania, and gave her all she ask'd.
It happen'd that he had procured for supper
Some of those table-jesters, common buffoons,
Who always raise a laugh to please their feeders;
And wishing to appear a witty man,
Used to politest conversation,
While Mania was sporting gracefully,
As was her wont, and often rising up
To reach a dish of hare, he tried to raise
A joke upon her, and thus spoke,—"My friends,
Tell me, I pray you by the Gods, what animal
You think runs fastest o'er the mountain-tops?"
"Why, my love, a deserter," answer'd Mania.
Another time, when Mania came to see him,
She laugh'd at the deserter, telling him,
That once in battle he had lost his shield.
But this brave soldier, looking somewhat fierce,
Sent her away. And as she was departing,
She said, "My love, don't be so much annoy'd;
For 'twas not you, who, when you ran away,
Did lose that shield, but he who lent it you."
Another time they say a man who was
A thorough profligate, did entertain
Mania at supper; and when he question'd her,
"Do you like being up or down the best?"
She laugh'd, and said, "I'd rather be up, my friend,
For I'm afraid, lest, if I lay me down,
You'd bite my plaited hair from off my head."
43. But Machon has also collected the witty sayings of other courtesans
too; and it will not be unseasonable to enumerate some of them now.
Accordingly he mentions Gnathæna thus:—
[Sidenote: COURTESANS.]
Diphilus once was drinking with Gnathæna.
Said he, "Your cup is somewhat cold, Gnathæna;"
And she replied, "'Tis no great wonder, Diphilus,
For we take care to put some of your Plays in it."
Diphilus was once invited to a banquet
At fair Gnathæna's house, as men do say,
On the holy day of Venus' festival—
(He being a man above her other lovers
Beloved by her, though she conceal'd her flame).
He came accordingly, and brought with him
Two jars of Chian wine, and four, quite full,
Of wine from Thasos; perfumes, too, and crowns;
Sweetmeats and venison; fillets for the head;
Fish, and a cook, and a female flute-player.
In the meantime a Syrian friend of hers
Sent her some snow, and one saperdes; she
Being ashamed lest any one should hear
She had received such gifts, and, above all men,
Fearing lest Diphilus should get at them,
And show her up in one of his Comedies,
She bade a slave to carry off at once
The salt-fish to the men who wanted salt,
As every one did know; the snow she told him
To mix with the wine unseen by any one.
And then she bade the boy to fill the cup
With ten full cyathi of wine, and bear it
At once to Diphilus. He eagerly
Received the cup, and drain'd it to the bottom,
And, marvelling at the delicious coolness,
Said—"By Minerva, and by all the gods,
You must, Gnathæna, be allow'd by all
To have a most deliciously cool well."
"Yes," said she, "for we carefully put in,
From day-to-day, the prologues of your plays."
A slave who had been flogg'd, whose back was mark'd
With heavy weals, was once, as it fell out,
Reposing with Gnathæna:—then, as she
Embraced him, she found out how rough all over
His back did feel. "Oh wretched man," said she,
"In what engagement did you get these wounds?"
He in a few words answer'd her, and said,
"That when a boy, once playing with his playmates,
He'd fallen backwards into the fire by accident."
"Well," said she, "if you were so wanton then,
You well deserved to be flogg'd, my friend."
Gnathæna once was supping with Dexithea,
Who was a courtesan as well as she;
And when Dexithea put aside with care
Nearly all the daintiest morsels for her mother,
She said, "I swear by Dian, had I known
How you went on, Dexithea, I would rather
Have gone to supper with your mother than you."
When this Gnathæna was advanced in years,
Hastening, as all might see, towards the grave,
They say she once went out into the market,
And look'd at all the fish, and ask'd the price
Of every article she saw. And seeing
A handsome butcher standing at his stall,
Just in the flower of youth,—"Oh, in God's name,
Tell me, my youth, what is your price (πῶς ἴστης) to-day?"
He laugh'd, and said, "Why, if I stoop, three obols."
"But who," said she, "did give you leave, you wretch,
To use your Carian weights in Attica?"
Stratocles once made all his friends a present
Of kids and shell-fish greatly salted, seeming
To have dress'd them carefully, so that his friends
Should the next morning be o'erwhelm'd with thirst,
And thus protract their drinking, so that he
Might draw from them some ample contributions.
Therefore Gnathæna said to one of her lovers,
Seeing him wavering about his offerings,
"After the kids[32] Stratocles brings a storm."
Gnathæna, seeing once a thin young man,
Of black complexion, lean as any scarecrow,
Reeking with oil, and shorter than his fellows,
Called him in jest Adonis. When the youth
Answer'd her in a rude and violent manner,
She looking on her daughter who was with her,
Said, "Ah! it serves me right for my mistake."
They say that one fine day a youth from Pontus
Was sleeping with Gnathæna, and at morn
He ask'd her to display her beauties to him.
But she replied, "You have no time, for now
It is the hour to drive the pigs to feed."
[Sidenote: COURTESANS.]
44. He also mentions the following sayings of Gnathænium, who was the
grand-daughter of Gnathæna:—
It happen'd once that a very aged satrap,
Full ninety years of age, had come to Athens,
And on the feast of Saturn he beheld
Gnathænium with Gnathæna going out
From a fair temple sacred to Aphrodite,
And noticing her form and grace of motion,
He just inquired "How much she ask'd a night?"
Gnathæna, looking on his purple robe,
And princely body-guard, said, "A thousand drachmæ."
He, as if smitten with a mortal wound,
Said, "I perceive, because of all these soldiers,
You look upon me as a captured enemy;
But take five minæ, and agree with me,
And let them get a bed prepared for us."
She, as the satrap seem'd a witty man,
Received his terms, and said, "Give what you like,
O father, for I know most certainly,
You'll give my daughter twice as much at night."
There was at Athens once a handsome smith,
When she, Gnathænium, had almost abandon'd
Her trade, and would no longer common be,
Moved by the love of the actor Andronicus;
(But at this moment he was gone away,
After she'd brought him a male child;) this smith
Then long besought the fair Gnathænium
To fix her price; and though she long refused,
By long entreaty and liberality,
At last he won her over to consent.
But being but a rude and ill-bred clown,
He, one day sitting with some friends of his
In a leather-cutter's shop, began to talk
About Gnathænium to divert their leisure,
Narrating all their fond love passages.
But after this, when Andronicus came
From Corinth back again, and heard the news,
He bitterly reproach'd her, and at supper
He said, with just complaint, unto Gnathænium,
That she had never granted him such liberties
As this flogg'd slave had had allow'd to him.
And then they say Gnathænium thus replied:
That she was her own mistress, and the smith
Was so begrimed with soot and dirt that she
Had no more than she could help to do with him.
One day they say Gnathænium, at supper,
Would not kiss Andronicus when he wish'd,
Though she had done so every day before;
But she was angry that he gave her nothing.
Said he, on this, "Gnathæna, don't you see
How haughtily your daughter's treating me?"
And she, indignant, said, "You wretched girl,
Take him and kiss him if he wishes it."
But she replied, "Why should I kiss him, mother,
Who does no good to any one in the house,
But seeks to have his Argos all for nothing?"
Once, on a day of festival, Gnathænium
Went down to the Piræus to a lover,
Who was a foreign merchant, riding cheaply
On a poor mule, and having after her
Three donkeys, three maid-servants, and one nurse.
Then, at a narrow spot in the road, they met
One of those knavish wrestlers, men who sell
Their battles, always taking care to lose them;
And as he could not pass by easily,
Being crowded up, he cried—"You wretched man,
You donkey-driver, if you get not quickly
Out of my way, I will upset these women,
And all the donkeys and the mule to boot."
But quick Gnathænium said, "My friend, I pray you,
Don't be so valiant now, when you have never Done any feat of
spirit or strength before."
45. And afterwards, Machon gives us the following anecdotes:—
They say that Lais the Corinthian,
Once when she saw Euripides in a garden,
Holding a tablet and a pen attach'd to it,
Cried out to him, "Now, answer me, my poet,
What was your meaning when you wrote in your play,
'Away, you shameless doer?'" And Euripides,
Amazed, and wondering at her audacity,
Said, "Why, you seem to me to be yourself
A shameless doer." And she, laughing, answer'd,
"How shameless, if my partners do not think so?"
Glycerium once received from some lover
A new Corinthian cloak with purple sleeves,
And gave it to a fuller. Afterwards,
When she thought he'd had time enough to clean it,
She sent her maidservant to fetch it back,
Giving her money, that she might pay for it.
But, said the fuller, "You must bring me first
Three measures full of oil, for want of that
Is what has hindered me from finishing."
The maid went back and told her mistress all.
"Wretch that I am!" Glycerium said, "for he
Is going to fry my cloak like any herring."
Demophoon once, the friend of Sophocles,
While a young man, fell furiously in love
With Nico, called the Goat, though she was old:
And she had earn'd this name of Goat, because
She quite devour'd once a mighty friend of hers,
Named Thallus,[33] when he came to Attica
To buy some Chelidonian figs, and also
To export some honey from th' Hymettian hill.
And it is said this woman was fair to view.
And when Demophoon tried to win her over,
"A pretty thing," said she, "that all you get
From me you may present to Sophocles."
Callisto once, who was nicknamed the Sow,
Was fiercely quarrelling with her own mother,
Who also was nicknamed the Crow. Gnathæna
Appeased the quarrel, and when ask'd the cause of it,
Said, "What else could it be, but that one Crow
Was finding fault with the blackness of the other?"
Men say that Hippe once, the courtesan,
Had a lover named Theodotus, a man
Who at the time was prefect of the granaries
And she on one occasion late in th' evening
Came to a banquet of King Ptolemy,
And she'd been often used to drink with him
So, as she now was very late, she said,
"I'm very thirsty, papa Ptolemy,
So let the cup-bearer pour me four gills
Into a larger cup." The king replied,
"You must have it in a platter, for you seem
Already, Hippe,[34] to have had plenty of hay."
A man named Morichus was courting Phryne,
The Thespian damsel. And, as she required
A mina, "'Tis a mighty sum," said Morichus,
"Did you not yesterday charge a foreigner
Two little pieces of gold?" "Wait till I want you,"
Said she, "and I will take the same from you."
'Tis said that Nico, who was call'd the Goat,
Once when a man named Pytho had deserted her,
And taken up with the great fat Euardis,
But after a time did send again for her,
Said to the slave who came to fetch her, "Now
That Pytho is well sated with his swine,
Does he desire to return to a goat?"
[Sidenote: COURTESANS.]
46. Up to this point we have been recapitulating the things mentioned
by Macho. For our beautiful Athens has produced such a number of
courtesans (of whom I will tell you as many anecdotes as I can) as
no other populous city ever produced. At all events, Aristophanes
the Byzantian counted up a hundred and thirty-five, and Apollodorus
a still greater number; and Gorgias enumerated still more, saying
that, among a great many more, these eminent ones had been omitted by
Aristophanes—namely, one who was surnamed Paroinos, and Lampyris, and
Euphrosyne: and this last was the daughter of a fuller. And, besides
these, he has omitted Megisto, Agallis, Thaumarium, Theoclea (and
she was nicknamed the Crow), Lenætocystos, Astra, Gnathæna, and her
grand-daughter Gnathænium, and Sige, and Synoris (who was nicknamed
the Candle), and Euclea, and Grymæa, and Thryallis, and Chimæra,
and Lampas. But Diphilus the comic poet was violently in love with
Gnathæna, (as has been already stated, and as Lynceus the Samian
relates in his Commentaries;) and so once, when on the stage he had
acted very badly, and was turned out (ἠρμένος) of the theatre, and,
for all that, came to Gnathæna as if nothing had happened; and when
he, after he had arrived, begged Gnathæna to wash his feet, "Why do
you want that?" said she; "were you not carried (ἠρμένος) hither?"
And Gnathæna was very ready with her repartees. And there were other
courtesans who had a great opinion of themselves, paying attention to
education, and spending a part of their time on literature; so that
they were very ready with their rejoinders and replies.
Accordingly, when on one occasion Stilpo, at a banquet, was accusing
Glycera of seducing the young men of the city, (as Satyrus mentions in
his Lives,) Glycera took him up and said, "You and I are accused of
the same thing, O Stilpo; for they say that you corrupt all who come
to you, by teaching them profitless and amorous sophistries; and they
accuse me of the same thing: for if people waste their time, and are
treated ill, it makes no difference whether they are living with a
philosopher or with a harlot." For, according to Agathon,
It does not follow, because a woman's body
Is void of strength, that her mind, too, is weak.
47. And Lynceus has recorded many repartees of Gnathæna. There was a
parasite who used to live upon an old woman, and kept himself in very
good condition; and Gnathæna, seeing him, said, "My young friend,
you appear to be in very good case." "What then do you think," said
he, "that I should be if I slept by myself?" "Why, I think you would
starve," said she. Once, when Pausanius, who was nicknamed Laccus,[35]
was dancing, he fell into a cask. "The cellar," says Gnathæna, "has
fallen into the cask." On one occasion, some one put a very little wine
into a wine-cooler, and said that it was sixteen years old. "It is
very little of its age," said she, "to be as old as that." Once at a
drinking-party, some young men were fighting about her, and beating one
another, and she said to the one who was worsted, "Be of
good cheer, my boy; for it is not a contest to be decided by crowns,
but by guineas." There was a man who once gave her daughter a mina,
and never brought her anything more, though he came to see her very
often. "Do you think, my boy," said she, "that now you have once paid
your mina, you are to come here for ever, as if you were going to
Hippomachus the trainer?" On one occasion, when Phryne said to her,
with some bitterness, "What would become of you if you had the stone?"
"I would give it to you," said she, "to sharpen your wit upon." For
it was said that Gnathæna was liable to the stone, while the other
certainly wanted it as Gnathæna hinted. On one occasion, some men were
drinking in her house, and were eating some lentils dressed with onions
(βολβοφάκη); as the maidservant was clearing the table, and
putting some of the lentils in her bosom (κόλπον), Gnathæna
said, "She is thinking of making some κολποφάκη."
Once, when Andronicus the tragedian had been acting his part in the
representation of the Epigoni with great applause, and was coming to
a drinking-party at her house, and sent a boy forward to bid her make
preparation to receive him, she said—
"O cursed boy, what word is this you've spoken?"
And once, when a chattering fellow was relating that he was just
come from the Hellespont, "Why, then," said she, "did you not go to
the first city in that country?" and when he asked what city, "To
Sigeum,"[36] said she. Once, when a man came to see her, and saw some
eggs on a dish, and said, "Are these raw, Gnathæna, or boiled?" "They
are made of brass, my boy," said she. On one occasion, when Chærephon
came to sup with her without an invitation, Gnathæna pledged him in a
cup of wine. "Take it," said she, "you proud fellow." And he said, "I
proud?" "Who can be more so," said she, "when you come without even
being invited?" And Nico, who was nicknamed the Goat (as Lynceus tells
us), once when she met a parasite, who was very thin in consequence of
a long sickness, said to him, "How lean you are." "No wonder," says he;
"for what do you think is all that I have had to eat these three days?"
"Why, a leather bottle," says she, "or perhaps your shoes."
[Sidenote: COURTESANS.]