SECTION III.

The objects we have just taken a review of, gave me such pleasure in

the contemplation, that I cannot help wondering at those, who profess

themselves disappointed in them, and affect to decry them: Men should be

cautious in admitting preconceptions. If they expect to see something

altogether great, and stupendous, in a circuit of ten or twelve miles;

the variety of objects, and the narrow limits of the scene, must

necessarily disappoint them: for greatness in natural objects requires

an unbroken uniformity of appearance, and that uniformity reigning over

a wide extended surface. If they look for the aweful and terrible; the

happy temperature of the climate, which cloaths even the rocks and

precipices with a rich covering, and overspreads the rugged face of the

mountains with luxuriance, is a natural bar to it. But if beauties will

content them, in every degree of the scale, from wild magnificence,

downwards; it is strange to me if they go away unsatisfied. Indeed

what can be more beautiful, than the several views of a fine piece of

water, studded with islands, encompassed by mountains, resounding with

waterfalls, and reflecting, on all sides, the umbrageous trees, and

evergreens, that adorn its banks? What can be more surprising than the

fertility of the rocks, where the trees, too ponderous for their feeble

roots, are often bent towards the earth, and flourish thus distorted?

What more curious than different species of shrubs springing from the

same decayed stock; which, no longer able to push forth leaves itself,

serves as a nidus to others? And is there any thing more wonderful than

the power of the echoes; which not only multiplies and reiterates the

most ordinary sounds, but swells them to the pitch of natural thunder?

To hazard an opinion: The prevailing character of Killarney is Variety;

the second Beauty; Magnificence is subordinate. Here Beauty, by her

magic, and diffusive influence, gives a grace to Variety; whilst

Variety furnishes her benefactress with flattering contrasts: United,

they present the fancy with the most delightful images, of repose,

tranquillity, unstudied order, natural wildness, and rural magnificence.

Objects, desirable in themselves, derive new beauties from their position

with respect to others; and even such as excite no pleasing emotions

when viewed singly, have often an agreeable effect in combination. But

these relative beauties, as they result from the harmonious proportion of

a number of parts, are entirely lost by an injudicious jumble of them;

so that to see a multiplicity of objects to advantage, it is necessary

to class them with taste, and consider them in those lights, and points

of view, where they neither run into a perplexing confusion, on the one

hand, nor a tiresome sameness, on the other.

The most magnificent view of the Great Lake and its environs is that

from the Yellow Mountain (1), about two miles to the Northward. The eye

passing over a rich valley, meets the lake in the center, with the Eagles

Nest, and the other mountains which stretch to the upper lake, behind

it: on one side are Glená, Tomé, and M’Gilly Cuddy’s Ricks, which lose

themselves to the Westward; on the other, Turk, Mangerton, Glanflesk, and

the Paps, in the opposite direction; all together forming a range of more

than twenty miles. The waving outline of these mountains is uncommonly

beautiful: the lake is happily placed in the center; and there is a

degree of unstudied regularity in the whole, which, added to the majesty

of the single parts, makes a noble, regular, and striking picture.

Aghadoe (2) was of old an episcopal seat, and a place of some

consequence: a ruined turret, and the shattered walls of a cathedral, are

the only vestiges of it remaining. It stands on an eminence to the North

of the lake, near the western extremity, and commands a most extensive

prospect of its borders, and islands. Innisfallin, and the western

cluster, appear from hence in perfect beauty: the shaggy sides of Glená,

and Tomé, are finely opposed to the level shores; the distant islands,

referred to their contiguous banks, have the air of so many promontories;

and the stately mountains, Turk and Mangerton, rising from behind the

peninsula of Mucrus, complete one of the most beautiful scenes in nature.

Dunlow castle (3), the seat of Mr. Crosby, is the best station for

viewing the lake from the West. It stands on a perpendicular cliff over

the river Lune, about a mile from its source, and with the surrounding

scenery is a very fine object. From hence the islands are seen in a

different, but less pleasing situation; the view is bounded to the right

by Tomé, and Glená; and, taking in the sloping bank, and the village of

Killarney, to the left, terminates agreeably on Mucrus, and the high

grounds beyond it: The several doublings, and turns, of the river, that

winds through the rich valley beneath, have a pleasing effect; and for

a contrast, the bleak sides of the Ricks, and the hollow Glynn which

divides them from Tomé, afford one sufficiently glaring.

The views from the East (4) are very numerous, and beautiful: there is

scarce a break, or height, along the Peninsula, that does not present a

new face of things, or a different arrangement of them. The eminence near

the abbey, the meadows and gardens at Mucrus, and the point of Camillan,

where Turk, Glená, and the Eagles Nest, meet the eye at once, must be

noted by the most careless observers.

To those who would have a perfect knowledge of the lakes, the top of

Turk (5) is the best station. From thence they appear as distinctly,

as if delineated on canvass; but the minuter beauties are lost by the

height of the mountain, and at best, a prospect from such an overtopping

eminence, is better calculated for the Ichnographist, than the man of

taste and fancy.

From the side of Mangerton (6), about one fourth of the common ascent,

there is a very commanding prospect of the Great Lake, and the adjacent

country, which shews the objects more in the light of perspective

than that from Turk, at the same time that it preserves the natural

arrangement of the islands, and the sinuosity of the bays. Here the

Peninsula seems to float on the surface of the water like a vast serpent,

and, when illuminated by the sun’s rays, displays its green spiry length,

every where distinct with shining beauties, in a manner at the same time

singular, and pleasing.

From the top of this mountain, ascended by a tedious path of three miles,

the prospect is wild, commanding, and in a manner unbounded. On one side

lie the lakes, diminished almost in the scale of Shakespear’s fancied

simpler: On the other, at some distance, the noble river of Kenmare,

along which the eye passing for near thirty miles reposes at length on

the swelling bosom of the Atlantic. On all sides save one the country is

mountainous; to the East the mountains trend away in an irregular ridge,

till obscured and lost in the opaque vapours; to the West, and indeed in

every other direction, they are thrown together in as tumultuous, and

wild an assemblage, as if Chaos had been here arrested in his billowy

career, and chained to stability by the supreme _fiat_. The lakes are

seen from hence but partially, and in truth appear only as a drop of

water, to the vast ocean in view: while the mountains which encompass

them, compared with Mangerton itself, hide their diminished heads,

declining all rivality. Taken together, tho’ far inferior even to the

maritime Alps in grandeur, and as much to the mountains in Switzerland,

and the Esterelles in Provence, in fertility, they exhibit an appearance

of nature so uncommon, as must furnish the best informed fancy with new,

and picturesque images.

And now, traveller, having satisfied thy curiosity, plod thy way

downwards; for the clouds begin to marshal, the vapours to accumulate,

and soon will the scene thou gazest at vanish, and the spot where thou

standest become the seat of darkness; unless thou indeed wouldest inhabit

the clouds, and _sensibly experience_ that palpable Obscure, which thou

hast only _read of_ in Milton.

The most desirable view of the upper lake is from the East, on the cliffs

of Crom-a-glaun, or Bolinendra (7). The islands, and mountains, are seen

from hence in a very happy arrangement; and there is a certain air of

wildness in the prospect, which borders on the romantic.

These are some of the views from the banks, and eminences, in the

neighbourhood of the lakes, that appeared to me the most pleasing. Those

from the lake itself, though not so extensive, are no less beautiful; but

they are so numerous, and it is so difficult to convey an adequate idea

of their nice varieties, and differences, that I shall barely hint at one

or two in the most distinguished classes.

Turk, when viewed from the lake below (8), has some pretensions to

grandeur: it rises to a respectable height, fills the eye with an

unbroken surface of two miles in extent, and is one great and uniform

object: but greatness is a relative term, and that degree of it we speak

of, is rather calculated to give the mind a certain taste of grandeur,

than to satisfy it with a complete idea.

From the river immediately beneath (9), the rugged appearance of the

Eagles Nest inspires surprise, and awe; but the sportive hand of Nature

has so managed it, that these feelings never border upon that anxious

uneasiness which attends the contemplation of objects properly speaking

terrible.

From the upper lake between Arbutea, and Rossburkree (10), the western

isles are seen at a due distance, and appear to great advantage. The eye

is confined on each side by two uniform risings, and the back ground

of the picture is occupied by the amphitheatre of mountains which

encompasses the western valley. There is a beauty in the islands, a

wildness in the mountains, and a magnificence in the air of the whole

prospect, which not only amuses the mind, but seems to exalt and expand

it, and awakens such sentiments as one feels from a sublime passage in

Homer or Milton.

The effect of many of these views is, in my opinion, much heightened by

the hourly revolutions in the face of the heavens. The vast volumes of

clouds, which are rolled together from the Atlantic, and rest on the

summits of the mountains, cloath them with majesty: the different masses

of light and shade, traversing the lakes in succession, as the shifting

bodies above float across them, exhibit all the varieties of night, and

day, almost at the same instant: the mists interposing their dull, yet

transparent coverings to the view, raise new desires of a fuller, and

clearer prospect: and the wandering vapours flitting from cliff to cliff,

as if in search of the clouds from which they have been separated, amuse

the eye with their varieties, and irregular motions.

After all, this happy spot labours under one disadvantage, and one

too I am the more averse to mention, since so celebrated a writer as

Doctor Johnson has thought it sufficient, in the case of Loch Lomond, to

counterbalance so many natural beauties; and this is no other than the

immense rains; which fall here more abundantly, and that even in the best

seasons for visiting the lake, than in all other parts of the kingdom.

But surely Philosophy will suggest many topics to quiet our complainings

on this head. She will tell us, that to expect perfection in things

sublunary, is to wish where we cannot hope: that the cup of pleasure,

even when presented to us by the pure hand of Benevolence, is never

without some unpalatable ingredients: that where Nature has provided us

with so rich a repast, where she has displayed such enchanting scenery to

the eye, and gratuitously accumulated all this variety of entertainment;

we ought to enjoy her bounties, in the time, manner, and circumstances

she chooses to exhibit them. But if we should further discover, that

the limitations she sets to our pleasures, are necessary to our being

pleased at all; that what we call a disadvantage is the spring and source

of all we admire; that the Hyades are here the handmaids of Flora; for

that without these perpetual effusions of rain we complain of, the rocks

must resign their vegetable inhabitants, the rivers mourn their exhausted

urns, and the cascades no longer resound save in the dull ear of Memory;

that the living lake itself must dwindle into an inconsiderable pool,

and the mountains, stript of their honours, become a dreary waste, the

abode of gloom and barrenness: In this case, surely, our complaints must

be turned to admiration, and our regrets to a grateful acquiescence.

Shall we not here exclaim in the spirit of Homer!

With gold-embraided locks, the exulting Seasons

Received her from the hands of forming Nature;

And round her silver margin did encircle,

With never-fading forms, umbrageous hills,

Sweet vocal vallies, plains enamel’d o’er

With many a flower.

[Illustration]

FOOTNOTES

[1] Memoirs of Great Britain and Ireland.

[2] By the experiment of the barometer, Mangerton was found to be 3060

feet in perpendicular height. But the sudden variations of the state of

the air, at considerable heights, in a climate so changeable as ours,

seem to require the concurrence of repeated experiments as the basis of

admissible conclusions.

[3] I have included the several ranges of mountains which form the

shores of this lake, under the name of the most considerable, to avoid

multiplying uncouth terms. What I have called Ghirmeen is known by the

several denominations of Doogery, Ghirmeen, and Derry-Carnagh: On the

opposite side, besides Cahirnee, are Derry-Lishigane, Galloveely, and

Derry-Arde: and to the East, under Crom-a-glaun are included, Bolinendra,

Derry-Dimna, and Derry-Cannihy.

[4] Vide _Collectanea Hibernica_.

A description of Killarney · 第 3 / 3 章