WALLER BRYAN PROCTER.

As the most beautiful flowers are found in the most arid deserts, so

out of the dry study of law comes forth now and then the most genial

and tender spirit of poetry. Such has been the case with Mr. Procter,

or Barry Cornwall, for we delight in that old favorite _nom de

guerre_; and although I have been able to obtain but little

knowledge of his homes and haunts, still these volumes would be

incomplete without some notice of a man whose writings hold so firm a

place in the public heart.

About seven-and-twenty years ago, Mr. Procter, then a young man, just

called to the bar, and in very delicate health, published his first

volume of poetry. Byron, Shelley, Keats, Campbell, and Leigh Hunt,

were then pouring out volume after volume; and Scott, who was crowned

with the laurels of his metrical romances, was riveting the attention

of the whole world by his earlier romances; while Crabbe, as if woke

up out of his slumber of twenty-two years by this great constellation

of genius, had just put forth his new work, the Tales of the Hall. It

was not a moment when a poet of ordinary power had any chance of

sustaining his existence; but the young aspirant stood among those

gigantic men, as one who, if not equal to them in all points at that

moment, was yet kindred with them; and, although the Sicilian story,

Diego de Montilla, Mirandola, and the Flood of Thessaly, have rather

become pleasant memories than the actualities of the present day, the

poet has established a lasting reputation by his volume of "English

Songs, and other small Poems"--a volume, in which there are gems of as

noble and perfect poetry as any in the language, and which abounds

with the most healthy, manly sentiment, and the broadest sympathies

with suffering and struggling humanity. It is now the fashion to

sympathize with the people--and a noble fashion it is--the only fear

being of this otherwise holy Christian sentiment becoming, in some

minds, morbid, if not mawkish. In Barry Cornwall, it is as genuine as

any other part of his nature; feigning and falsehood are as impossible

to it as darkness to the sun. He has the clearest understanding of

moral truth, and a detestation of the cold, sordid spirit of the

world. According to his faith--

"Song should spur the mind to duty,

Nerve the weak and stir the strong;

Every deed of truth and beauty

Should be crowned by starry song;"

and like a true man, who proclaims no more than he himself practices,

his song becomes a watchword in the cause of man. In confirmation of

this, let me select one little poem, A Lyric of London, which contains

a deeper moral than most sermons.

Homes and Haunts of the Most Eminent British Poets, Vol. 2 (of 2) · 第 51 / 63 题