I handed him the telegram, and he followed me into the drawing-room.

"Oh, Pam!" he said. "Then you can marry him and be happy! I wish I

could do something just to show my enormous gratitude to you."

"Do you really mean that?" I said. I swung round on the music-stool, on

which I had seated myself, and smiled up at him.

"Of course I do."

"Then give me five hundred pounds," I said.

Cheneston lit a cigarette.

I do think the girl who has been brought up among a pack of brothers and

a crowd of male cousins misses something. When you start knowing men

for the first time in your twenties--when your critical faculties are at

their very keenest--you do get a fearful amount of astonishment and

thrills out of the appalling difference there is between their ways and

the ways of your own sex. It's a never-ceasing source of wonder to you.

I had startled Cheneston by a totally unexpected demand for five hundred

pounds--and he lit a cigarette.

A woman would have played with something, probably the

blind-tassel--Cheneston was standing near the window--repeated my

question, and tried to read my face; the man did none of these things.

I think cigarettes are to men what dangly things about dresses, and

bracelets, and hairpins are to women--something they can play with and

readjust when something has robbed them of their poise and sang-froid.

I notice that nervy women and shy women often have scarves and bead

necklaces and things they can finger in stressful moments.

"Would you like it in notes, or will a cheque do?" Cheneston asked

quietly. "If you will take a cheque I will give it to you now; if you

want notes I am afraid you must wait until I can drive in to the bank."

"I want it in notes," I said.

I wanted him to ask questions, to show enormous astonishment and

interest. I was furious with him for being so calm.

"I think you owe me something for coming here," I said crudely.

I wanted to rouse him at any price. I don't know quite what there is in

feminine make-up that makes you suddenly want to hurt the man you

love--and somehow the more aloof and patient and wonderful they are, the

more you want to scratch. It's only when they get a bit peevish and

earthly that you suddenly leave off and feel repentant. If a man,

especially a husband, ever patted me on the head, I should _bite_ him;

and I don't know why, but terribly gentlemanly men always make me feel

horribly unladylike.

I don't think I'm a nice character--but I don't think people who feel

things terribly, and get themselves all sort of churned up with

intensity, are very nice--not what ordinary people call "nice," anyway.

I think ordinary people like to feel "sure" of you because it's a great

compliment when it is said of you, "She's always just the same." They

advance on you with the same trustful confidence that a kitten does on

its saucerful of milk. I own it's bad luck to find a saucerful of dead

sea, or a minute proportion of fire and brimstone.

"I owe you more than five hundred pounds," Cheneston said quietly; then

he looked at me for the first time. "Pam," he said, "you've altered so

lately. Are you happy?"

"I'm a twittering bunch of sunshine," I said.

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