I imagine he is bored.

I do love him so much, every day I seem to love him more and more and

more.

I suppose I ought to be ashamed and humiliated to write that down,

because I simply bore him to tears; but I'm not, mine isn't a silly

love--he's my very, very dear, the most wonderful man I have ever seen

or known.

Sometimes people say things that simply wring my heart.

"I suppose you'll get married directly after the war?" the C.O.'s wife

said. "Will you live in England?"

"I--I don't know," I answered.

"We shall winter in the South," said Cheneston; he glanced at Grace

Gilpin and I knew she was listening. "We shall probably go to Norway

for the sports, and spend the rest of the time in England."

"It sounds like a fairy tale," said the C.O.'s wife.

"I think it is," I broke in unexpectedly.

Grace Gilpin turned in her chair and glanced at me. She was lovely; she

wore cornflower blue crepe and white collar and cuffs.

"I think Cheneston would be quite wonderful in the role of a fairy

prince," she said.

He laughed, rose, and walked away.

Going home he looked at me gravely.

"I hope you're not getting romantic about our engagement. I don't mean

anything rotten, child--but all that silly rubbish about fairy tales and

fairy princes. I have only five weeks more--then I go to the front."

"Did you care for Grace most frightfully?" I asked boldly.

He looked down at me with slightly puzzled eyes. I can't describe his

eyes exactly, they are hazel, and when he is going to laugh they laugh

first; and they are hard and honest and straight.

"I thought," he said. "I gave my very soul into her hands, to play with

and laugh at--but I don't know. It doesn't hurt so much--as it did.

Pam--I gave her everything that was best in me; and she encouraged me,

she let me give, and when I had beggared myself--when I cared like

hell--she flung my gifts back in my face and laughed. I wanted to

humiliate her as she had humiliated me. I'm not a great man, Pam; she

ground my pride and my love and my manhood under her heel--and I wanted

to hit back."

"And I afforded you the opportunity," I said very quietly.

He looked out over the downs, his eyes were worried and troubled and his

face was white.

"I wouldn't hurt you for the world, Pam; I have been thinking over this

make-believe engagement of ours, wondering if it could possibly hurt you

in any single way. The only thing I can see is that it might keep off

another man who might want to marry you--and there isn't one about. It

simply amounts to this: I give you a good time, and you wear a ring I

gave you. I wouldn't hurt you, Pam. Sometimes I could almost fancy

you're not like other women--you're not a beastly little actress. I

suppose I seem an awful cad sometimes. We can't cry off just now, kid;

the Service makes prisoners of us all. I can't leave here, whatever

happens, until I go to France with my battery in five weeks' time; and

if we pretended things were broken off now our position would be

intolerable. We've got to carry on. I'll make the next five weeks as

pleasant as ever I can for you."

Mother came out as we reached our gate, and Cheneston said good-bye.

She looked at me curiously as we went inside.

"You funny cold little thing," she said, "never a kiss."

One of the things that makes me feel frightfully sick is the amount

mother and father are spending on clothes for me.

It's rather like an Arabian Nights dream to have a wardrobe full of

perfectly adorable frocks, but I feel it's so unfair to let them spend

all this money to get me settled when being settled is as remote as it

ever has been.

I try to accept the light and airy "take what the good gods give"

philosophy, but I am too aware that it isn't the good gods, it's mother

and father who give, on a Major's pay, fully believing their reward will

be made concrete in "The Voice that breathed o'er Eden," and the

disposing of a singularly plain and unexciting daughter to a handsome

young man with pots of money.

I would so like to be angry with someone for being plain, but I did it

absolutely on my own, because mother is quite a beautiful person and

father is frightfully aristocratic and romanish--they are both rather

splendidly beaky, but mine is a pure and unadulterated snub.

I suppose I have a petty, shallow nature, but I pine to be romantic and

wonderful like Grace Gilpin, and simply draw people to me; no one but

deaf old ladies who think I look kind and good ever ask to be introduced

to me; and only chivalrous men who think I look tired and anaemic and

work for my living ever offer me seats in buses or tubes.

Grace Gilpin takes her surroundings and uses them as a background--she

is always to the fore. I sink into the background and become part of

them.

Yesterday we took out lunch on the links, caviare sandwiches and stuff,

and Grace sat down by a flaming gorse-bush in a grey frock and a grey

jersey. She just used that glorious bit of flame as an "effect." I sat

on the other side, and they all nearly forgot me and went off without

me.

"I didn't see you," Walter Markham said.

It's true; there are heaps of people in this life you don't see because

of the more ornamental people.

I would have given almost anything to have been born showy, so that

people would look at me. I want Cheneston to look at me as he, and

other men, look at Grace, as if she were a splendid vision vouchsafed to

them for five minutes.

I do love that man, and love isn't one bit what I thought it was. I

always imagined it was a mixture of bubble and scorch, but it

isn't--it's so sweet to love. I could be good! It makes me feel good

right to my finger-nails, and full of that

after-church-on-a-summer-Sunday evening-in-peace-time feeling; that's

why I think that my love for the man isn't anything to be ashamed of or

humiliated about. He doesn't love me, I know; but I have a conviction

you can't grow unless you love, and I feel so much more use in the world

since I've started growing.

Loving Cheneston has made life perfectly wonderful for me. He doesn't

know it and he never will, but he's shown me all the dear beauty of the

world--and it is beautiful.

Walter Markham is awfully nice to me; sometimes he leaves Grace Gilpin

to Cheneston and walks with me, and he is teaching me tennis in the

mornings before breakfast. He is much older than Cheneston, Grace, or

I--he must be forty--and he is very rich.

I wonder if Grace will marry him--or if she will marry Cheneston.

Sometimes I think he will forget he is angry with her, and he will tell

her how the mistaken idea of our "engagement" arose, and why he let it

prosper--there is a frightful lot of the open-hearted, impetuous

schoolboy about Cheneston.

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