His postscript, like that of Karshish, is interesting, though

strikingly different. The king had enclosed a letter to Paul, but as

he did not know Paul's address, he wondered if Cleon would not be

kind enough to see that the evangelist obtained the letter. Cleon

was decidedly vexed. I neither know nor care where Paul may be. You

don't suppose for a moment that Paul knows anything I don't know?

You don't suppose anything Paul could say would have any weight for

men like me? Oh, I have heard of him; I was taking a constitutional

one day, and I saw a little group of persons listening to an orator.

I touched a man on the shoulder, and I said, What is that idiot

talking about? And he replied that the man said that a person named

Jesus Christ had risen from the dead, and could save all those who

believed on Him from death. What crazy nonsense people swallow! So

Cleon smiled in his wisdom and went on his way. But through the lines

of his speech we feel the rising tide of Christianity, where

Far back, through creeks and inlets making,

Comes silent, flooding in, the main.

AN EPISTLE

CONTAINING THE STRANGE MEDICAL EXPERIENCE OF KARSHISH, THE ARAB

PHYSICIAN

1855

Karshish, the picker-up of learning's crumbs,

The not-incurious in God's handiwork

(This man's-flesh he hath admirably made,

Blown like a bubble, kneaded like a paste,

To coop up and keep down on earth a space

That puff of vapour from his mouth, man's soul)

--To Abib, all-sagacious in our art,

Breeder in me of what poor skill I boast;

Like me inquisitive how pricks and cracks

Befall the flesh through too much stress and strain,

Whereby the wily vapour fain would slip

Back and rejoin its source before the term,--

And aptest in contrivance (under God)

To baffle it by deftly stopping such:--

The vagrant Scholar to his Sage at home

Sends greeting (health and knowledge, fame with peace)

Three samples of true snake-stone--rarer still,

One of the other sort, the melon-shaped,

(But fitter, pounded fine, for charms than drugs)

And writeth now the twenty-second time.

My journeyings were brought to Jericho:

Thus I resume. Who studious in our art

Shall count a little labour unrepaid?

I have shed sweat enough, left flesh and bone

On many a flinty furlong of this land.

Also, the country-side is all on fire

With rumours of a marching hitherward:

Some say Vespasian cometh, some, his son.

A black lynx snarled and pricked a tufted ear;

Lust of my blood inflamed his yellow balls:

I cried and threw my staff and he was gone.

Twice have the robbers stripped and beaten me,

And once a town declared me for a spy;

But at the end, I reach Jerusalem,

Since this poor covert where I pass the night,

This Bethany, lies scarce the distance thence

A man with plague-sores at the third degree

Runs till he drops down dead. Thou laughest here!

'Sooth, it elates me, thus reposed and safe,

To void the stuffing of my travel-scrip

And share with thee whatever Jewry yields.

A viscid choler is observable

In tertians, I was nearly bold to say;

And falling-sickness hath a happier cure

Than our school wots of: there's a spider here

Weaves no web, watches on the ledge of tombs,

Sprinkled with mottles on an ash-gray back;

Take five and drop them,.. but who knows his mind,

The Syrian runagate I trust this to?

His service payeth me a sublimate

Blown up his nose to help the ailing eye.

Best wait: I reach Jerusalem at morn,

There set in order my experiences,

Gather what most deserves, and give thee all--

Or I might add, Judaa's gum-tragacanth

Scales off in purer flakes, shines clearer-grained,

Cracks 'twixt the pestle and the porphyry,

In fine exceeds our produce. Scalp-disease

Confounds me, crossing so with leprosy--

Thou hadst admired one sort I gained at Zoar--

But zeal outruns discretion. Here I end.

Yet stay: my Syrian blinketh gratefully,

Protesteth his devotion is my price--

Suppose I write what harms not, though he steal?

I half resolve to tell thee, yet I blush,

What set me off a-writing first of all.

An itch I had, a sting to write, a tang!

For, be it this town's barrenness--or else

The Man had something in the look of him--

His case has struck me far more than 'tis worth.

So, pardon if--(lest presently I lose

In the great press of novelty at hand

The care and pains this somehow stole from me)

I bid thee take the thing while fresh in mind,

Almost in sight--for, wilt thou have the truth?

The very man is gone from me but now,

Whose ailment is the subject of discourse.

Thus then, and let thy better wit help all!

Tis but a case of mania--subinduced

By epilepsy, at the turning-point

Of trance prolonged unduly some three days:

When, by the exhibition of some drug

Or spell, exorcization, stroke of art,

Unknown to me and which 'twere well to know,

The evil thing out-breaking all at once

Left the man whole and sound of body indeed,--

But, flinging (so to speak) life's gates too wide,

Making a clear house of it too suddenly,

The first conceit that entered might inscribe

Whatever it was minded on the wall

So plainly at that vantage, as it were,

(First come, first served) that nothing subsequent

Attaineth to erase those fancy-scrawls

The just-returned and new-established soul

Hath gotten now so thoroughly by heart

That henceforth she will read or these or none.

And first--the man's own firm conviction rests

That he was dead (in fact they buried him)

--That he was dead and then restored to life

By a Nazarene physician of his tribe:

--'Sayeth, the same bade "Rise," and he did rise.

"Such cases are diurnal," thou wilt cry.

Not so this figment!--not, that such a fume,

Instead of giving way to time and health,

Should eat itself into the life of life,

As saffron tingeth flesh, blood, bones and all!

For see, how he takes up the after-life.

The man--it is one Lazarus a Jew,

Sanguine, proportioned, fifty years of age,

The body's habit wholly laudable,

As much, indeed, beyond the common health

As he were made and put aside to show.

Think, could we penetrate by any drug

And bathe the wearied soul and worried flesh,

And bring it clear and fair, by three days' sleep!

Whence has the man the balm that brightens all?

This grown man eyes the world now like a child.

Some elders of his tribe, I should premise,

Led in their friend, obedient as a sheep,

To bear my inquisition. While they spoke,

Now sharply, now with sorrow,--told the case,--

He listened not except I spoke to him,

But folded his two hands and let them talk,

Watching the flies that buzzed: and yet no fool.

And that's a sample how his years must go.

Look, if a beggar, in fixed middle-life,

Should find a treasure,--can he use the same

With straitened habits and with tastes starved small,

And take at once to his impoverished brain

The sudden element that changes things,

That sets the undreamed-of rapture at his hand

And puts the cheap old joy in the scorned dust?

Is he not such an one as moves to mirth--

Warily parsimonious, when no need,

Wasteful as drunkenness at undue times?

All prudent counsel as to what befits

The golden mean, is lost on such an one:

The man's fantastic will is the man's law.

So here--we call the treasure knowledge, say,

Increased beyond the fleshly faculty--

Heaven opened to a soul while yet on earth,

Earth forced on a soul's use while seeing heaven:

The man is witless of the size, the sum,

The value in proportion of all things,

Or whether it be little or be much.

Discourse to him of prodigious armaments

Assembled to besiege his city now,

And of the passing of a mule with gourds--

'Tis one! Then take it on the other side,

Speak of some trifling fact,--he will gaze rapt

With stupour at its very littleness,

(Far as I see) as if in that indeed

He caught prodigious import, whole results;

And so will turn to us the bystanders

In ever the same stupour (note this point)

That we too see not with his opened eyes.

Wonder and doubt come wrongly into play,

Preposterously, at cross purposes.

Should his child sicken unto death,--why, look

For scarce abatement of his cheerfulness,

Or pretermission of the daily craft!

While a word, gesture, glance from that same child

At play or in the school or laid asleep

Will startle him to an agony of fear,

Exasperation, just as like. Demand

The reason why--"'tis but a word," object--

"A gesture"--he regards thee as our lord

Who lived there in the pyramid alone,

Looked at us (dost thou mind?) when, being young,

We both would unadvisedly recite

Some charm's beginning, from that book of his,

Able to bid the sun throb wide and burst

All into stars, as suns grown old are wont.

Thou and the child have each a veil alike

Thrown o'er your heads, from under which ye both

Stretch your blind hands and trifle with a match

Over a mine of Greek fire, did ye know I

He holds on firmly to some thread of life--

(It is the life to lead perforcedly)

Which runs across some vast distracting orb

Of glory on either side that meagre thread,

Which, conscious of, he must not enter yet--

The spiritual life around the earthly life:

The law of that is known to him as this,

His heart and brain move there, his feet stay here.

So is the man perplext with impulses

Sudden to start off crosswise, not straight on,

Proclaiming what is right and wrong across,

And not along, this black thread through the blaze--

"It should be" balked by "here it cannot be."

And oft the man's soul springs into his face

As if he saw again and heard again

His sage that bade him "Rise" and he did rise.

Something, a word, a tick o' the blood within

Admonishes: then back he sinks at once

To ashes, who was very fire before,

In sedulous recurrence to his trade

Whereby he earneth him the daily bread;

And studiously the humbler for that pride,

Professedly the faultier that he knows

God's secret, while he holds the thread of life.

Indeed the especial marking of the man

Is prone submission to the heavenly will--

Seeing it, what it is, and why it is.

'Sayeth, he will wait patient to the last

For that same death which must restore his being

To equilibrium, body loosening soul

Divorced even now by premature full growth:

He will live, nay, it pleaseth him to live

So long as God please, and just how God please.

He even seeketh not to please God more

(Which meaneth, otherwise) than as God please.

Hence, I perceive not he affects to preach

The doctrine of his sect whate'er it be,

Make proselytes as madmen thirst to do:

How can he give his neighbour the real ground,

His own conviction? Ardent as he is--

Call his great truth a lie, why, still the old

"Be it as God please" reassureth him.

I probed the sore as thy disciple should:

"How, beast," said I, "this stolid carelessness

Sufficeth thee, when Rome is on her march

To stamp out like a little spark thy town,

Thy tribe, thy crazy tale and thee at once?"

He merely looked with his large eyes on me.

The man is apathetic, you deduce?

Contrariwise, he loves both old and young,

Able and weak, affects the very brutes

And birds--how say I? flowers of the field--

As a wise workman recognises tools

In a master's workshop, loving what they make.

Thus is the man as harmless as a lamb:

Only impatient, let him do his best,

At ignorance and carelessness and sin--

An indignation which is promptly curbed:

As when in certain travel I have feigned

To be an ignoramus in our art

According to some preconceived design,

And happed to hear the land's practitioners,

Steeped in conceit sublimed by ignorance,

Prattle fantastically on disease,

Its cause and cure-and I must hold my peace!

Thou wilt object--Why have I not ere this

Sought out the sage himself, the Nazarene

Who wrought this cure, inquiring at the source,

Conferring with the frankness that befits?

Alas! it grieveth me, the learned leech

Perished in a tumult many years ago,

Accused--our learning's fate--of wizardry,

Rebellion, to the setting up a rule

And creed prodigious as described to me.

His death, which happened when the earthquake fell

(Prefiguring, as soon appeared, the loss

To occult learning in our lord the sage

Who lived there in the pyramid alone)

Was wrought by the mad people--that's their wont!

On vain recourse, as I conjecture it,

To his tried virtue, for miraculous help--

How could he stop the earthquake? That's their way!

The other imputations must be lies:

But take one, though I loathe to give it thee,

In mere respect for any good man's fame.

(And after all, our patient Lazarus

Is stark mad; should we count on what he says?

Perhaps not: though in writing to a leech

'Tis well to keep back nothing of a case.)

This man so cured regards the curer, then,

As--God forgive me! who but God himself,

Creator and sustainer of the world,

That came and dwelt in flesh on it awhile!

--'Sayeth that such an one was born and lived,

Taught, healed the sick, broke bread at his own house,

Then died, with Lazarus by, for aught I know,

And yet was ... what I said nor choose repeat,

And must have so avouched himself, in fact,

In hearing of this very Lazarus

Who saith--but why all this of what he saith?

Why write of trivial matters, things of price

Calling at every moment for remark?

I noticed on the margin of a pool

Blue-flowering borage, the Aleppo sort,

Aboundeth, very nitrous. It is strange!

Thy pardon for this long and tedious case,

Which, now that I review it, needs must seem

Unduly dwelt on, prolixly set forth!

Nor I myself discern in what is writ

Good cause for the peculiar interest

And awe indeed this man has touched me with.

Perhaps the journey's end, the weariness

Had wrought upon me first. I met him thus:

I crossed a ridge of short sharp broken hills

Like an old lion's cheek teeth. Out there came

A moon made like a face with certain spots

Multiform, manifold, and menacing:

Then a wind rose behind me. So we met

In this old sleepy town at unaware,

The man and I. I send thee what is writ.

Regard it as a chance, a matter risked

To this ambiguous Syrian--he may lose,

Or steal, or give it thee with equal good.

Jerusalem's repose shall make amends

For time this letter wastes, thy time and mine;

Till when, once more thy pardon and farewell!

The very God I think, Abib; dost thou think?

So, the All-Great, were the All-Loving too--

So, through the thunder comes a human voice

Saying, "O heart I made, a heart beats here!

Face, my hands fashioned, see it in myself!

Thou hast no power nor mayst conceive of mine,

But love I gave thee, with myself to love,

And thou must love me who have died for thee!"

The madman saith He said so: it is strange.

The poem _Childe Roland_ is unique among Browning's monologues. His

poetry usually is of the noonday and the market-place; but this

might have been written by Coleridge, or Maeterlinck, or Edgar Allan

Poe. It has indeed the "wizard twilight Coleridge knew." The

atmosphere is uncanny and ghoul-haunted: the scenery is a series of

sombre and horrible imaginings. No consistent allegory can be made

out of it, for which fact we should rejoice. It is a poem, not a

sermon; it is intended to stimulate the imagination, rather than

awaken the conscience. And as we accompany the knight on his lonely

and fearful journey, we feel thrills caused only by works of genius.

The poem is an example of the power of creative imagination. Out of

one line from an old ballad quoted by Shakespeare, Browning has

built up a marvellous succession of vivid pictures. The twilight

deepens as Childe Roland advances; one can feel the darkness coming

on.

.... hands unseen

Were hanging the night around us fast.

Although the poem means nothing specifically except a triumphant

close to a heart-shaking experience, the close is so solemnly

splendid that it is difficult to repress a shout of physical

exultation. One lonely man, in the presence of all the Powers of the

Air, sends out an honest blast of defiance--the individual will

against the malignant forces of the whole universe.

What happened when he blew his horn? Did the awful mountains in the

blood-red sunset dissolve as the walls of Jericho fell to a similar

sound? Did the round, squat Tower vanish like a dream-phantom? Or

was the sound of the horn the last breath of the hero? If we believe

the former, then Childe Roland is telling his experience to a

listener; it is the song of the man "who came whither he went." If

the latter, which seems to me more dramatic, and more like Browning,

then the monologue is murmured by the solitary knight as he advances

on his darkening path.

Three entirely different interpretations may be made of the poem.

First, the Tower is the quest, and Success is found only in the

moment of Failure. Second, the Tower is the quest, and when found is

worth nothing: the hero has spent his life searching something that

in the end is seen to be only a round, squat, blind turret--for such

things do men throw away their lives! Third, the Tower is not the

quest at all--it is damnation, and when the knight turns _aside_

from the true road to seek the Tower, he is a lost soul steadily

slipping through increasing darkness to hell.

Whilst I do not believe this third interpretation, for it seems to

me contrary to the whole spirit of the piece, it is surprising that

if one reads through the poem with that idea and none other in mind,

how much support can be found for it. The hoary cripple is the devil,

meant to lead us into temptation; and the third stanza seems for the

moment to complete this thought.

If at his counsel I should turn aside

Into that ominous tract, which, all agree

Hides the Dark Tower. Yet acquiescingly

I did turn as he pointed:

If all knew that the ominous tract contained the Dark Tower, why was

the knight outside of it, if the Tower were his quest? He turns aside,

acquiescingly: he has given up a life of noble aspiration, and now

hands over his despairing heart in surrender to the powers of

darkness. He goes on his way a beaten man, only hoping that the end

may not be long delayed.

Much in the letter of the poem may support this view; but the whole

spirit of it is opposed to such an interpretation, and the ringing

close does not sound like spiritual failure. Nor do I believe in the

second interpretation; for it is quite unlike Browning to write a

magnificent poem with a cynical conclusion.

No, I believe that once upon a time, Roland, Giles, Cuthbert, and

other knights in solemn assembly took an oath to go on the quest of

the Dark Tower: to find it or perish on the way. All but these three

have apparently kept their word; they have never returned, and when

Roland is on the last stages of his journey, he sees why; they have

died a horrible death. The quest is indeed an unspeakably perilous

thing: for all but Giles and Cuthbert are dead, and these two

suffered a fate worse than death--the awful fear inspired by

something hideous on the march changed these splendid specimens of

manhood into craven traitors. Roland remembers with cruel agony the

ruddy young face of Cuthbert, glowing under its yellow hair: was

there ever such a magnificent fellow? But the path to the Tower had

shaken his manhood, and disgraced him forever. How well Roland

remembers the morning when Giles took the oath to find the Tower!

That was ten years ago. The frank, manly young knight stepped forth,

and declared proudly that he dared do all that might become a man.

But he had some awful experience in the course of the quest that

changed him from the soul of honor to a whimpering coward. His own

companions spat upon him and cursed him.

Roland alone is left. And he has experienced so many disappointments

that now all hope of finding the Tower is dead in his breast. Just

one spark of manhood remains. He can not succeed, but God grant that

he may be fit to fail.

... just to fail as they, seemed best,

And all the doubt was now--should I be fit?

As he advances, the country becomes an abomination of desolation;

then appear evidences of struggle, the marks of monsters: then the

awful, boiling river, with the nerve-shattering shriek from its

depths as he thrust in his spear. On the other bank, fresh evidences

of fearful combats, followed farther along by the appearance of

engines of torture. Those of his companions who had survived the

beasts had there perished in this frightful manner. Nevertheless,

Roland advances, his eyes on the ground. Suddenly the wide wing of

some dreadful bird of the night brushed his cap, and he looked up--to

his overwhelming amazement, _he sees the Tower_! He sees it as the

sailor sees the rocks on a dark night, only when the ship is lost.

He sees it in a sudden glare of hell; the air is full of mocking

laughter, the scorn of fiends mingling with the sound of the names

of their victims, his peers and comrades, all lost! The ugly

misshapen mountains look like sinister giants, lying chin upon hand,

lazily awaiting his destruction. But this atom of humanity, in the

presence of all the material forces of this world and the

supernatural powers of darkness, places the horn to his lips, and

sends out on the evening air a shrill blast of utter defiance. He

that endureth to the end shall be saved. Not his possessions, not

his happiness, not his bodily frame--they all succumb: but _he_

shall be saved.

Thus we may take this wholly romantic poem as one more noble

illustration of Browning's favorite doctrine--Success in Failure.

"CHILDE ROLAND TO THE DARK TOWER CAME"

(See Edgar's song in _Lear_)

1855

My first thought was, he lied in every word,

That hoary cripple, with malicious eye

Askance to watch the working of his lie

On mine, and mouth scarce able to afford

Suppression of the glee, that pursed and scored

Its edge, at one more victim gained thereby.

What else should he be set for, with his staff?

What, save to waylay with his lies, ensnare

All travellers who might find him posted there,

And ask the road? I guessed what skull-like laugh

Would break, what crutch 'gin write my epitaph

For pastime in the dusty thoroughfare,

If at his counsel I should turn aside

Into that ominous tract which, all agree,

Hides the Dark Tower. Yet acquiescingly

I did turn as he pointed: neither pride

Nor hope rekindling at the end descried,

So much as gladness that some end might be.

For, what with thy whole world-wide wandering,

What with my search drawn out through years, my hope

Dwindled into a ghost not fit to cope

With that obstreperous joy success would bring,--

I hardly tried now to rebuke the spring

My heart made, finding failure in its scope.

As when a sick man very near to death

Seems dead indeed, and feels begin and end

The tears, and takes the farewell of each friend,

And hears one bid the other go, draw breath

Freelier outside, ("since all is o'er," he saith,

"And the blow fallen no grieving can amend;")

While some discuss if near the other graves

Be room enough for this, and when a day

Suits best for carrying the corpse away,

With care about the banners, scarves and staves:

And still the man hears all, and only craves

He may not shame such tender love and stay.

Thus, I had so long suffered in this quest,

Heard failure prophesied so oft, been writ

So many times among "The Band"--to wit,

The knights who to the Dark Tower's search addressed

Their steps--that just to fail as they, seemed best,

And all the doubt was now--should I be fit?

So, quiet as despair, I turned from him,

That hateful cripple, out of his highway

Into the path he pointed. All the day

Had been a dreary one at best, and dim

Was settling to its close, yet shot one grim

Red leer to see the plain catch its estray.

For mark! no sooner was I fairly found

Pledged to the plain, after a pace or two,

Than, pausing to throw backward a last view

O'er the safe road, 'twas gone; gray plain all round:

Nothing but plain to the horizon's bound.

I might go on; naught else remained to do.

So, on I went. I think I never saw

Such starved ignoble nature; nothing throve:

For flowers--as well expect a cedar grovel

But cockle, spurge, according to their law

Might propagate their kind, with none to awe,

You'd think: a burr had been a treasure trove.

No! penury, inertness and grimace,

In some strange sort, were the land's portion. "See

Or shut your eyes," said Nature peevishly,

"It nothing skills: I cannot help my case:

Tis the Last Judgment's fire must cure this place,

Calcine its clods and set my prisoners free."

If there pushed any ragged thistle-stalk

Above its mates, the head was chopped; the bents

Were jealous else. What made those holes and rents

In the dock's harsh swarth leaves, bruised as to balk

All hope of greenness? 'tis a brute must walk

Pashing their life out, with a brute's intents.

As for the grass, it grew as scant as hair

In leprosy; thin dry blades pricked the mud

Which underneath looked kneaded up with blood,

One stiff blind horse, his every bone a-stare,

Stood stupefied, however he came there:

Thrust out past service from the devil's stud!

Alive? he might be dead for aught I know,

With that red gaunt and colloped neck a-strain,

And shut eyes underneath the rusty mane;

Seldom went such grotesqueness with such woe;

I never saw a brute I hated so;

He must be wicked to deserve such pain.

Robert Browning: How to Know Him · 第 11 / 18 段