IV. A DESPATCH FROM THE EXPRESS MESSENGER

What made it harder for Lockwood just now was that even on that very

day, in spite of all precaution, in spite of all good resolutions, he

had at last seen Felice. Doubtless the young woman herself had contrived

it; but, be that as it may, Lockwood, returning from a tour of

inspection along the ditch, came upon her not far from camp, but in a

remote corner, and she had of course demanded why he kept away from her.

What Lockwood said in response he could not now remember; nor, for that

matter, was any part of the conversation very clear to his memory. The

reason for this was that, just as he was leaving her, something of more

importance than conversation had happened. Felice had looked at him.

And she had so timed her look, had so insinuated it into the little,

brief, significant silences between their words, that its meaning had

been very clear. Lockwood had left her with his brain dizzy, his teeth

set, his feet stumbling and fumbling down the trail, for now he knew

that Felice wanted him to know that she regretted the circumstance of

her marriage to Chino Zavalla; he knew that she wanted him to know that

the situation was as intolerable for her as for him.

All the rest of the day, even at this moment, in fact, this new phase of

the affair intruded its pregnant suggestions upon his mind, to the

exclusion of everything else. He felt the drift strong around him; he

knew that in the end he would resign himself to it. At the same time he

sensed the abyss, felt the nearness of some dreadful, nameless

cataclysm, a thing of black shadow, bottomless, terrifying.

"Lord!" he murmured, as he drew his hand across his forehead, "Lord! I

wonder where this thing is going to fetch up."

As he spoke, the telegraph key on his desk, near at hand, began all at

once to click off his call. Groaning and grumbling, Lockwood heaved

himself up, and, with his right leg bent, hobbled from chair-back to

chair-back over to the desk. He rested his right knee on his desk chair,

reached for his key, opened the circuit, and answered. There was an

instant's pause, then the instrument began to click again. The message

was from the express messenger at Iowa Hill.

Word by word Lockwood took it off as follows:

"Reno--Kid--will--attempt--hold-up--of--

brick--on--trail-to-night--do--not--send--

till--advised--at--this--end."_

Lockwood let go the key and jumped back from the desk, lips compressed,

eyes alight, his fists clenched till the knuckles grew white. The whole

figure of him stiffened as tense as drawn wire, braced rigid like a

finely bred hound "making game."

Chino was already half an hour gone by the trail, and the Reno Kid was a

desperado of the deadliest breed known to the West. How he came to turn

up here there was no time to inquire. He was on hand, that was the

point; and Reno Kid always "shot to kill." This would be no mere

hold-up; it would be murder.

Just then, as Lockwood snatched open a certain drawer of his desk where

he kept his revolver, he heard from down the road, in the direction of

Chino's cabin, Felice's voice singing:

"To the war I must go,

To fight for my country and you, dear."

Lockwood stopped short, his arm at full stretch, still gripping tight

the revolver that he had half pulled from the drawer--stopped short and

listened.

The solution of everything had come.

He saw it in a flash. The knife hung poised over the knot--even at that

moment was falling. Nothing was asked of him--nothing but inertia.

For an instant, alone there in that isolated mining-camp, high above the

world, lost and forgotten in the gloom of the cañons and redwoods,

Lockwood heard the crisis of his life come crashing through the air upon

him like the onslaught of a whirlwind. For an instant, and no more, he

considered. Then he cried aloud:

"No, no; I can't, I _can't_--not this way!" And with the words he threw

the belt of the revolver about his hips and limped and scampered from

the room, drawing the buckle close.

How he gained the stable he never knew, nor how he backed the horse from

the building, nor how, hopping on one leg, he got the headstall on and

drew the cinches tight.

But the wrench of pain in his foot as, swinging up at last, he tried to

catch his off stirrup was reality enough to clear any confusion of

spirit. Hanging on as best he might with his knees and one foot,

Lockwood, threshing the horse's flanks with the stinging quirt that

tapered from the reins of the bridle, shot from the camp in a swirl of

clattering hoofs, flying pebbles and blinding clouds of dust.

A Deal in Wheat and Other Stories of the New and Old West · 第 26 / 51 题