HOW TO GET THE BEST OUT OF BOOKS

IS THE HIGHER EDUCATION AN ABSOLUTE NECESSITY?--DESIRE TO

GAIN KNOWLEDGE AND CULTURE WILL MAKE ONE MASTER OF ALL

THE BEST BOOKS.

In changing from the ancient and medieval world to the modern world of

books there is a gap which cannot be bridged. A few writers flourished

in this interval, but they are not worth consideration in the general

scheme of reading which has been laid down in these articles. So the

change must be made from the works that have been noticed to the first

great writers of England who deserve a place in this popular course of

reading. But before starting on these English writers of some of the

world's great books I wish to say a few words on the general subject of

books and reading, prompted mainly by a letter received from a Shasta

county correspondent. The writer is a man who has evidently devoted

thought to the subject, and his opinions will probably voice the

conclusions of many others who are eager to read the best books, but who

fancy that they lack the requisite mental training. Here is the gist of

this letter, which is worth reproduction, because it probably represents

the mental attitude of a large number of people who have lacked early

opportunities of study:

"The trouble with the 'Five-foot shelf of books' is that it

is too long for the average man and intellectually it is up

out of his reach. He can, perhaps, manage the Bible, for he

can get commentaries on almost any part of it, and on

occasion can hear sermons preached, but he will get very

little benefit from a perusal of most of the others for the

simple reason that he has not education enough in order to

understand them. To read Shakespeare one should have at least

a high school education, and about all the others need

something even better in the way of schooling. Is it not

possible to obtain this comfort, instruction and

entertainment by a perusal of more modern books that the

average man can understand?

"We are apt to look back to the days of our youth as a time

of sunshine and flowers, a time, in fact, of all things good;

so, also, we are prone to give the men of ancient days some a

golden crown, and some a halo, and ascribe to them an

importance beyond their real value to us of these later days.

Modern times and modern nations are rich in material well

worth reading. Such books have the advantage in that the

average man can understand them, and can be entertained and

edified thereby.

"People who are already in possession of culture and

education are not so much in need of advice concerning their

choice of books, for they have the ability to make proper

discrimination. It is the common people, those who have been

unable to obtain this higher education and culture, that need

the assistance to promote the proper growth of their

intellectual and spiritual lives."

There is much in this letter which is worthy of thought. It is evidently

the sincere expression of a man who has tried to appreciate the world's

great classics and has failed, mainly because he has had this mental

consciousness that he was not prepared to read and appreciate them. It

is this attitude toward the world's great books which I wished to remove

in these articles. It has been my aim to write for the men and women who

have not had the advantage of a high school or college education. Any

higher education is of great benefit, but my experience has shown me

that the person who has a genuine thirst for knowledge will gain more

through self-culture than the careless or indifferent student who may

have all the advantages of the best high school or university training.

The man or woman who is genuinely in earnest and who wishes to repair

defects of early training will go further with poor tools and limited

opportunities than the indolent or careless student who has within reach

the best equipment of a great university. All that is necessary to

understand and appreciate the great books which have been noticed in

this series of articles is an ordinary grammar school education and the

desire to gain knowledge and culture. Given this strong desire to know

and to appreciate good books and one will go far, even though he may be

handicapped by a very imperfect education.

My correspondent declares that he does not think Shakespeare and other

great books mentioned may be appreciated without the benefit of a high

school education. This seems to me an overstatement of the case. Of

course, blank verse is more difficult to follow than prose, but much of

Shakespeare's work, though he uses a far richer vocabulary than the King

James' translators of the Bible, is nearly as simple, because the

dramatist appeals to the fundamental passions and emotions of men, which

have not changed materially since the days of Elizabeth.

That this is true is shown whenever a play of Shakespeare's is given by

a dramatic company which includes one or two fine actors. The people in

the audience who are accustomed to cheap melodrama will be as profoundly

affected by Othello or Shylock, or even by Hamlet, as those who are

intimately familiar with the text and have seen all the great actors in

these roles from the time of the elder Booth. Actors and dramatic

critics have often commented on the power that resides in Shakespeare's

words to move an uncultured audience far more strongly than it can be

moved by turgid melodrama. And even in a play like _Hamlet_, which is

introspective and demands some thought on the part of the audience,

there is never any listlessness in front of the footlights when a really

great actor depicts the woes and the indecision of the melancholy Dane.

The same thing holds good in reading, if one will only bring to the work

the same keen interest that moves the audience in the theater. Here are

the same words, the same unfolding of the plot, the same skillful

development of character, the same fatality which follows weakness or

indecision that may be seen on the stage; only the reader, whether he

works alone or in company with others, must bring to his labor a keen

desire to understand the dramatist, and he must be willing to accept the

aid of the commentators who have made Shakespearean study so simple and

attractive a task.

Get an ordinary school or college edition of one of Shakespeare's plays,

read the notes, look up any words that are unfamiliar to you, even

though the editor may have ignored them. Then, after you have mastered

the text, read what the best critics have said of the play and its

characters. You will now be in a condition to enjoy thoroughly the

careful reading of the play as literature, and it is from such reading,

when all the difficulties of the text have been removed, that literary

culture comes. Always read aloud, when possible, because in this way

alone can you train the ear to the cadence of the verse and learn to

enjoy the music of the best poetry.

From my own experience, I would suggest the formation of small reading

clubs of four or six persons, meeting at regular times. The members

should be of congenial tastes, and it should be understood that

promptness and regularity of attendance are vital. Such a club will be

able to accomplish far more work than the solitary reader, and the

stimulus of other minds will keep the interest keen and unflagging. The

best scheme for such a club is to set a certain amount of reading and

have each member go over the allotted portion carefully before the club

meeting. Then all will be prepared to make suggestions and to remove any

difficulties.

Such a club, meeting two or three evenings in a week, will be able to

get through a very large amount of good reading in a few months, and

what seemed labor at first will soon become a genuine pleasure and a

means of intellectual recreation. No one knows better than myself the

up-hill work that attends solitary reading or study. Not one in a

thousand can be counted on to continue reading alone, month after month,

with no stimulus, except perhaps occasional talks with some one who is

interested in the same books. It is dreary work at best, relieved only

by the joy of mental growth and development. To share one's pleasure in

a book is like sharing enjoyment in a splendid view or a fine work of

art: it helps to fix that book in the mind. One never knows whether he

has thoroughly mastered a book until he attempts to put in words his

impressions of the volume and of the author. To discuss favorite books

with congenial associates is one of the great pleasures of life, as well

as one of the best tests of knowledge.

With all the equipment that has been devised in the way of notes and

comment by the best editors, the text of the great books of the world

should offer no difficulties to one who understands English and who has

an ordinary vocabulary. The very fact that some of these old writers

have novel points of view should be a stimulus to the reader; for in

this age of the limited railroad train, the telephone, the automobile

and the aeroplane, it is well occasionally to be reminded that

Shakespeare and the writers of the Bible knew as much about human nature

as we know today, and that their philosophy was far saner and simpler

than ours, and far better to use as a basis in making life worth

living.

Comfort Found in Good Old Books · 第 50 / 95 题