Then the select society of fifty years before had given place to a very

mixed concourse, if we are to believe the same authority: "Every upstart

of fortune, harnessed in the trappings of the mode, presents himself at

Bath, as in the very focus of observation. Clerks and factors from the

East Indies, loaded with the spoil of plundered provinces; planters,

negro-drivers, and hucksters, from our American plantations, enriched they

know not how; agents, commissaries, and contractors, who have fattened, in

two successive wars, on the blood of the nation; usurers, brokers, and

jobbers of every kind; men of low birth, and no breeding, have found

themselves suddenly translated into a state of affluence, unknown to

former ages; and no wonder that their brains should be intoxicated with

pride, vanity, and presumption. Knowing no other criterion of greatness

but the ostentation of wealth, they discharge their affluence, without

taste or conduct, through every channel of the most absurd extravagance;

and all of them hurry to Bath, because here, without any further

qualification, they can mingle with the princes and nobles of the land.

Even the wives and daughters of low tradesmen, who, like shovel-nosed

sharks, prey on the blubber of those uncouth whales of fortune, are

infected with the same rage of displaying their importance; and the

slightest indisposition serves them for a pretext to insist on being

conveyed to Bath, where they may hobble country-dances and cotillons among

lordlings, squires, counsellors, and clergy. These delicate creatures

from Bedfordbury, Butcher-row, Crutched-friars, and Botolph-lane, cannot

breathe in the gross air of the lower town, or conform to the vulgar rules

of a common lodging-house: the husband, therefore, must provide an entire

house or elegant apartments in the new buildings. Such is the composition

of what is called fashionable company at Bath."

XLIII

What, however, of the literary celebrities, visitors or residents, or of

the statesmen, the naval and military commanders, who were frequenting

Bath at the time when that jaundiced criticism was penned. Dr. Johnson was

then taking the waters, which are said by a later authority to taste of

"warm smoothin'-irons;" Gainsborough alternately painted and bathed; while

the Earl of Chatham and his still greater son; Nelson, Wolfe, Sheridan,

and Goldsmith, Wordsworth, Southey, Jane Austin, and Landor, helped to

sustain the repute of this, which Landor called the next most beautiful

place in the world to Florence, well on into the next century.

[Sidenote: _THE BATH OF LONG AGO_]

A diarist of over a century ago tells us how he went to Bath, and what he

saw and did there. This was the Reverend Thomas Campbell, a lively

Irishman (notwithstanding his Scottish name), who journeyed to England in

1775, and visited Johnson and other literary bigwigs in London, coming to

Bath on April 28, to take the waters. The coach set out from the New

Church in the Strand (by which, no doubt, Saint Mary-le-Strand is

indicated) at six o'clock in the morning, and came to Speenhamland

("Spinomland," says the clergyman in his diary), where they lay. The

country, he remarks, was very rich from London to this place, yet it was

so level that there was scarce a good prospect the whole way, unless

Clieveden, near Maidenhead Bridge could be so called.

[Illustration: OLD PULTENEY BRIDGE.]

When the coach resumed its journey the next day--the passengers,

doubtless, lightened in pocket by that "long bill" of the "Pelican" at

Speenhamland--the bleakness of Marlborough Downs communicated itself to

the air, and from Newbury to Cottenham,[8] a distance of nearly thirty

miles, the countryside was very bare of trees and herbage, in addition to

being the worst land this Irishman had seen in England, and certainly

swarming with beggars. For miles together the coach was pursued by them,

from two to nine at a time, almost all of them children. They were more

importunate than those of Ireland, or _even_ those in Wales. Poor Taffy!

When our traveller reached Bath he rejoiced greatly, and, the next day

being Sunday, went to the Abbey Church with other fashionables, and heard

a sorry discourse, wretchedly delivered. Afterwards, in the Pump Room,

where the yawning visitors were assembled, he met Lady Molyneux, who asked

him to dinner, where he spent the pleasantest day since he came to

England, for there were five or six lively Irish girls who sang and

danced, and did everything but agree among themselves. "Women," remarks

our diarist, "are certainly more envious than men, or at least they

discover it upon more trifling occasions, and they cannot bear with

patience that one of their party should obtain a preference of attention;

this was thoroughly exemplified this day. One of these, who was a pretty

little coquet, went home after dinner to dress for the Rooms, and her

colour was certainly altered on returning for tea; they all fell into a

titter, and one of them (who was herself painted, as I conceived) cried

out, 'Heavens, look at her cheeks!'" This, truly, was unkind, and more

certainly indiscreet. The young lady with the startling cheeks

subsequently sang a song, which somewhat surprised the clergyman, from its

breadth of idea, but the other ladies, and matrons too, "were kicking with

laughter." Presently they all went home, the ladies most affectionate

toward one another, and, says Mr. Campbell, "it is amazing what pleasure

women find in kissing each other, for they do smack amazingly."

[Sidenote: _A TORY PROPHECY_]

The worthy clergyman seems to have been introduced to the less dignified

circles of fashion. The general tone of the more exclusive sets was by no

means so lively, for it was about this time that the Indian nabobs, the

Civil servants, the retired officers of the Army and Navy and the East

India Company began to discover Bath and to settle there, filling the

place with Toryism and grumblings about "the services going to the dogs,

sir." Here is a Tory prophecy, not yet verified: "There is one comfort I

cannot have at Bath," said the Duke of Northumberland in 1779. "I like to

read the newspapers at breakfast, and at Bath the post does not come in

till one o'clock; that is a drawback to my pleasure." "So," said Lord

Mansfield, "your grace likes the _comfort_ of reading the newspapers--the

_comfort_ of reading the newspapers! Mark my words. A little sooner or

later those newspapers will most assuredly write the Dukes of

Northumberland out of their titles and possessions, and the country out of

its king. Mark my words, for this will happen."

As a prophecy, it may readily be conceded that this is an extremely bad

shot, and that Lord Mansfield by no means, either figuratively or

literally, inherited the mantle of Elijah. A hundred and twenty years have

passed since then, and there are still dukes who have not been reduced to

sweep crossings or keep chandlers' shops. True, if they have not come down

so far in the world, it is in some cases owing to American dollars; but

that is not the doing of the newspapers, one way or the other. As I have

just remarked, that was a Tory prophecy, and though my Toryism is, I

trust, of the most mediaeval and crusted kind, and wholly beyond cavil, it

may frankly be admitted here that the Party never has shone in prophecy.

Nor, for that matter, has any party. The only seers are the

leader-writers, and they never see beyond their noses.

So Principalities and Powers and Titles are at least as powerful as ever

they were, and--cynical fact--certain newspaper proprietors have been

raised to the House of Peers; a thing, we may be sure, that Lord Mansfield

never contemplated.

Many other things, however, have happened in the meanwhile. Agitation does

not pay so well as it did. The newspapers which were to do such dreadful

things have greatly increased in number, if not in power, and the contents

of them have changed radically; other times, other manners, as a glance at

even the advertisements of that date will prove.

XLIV

[Sidenote: _OLD ADVERTISEMENTS_]

The advertisement columns of a paper just over a century old often afford

amusement to those who come upon them. The manners and customs of those

times and these are so different that the very quaintness of our

forefathers' attitude of mind brings a smile upon our faces, although

those eighteenth-century forbears of ours were really very serious people

indeed, and took life, for the most part, like a dose of medicine, while

we are apt to go to the other extreme and take it like champagne. No doubt

our great-great-grandfathers would think the most sedate of us not a

little wild could they witness how we live to-day, while, in our turn, we

look back upon their times, and think times and people alike brutal. We

wonder what sort of people they were who could, in this England of ours,

offer a "Black boy for sale--docile and obedient. Answers to the name of

Peter." Yet such advertisements were common on the front page of our

newspapers once upon a time. Slavery was then a matter of course, and to

have a black page for her very own was my lady's hall-mark of "quality."

Sometimes such advertisements were embellished with little figures

supposed to represent nigger-boys.

The race of African negroes has either improved in good looks since then,

or else the engravers of that day were not very careful in portraiture.

But, indeed, black pages were almost as common as pet dogs, and were

advertised in very much the same way, and these blocks were not portraits

at all, but just printers' stock illustrations. The printer of a hundred

years ago kept a curious little assortment of advertisement blocks. If a

ship was about to sail for the colonies, it was advertised for weeks

beforehand, and in a corner of the announcement was placed something that

purported to be an illustration of the vessel. It generally looked like a

Spanish galleon strayed from the Armada of two hundred years previously,

and passengers would have been quite justified in not booking berths on so

antiquated an affair.

But perhaps the most amusing advertisements are the "Run away from his

Home" and the "Stolen" varieties, also adorned with illustrations. It

speaks very little for the morality of that age when we say that the

ordinary newspaper printer also kept these blocks in stock.

And, indeed, they seem to have frequently been required. Here is one

example out of many in the newspapers of that age:--

"STOLEN

Out of the Stable of ROBERT COLGATE,

The 24th instant August, 1780

[Illustration]

A black horse, rising five years old, thirteen Hands and a Half High,

Star in his forehead, small Ears, Mane stands up rough, being lately

rubbed off, long Tail, hangs his Tongue out often on the Road, good

Carriage; also a good Saddle, marked Barnard, with Spring Stumps.

"Whoever gives Information, so that the Said Horse may be had again,

shall receive TWO GUINEAS REWARD."

It would scarcely be possible to identify the stolen horse from the

accompanying cut. He has no long tail, as described in the advertisement,

and his tongue _doesn't_ hang out. Moreover, he is burdened with a quite

imaginary thief, who has a property devil whipping him on. The "awful

example" hanging from the gibbet appears to be made of bolsters, and to

have had, not a drop too much, but scarcely enough.

The party with hands bigger than his head, who is here seen striking a

dramatic attitude, is not a Howling Swell, although he wears his hair

parted in the middle. Appearances here (as usually was the case in the old

advertisements) are deceptive, and so far from being a Swell, Howling or

otherwise, he is really a Heartless Villain, for he is one of two

labourers who have--

"RUN AWAY.

[Illustration]

And left their families chargeable to the Parish of CLAVERTON,

THOMAS GARNER, Labourer, about five feet seven or eight Inches high;

wears his own Hair, of a light Brown Complexion; hath lately, or is

now belonging to the Militia.

"And EDWARD BROWNING, Labourer, about five Feet four or five Inches

high, wears his own Hair, of a dark complexion; was one of Lord

North's Soldiers in the last War.

"Whoever will apprehend either, or both of them, and conduct them to

the Parish Officers of Claverton aforesaid, shall receive HALF A

GUINEA for each or either of them, and THREEPENCE per Mile for every

Mile they shall travel with them."

History does not relate whether or no these gay deceivers were ever

captured. If those who sought them relied upon the illustration, it would

seem quite likely that they never were!

XLV

[Sidenote: _THE ABBEY_]

The Abbey is the very centre of Bath. Round it cluster the Municipal

Offices, the Baths, and the Pump Room, and along the broad pavements

invalids are drawn in Bath chairs--one of the five articles with which

the name of the City is indissolubly linked. When Bath chairs, Bath chaps,

Bath stone, and Bath buns are no longer so distinguished, then will come

the final crash. One need not insist so greatly upon Bath Olivers, because

they are not in every one's mouth, either literally or figuratively;

although, to be sure, they are much more exclusively a local product than

"Bath" buns; while "Bath" bricks are not made at Bath, but at Bridgewater.

The surroundings of Bath Abbey are strikingly Continental in appearance,

for that great church stands in a flagged _place_, instead of being set in

a green and shady close, as usually is the case in England. Its

surroundings have always been thronged, from the time when the Flying

Machines crawled, to when the last of the mail coaches drew up in front of

the "White Lion," in the Market Place hard by, or at the "White Hart,"

which stood until 1866, where the "Grand Pump Room" Hotel now rises. The

story of the Abbey is too long for these pages; but it is remarkable at

once for being one of the very latest Gothic buildings in the country; for

its possessing windows so large and so many that it has been called the

"Lantern of England;" for its central tower, which is not square, being

eleven feet narrower on its north and south sides than those to the east

and west; and for the prodigious number of small marble and stone memorial

tablets on its interior walls--tablets so many that they gave rise to the

famous epigram by Quin:--

"These walls, so full of monument and bust,

Shew how Bath waters serve to lay the dust."

Quite distinguished dust it is, too. Noblemen and dames of high degree;

Admirals of the Blue, the White, the Red; legal, and military, and

clerical dignitaries, and all manner of Civil servants, mostly of the

mid-eighteenth century, and chiefly hailing from India and the Colonies,

as described with much pomp and circumstance on their cenotaphs which so

thickly cover the walls, and spoil the architectural effect. "The Bath,"

was the solace of their kind, returning from the Tropics with nutmeg

livers, gout, and autocratic ways. At "the Bath" they resided on half-pay,

drank the waters, supported the local doctors, quarrelled with their

neighbours, and consistently damned all "new-fangled notions," until death

laid them by the heels.

[Illustration: BATH ABBEY: THE WEST FRONT.]

There must have been--if we are capable of believing their epitaphs--some

paragons of all the virtues in those times, and Bath seems to have claimed

them all. Here, for instance, is Alicia, Countess of Erroll, "in whom was

combined every virtue that could adorn human nature." She died young; the

world is too wicked for such.

[Sidenote: _"JACOB'S LADDER"_]

Bath Abbey is remarkable in one respect far above all the minsters and

cathedrals of England. As you stand facing the great West Front, which

looks so grim and grey upon the stony courtyard that stretches before it,

you see, flanking the immense west window, two heavy piers, terminating in

turrets. On these piers are carved the singular representations of

"Jacob's Ladder" that have given the Abbey a fame even beyond the merit

of its architecture. From near the ground-level, almost to the turrets,

this curious carving stretches, battered long years ago by the fury of an

age which prided itself on its enmity to "superstitious images," and

reduced by the further neglect of more than two hundred years to an almost

shapeless mass. The origin of this curious decoration is found in the

vision of Bishop Oliver King, who restored the then ruined Abbey in 1499.

In this vision, by which he was induced to undertake the great work, he

saw angels ascending and descending a ladder, and heard a voice say, "Let

an Olive establish a Crown, and let a King restore the Church." He

interpreted this as a Divine injunction to himself to repair the Abbey,

and accordingly commenced the work; dying, however, before it was

completed. The "ladders" have sculptured angels on them, while on the wall

above the arch of the great window is represented a great concourse of

adoring angels, with a figure of God in glory in their midst. Many of the

figures have their heads knocked off; but the whole of this sculpture is

shortly to be restored.

XLVI

Bath entered upon a dead period about 1820. For a long while the newer and

more easily reached glories of Brighton had taken the mere fashionables

away, and even the waters were less favoured. Continental wars had ceased,

and unpatriotic Britons flocked to foreign spas instead; Bath looking

idly on and letting its customers go.

[Illustration: THE ROMAN BATH, RESTORED.]

It was some ten years later that Dickens visited Bath. From what he saw

there he drew his portraits of place and persons in the "Pickwick Papers;"

and the impression after reading them is undoubtedly one of faded

gentility.

So it remained until after the visit of the British Association in 1864,

when the advice of the scientific men to the Corporation--to bring back

business by providing more up-to-date accommodation--was laid to heart,

and improvements begun. Since then the City has steadily climbed back

again to the favour of invalids and the medical profession, and new Baths

and all manner of modern appliances, a new railway station, and an air of

an enlightened modernity, bid fair to keep Bath successful against all

foreign competition for a long time to come.

[Sidenote: _MODERN BATH_]

Since this Renaissance of thirty-five years ago was begun, many things

have happened at Bath. Roman remains, more extensive than ever the bygone

generations suspected, have been discovered, and excavations have lain

bare baths long covered up by shabby and altogether undistinguished

buildings. Judicious restoration has preserved the great Roman Bath, long

a scene of wreck and shattered stones, and has brought it into use again.

This restored Bath affords perhaps the most picturesque view in the City,

for from its margin one may gaze upwards and see to great advantage the

beautiful tower of the Abbey soaring aloft; its late Gothic architecture

contrasting piquantly with the classic elegance of that restored

bathing-place, while the reflections of the columns deep down in the quiet

pool give a singularly complete sense of restfulness.

All this modern prosperity is, no doubt, very gratifying, but prosperity

means much building, and Bath has now its suburbs; uncharted stretches of

new villas, isolated, or in streets, that climb the hillsides of Combe

Down, Beechen Cliff, and Lansdowne, and help to destroy Macaulay's

well-known, if something too overdrawn, architectural picture of Bath, as

"that beautiful City which charms even eyes familiar with the masterpieces

of Bramante and Palladio, and which" (horrible literary solecism!) "the

genius of Anstey and of Smollett, of Frances Burney and of Jane Austen,

has made classic ground."

Bath, indeed, was a jewel set in midst of her picturesque amphitheatre of

rocky and wooded hills; but now that those hills and those woods are being

covered with houses whose architecture is less calculated to "charm the

eyes familiar with the masterpieces of Bramante and Palladio" than were

the buildings of a century and a half ago, the setting of the jewel is by

way of becoming tarnished. Now, also, it has been reserved to these times

of cheap railway carriage of goods for brick houses to be seen at Bath;

the one place in the world where brick never had an opportunity until

these latter days of the "combine" of the allied "Bath Stone Firms," which

has raised the price of Bath stone, so that in certain cases it has been

found cheaper to bring bricks from the Midlands to build houses in Bath

than to use the stone quarried on the spot. So, in the wilderness of new

suburbs, the traveller who is whisked away by rail to Bristol may see, to

his astonishment, amid the stone houses, rows of the most undeniable

red-brick villas. And thus has come the spirit of what the late Professor

Freeman was pleased to call "modernity" over Bath, once the peculiar

preserve of stone and Classicism.

The End

INDEX

Ailesbury, Marquis of, 183-185

Allen, Ralph, 242-250

"Allen's stall," 34-38

Anne, Queen, 6, 237, 238

Apsley House, 34-38

Arlington, Earl of, 90

Avebury, 198-203

Banks, Sir Joseph, 93

Bath, 2-15, 228-270

Batheaston, 227, 242

---- Vase, 241

Bathford, 227

Bathampton, 228

Bath stone, 223-227, 268

Bathwick, 246

Beckhampton, 203-205

Berkeley, Earls of, 82-84, 87, 89

"Berkshire Lady," the, 141-145, 158

Bladud, Prince, 231, 243

Box, 203, 223-227

---- Hill, 224, 227

---- Tunnel, 223

Brentford, 70

Calcot, 141-145

Calne, 203, 206, 209

Cherhill, 205-207

Chippenham, 17, 203, 210-215, 253

Chiswick High Road, 58, 65

Church Speen, 153, 165, 166

Coaches:--

"Beaufort Hunt," 26, 204

"Flying Machines," 5, 69, 260

"Light Post" coach, 30

Mail coaches, 10, 11, 17-19, 27

"Regulator," 16

"York House," 26

Coaching era, 4-33, 204

---- fares, 5, 28

---- miseries, 9, 15-19

Coaching notabilities:--

Chaplin, Edward, 21, 90

---- and Horne, 90

Cooper, Thomas, 21

Everett, Jack, 204

Colnbrook, 97-103

Colne, River, 96-98, 103

Corsham Regis, 218, 221-223, 224

Cranford, 82, 85, 86-89

---- Bridge, 29, 84, 97

Cross Keys, 218

Cycling records, 215-218

Darell, William, 173-182

Froxfield, 182

Fyfield, 192

Great Western Railway, 27, 74, 108-110, 124, 134, 149, 221, 227

Gunnersbury, 63, 68

Hammersmith, 58, 63

Hare Hatch, 134

Harlington, 89-91

---- Corner, 89

Harmondsworth, 94-96

Henry VIII., 13-138

Highwaymen, 40-45, 56, 67-69, 71, 74-84, 87, 91-94, 111-116, 118, 129

Hock-tide, 167-173

Hounslow, 19, 71-74, 92

---- Heath, 69, 71, 74-84, 86, 92, 111

Hungerford, 146, 166-173

Hyde Park Corner, 33-40, 74, 94, 166

Inns (mentioned at length):--

"Bear," Maidenhead, 25, 129

"Bell and Bottle," Knowl Hill, 133

"Black Bull," Holborn, 31

"Castle," Marlborough, 17, 21, 187, 192

----, Salt Hill, 92, 107

"Greyhound," Maidenhead, 127

"Halfway House," Kensington, 40, 43, 45

"Hercules' Pillars," Hyde Park Corner, 34

"King's Head," Longford, 97

"Magpies," 90

"Old Bell," Holborn, 31-33

"Old Magpies," 91

"Old Pack Horse," Turnham Green, 66-68

"Old Windmill," Turnham Green, 65

"Ostrich," Colnbrook, 99-103

"Pack Horse and Talbot," Turnham Green, 59, 66

"Peggy Bedford," Longford, 97

"Pelican," Speenhamland, 15, 150, 253

"Red Cow," Brook Green, 56-58

"Robin Hood," Turnham Green, 63-65

"Waggon and Horses," Beckhampton, 203-205

"White Bear," Piccadilly, 26

"White Bear," Fickles Hole, 26

"White Hart," Bath, 260

"White Horse," Fetter Lane, 16, 30

"White Lion," Bath, 22, 26, 260

"York House," Bath, 26

Jack of Newbury, 150-154, 157-161

Kennet, River, 146, 152, 166, 186, 193

Kensington, 34, 40, 44, 46-55

Kew Bridge, 68

Kiln Green, 133

Knightsbridge, 34, 40, 44

Knowl Hill, 133

Langley Broom, 104

---- Marish, 104

Littlecote, 173-182

Longford, 94, 96

Maidenhead, 33, 122, 124-130

---- Thicket, 111, 129-133

Mail coaches established, 10

Manton, 194

Marlborough, 22, 26, 182, 186-193, 204

---- College, 188, 192

---- Downs, 17, 197-201, 205, 253

Maud Heath's Causeway, 213-215

Nash, Beau, 238-240, 243, 250

Newbury, 18, 138, 146, 150-166, 253

----, battles of, 161-165

Old-time travellers:--

Campbell, Rev. Thomas, 252-255

Moritz, Pastor, 116-123

Palmer, George, 135

----, John, 10, 242, 243

Pickwick, 218-221

Postage of letters, 10-15, 167

Prior Park, 243, 246

Quemerford, 206

Reading, 18, 29, 130, 134-138

Salt Hill, 92, 106-111, 122

Savernake Forest, 182-185, 194

Sham Castle, 249

Silbury Hill, 198-203

Sipson Green, 91

Speen, 153, 165, 166

Speenhamland, 150, 253

Stackhouse, Rev. Thomas, 153

Taplow, 108, 124

Tetsworth water, 105

Thatcham, 21, 146, 149, 153

Theale, 145, 162

Turnham Green, 58-68

Turnpike gates, 11, 34, 45, 73, 166

Twyford, 130, 134

Wainewright, Thomas Griffiths, 59

Walcot, 228

West Kennet, 197

---- Overton, 197

"Wild Darell," 173-182

Woolhampton, 146-149

Wyatt's Rebellion, 38

"Young's Corner," 58

PRINTED BY WILLIAM CLOWES AND SONS, LIMITED, LONDON AND BECCLES.

FOOTNOTES:

[1] Stranger still, the chief informer was named Porter.

[2] Tawell had poisoned his sweetheart, who, before dying, had time to

denounce him to her friends. They pursued him to the station, but when

they arrived there the train had gone. The telegram sent was in these

words:--

"A murder has just been committed at Salt Hill, and the suspected murderer

was seen to take a first-class ticket for London by the train which left

Slough at 7.42 p.m. He is in the garb of a Quaker, with a brown great-coat

on, which reaches nearly to his feet. He is in the last compartment of the

second-class carriage."

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