THE MILLER'S MELODY, FRAGMENT OF AN OLD BALLAD.

When I was a good little boy, I was a favourite visitor to an old maiden

lady, whose memory retained such a store of old ballads and folk-lore as

would be a treasure to many a reader of "N. & Q." were she still living

and able to communicate. One ballad, parts of which, as well as the

tune, still haunt my memory, I have tried to recover in its integrity

but in vain; and of all the little wearers of frocks and pinafores, who

had the privilege of occasionally assembling round the dear old lady's

tea-table, and for whose amusement she was wont to sing it, I fear I am

the sole survivor. The associations connected with this song may perhaps

have invested it with an undue degree of interest to me, but I think it

sufficiently curious to desire to insert as much as I can remember of it

in "N. & Q." in the hope that some of your correspondents may be able to

supply the deficiencies. I wish I could at the same time convey an idea

of the air. It began in a slow quaint strain, with these words:--

"Oh! was it eke a pheasant cock,

Or eke a pheasant hen,

Or was it the bodye of a faire ladye

Come swimming down the stream?

Oh! it was not a pheasant cock,

Nor eke a pheasant hen,

But it was the bodye of a faire ladye,

Came swimming down the stream."

For the next two verses I am at fault, but their purport was that the

body "stopped hard by a miller's mill," and that this "miller chanced to

come by," and took it out of the water "to make a melodye."

My venerable friend's tune here became a more lively one, and the time

quicker; but I can only recollect a few of the couplets, and those not

correctly, nor in order of sequence, in which the transformation of the

lady into a viol is described:

"And what did he do with her fair bodye?

Fal the lal the lal laral lody.

He made it a case for his melodye,

Fal, &c.

And what did he do with her legs so strong?

Fal, &c.

He made them a stand for his violon,

Fal, &c.

And what did he do with her hair so fine?

Fal, &c.

He made of it strings for his violine,

Fal, &c.

And what did he do with her arms so long?

Fal, &c.

He made them bows for his violon,

Fal, &c.

And what did he do with her nose so thin?

Fal, &c.

He made it a bridge for his violin,

Fal, &c.

And what did he do with her eyes so bright?

Fal, &c.

He made them spectacles to put to his sight,

Fal, &c.

And what did he do with her petty toes?

Fal, &c.

He made them a nosegay to put to his nose,

Fal, &c."

Notes and Queries, Vol. V, Number 127, April 3, 1852 A Medium of Inter-communication for Literary Men, Artists, Antiquaries, Genealogists, etc. · 第 37 / 167 题