Boosts and Boots

“A CUMBERLAND ROMANCE” (Realart). Padded to death. One of ‘those kind of

pictures’ released at the fag end of the summer season. Mary Minter is

as pleasing as usual, and makes most of her opportunities. See it if

nothing better offers.

* * * * *

“WHAT’S YOUR HURRY” (Paramount-Artcraft). Another story of the ‘roaring

road’ by a man who knows the automobile game. Well produced with Wally

Reid his usually capable self. This star is well ahead of the majority

of men stars, and his ability, ‘regular fellow’ manner, and good stories

are putting him further in the lead. A picture not to be missed.

* * * * *

“EARTHBOUND” (Goldwyn). Fantastic in the extreme, daring in conception

and execution. Will be received in almost as many different ways as it

is seen by people. With a psychic theme, it makes the imagination of the

spectator stretch to the utmost to encompass the thought. The thoughtful

will find much to make them pause. It is our opinion the production will

go over the heads of many. Also that it may not be quite the success in

a financial way that is expected. But, in its way, it undoubtedly stands

alone.

* * * * *

“WHAT WOMEN LOVE” (First National). Sol Lesser’s long heralded Annette

Kellerman film. Entertaining and at times thrilling. As may be expected

it is built around the aquatic ability of Miss Kellerman, who is seen

almost throughout in her ‘one piece.’ The under-sea scenes are

excellent. Will please generally.

* * * * *

“THE JACK-KNIFE MAN” (First National). King Vidor has produced a story

rich in every particular. There is humor, there is pathos, there is real

acting. No ‘big stars’ run away with the piece. Human interest

background appeals. A story of small town life that will please.

* * * * *

“THE CHORUS GIRL’S ROMANCE” (Metro). One of the best pictures of the

year. While comedy predominates, there are moments when the spectator

will be stirred out of himself. Viola Dana has done herself proud. Her

cute figure lends itself well to the part she plays, the Chorus Girl.

Story is well knitted, and is from the one which appeared some months

ago in the Saturday Evening Post. Settings, action, photography--all are

of highest standard. A picture that will appeal alike to high and low.

Should not be missed.

* * * * *

“IF I WERE KING” (Fox). Farnum set in story of medieval days. While the

public’s dislike of costume plays is as strongly apparent as ever, this

lavish production should be one of the few to get by from a box office

standpoint. Fox certainly spent a lot of money on it, and the

entertainment provided is well worth while.

* * * * *

“THE MAN WHO DARED” (Fox). Better than almost anything Russell has

appeared in. Fox is living up to advance promises of better productions

for the year. Russell good as a rough tongued, heavy fisted lumberman.

Eileen Percy opposite him. Parts are overdrawn but on the whole it is a

good picture.

Film Truth; September, 1920 · 第 17 / 22 题