CHAPTER XIII

UNDER SUSPICION

Blake, Joe and Charles looked at one another. Then they glanced at

Captain Merceau. For one wild moment Blake had it in mind to suspect the

commander; but a look at his face, which showed plainly how deeply

chagrined he was at the failure to keep the two under surveillance, told

the young moving picture operator that there was no ground for his

thought.

"They got away!" repeated Joe, as though he could hardly believe it.

"Yes, I regret to say that is what my officer reports to me. It is too

bad; but I will at once send out word, and they may be traced and

apprehended. I'll at once send word to the authorities." This he did by

the same messenger who had brought the intelligence that the Frenchman

and the German had secretly left.

When this had been done, and the boys had got themselves ready to go

ashore and report, Captain Merceau told them how it had happened. He

had given orders, following the report made by Blake and his chums, that

Secor and Labenstein should be kept under careful watch. And this was to

be done without allowing them to become aware of it.

"However, I very much doubt if this was the case," the captain frankly

admitted. "They are such scoundrels themselves that they would naturally

suspect others of suspecting them. So they must have become aware of our

plans, and then they made arrangements to elude the guard I set over

them."

"How did they do that?" asked Blake.

"By a trick. One of them pretended to be ill and asked that the surgeon

be summoned. This was the German. And when the guard hurried away on

what he supposed was an errand of mercy, the two rascals slipped away.

They were soon lost in the crowd. But we shall have them back, have no

fear, young gentlemen."

But, all the same, Blake and his chums had grave doubts as to the

ability of the authorities to capture the two men. Not that they had any

fears for themselves, for, as Joe said, they had nothing to apprehend

personally from the men.

"Unless they are after the new films we take," suggested Charles.

"Why should they want them?" asked Blake. "I mean, our films are not

likely to give away any vital secrets," he went on.

"Well, I don't know," answered the lanky helper, "but I have a sort of

hunch that they'll do all they can and everything they can to spoil our

work for Uncle Sam on this side of the water, as they did before."

"Secor spoiled the films before," urged Blake. "He didn't know

Labenstein then, as far as we know."

"Well, he knows him now," said Charles. "I'm going to be on the watch."

"I guess the authorities will be as anxious to catch those fellows as we

are to have them," resumed Blake. "Putting a ship in danger of an attack

from a submarine, as was undoubtedly done when Labenstein waved my

flashlight, isn't a matter to be lightly passed over."

And the authorities took the same view. Soon after Captain Merceau had

sent his report of the occurrence to London to the officials of the

English war office, the boys were summoned before one of the officers

directing the Secret Service and were closely questioned. They were

asked to tell all they knew of the man calling himself Lieutenant Secor

and the one who was on the passenger list as Levi Labenstein. This they

did, relating everything from Charlie's accident with the Frenchman to

the destruction of the submarine by the depth charge just after

Labenstein had flashed his signal, assuming that this was what he had

done.

"Very well, young gentlemen, I am exceedingly obliged to you," said the

English officer. "The matter will be taken care of promptly and these

men may be arrested. In that case, we shall want your evidence, so

perhaps you had better let me know a little more about yourselves. I

presume you have passports and the regulation papers?" and he smiled;

but, as Blake said afterward, it was not exactly a trusting smile.

"He looked as if he'd like to catch us napping," Blake said.

However, the papers of the moving picture boys were in proper shape. But

they were carefully examined, and during the process, when Joe,

addressing Charles Anderson, spoke to him as "Macaroni," the officer

looked up quickly.

"I thought his name was Charles," he remarked, as he referred to the

papers.

"Certainly. But we call him 'Macaroni' sometimes because he looks like

it--especially his legs," Joe explained.

"His legs macaroni?" questioned the English officer, regarding the three

chums over the tops of his glasses. "Do you mean--er--that his legs are

so easily broken--as macaroni is broken?"

"No, not that. It's because they're so thin," Joe added.

Still the officer did not seem to comprehend.

"It's a joke," added Blake.

Then the Englishman's face lit up.

"Oh, a joke!" he exclaimed. "Why didn't you say so at first? Now I

comprehend. A joke! Oh, that's different! His legs are like macaroni, so

you call him spaghetti! I see! Very good! Very good!" and he laughed in

a ponderous way.

"At the same time," he went on, "I think I shall make a note of it. I

will just jot it down on the margin of his papers, that he is called

'Macaroni' as a joke. Some other officer might not see the point," he

added. "I'm quite fond of a joke myself! This is a very good one. I

shall make a note of it." And this he proceeded to do in due form.

"Well, if that isn't the limit!" murmured Joe, when the officer, having

returned their papers to them, sent them to another department to get

the necessary passes by which they could claim their baggage and make

application to go to the front.

"It's a good thing this officer had a sense of humor," remarked Blake,

half sarcastically, "or we might have had to send back for a special

passport for one stick of macaroni."

If Blake and his chums had an idea they would at once be permitted to

depart for "somewhere in France" and begin the work of taking moving

pictures of Uncle Sam's boys in training and in the trenches, they were

very soon disillusioned. It was one thing to land in England during war

times, but it was another matter to get out, especially when they were

not English subjects.

It is true that Mr. Hadley had made arrangements for the films to be

made, and they were to be taken for and under the auspices of the United

States War Department.

But England has many institutions, and those connected with war are

bound up in much red tape, in which they are not unlike our own, in some

respects.

The applications of Blake and his chums to depart for the United States

base in France were duly received and attached to the application

already made by Mr. Hadley and approved by the American commanding

officer.

"And what happens next?" asked Blake, when they had filled out a number

of forms in the English War Office. "I mean, where do we go from here?"

"Ah, that's one of your songs, isn't it?" asked an English officer, one

who looked as though he could understand a joke better than could the

one to whom macaroni so appealed.

"Yes, it's a song, but we don't want to stay here too long singing it,"

laughed Joe.

"Well, I'll do my best for you," promised the officer, who was a young

man. He had been twice wounded at the front and was only awaiting a

chance to go back, he said. "I'll do my best, but it will take a little

time. We'll have to send the papers to France and wait for their

return."

"And what are we to do in the meanwhile?" asked Blake.

"I fancy you'll just have to stay here and--what is it you say--split

kindling?"

"'Saw wood,' I guess you mean," said Joe. "Well, if we have to, we have

to. But please rush it along, will you?"

"I'll do my best," promised the young officer. "Meanwhile, you had

better let me have your address--I mean the name of the hotel where you

will be staying--and I'll send you word as soon as I get it myself. I

had better tell you, though, that you will not be allowed to take any

pictures--moving or other kind--until you have received permission."

"We'll obey that ruling," Blake promised. He had hoped to get some views

of ruins caused by a Zeppelin. However, there was no hope of that.

On the recommendation of the young officer they took rooms in London at

a hotel in a vicinity to enable them to visit the War Department

easily. And then, having spent some time in these formalities and being

again assured that they would be notified when they were wanted, either

to be given permission to go to France or to testify against the two

suspects, the moving picture boys went to their hotel.

It was not the first time they had been in a foreign country, though

never before had they visited London, and they were much interested in

everything they saw, especially everything which pertained to the war.

And evidences of the war were on every side: injured and uninjured

soldiers; poster appeals for enlistments, for the saving of food or

money to win the war; and many other signs and mute testimonies of the

great conflict.

The boys found their hotel a modest but satisfactory one, and soon got

in the way of living there, planning to stay at least a week. They

learned that their food would be limited in accordance with war

regulations, but they had expected this.

There was something else, though, which they did not expect, and which

at first struck them as being decidedly unpleasant. It was the second

day of their stay in London that, as they were coming back to their

hotel from a visit to a moving picture show, Joe remarked:

"Say, fellows, do you notice that man in a gray suit and a black slouch

hat across the street?"

"I see him," admitted Blake.

"Have you seen him before?" Joe asked.

"Yes, I have," said Blake. "He was in the movies with us, and I saw him

when we left the hotel."

"So did I," went on Joe. "And doesn't it strike you as being peculiar?"

"In what way?" asked Charles.

"I mean he seems to be following us."

"What in the world for?" asked the assistant.

"Well," went on Joe slowly, "I rather think we're under suspicion.

That's the way it strikes me!"

The moving picture boys on the war front · 第 13 / 25 章