CANTON, SHANGHAI, SINGAPORE, MACAO.

This is a traveller, sir; knows men and

Manners, and has ploughed up the sea so far

Till both the poles have knocked; has seen the sun

Take coach, and can distinguish the color

Of his horses and their kind.

BEAUMONT AND FLETCHER’S “_Scornful Lady_.”

The city of Canton is only eight hours by steamer from Hong Kong.

Arriving in the Canton river you find yourself in a floating population

in boats, close together, as though ground rents were as dear as in

Broadway. When you enter a boat for a passage up the river you marvel

that the boat can extricate itself from the snarl; but you are in a

few moments on your way, meeting a seemingly endless throng of people,

among whom you involuntarily close your eyes as if in anticipation

of a crash. We were the guests of the Rev. Dr. Happer of the American

Presbyterian Mission, who on our arrival at Hong Kong had kindly sent

and invited us. We were also entertained by the other members of the

Mission, Messrs. Noyes, Marcellus, and McChesney. We visited Dr. Ker’s

Hospital. Over a hundred Chinese were sitting in a commodious room

listening to a native evangelist, and going out by tens to receive

medical treatment. This hospital was formerly sustained by the American

Board of Foreign Missions, with Dr. Peter Parker for surgeon and

physician.

Being introduced to Archdeacon Gray, he very kindly went with us two

afternoons among the temples and many remarkable places. We saw the

temple in which are five hundred bronzed images of gods or deified

men, each in a posture or holding an emblem representing some action

or attribute. We saw the water-clock made by tubs of water placed one

above another, each dripping into the one below it, and the lowest

holding a graduated stick which rose through a hole in the lid, and as

each hour-mark on the stick appears through the hole, a man goes up to

the roof with a painted sign announcing to the people the time of day.

This seems to be an heirloom from past ages when the “Clepsydra” was

in use, of which this is a specimen. Adherence to this useless thing

is one illustration of the Chinese attachment to antiquity. As you

go about the city, you see things which carry you back two thousand

years, oxen treading clay, men sifting wheat in sieves fastened on

the ends of planks laid on rolling stones, and a man standing on each

and keeping up a motion on the planks like “tilting,” or “seesaw,”

a laborious process of doing a simple thing. Then you see works of

art surpassing modern western skill; as, for example, an elephant’s

tusk undergoing three years of carving; price, one hundred and fifty

dollars. Then you visit an eating-house, which Archdeacon Gray begs

you to endure, to know that some things related of the Chinese are

not fictions. He goes to a man who is eating, and courteously taking

up his plate, says, “What is this?” The man laughs and says, “Rat.”

He goes to another, and, taking his plate, says, “What is this?” The

man cheerfully replies, “Black cat.” Another man says, “Dog.” Around

the room, on hooks, are evident signs that the men were truthful. You

make swift retreat, but are constrained by your guide to look into an

opium shop, where the customer, as he comes in, mounts a table, lies at

full length, with his head on a wicker pillow hollowed in the middle

to fit the neck, then is furnished with a pipe and lamp and box of

opium, which he smokes till he is stupefied. Emerging from such scenes

of degradation into the narrow street, ten feet wide, you may see a

woman at a door with a child three years old, with whom she is playing

“pease porridge hot,” going through the motions as we learned them in

childhood; and you wonder whether Mother Goose derived her knowledge

from the disciples of Confucius, or whether she did actually live and

die, as is now asserted, in Rowe Street, Boston. This Chinese woman and

her child playing at “pease porridge hot,” is one of those touches of

nature which make “all the world akin.” You next reach a place where

intellectual competition throws some of our university feats into the

shade.

[Illustration:

OPIUM SMOKERS. Page 200.

]

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