I read terror in his eyes. He was afraid of my going away.

"No need! Stay another five minutes . . . ten. If it doesn't disgust

you, do stay, I entreat you."

As he begged me he was trembling and his teeth were chattering. I

obeyed, and sat down on the edge of the sofa. Ten minutes passed

in silence. I sat silent, looking about the room into which fate

had brought me so unexpectedly. What poverty! This man who was the

possessor of a handsome, effeminate face and a luxuriant well-tended

beard, had surroundings which a humble working man would not have

envied. A sofa with its American-leather torn and peeling, a humble

greasy-looking chair, a table covered with a little of paper, and

a wretched oleograph on the wall, that was all I saw. Damp, gloomy,

and grey.

"What a wind!" said the sick man, without opening his eyes, "How

it whistles!"

"Yes," I said. "I say, I fancy I know you. Didn't you take part in

some private theatricals in General Luhatchev's villa last year?"

"What of it?" he asked, quickly opening his eyes.

A cloud seemed to pass over his face.

"I certainly saw you there. Isn't your name Vassilyev?"

"If it is, what of it? It makes it no better that you should know

me."

"No, but I just asked you."

Vassilyev closed his eyes and, as though offended, turned his face

to the back of the sofa.

"I don't understand your curiosity," he muttered. "You'll be asking

me next what it was drove me to commit suicide!"

Before a minute had passed, he turned round towards me again, opened

his eyes and said in a tearful voice:

"Excuse me for taking such a tone, but you'll admit I'm right! To

ask a convict how he got into prison, or a suicide why he shot

himself is not generous . . . and indelicate. To think of gratifying

idle curiosity at the expense of another man's nerves!"

"There is no need to excite yourself. . . . It never occurred to

me to question you about your motives."

"You would have asked. . . . It's what people always do. Though it

would be no use to ask. If I told you, you would not believe or

understand. . . . I must own I don't understand it myself. . . .

There are phrases used in the police reports and newspapers such

as: 'unrequited love,' and 'hopeless poverty,' but the reasons are

not known. . . . They are not known to me, nor to you, nor to your

newspaper offices, where they have the impudence to write 'The diary

of a suicide.' God alone understands the state of a man's soul when

he takes his own life; but men know nothing about it."

"That is all very nice," I said, "but you oughtn't to talk. . . ."

But my suicide could not be stopped, he leaned his head on his fist,

and went on in the tone of some great professor:

"Man will never understand the psychological subtleties of suicide!

How can one speak of reasons? To-day the reason makes one snatch

up a revolver, while to-morrow the same reason seems not worth a

rotten egg. It all depends most likely on the particular condition

of the individual at the given moment. . . . Take me for instance.

Half an hour ago, I had a passionate desire for death, now when the

candle is lighted, and you are sitting by me, I don't even think

of the hour of death. Explain that change if you can! Am I better

off, or has my wife risen from the dead? Is it the influence of the

light on me, or the presence of an outsider?"

"The light certainly has an influence . . ." I muttered for the

sake of saying something. "The influence of light on the organism

. . . ."

"The influence of light. . . . We admit it! But you know men do

shoot themselves by candle-light! And it would be ignominious indeed

for the heroes of your novels if such a trifling thing as a candle

were to change the course of the drama so abruptly. All this nonsense

can be explained perhaps, but not by us. It's useless to ask questions

or give explanations of what one does not understand. . . ."

"Forgive me," I said, "but . . . judging by the expression of your

face, it seems to me that at this moment you . . . are posing."

"Yes," Vassilyev said, startled. "It's very possible! I am naturally

vain and fatuous. Well, explain it, if you believe in your power

of reading faces! Half an hour ago I shot myself, and just now I

am posing. . . . Explain that if you can."

These last words Vassilyev pronounced in a faint, failing voice.

He was exhausted, and sank into silence. A pause followed. I began

scrutinising his face. It was as pale as a dead man's. It seemed

as though life were almost extinct in him, and only the signs of

the suffering that the "vain and fatuous" man was feeling betrayed

that it was still alive. It was painful to look at that face, but

what must it have been for Vassilyev himself who yet had the strength

to argue and, if I were not mistaken, to pose?

"You here--are you here?" he asked suddenly, raising himself on

his elbow. "My God, just listen!"

I began listening. The rain was pattering angrily on the dark window,

never ceasing for a minute. The wind howled plaintively and

lugubriously.

"'And I shall be whiter than snow, and my ears will hear gladness

and rejoicing.'" Madame Mimotih, who had returned, was reading in

the drawing-room in a languid, weary voice, neither raising nor

dropping the monotonous dreary key.

"It is cheerful, isn't it?" whispered Vassilyev, turning his

frightened eyes towards me. "My God, the things a man has to see

and hear! If only one could set this chaos to music! As Hamlet says,

'it would--

"Confound the ignorant, and amaze indeed,

The very faculties of eyes and ears."

How well I should have understood that music then! How I should

have felt it! What time is it?"

"Five minutes to three."

"Morning is still far off. And in the morning there's the funeral.

A lovely prospect! One follows the coffin through the mud and rain.

One walks along, seeing nothing but the cloudy sky and the wretched

scenery. The muddy mutes, taverns, woodstacks. . . . One's trousers

drenched to the knees. The never-ending streets. The time dragging

out like eternity, the coarse people. And on the heart a stone, a

stone!"

After a brief pause he suddenly asked: "Is it long since you saw

General Luhatchev?"

"I haven't seen him since last summer."

"He likes to be cock of the walk, but he is a nice little old chap.

And are you still writing?"

"Yes, a little."

"Ah. . . . Do you remember how I pranced about like a needle, like

an enthusiastic ass at those private theatricals when I was courting

Zina? It was stupid, but it was good, it was fun. . . . The very

memory of it brings back a whiff of spring. . . . And now! What a

cruel change of scene! There is a subject for you! Only don't you

go in for writing 'the diary of a suicide.' That's vulgar and

conventional. You make something humorous of it."

"Again you are . . . posing," I said. "There's nothing humorous in

your position."

"Nothing laughable? You say nothing laughable?" Vassilyev sat up,

and tears glistened in his eyes. An expression of bitter distress

came into his pale face. His chin quivered.

"You laugh at the deceit of cheating clerks and faithless wives,"

he said, "but no clerk, no faithless wife has cheated as my fate

has cheated me! I have been deceived as no bank depositor, no duped

husband has ever been deceived! Only realise what an absurd fool I

have been made! Last year before your eyes I did not know what to

do with myself for happiness. And now before your eyes. . . ."

Vassilyev's head sank on the pillow and he laughed.

"Nothing more absurd and stupid than such a change could possibly

be imagined. Chapter one: spring, love, honeymoon . . . honey, in

fact; chapter two: looking for a job, the pawnshop, pallor, the

chemist's shop, and . . . to-morrow's splashing through the mud to

the graveyard."

He laughed again. I felt acutely uncomfortable and made up my mind

to go.

"I tell you what," I said, "you lie down, and I will go to the

chemist's."

He made no answer. I put on my great-coat and went out of his room.

As I crossed the passage I glanced at the coffin and Madame Mimotih

reading over it. I strained my eyes in vain, I could not recognise

in the swarthy, yellow face Zina, the lively, pretty _ingénue_ of

Luhatchev's company.

"_Sic transit_," I thought.

With that I went out, not forgetting to take the revolver, and made

my way to the chemist's. But I ought not to have gone away. When I

came back from the chemist's, Vassilyev lay on the sofa fainting.

The bandages had been roughly torn off, and blood was flowing from

the reopened wound. It was daylight before I succeeded in restoring

him to consciousness. He was raving in delirium, shivering, and

looking with unseeing eyes about the room till morning had come,

and we heard the booming voice of the priest as he read the service

over the dead.

When Vassilyev's rooms were crowded with old women and mutes, when

the coffin had been moved and carried out of the yard, I advised

him to remain at home. But he would not obey me, in spite of the

pain and the grey, rainy morning. He walked bareheaded and in silence

behind the coffin all the way to the cemetery, hardly able to move

one leg after the other, and from time to time clutching convulsively

at his wounded side. His face expressed complete apathy. Only once

when I roused him from his lethargy by some insignificant question

he shifted his eyes over the pavement and the grey fence, and for

a moment there was a gleam of gloomy anger in them.

"'Weelright,'" he read on a signboard. "Ignorant, illiterate

people, devil take them!"

Love, and Other Stories · 第 11 / 35 题